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All for You

- E T Mensah's and his Tempos Band, Composer not specified, Tracey, Hugh

Tea-Samba

- E T Mensah's and his Tempos Band, Composer not specified, Tracey, Hugh

Aspects of reality as reflected by the human form in painting

- Fourie, F T

  • Authors: Fourie, F T
  • Date: 1966
  • Language: English
  • Type: Thesis , Masters , MFA
  • Identifier: vital:21174 , http://hdl.handle.net/10962/6739
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  • Date Issued: 1966

Hooked on Gqom: an ethnographic study of a contemporary urban youth musical identity in South Africa

- Katushabe,Bathandwa Mathias Ngasiirwe

  • Authors: Katushabe,Bathandwa Mathias Ngasiirwe
  • Date: 2022-12
  • Subjects: Electric dance Music -- South Africa -- Durban , Kwaito Music -- Social Ascpects -- South Africa
  • Language: English
  • Type: Master's theses , text
  • Identifier: http://hdl.handle.net/10948/59326 , vital:62045
  • Description: Gqom music has grown from being a relatively obscure sub-genre of South African Kwaito into a globally recognised sonic identity and social movement. Gqom, as a distinct music style, has featured heavily in mass media since 2015, spawning social phenomena such as viral dance challenges on various social media platforms, and constituting a launch pad for the careers of musicians such as DJ Lag and the Distruction Boyz. Gqom also featured in the international motion picture Black Panther in 2018, and in the 2019 Lion King: The Gift album by American pop icon Beyoncé. Although the origins of Gqom, its characteristics, impact, and ascension to noteworthiness have received attention in the form of newspaper articles, online blogs, YouTube documentaries, etc, and small treatises or academic articles, little literature has been generated about the music and its theoretical construction as sonic and social phenomena. I argue that by using the theoretical scaffolds of ‘identity politics’, specifically ‘identities in music’, one is better able to understand Gqom as reflective of a broader social urban youth identity characterised by partying and political disillusionment. In other words, I make the case for an intergroup identification that prioritises in-group musical identities associated with Gqom and its phenomenology of practices which I have excavated using an ethnographic qualitative method. , Thesis (MMus) -- Faculty of Humanities, School of Visual and performing Arts, 2022
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  • Date Issued: 2022-12

In-beam spectroscopy of ⁷²Ge

- Henninger, Katharine Rose

  • Authors: Henninger, Katharine Rose
  • Date: 2012
  • Subjects: Nuclear shapes , Hyperfine structure
  • Language: English
  • Type: Thesis , Masters , MSc
  • Identifier: vital:5559 , http://hdl.handle.net/10962/d1018233
  • Description: The high-spin states of the nucleus ⁷²Ge were populated via the ⁷°Zn(a,2n)⁷²Ge fusion-evaporation reaction at a beam-energy of 30 MeV. The ')'-decays were observed with the AFRODITE spectrometer array at iThemba LABS (Faure, South Africa). Twenty-seven new transitions, 18 new levels and 2 new bands were added to the ⁷²Ge level scheme, and several corrections were made to t he previously-known level scheme. Transitions were characterised using Directional Correlation from Oriented states (DCO) and polarisation measurements, and spin-parity assignments were made for 7 new levels. Spin and parity were also reassigned to a previously-known structure. One of the new bands was ident ified as part of an octupole-vibrational band. No tetrahedral states were observed in the scheme despite N = 40 and Z = 32 having been identified as tetrahedral magic numbers. The meaning of the new 14⁺ yrast level for the underlying structure of the ground state band is discussed
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  • Date Issued: 2012

Agreement and coordination in XiTsonga, SeSotho and IsiXhosa: an optimality theoretic perspective

- Mitchley, Hazel

  • Authors: Mitchley, Hazel
  • Date: 2016
  • Language: English
  • Type: Thesis , Masters , MA
  • Identifier: http://hdl.handle.net/10962/3423 , vital:20491
  • Description: This thesis provides a unified Optimality Theoretic analysis of subject-verb agreement with coordinated preverbal subjects in three Southern Bantu languages: Xitsonga (S53), Sesotho (S33), and isiXhosa (S41). This analysis is then used to formulate a typology of agreement resolution strategies and the contexts which trigger them. Although some accounts in the Bantu literature suggest that agreement with coordinate structures is avoided by speakers (e.g. Schadeberg 1992, Voeltz 1971) especially when conjuncts are from different noun classes, I show that there is ample evidence to the contrary, and that the subject marker used is dependent on several factors, including (i) the [-HUMAN] specification on the conjuncts, (ii) whether the conjuncts are singular or plural, (iii) whether or not the conjuncts both carry the same noun class feature, and (iv) the order of the conjuncts. This thesis shows that there are various agreement resolution strategies which can beused: 1) agreement with the [+HUMAN] feature on the conjuncts, 2) agreement with the[-HUMAN] feature on the conjuncts, 3) agreement with the noun class feature on both conjuncts, 4) agreement with the noun class feature on the conjunct closest to the verb, and 5) agreement with the noun class feature on the conjunct furthest from the verb. Not all of these strategies are used by all languages, nor are these strategies interchangeable in the languages which do use them – instead, multiple factors conspire to trigger the use of a specific agreement strategy within a specific agreement featural context. I show that these effects can be captured using Optimality Theory (Prince and Smolensky 2004). The analysis makes use of seven constraints: RES#, MAX[+H], MAX[-H], DEP[-H], MAXNC, DEPNC, and AGREECLOSEST. The hierarchical ranking of these constraints not only accounts for the confinement of particular strategies to specific agreement featural contexts within a language, but also accounts for the cross-linguistic differences in the use of these strategies. I end off by examining the typological implications which follow from the OT analysis provided in this thesis.
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  • Date Issued: 2016

A critique of baroque performance practice with specific reference to the organ preludes and fugues by Johann Sebastian Bach

- Murphy, Liesel

  • Authors: Murphy, Liesel
  • Date: 2009
  • Subjects: Bach, Johann Sebastian, 1685-1750 -- Organ music , Bach, Johann Sebastian, 1685-1750 -- Keyboard music , Performance practice (Music) -- History -- 17th century , Organ music -- History and criticism , Music -- 17th century -- Performance
  • Language: English
  • Type: Thesis , Masters , MMus
  • Identifier: vital:8509 , http://hdl.handle.net/10948/1023 , Bach, Johann Sebastian, 1685-1750 -- Organ music , Bach, Johann Sebastian, 1685-1750 -- Keyboard music , Performance practice (Music) -- History -- 17th century , Organ music -- History and criticism , Music -- 17th century -- Performance
  • Description: This study aims to provide a critique of Baroque performance practice, with specific reference to the organ Preludes and Fugues of Johann Sebastian Bach. Drawing from the extensive body of literature pertaining to Bach’s keyboard music, a number of relevant issues are explored in so far as these may provide understanding of the manner in which the organ Preludes and Fugues should be performed today. These include: • The notion of Bach’s ‘generic’ keyboard works. Were the generic keyboard works as a whole intended to be performed on more than one keyboard instrument? The instrumental designations given by Bach in these works are a valuable source of information in answering this question. • The type of organ that was known to J.S. Bach and typical registration used in the Baroque, called the plenum. • Identification of the grey area that persists in the interpretation of Bach’s organ works with regard to registration, tempo, rhythm, articulation, phrasing, fingering and ornamentation. This study also engages with the current authenticity debate in musical performance as seen from the modernist and postmodernist points of view. The modernist ideal of authenticity is to “re-create” or “reconstruct” performances of Bach’s music with as much accuracy as the evidence of historical musicologists can provide. For the postmodernist, however, authenticity lies in embracing the human element of contingency in musical performance, along with a thorough grounding of such performance in historical evidence. In aligning itself with the postmodernist point of view, this study ultimately argues that we cannot learn everything there is to know about Baroque performance practice from books. Instead, in addition to historical evidence, we draw much of our understanding in this regard from our innate or tacit levels of knowing. In this regard the scholar of Bach’s organ works can draw valuable lessons from the levels of tacit knowledge of leading organ pedagogues and performers on the subject of Baroque performance practice.
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  • Date Issued: 2009

A feasibility study into the possibility of ionospheric propagation of low VHF (30-35 MHZ) signals between South Africa and Central Africa

- Coetzee, Petrus Johannes

  • Authors: Coetzee, Petrus Johannes
  • Date: 2009
  • Subjects: Communications, Military -- South Africa , Communications, Military -- Africa, Central , Digital communications -- South Africa , Digital communications -- Africa, Central , Signals and signaling -- South Africa , Signals and signaling -- Africa, Central , Artificial satellites in telecommunication -- South Africa , Artificial satellites in telecommunication -- Africa, Central , Shortwave radio
  • Language: English
  • Type: Thesis , Masters , MSc
  • Identifier: vital:5465 , http://hdl.handle.net/10962/d1005250 , Communications, Military -- South Africa , Communications, Military -- Africa, Central , Digital communications -- South Africa , Digital communications -- Africa, Central , Signals and signaling -- South Africa , Signals and signaling -- Africa, Central , Artificial satellites in telecommunication -- South Africa , Artificial satellites in telecommunication -- Africa, Central , Shortwave radio
  • Description: The role of the South African National Defence Force (SANDF) has changed considerably in the last decade. The emphasis has moved from protecting the country's borders to peacekeeping duties in Central Africa and even further North. Communications between the peacekeeping missions and the military bases back in South Africa is vital to ensure the success of these missions. Currently use is made of satellite as well as High Frequency (HF) communications. There are drawbacks associated with these technologies (high cost and low data rates/interference respectively). Successful long distance ionospheric propagation in the low Very High Frequency (VHF) range will complement the existing infrastructure and enhance the success rate of these missions. This thesis presents a feasibility study to determine under what ionospheric conditions such low VHF communications will be possible. The International Reference Ionosphere (IRI) was used to generate ionospheric data for the reflection point(s) of the signal. The peak height of the ionospheric F2 layer (hmF2) was used to calculate the required antenna elevation angle. Once the elevation angle is known it is possible to calculate the required F2 layer critical frequency (foF2). The required foF2 value was calculated by assuming a Maximum Useable Frequency (MUF) of 20% higher than the planned operational frequency. It was determined that single hop propagation is possible during the daytime if the smoothed sunspot number (SSN) exceeds 15. The most challenging requirement for successful single hop propagation is the need of an antenna height of 23 m. For rapid deployment and semi-mobile operations within a jungle environment it may prove to be a formidable obstacle.
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  • Date Issued: 2009

An evaluation of the efficacy of digital real-time noise control techniques in evoking the musical effect

- Warneke, Andrew Travis

  • Authors: Warneke, Andrew Travis
  • Date: 2012
  • Subjects: Music -- Acoustics and physics , Signal processing -- Digital techniques
  • Language: English
  • Type: Thesis , Masters , MMus
  • Identifier: vital:8524 , http://hdl.handle.net/10948/d1020158
  • Description: This study sought to determine whether or not it may be possible to evoke ‘the musical effect' – the emotional response perceived by music listeners – using white noise as a sound-source and real-time digital signal processing techniques. This information was considered to be valuable as in a world driven by technological progress the potential use of new or different technologies in creating music could lead to the development of new methods of – and tools for – composition and performance. More specifically this research asked the question 'what is music?' and investigated how humans – both trained musicians and untrained people – perceive it. The elements of music were investigated for their affective strengths and new fields of research explored for insights into emotion identification in music. Thereafter the focus shifted into the realm of Digital Signal Processing. Common operations and techniques for signal manipulation were investigated and an understanding of the field as a whole was sought. The culmination of these two separate, yet related, investigations was the design and implementation of a listening experiment conducted on adult subjects. They were asked to listen to various manipulated noise-signals and answer a questionnaire with regard to their perceptions of the audio material. The data from the listening experiment suggest that certain DSP techniques can evoke ‘the musical effect’. Various musical elements were represented via digital techniques and in many cases respondents reported perceptions which suggest that some effect was felt. The techniques implemented and musical elements represented were discussed, and possible applications for these techniques, both musical and non-musical, were explored. Areas for further research were discussed and include the implementation of even more DSP techniques, and also into garnering a more specific idea of the emotion perceived by respondents in response to the experiment material.
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  • Date Issued: 2012

Fishes of the family Apogonidae of the Western Indian Ocean and the Red Sea

- Smith, J.L.B. (James Leonard Brierley), 1897-1968

  • Authors: Smith, J.L.B. (James Leonard Brierley), 1897-1968
  • Date: 1961
  • Subjects: Cardinalfishes , Fishes -- Classification , Fishes -- Indian Ocean , Fishes -- Red Sea
  • Language: English
  • Type: Text
  • Identifier: vital:14985 , http://hdl.handle.net/10962/d1018952 , Ichthyological Bulletin; No. 22
  • Description: Fishes of the family Apogonidae of the Western Indian Ocean and the Red Sea. Small and relatively feeble as most of these fishes are many cover an astonishing range. Some are found over truly vast areas of the Indo-Pacific, ranging from Southern Africa to the mid-Pacific. As a result, workers on even mid-Pacific Apogonidae need to give heed to the fauna of the Red Sea and of the Western Indian Ocean, from where, as in the case of the Parrot fishes, many early types were described. Failure to do this has caused species from the Pacific described as new, later to be proved identical with those long known from the Red Sea or the Indian Ocean. , Rhodes University Libraries (Digitisation)
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  • Date Issued: 1961

Rhodeo, Vol. 17, No. 6

  • Date: 1963-05-02
  • Subjects: Grahamstown -- Newspapers , Journalism, Students -- South Africa , Rhodes University -- Activate , Rhodes University -- Students , Student newspapers and periodicals -- South Africa
  • Language: English
  • Type: Text
  • Identifier: vital:14482 , http://hdl.handle.net/10962/d1019354
  • Description: Rhodeo is the Independent Student Newspaper of Rhodes University. Located in Grahamstown, Rhodeo was established in 1947, and renamed in 1994 as Activate. During apartheid Rhodeo became an active part of the struggle for freedom of expression as part of the now defunct South African Student Press Union. Currently Activate is committed to informing Rhodes University students, staff and community members about relevant issues, mainly on campus. These issues range from hard news to more creative journalism. While Activate acts as a news source, one of its main objectives it to be accessible as a training ground for student journalists. The newspaper is run entirely by the students and is published twice a term. Activate is a free newspaper which receives an annual grant from the Rhodes University Student Representative Council, however, majority of its revenue is generated through advertising.
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  • Date Issued: 1963-05-02

Ray Charles: a psychobiographical study

- Biggs, Ilze

  • Authors: Biggs, Ilze
  • Date: 2008
  • Subjects: Charles, Ray, 1930-2004 Psychology -- Biographical methods -- Case studies Jazz singers -- Biography Blind entertainers -- Psychology
  • Language: English
  • Type: Thesis , Masters , MA
  • Identifier: vital:2933 , http://hdl.handle.net/10962/d1002442
  • Description: Psychobiography is the formulation of an individual's narrative according to a psychological theory. Psychobiographical researchers face a number of challenges. One pertinent challenge is the limited amount of psychobiographical research conducted at academic institutions, including South Africa. Although a number of studies had been completed in the past decade, the impact of psychobiographical research remains negligible. Although much has been written about Ray Charles, none of the existing literature adopted a specific psychological focus. Charles developed from a young boy in a poverty stricken, racially segregated society into an exceptionally successful musician who worked productively until he died at the age of 73. He was selected as the subject on the basis of interest value, uniqueness and significance of life achievements. The primary aim of this study was to explore and describe the development of Charles according to Levinson's (Levinson, et. ai, 1978) theoretical framework. Levinson's theory of adult development identifies and describes the important changes that occur throughout the lifespan of an individual. A secondary aim was to provide an understanding of Charles within the social, economic and historical context in which he lived. The data collection and analysis was conducted according to Yin's (2003) 'analytic generalization'. The data was analysed according to three linked sub-processes proposed by Huberman and Miles (1994).
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  • Date Issued: 2008

Poetry and jazz struck a real "blues" note

- Unknown

  • Authors: Unknown
  • Language: English
  • Type: Article
  • Identifier: vital:13640 , http://hdl.handle.net/10962/d1012543
  • Description: Photocopied article about a concert which combines jazz music and poetry with Chris McGregor and the Blue Notes, Mabel Magada and Zakes Moake, organised by the Union Artists in London.
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The vocal works of Olivier Messiaen

- Donkin, Deborah Jean

  • Authors: Donkin, Deborah Jean
  • Date: 1995
  • Subjects: Messiaen, Olivier, 1908-1992 Vocal music -- Research
  • Language: English
  • Type: Thesis , Doctoral , PhD
  • Identifier: vital:2634 , http://hdl.handle.net/10962/d1002299
  • Description: Olivier Messiaen's compositions for voice, though less widely known than his instrumental works, span some forty years and comprise a fifth of his total output. They have hitherto not been subject to much attention. A study of the elements comprising the vocal lines and accompanying instrumentation from the piano-voice song set, Trois melodies (1930), to the vast orchestral-choral La Transfiguration de Notre Seigneur Jesus-Chlist (1969) reveals, amongst other characteristic and evolving features, the emergence of a unique, simulated, plainchant style and its subsequent transformation into incantation with suitably modified accompaniment. While wide-ranging, chromatic and rhythmically free vocal lines are typical of many twentieth century compositions, Messiaen's use of such features is found to be novel, by virtue of the peculiar modal and temporal ambits within which he operated. Vocal delivery is progressively expanded from conventional bel canto production to humming, howling,and eventually speech and percussive sounds and reaches an apotheosis in the virtuoso effects of Cinq Rechants (1949). This recedes somewhat in La Transfiguration, which displays instead a wealth of hybrid plainsong-type writing. Choral works are interesting in that the emphasis shifts from standard part-writing to monody or accompanied unison singing, with an attendant absence of characterised solo parts. By constantly varying the colour of the single melodic line with different permutations of voice types, timbre assumes a new importance, particularly in La Transfiguration. The study of the texts, most of which were conceived by the composer simultaneously with the music, contributes much to the understanding of each work. Biblical symbolism in the early lyrics is progressively enriched by references to numerological, mythological and nature symbolism, mixed in an increasingly Surrealistic manner. The gradual incorporation of emotive phonemes in the texts, culminates in the invented language of Cinq Rechants. The thesis thus reveals an evolving yet persistently idiosyncratic vocal style, which establishes Messiaen as one of the most original composers of his time. It further demonstrates that his vocal works are an important component of his total oeuvre and also a significant contribution to twentieth century vocal literature.
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  • Date Issued: 1995

Discrepancy in conventional microscopic manual differential counts of band neutrophils among microscopists

- Godson-Katchew, Chesna Terry-Lee

  • Authors: Godson-Katchew, Chesna Terry-Lee
  • Date: 2018
  • Subjects: Neutrophils , Hematology Medical statistics -- Research
  • Language: English
  • Type: Thesis , Masters , MHSc
  • Identifier: http://hdl.handle.net/10948/30127 , vital:30830
  • Description: The interpretation of the band neutrophil count on manual differential counts performed amongst microscopists can vary greatly. The band neutrophil is an immature granulocyte, maturing towards a segmented neutrophil. There are varying degrees of misconception of the band neutrophil identification, as the band neutrophil closely resembles the maturing segmented neutrophil. Although there are guidelines for the identification of band neutrophils, many laboratories incorporate their own “standard” as to what a band neutrophil should look like. Even when a standard exists for the identification of band neutrophils, many microscopists still have difficulty identifying these cells, making it difficult to accurately perform, interpret and report a manual differential count. Due to the controversy it is thus necessary to identify whether the problem lies with the identification of the band neutrophil itself, or the individual microscopist’s perception of differentiation between the band neutrophil and a maturing segmented neutrophil. The purpose of this study was to establish the accuracy by which microscopists distinguish band neutrophils from mature segmented neutrophils, the extent of discrepancies in the band neutrophil count amongst microscopists, to establish whether microscopists required re-training and to establish meaningful recommendations for microscopists to aid in the accurate identification of band neutrophils. The researcher thus made use of a self-administered picture diagram, distributed among microscopists to assess the accuracy of the band neutrophil counts prior to training. Participants counted an average of 61.47% neutrophils and 38.53% band neutrophils. Coefficient of variation (CV) for neutrophils and band neutrophils were calculated and yielded a CV of 22.48 and 35.87 respectively. Due to the high CV calculated, suggesting a greater level of dispersion around the mean, the researcher investigated individual responses from the picture-diagram. With the findings of the individual picture-diagram results, the researcher developed an impression that there was a large variation in counts for both neutrophils and band cells. Training was then given to participants arranged by the researcher, for accurate band neutrophil identification. Following training a second survey was conducted in order to assess the variation in counts among microscopists. 1 The peripheral blood smear was then provided and used to perform a manual differential count by conventional light microscopy, in order to compare results. Similarly, results obtained by the microscopists was compared to the verified manual differential count performed by a Haematologist; to improve the accuracy of results reported routinely. With the findings of the individual manual differential count results the researcher observed, that there was indeed a discrepancy in the manual differential counts performed by microscopists.
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  • Date Issued: 2018

Structure of the nucleus ¹¹⁴Sn using gamma-ray coincidence data

- Oates, Sean Benjamin

'Underground' hip hop and rock music scenes in East London: exploring identity and authenticity, c1994 - 2010

- Mtshemla, Sinazo https://orcid.org/0000-0003-4057-5637

  • Authors: Mtshemla, Sinazo https://orcid.org/0000-0003-4057-5637
  • Date: 2014-01
  • Subjects: Identity (Philosophical concept) , Rap (Music)
  • Language: English
  • Type: Master's theses , text
  • Identifier: http://hdl.handle.net/10353/25195 , vital:63993
  • Description: This study explores how through music discourses and representations of identity and authenticity are articulated through a reading of hip hop and rock music scenes in post-apartheid East London. I have read through interviews, spaces where performances occur and material culture associated with the artists, of musicians moving between ideas of resistance to the mainstream as well as conforming in their representations of identity. The tensions aroused by these underground music scenes in my study ran between resistance and conforming narratives in relation to how musicians express how they make sense of identity and authenticity in the changing post-apartheid landscape. Therefore the complex readings of identity derived from the study showed how contradictory music allows one to be. Further the study found that the assertions about race, ethnicity and identity were often more subtle and contradictory at times, which warranted one to pay closer attention to these music scenes. Inasmuch as musicians attempted to move out of the mainstream by placing themselves in an alternative positioning, they remained limited to ‘authentic’ articulations of identity, where race remained either ‘invisibly’ white or problematically ‘native’ as centres of authentic representation. Moreover the study was able to show the anxieties and tensions around citizenship, identity and belonging. , Thesis (MA) -- Faculty of Social Sciences and Humanities, 2014
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  • Date Issued: 2014-01

The doctrine of election in the theology of John Calvin, with special reference to the Reformed confessions of faith

- Elias, James Reginald

  • Authors: Elias, James Reginald
  • Date: 1962
  • Subjects: Calvin, Jean, 1509-1564 , Calvinism , Election (Theology)
  • Language: English
  • Type: Thesis , Bachelor , BDiv
  • Identifier: vital:1277 , http://hdl.handle.net/10962/d1013319
  • Description: From the preface: This Thesis is an attempt to emphasise the importance and prominence of the doctrine of election for the Christian Faith through studying its formulation in the writings of' John Calvin, one of the finest systematic theologians of the Church.
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  • Date Issued: 1962

An assessment of the performance appraisal system utilised for junior and middle level management within the South African National Defence Force

- Terblanche, Graham Martin

  • Authors: Terblanche, Graham Martin
  • Date: 2004
  • Subjects: Middle managers -- Rating of -- South Africa , South Africa. National Defence Force Officials and employees Rating of
  • Language: English
  • Type: Thesis , Masters , MBA
  • Identifier: vital:10884 , http://hdl.handle.net/10948/148 , Middle managers -- Rating of -- South Africa , South Africa. National Defence Force Officials and employees Rating of
  • Description: The research problem of this study was to assess the extent to which the appraisal system for junior and middle level managers in the South African National Defence Force (SANDF) met the requirements and guidelines for performance appraisal as stipulated in the literature. To achieve this objective, the following procedure was followed: · A survey of existing literature, related to performance appraisal, was conducted. The literature study focused on the requirements for an effective performance appraisal system, appraisal methods and appraisal errors. Attention was also focused on who should take responsibility for performance appraisal and the importance of regularly evaluating the performance appraisal system to meet the demands of a changing environment. The second part of the literature study dealt with the guidelines for establishing an effective appraisal system as well as performance management processes and cycles that are critical for the effectiveness of an appraisal system. The theoretical study formed the basis for the development of a survey questionnaire to establish the extent to which junior and middle level managers in the SANDF agreed with the theoretical guidelines. The survey was administered to a randomly selected group of junior and middle level managers who were representative of the South African Army, Airforce and Medical Services. The empirical results indicated that there was concurrence with many of the guidelines in the literature, but that there were areas that could be improved. It became evident that many respondents felt that the current system was not entirely fair and was not adapted to meet the needs of the integrated SANDF. Specifically, results indicated that the system should be re-evaluated to eliminate bias and to enhance the development of clear standards, both on a quantitative and qualitative level. It became clear that training and communication were important to the successful development and utilisation of a performance appraisal system. An effective performance appraisal system that is integrated with the overall performance management system of an organisation will enhance productivity, satisfaction and the attainment of goals.
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  • Date Issued: 2004

Performing Emil Hartmann – The Importance of Musical Contextualisation: A practice-based research project

- Robertson, Garreth Damon

  • Authors: Robertson, Garreth Damon
  • Date: 2021-10-29
  • Subjects: Hartmann, Emil, 1836-1898 , Hartmann, Emil, 1836-1898 Criticism and interpretation History 19th century , Practice (Philosophy) , Research Methodology , Contextualism (Philosophy) , Music Denmark History and criticism , Music appreciation , Musical analysis
  • Language: English
  • Type: Master's theses , text
  • Identifier: http://hdl.handle.net/10962/190771 , vital:45026
  • Description: When embarking on a journey of preparing a musical work for performance, a contextualisation process is undertaken which informs the performer/s of the factors which govern the parameters of the work. In this study, the author performed Emil Hartmann’s piano trio op. 10 as a part of an integrated master’s degree program. As the composer was not a part of mainland European musical society, information on his life and work was difficult to access, which presented the performer with a contextualisation problem. This study aimed to highlight the process of contextualisation, in the absence of sufficient literary material, through the lens of Emil Hartmann’s piano trio op. 10. The research used a three-pronged methodological approach in order to construct the narrative around Hartmann’s life and composition. Through a structured process of using practice-based research to analyse the creative process undertaken by the practitioners, alongside a micro-historical and analytical methodology, the study builds layers of understanding to inform Hartmann’s narrative, and thus provides interpretational insight into the execution of the work. The research finds that, although it is possible to interpret a musical work based on the musical score, there are layers of depth which cannot be accessed without a contextual understanding of the composer and the conditions in which the composition was written. Through forming the narrative on Emil Hartmann and his piano trio, the research uses the methodology to highlight a method which can be undertaken in the absence of contextual knowledge, and thus presents a contextual understanding of Emil Hartmann’s narrative. With the constructed knowledge, the author uses the findings based on the methodological approaches to weave a narrative around the life of Emil Hartmann. Applying the information discovered in the findings, interpretational approaches are discussed to inform future performances of the work. , Thesis (MMus) -- Faculty of Humanities, Music and Musicology, 2021
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  • Date Issued: 2021-10-29
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