Hanzi bomu bomu. Kulowa, 1st movement
- Young Chewa men, Tracey, Hugh
- Authors: Young Chewa men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187281 , vital:44595 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-07
- Description: The singers explained "The 'Hanzi bomu bomu' song is our latest composition which is being sung all over the country. Please make sure you learn how to sing it." "Hanzi bomu bomu" means 'Hand bombs' or 'hand grenades.' This refers to the 1939-45 war. Many of the singers were in the K. A. R. (Kings African Rifles) but they had only a distant and hazy idea of the effect of explosives. Muganda dance with Malipenga singing horns (-11.13-) and 2 bass drums
- Full Text: false
- Date Issued: 1950
- Authors: Young Chewa men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187281 , vital:44595 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-07
- Description: The singers explained "The 'Hanzi bomu bomu' song is our latest composition which is being sung all over the country. Please make sure you learn how to sing it." "Hanzi bomu bomu" means 'Hand bombs' or 'hand grenades.' This refers to the 1939-45 war. Many of the singers were in the K. A. R. (Kings African Rifles) but they had only a distant and hazy idea of the effect of explosives. Muganda dance with Malipenga singing horns (-11.13-) and 2 bass drums
- Full Text: false
- Date Issued: 1950
Muvalenge waiti. Chita wala, 2nd movement
- Witmani Phiri, Chewa young men, Tracey, Hugh
- Authors: Witmani Phiri , Chewa young men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187269 , vital:44594 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-06
- Description: "Our 'Johannesburg' band dances much better than all the others. We wear white clothes." Sung by a small group of dancers who call themselves the 'Johannesburg' team. Chewa men working on the gold mines of Johannesburg often make up 'Malipenga' dance teams and drill themselves to tunes such as these. Muganda dance with Malipenga singing gourds (-11.14-) and two bass drums
- Full Text: false
- Date Issued: 1950
- Authors: Witmani Phiri , Chewa young men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187269 , vital:44594 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-06
- Description: "Our 'Johannesburg' band dances much better than all the others. We wear white clothes." Sung by a small group of dancers who call themselves the 'Johannesburg' team. Chewa men working on the gold mines of Johannesburg often make up 'Malipenga' dance teams and drill themselves to tunes such as these. Muganda dance with Malipenga singing gourds (-11.14-) and two bass drums
- Full Text: false
- Date Issued: 1950
Chin'ombe. Kukowa wala, 1st movement
- Benson Phiri, Chewa young men, Tracey, Hugh
- Authors: Benson Phiri , Chewa young men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187254 , vital:44591 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-04
- Description: The dancers were composed of about 50 young men from the ages of 10 to 20 years. Three dancers pranced in front. A notable feature was the large butterfly bows tied onto the top of the heads of several of the dancers. Muganda dance with Malipenga singing gourds (-11.14-) and two bass drums
- Full Text: false
- Date Issued: 1950
- Authors: Benson Phiri , Chewa young men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187254 , vital:44591 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-04
- Description: The dancers were composed of about 50 young men from the ages of 10 to 20 years. Three dancers pranced in front. A notable feature was the large butterfly bows tied onto the top of the heads of several of the dancers. Muganda dance with Malipenga singing gourds (-11.14-) and two bass drums
- Full Text: false
- Date Issued: 1950
Malaya
- Witmani Phiri, Chewa young men, Tracey, Hugh
- Authors: Witmani Phiri , Chewa young men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187263 , vital:44592 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-05
- Description: "We have no clothes to wear, which is very disappointing. If we work hard we will get money but it will not be enough to buy all the clothes we need." The great economic incentive in many parts of Africa among the young men is fine clothes. Many indeed go to the towns and mines for this primary purpose. Muganda dance with Malipenga singing gourds (-11.14-) and two bass drums
- Full Text: false
- Date Issued: 1950
- Authors: Witmani Phiri , Chewa young men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187263 , vital:44592 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-05
- Description: "We have no clothes to wear, which is very disappointing. If we work hard we will get money but it will not be enough to buy all the clothes we need." The great economic incentive in many parts of Africa among the young men is fine clothes. Many indeed go to the towns and mines for this primary purpose. Muganda dance with Malipenga singing gourds (-11.14-) and two bass drums
- Full Text: false
- Date Issued: 1950
Dale wandizonda
- Manyanda Nyirenda, Young men and women, Hugh Tracey
- Authors: Manyanda Nyirenda , Young men and women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184884 , vital:44282 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-09
- Description: "My darling does not love me any more! Why is this? I put on white clothes but it does not help." The style of singing appears to be influenced by the local schools, and it is doubtful whether this item is wholely Tonga in form. Kwaya dance for young men and women
- Full Text: false
- Date Issued: 1950
- Authors: Manyanda Nyirenda , Young men and women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184884 , vital:44282 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-09
- Description: "My darling does not love me any more! Why is this? I put on white clothes but it does not help." The style of singing appears to be influenced by the local schools, and it is doubtful whether this item is wholely Tonga in form. Kwaya dance for young men and women
- Full Text: false
- Date Issued: 1950
Tilenjela anthudazi. Citawala 2nd movement
- Young Chewa men, Tracey, Hugh
- Authors: Young Chewa men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187290 , vital:44597 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-08
- Description: "We are greeting you all. Our 'Gwelo' Band will dance different steps for you." Many of these groups themselves the names of towns in the south. This one calls itself after Gwelo in the Southern Rhodesian midlands. Muganda dance with Malipenga singing horns (-11.13-) and 2 bass drums
- Full Text: false
- Date Issued: 1950
- Authors: Young Chewa men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187290 , vital:44597 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-08
- Description: "We are greeting you all. Our 'Gwelo' Band will dance different steps for you." Many of these groups themselves the names of towns in the south. This one calls itself after Gwelo in the Southern Rhodesian midlands. Muganda dance with Malipenga singing horns (-11.13-) and 2 bass drums
- Full Text: false
- Date Issued: 1950
Koloni wanguya ku Masoku
- Authors: Maluba Mwale , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chiundasi f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184848 , vital:44278 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-05
- Description: "There were two young men Koloni and Sandifolo who went to look for work." This player uses a short length or silver of bamboo as a bow, which was so efficient that he needed only to wet it with spittle once during the playing. The name Sandifolo would appear to be a local corruption of the English name Stanford or something similar. Beni dance song for men and women with Karigo one stringed bowed lute
- Full Text: false
- Date Issued: 1950
- Authors: Maluba Mwale , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chiundasi f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184848 , vital:44278 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-05
- Description: "There were two young men Koloni and Sandifolo who went to look for work." This player uses a short length or silver of bamboo as a bow, which was so efficient that he needed only to wet it with spittle once during the playing. The name Sandifolo would appear to be a local corruption of the English name Stanford or something similar. Beni dance song for men and women with Karigo one stringed bowed lute
- Full Text: false
- Date Issued: 1950
Wapita lero kalindabwinja
- Homwale, Hodede (Performer), Tracey, Huges (Recordist)
- Authors: Homwale, Hodede (Performer) , Tracey, Huges (Recordist)
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187070 , vital:44562 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-22
- Description: The player was interrupted by the poor performance of his instrument as the palm leaf friction pad on the string was not behaving as he liked and he murmured so during the song. In the old days the Karigo lute was a favourite instrument of the wandering ministrel who would entertain the people with singing and dancing. Karigo dance song for men and women with one string Karigo lute
- Full Text: false
- Date Issued: 1950
- Authors: Homwale, Hodede (Performer) , Tracey, Huges (Recordist)
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187070 , vital:44562 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-22
- Description: The player was interrupted by the poor performance of his instrument as the palm leaf friction pad on the string was not behaving as he liked and he murmured so during the song. In the old days the Karigo lute was a favourite instrument of the wandering ministrel who would entertain the people with singing and dancing. Karigo dance song for men and women with one string Karigo lute
- Full Text: false
- Date Issued: 1950
Uku ndapita ine
- Ganizani Nyirenda, Hugh Tracey
- Authors: Ganizani Nyirenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186603 , vital:44516 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-16
- Description: Self delectative song with 10 note Kalimba (Mbira)
- Full Text: false
- Date Issued: 1950
- Authors: Ganizani Nyirenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186603 , vital:44516 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-16
- Description: Self delectative song with 10 note Kalimba (Mbira)
- Full Text: false
- Date Issued: 1950
Mailole
- Young Chewa women, Tracey, Hugh
- Authors: Young Chewa women , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187316 , vital:44603 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-11
- Description: "I will go to Zomba to dance Jiri with my friend Mailole." The girls clap the first four beats in the bar. Jiri dance song for younger women with clapping and whistles (-11.515-)
- Full Text: false
- Date Issued: 1950
- Authors: Young Chewa women , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187316 , vital:44603 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-11
- Description: "I will go to Zomba to dance Jiri with my friend Mailole." The girls clap the first four beats in the bar. Jiri dance song for younger women with clapping and whistles (-11.515-)
- Full Text: false
- Date Issued: 1950
Gone yapa
- Kaphatikila Kanyingi, Hugh Tracey
- Authors: Kaphatikila Kanyingi , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186635 , vital:44520 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-20
- Description: The one stringed lute has a wooden bowl for a resonator with a sound hole on its side. The string is strained with a peg but final tuning is achieved by means of a straining string. It is bowed by a reed or bamboo bow with spittle and the fingering is achieved by gripping the string with the inside of the second segment of the second and fouth fingers. Self delecatative song with Karigo one stringed bowed Lute
- Full Text: false
- Date Issued: 1950
- Authors: Kaphatikila Kanyingi , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186635 , vital:44520 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-20
- Description: The one stringed lute has a wooden bowl for a resonator with a sound hole on its side. The string is strained with a peg but final tuning is achieved by means of a straining string. It is bowed by a reed or bamboo bow with spittle and the fingering is achieved by gripping the string with the inside of the second segment of the second and fouth fingers. Self delecatative song with Karigo one stringed bowed Lute
- Full Text: false
- Date Issued: 1950
Wezulu walila
- Boys of Dedza Secondary School, Hugh Tracey
- Authors: Boys of Dedza Secondary School , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184958 , vital:44293 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-17
- Description: This song was sung, they say, when the white man first came to their country at the turn of the century. Unlike the local people they used whistle to give words of command and it was a novelity at the time, and so found its way into folk song. Dance song for Ngoma with clapping
- Full Text: false
- Date Issued: 1958
- Authors: Boys of Dedza Secondary School , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184958 , vital:44293 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-17
- Description: This song was sung, they say, when the white man first came to their country at the turn of the century. Unlike the local people they used whistle to give words of command and it was a novelity at the time, and so found its way into folk song. Dance song for Ngoma with clapping
- Full Text: false
- Date Issued: 1958
A Mwase ndibwerekani mthenga wanu
- Authors: Chewa girls , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187353 , vital:44614 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-15
- Description: "Mwase give me permission to send your messenger to call my dear love, I am tired of waiting." A graceful circle dance performed by young girls, pairs of dancers coming out into the circle at a time. Mcoma dance song for women and girls, with 2 golblet drums, one weighted and whistles (-11.515-)
- Full Text: false
- Date Issued: 1950
- Authors: Chewa girls , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187353 , vital:44614 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-15
- Description: "Mwase give me permission to send your messenger to call my dear love, I am tired of waiting." A graceful circle dance performed by young girls, pairs of dancers coming out into the circle at a time. Mcoma dance song for women and girls, with 2 golblet drums, one weighted and whistles (-11.515-)
- Full Text: false
- Date Issued: 1950
Gwilane kangacepe gwilane
- Rabison Bande, Chewa men, Hugh Tracey
- Authors: Rabison Bande , Chewa men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186371 , vital:44491 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-11
- Description: This song and others of its kind were used by groups of men as 'carols' in that they would go around the villages at the new year singing for the people and and expecting small gifts in return. Originally it was an initiation song but later became associated with the new year only as the initiation ceremonies have now disappeared in this district on account of the missions. Initiation song with clapping
- Full Text: false
- Date Issued: 1950
- Authors: Rabison Bande , Chewa men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186371 , vital:44491 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-11
- Description: This song and others of its kind were used by groups of men as 'carols' in that they would go around the villages at the new year singing for the people and and expecting small gifts in return. Originally it was an initiation song but later became associated with the new year only as the initiation ceremonies have now disappeared in this district on account of the missions. Initiation song with clapping
- Full Text: false
- Date Issued: 1950
Bwelela
- Rabison Bande, Chewa men, Hugh Tracey
- Authors: Rabison Bande , Chewa men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186380 , vital:44492 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-12
- Description: There is still sufficient game in this district to lend meaning to hunting songs. Lions are not uncommon and two lion skins had recently been brought for the chief. A second leader took over at a slightly flatter pitch and the chorus of men adjusted themselves at once to the new level. Hunting song (after hunting) with clapping
- Full Text: false
- Date Issued: 1950
- Authors: Rabison Bande , Chewa men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186380 , vital:44492 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-12
- Description: There is still sufficient game in this district to lend meaning to hunting songs. Lions are not uncommon and two lion skins had recently been brought for the chief. A second leader took over at a slightly flatter pitch and the chorus of men adjusted themselves at once to the new level. Hunting song (after hunting) with clapping
- Full Text: false
- Date Issued: 1950
Citawala. 2nd movement
- Benson Phiri, Chewa men, Tracey, Hugh
- Authors: Benson Phiri , Chewa men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187236 , vital:44588 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-02
- Description: "Men and women, together with the chief, you have come here to see the clever dancers. We come from towns where we sing like church organs." Melody for the 2nd movement. There are two movements in the Muganda dance, the second is performed with drums only and without the Malipenga gourds. Muganda dance, with 1 Bass drum (rubber beaters), I small bass drum (stick beaters) and Malipenga singing gourds with mirliton (-11.14-)
- Full Text: false
- Date Issued: 1950
- Authors: Benson Phiri , Chewa men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187236 , vital:44588 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-02
- Description: "Men and women, together with the chief, you have come here to see the clever dancers. We come from towns where we sing like church organs." Melody for the 2nd movement. There are two movements in the Muganda dance, the second is performed with drums only and without the Malipenga gourds. Muganda dance, with 1 Bass drum (rubber beaters), I small bass drum (stick beaters) and Malipenga singing gourds with mirliton (-11.14-)
- Full Text: false
- Date Issued: 1950
A Kawoko ndi ndhondo
- Authors: Chewa girls , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187344 , vital:44613 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-14
- Description: This dance song reflects a local tragedy. There was a certain white man, popularly called 'Kawoko', a game warden in this district, they say, who had only one hand. There had been a recent campaign to shoot baboons (in 1949) which were destroying the fields. During the shooting, they allege, he missed the baboons but shot some of the men who were driving the baboons out of the bush. The African beaters also had guns and were shooting and some say it was their eratic shooting which caused the casualities. Three men died that day and Kawoko was blamed as he was in charge of the group. He left the district shortly afterwards. Mcoma dance song for women and girls, with 2 golblet drums, one weighted and whistles (-11.515-)
- Full Text: false
- Date Issued: 1950
- Authors: Chewa girls , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187344 , vital:44613 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-14
- Description: This dance song reflects a local tragedy. There was a certain white man, popularly called 'Kawoko', a game warden in this district, they say, who had only one hand. There had been a recent campaign to shoot baboons (in 1949) which were destroying the fields. During the shooting, they allege, he missed the baboons but shot some of the men who were driving the baboons out of the bush. The African beaters also had guns and were shooting and some say it was their eratic shooting which caused the casualities. Three men died that day and Kawoko was blamed as he was in charge of the group. He left the district shortly afterwards. Mcoma dance song for women and girls, with 2 golblet drums, one weighted and whistles (-11.515-)
- Full Text: false
- Date Issued: 1950
Title 1. Amacila kuwowa, Title 2. Kwathu ntele
- Rabsoni Banda, Chewa men, Hugh Tracey
- Authors: Rabsoni Banda , Chewa men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186453 , vital:44500 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-05
- Description: Two Songs for carrying Mashila. The old practice of carrying white men, chiefs or notables about in litters has now ceased with the advent of roads and mechanical transport, but the song was sung by the father of the present singers up till about 1930, they say. Two Mashila (Sedan chair) carrying songs.
- Full Text: false
- Date Issued: 1950
- Authors: Rabsoni Banda , Chewa men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186453 , vital:44500 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-05
- Description: Two Songs for carrying Mashila. The old practice of carrying white men, chiefs or notables about in litters has now ceased with the advent of roads and mechanical transport, but the song was sung by the father of the present singers up till about 1930, they say. Two Mashila (Sedan chair) carrying songs.
- Full Text: false
- Date Issued: 1950
Oo! madoda!
- Falesi Phiri, Chewa women and girls, Tracey, Hugh
- Authors: Falesi Phiri , Chewa women and girls , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187298 , vital:44598 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-09
- Description: "Men, rejoice and honour the flag of our King George!" This is the kind of African dance tune in which the qauntity of noise is more important than the quality of its production. The style of singing appears to be influenced by the songs usually taught in schools and cannot be said to be wholly indigenous in form. The women first sing and then circle around to the sound of the drums. They shake to and fro side to side, their fronts counter balancing their sterns in opposite motion. The comparative simplicity of the music and drumming indicates the subtle influence of school (foreign) music teaching. Kasodo dance song for women and girls with Barrel drum, double heade, laced, and a tin (-12.16-) and whistles (-11.515-)
- Full Text: false
- Date Issued: 1950
- Authors: Falesi Phiri , Chewa women and girls , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187298 , vital:44598 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-09
- Description: "Men, rejoice and honour the flag of our King George!" This is the kind of African dance tune in which the qauntity of noise is more important than the quality of its production. The style of singing appears to be influenced by the songs usually taught in schools and cannot be said to be wholly indigenous in form. The women first sing and then circle around to the sound of the drums. They shake to and fro side to side, their fronts counter balancing their sterns in opposite motion. The comparative simplicity of the music and drumming indicates the subtle influence of school (foreign) music teaching. Kasodo dance song for women and girls with Barrel drum, double heade, laced, and a tin (-12.16-) and whistles (-11.515-)
- Full Text: false
- Date Issued: 1950
Chinyau
- Chewa men and women, Tracey, Hugh
- Authors: Chewa men and women , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187326 , vital:44605 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-12
- Description: The mask of the male dancer consists of a headpiece covered with sheep's wool, crowned with guibea-fowl feathers and a rag costume of sacking. The male dancer may not approach near the women hence the distance away of the singing chorus. Four drummers provide the rhythm and the assembled women sing the chorus. Kacipapa is the name of the mask in which the principal dancer dances, and gives its name to the dance itself, a ,ask dance. The masked man sings in a feigned falsetto, voice in order to hide his identity from the crowd. The names of the two drums were:- Mpanje-the tall drum; and Mbalwe the Mtiwiso for the larger and smaller goblet drums. There appear to be several versions of the Chinyau dance in central Nyasaland. Kacipapa dance song, Mask dance, danced for obsequies of a dead chief or headman with 2 goblet drums and 2 tall cylindrical drums
- Full Text: false
- Date Issued: 1950
- Authors: Chewa men and women , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187326 , vital:44605 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-12
- Description: The mask of the male dancer consists of a headpiece covered with sheep's wool, crowned with guibea-fowl feathers and a rag costume of sacking. The male dancer may not approach near the women hence the distance away of the singing chorus. Four drummers provide the rhythm and the assembled women sing the chorus. Kacipapa is the name of the mask in which the principal dancer dances, and gives its name to the dance itself, a ,ask dance. The masked man sings in a feigned falsetto, voice in order to hide his identity from the crowd. The names of the two drums were:- Mpanje-the tall drum; and Mbalwe the Mtiwiso for the larger and smaller goblet drums. There appear to be several versions of the Chinyau dance in central Nyasaland. Kacipapa dance song, Mask dance, danced for obsequies of a dead chief or headman with 2 goblet drums and 2 tall cylindrical drums
- Full Text: false
- Date Issued: 1950