Lawanani michangasika timbila tamakono
- Komukomu wa Simbi and five players (Performer), Komukomu wa Simbi (Composer)
- Authors: Komukomu wa Simbi and five players (Performer) , Komukomu wa Simbi (Composer)
- Subjects: Mzeno movement (the Great Song) of the Ngodo orchestral dance of Banguza , Indigenous folk music , Timbila xylophones , Chilanzane , Debiinda , Zavala , Sul do Save Province , Mozambique
- Type: Sound , Music
- Identifier: vital:15439 , MOA31-10 , http://hdl.handle.net/10962/d1017745 , MOA31
- Description: English translation of title: 'Come together and make music for the new year' , The Mzeno orchestral movement from the Ngodo of Regulo Banguza, Komukomu wa Simbi 1943 , Indigenous folk music by Komukomu wa Simbi and five players, with 6 timbila xylophones (including 1 chilanzane and 1 debiinda) , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Komukomu wa Simbi and five players (Performer) , Komukomu wa Simbi (Composer)
- Subjects: Mzeno movement (the Great Song) of the Ngodo orchestral dance of Banguza , Indigenous folk music , Timbila xylophones , Chilanzane , Debiinda , Zavala , Sul do Save Province , Mozambique
- Type: Sound , Music
- Identifier: vital:15439 , MOA31-10 , http://hdl.handle.net/10962/d1017745 , MOA31
- Description: English translation of title: 'Come together and make music for the new year' , The Mzeno orchestral movement from the Ngodo of Regulo Banguza, Komukomu wa Simbi 1943 , Indigenous folk music by Komukomu wa Simbi and five players, with 6 timbila xylophones (including 1 chilanzane and 1 debiinda) , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Chibudu (an intermezzo)
- Komukomu weSimbi with 4 players (Performer), Komukomu weSimbi (Composer)
- Authors: Komukomu weSimbi with 4 players (Performer) , Komukomu weSimbi (Composer)
- Subjects: Indigenous folk music , Timbila xylophones , Zavala , Sul do Save Province , Mozambique
- Type: Sound , Music
- Identifier: vital:15442 , MOA31-13 , http://hdl.handle.net/10962/d1017748 , MOA31
- Description: The Mzeno dance movement from the Ngodo of Regulo Banguza, Komukomu wa Simbi 1949 , Indigenous folk music by Komukomu wa Simbi and four players, with timbila xylophones , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Komukomu weSimbi with 4 players (Performer) , Komukomu weSimbi (Composer)
- Subjects: Indigenous folk music , Timbila xylophones , Zavala , Sul do Save Province , Mozambique
- Type: Sound , Music
- Identifier: vital:15442 , MOA31-13 , http://hdl.handle.net/10962/d1017748 , MOA31
- Description: The Mzeno dance movement from the Ngodo of Regulo Banguza, Komukomu wa Simbi 1949 , Indigenous folk music by Komukomu wa Simbi and four players, with timbila xylophones , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Mzeno
- Chopi timbila players of Banguza village, Komukomu wa Simbi, Komukomu waSimbi, Tracey, Hugh
- Authors: Chopi timbila players of Banguza village , Komukomu wa Simbi , Komukomu waSimbi , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/361177 , vital:65168 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0077-CP7
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Chopi timbila players of Banguza village , Komukomu wa Simbi , Komukomu waSimbi , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/361177 , vital:65168 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0077-CP7
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Mzeno 1940
- Chopi timbila players of Banguza village, Komukomu wa Simbi, Komukomu waSimbi, Tracey, Hugh
- Authors: Chopi timbila players of Banguza village , Komukomu wa Simbi , Komukomu waSimbi , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/361159 , vital:65167 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0077-CP6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Chopi timbila players of Banguza village , Komukomu wa Simbi , Komukomu waSimbi , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/361159 , vital:65167 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0077-CP6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Ngeniso movement
- Chopi timbila players of Banguza village, Komukomu wa simbi, Komukomu wa Simbi, Tracey, Hugh
- Authors: Chopi timbila players of Banguza village , Komukomu wa simbi , Komukomu wa Simbi , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/361039 , vital:65153 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0075-CP1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Chopi timbila players of Banguza village , Komukomu wa simbi , Komukomu wa Simbi , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/361039 , vital:65153 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0075-CP1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Mzeno
- 16 Chopi timbila players of Banguza village, Komukomu wa Simbi, Komukomu waSimbi, Tracey, Hugh
- Authors: 16 Chopi timbila players of Banguza village , Komukomu wa Simbi , Komukomu waSimbi , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/361222 , vital:65173 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0078-CP6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: 16 Chopi timbila players of Banguza village , Komukomu wa Simbi , Komukomu waSimbi , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/361222 , vital:65173 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0078-CP6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Mchuyo
- Chopi timbila players of Banguza village, Komukomu wa simbi, Komukomu wa Simbi, Tracey, Hugh
- Authors: Chopi timbila players of Banguza village , Komukomu wa simbi , Komukomu wa Simbi , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/361064 , vital:65155 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0075-CP2b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Chopi timbila players of Banguza village , Komukomu wa simbi , Komukomu wa Simbi , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/361064 , vital:65155 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0075-CP2b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Mchuyo
- Chopi timbila players of Banguza village, Komukomu wa simbi, Komukomu wa Simbi, Tracey, Hugh
- Authors: Chopi timbila players of Banguza village , Komukomu wa simbi , Komukomu wa Simbi , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/361051 , vital:65154 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0075-CP2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Chopi timbila players of Banguza village , Komukomu wa simbi , Komukomu wa Simbi , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/361051 , vital:65154 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0075-CP2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Mtsitso we Mbidi
- Komukomu weSimbi and the village xylophone orchestra of Regulo Mbanguzi (Performer), Composer not specified
- Authors: Komukomu weSimbi and the village xylophone orchestra of Regulo Mbanguzi (Performer) , Composer not specified
- Subjects: Xylophone orchestral dance , Indigenous folk music , Second orchestral introduction , Timbila , Mgodo , Rattle , Regulo Mbanguzi , Zavala District , Mozambique
- Type: Sound , Music
- Identifier: vital:15441 , MOA31-12 , http://hdl.handle.net/10962/d1017747 , MOA31
- Description: Xylophone orchestral dance by Komukomu weSimbi and the village xylophone orchestra of Regulo Mbanguzi, with 5 timbila xylophones, accompanied by one rattle , English translation of title: 'Second orchestral introduction' , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Komukomu weSimbi and the village xylophone orchestra of Regulo Mbanguzi (Performer) , Composer not specified
- Subjects: Xylophone orchestral dance , Indigenous folk music , Second orchestral introduction , Timbila , Mgodo , Rattle , Regulo Mbanguzi , Zavala District , Mozambique
- Type: Sound , Music
- Identifier: vital:15441 , MOA31-12 , http://hdl.handle.net/10962/d1017747 , MOA31
- Description: Xylophone orchestral dance by Komukomu weSimbi and the village xylophone orchestra of Regulo Mbanguzi, with 5 timbila xylophones, accompanied by one rattle , English translation of title: 'Second orchestral introduction' , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
3rd Movement "Ndano" Mahungwa a Filipe
- Komukomu wa Simbi (Leader), Tracey, Hugh
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194951 , vital:45513 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-15
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). "Mahungwa a Filipe". The full text of the lyric and translation are on Pages 40 to 42 of "Chopi Musicians." For lack of his dancers to sing the lyric, Komukomu, who never pretended to having a voice, had to sing the words himself. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194951 , vital:45513 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-15
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). "Mahungwa a Filipe". The full text of the lyric and translation are on Pages 40 to 42 of "Chopi Musicians." For lack of his dancers to sing the lyric, Komukomu, who never pretended to having a voice, had to sing the words himself. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
1st Movement "Msitso" III
- Komukomu wa Simbi (Leader), Tracey, Hugh
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194923 , vital:45510 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-12
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194923 , vital:45510 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-12
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
1st Movement "Msitso" I
- Komukomu wa Simbi (Leader), Tracey, Hugh
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194905 , vital:45508 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-10
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194905 , vital:45508 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-10
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
1st Movement "Msitso" II
- Komukomu wa Simbi (Leader), Tracey, Hugh
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194914 , vital:45509 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-11
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194914 , vital:45509 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-11
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
7th Movement "Mzeno" Hingane malala
- Komukomu wa Simbi (Leader), Tracey, Hugh
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194961 , vital:45514 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-16
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). "Hingane malala". Full text and translation are on pages 47 and 51 of "Chopi Musicians. Owing to the shortage of acetate discs in South Africa during the 1939-45 war, this Ngodo was not recorded in full. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194961 , vital:45514 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-16
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). "Hingane malala". Full text and translation are on pages 47 and 51 of "Chopi Musicians. Owing to the shortage of acetate discs in South Africa during the 1939-45 war, this Ngodo was not recorded in full. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
1st Movement "Msitso" V
- Komukomu wa Simbi (Leader), Tracey, Hugh
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194941 , vital:45512 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-14
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194941 , vital:45512 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-14
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
1st Movement "Msitso" IV
- Komukomu wa Simbi (Leader), Tracey, Hugh
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194931 , vital:45511 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-13
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194931 , vital:45511 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-13
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
1. Mzeno and Mtsumeto
- Komukomu waSimbi (Leader), Tracey, Hugh
- Authors: Komukomu waSimbi (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Mavila f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194680 , vital:45480 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR208-01
- Description: This new Mzeno of Komukomu is most unusual in that he has combined it with the Msumeto, the 'advance' Mzeno, with the 'retreat' Mtsumeto. It was composed in 1948. The melodies or counter subjects sung by the dancers are particularly pleasing and illustrate the wide musical potential of this form of passcaglia. The change from Mzeno to Mtsumeto occurs at 3m. 59s. from the start of the item. Komukomu was never afraid of innovations, and this was one of them. The fact that it did not last long and he reverted to the more usual form of separate Mzeno and Mtsumeto would indicate that it was not considered altogether satisfactory as a device. This item was recorded at the neighbouring village of Mavila. Two movements of orchestral dance with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Komukomu waSimbi (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Mavila f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194680 , vital:45480 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR208-01
- Description: This new Mzeno of Komukomu is most unusual in that he has combined it with the Msumeto, the 'advance' Mzeno, with the 'retreat' Mtsumeto. It was composed in 1948. The melodies or counter subjects sung by the dancers are particularly pleasing and illustrate the wide musical potential of this form of passcaglia. The change from Mzeno to Mtsumeto occurs at 3m. 59s. from the start of the item. Komukomu was never afraid of innovations, and this was one of them. The fact that it did not last long and he reverted to the more usual form of separate Mzeno and Mtsumeto would indicate that it was not considered altogether satisfactory as a device. This item was recorded at the neighbouring village of Mavila. Two movements of orchestral dance with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
Chibudu Intermezzo
- Komukomu waSimbi (Leader), Tracey, Hugh
- Authors: Komukomu waSimbi (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Banguza f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194653 , vital:45474 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-10
- Description: Komukomu started this attractive melody very quickly while a few members of the orchestra interpolated occasional notes. When we recorded this item they played rather more loudly than before and lost something of the charm of this solo performance. As the road to Regulo Banguza's village was at the time impassable, Komukomu and his musicians walked over to Mavila's village with their instruments for this recording, a distance of about six miles. The drift across the river was temporarily out of use on account of recent floods. Movement from the dance, with Timbila xylophones and in the Ngeniso movement with drum (single headed closed goblet) with 4 players (-14.52102-).
- Full Text: false
- Date Issued: 1949
- Authors: Komukomu waSimbi (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Banguza f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194653 , vital:45474 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-10
- Description: Komukomu started this attractive melody very quickly while a few members of the orchestra interpolated occasional notes. When we recorded this item they played rather more loudly than before and lost something of the charm of this solo performance. As the road to Regulo Banguza's village was at the time impassable, Komukomu and his musicians walked over to Mavila's village with their instruments for this recording, a distance of about six miles. The drift across the river was temporarily out of use on account of recent floods. Movement from the dance, with Timbila xylophones and in the Ngeniso movement with drum (single headed closed goblet) with 4 players (-14.52102-).
- Full Text: false
- Date Issued: 1949
Demonstration of left and right-handed melodies of the 'ground' on which the composition 'Lawanani michangasika timbila tamakono' is based
- Komukomu wa Simbi (Performer), Komukomu wa Simbi (Composer)
- Authors: Komukomu wa Simbi (Performer) , Komukomu wa Simbi (Composer)
- Subjects: Mzeno movement (the Great Song) of the Ngodo orchestral dance of Banguza , Indigenous folk music , Timbila xylophone , Lawanani michangasika timbila tamakono , Zavala , Sul do Save Province , Mozambique
- Type: Sound , Music
- Identifier: vital:15440 , MOA31-11 , http://hdl.handle.net/10962/d1017746 , MOA31
- Description: Demonstration of left and right-handed melodies of the 'ground' on which the composition 'Lawanani michangasika timbila tamakono' is based. The 'ground' forms the subject of Chopi compositions (as in 17th century European music), against which concordant descants and countersubjects are performed , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Komukomu wa Simbi (Performer) , Komukomu wa Simbi (Composer)
- Subjects: Mzeno movement (the Great Song) of the Ngodo orchestral dance of Banguza , Indigenous folk music , Timbila xylophone , Lawanani michangasika timbila tamakono , Zavala , Sul do Save Province , Mozambique
- Type: Sound , Music
- Identifier: vital:15440 , MOA31-11 , http://hdl.handle.net/10962/d1017746 , MOA31
- Description: Demonstration of left and right-handed melodies of the 'ground' on which the composition 'Lawanani michangasika timbila tamakono' is based. The 'ground' forms the subject of Chopi compositions (as in 17th century European music), against which concordant descants and countersubjects are performed , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Mchuyo
- Komukomu waSimbi (Leader), Tracey, Hugh
- Authors: Komukomu waSimbi (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Banguza f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194644 , vital:45473 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-09
- Description: This is a Mchuyo which Komukomu composed while in Durban (1943) and included in his next Ngodo. He mentions myself (H.T.) and his trip to Natal. Movement from the dance, with Timbila xylophones and in the Ngeniso movement with drum (single headed closed goblet) with 16 players (-14.52102-).
- Full Text: false
- Date Issued: 1949
- Authors: Komukomu waSimbi (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Banguza f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194644 , vital:45473 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-09
- Description: This is a Mchuyo which Komukomu composed while in Durban (1943) and included in his next Ngodo. He mentions myself (H.T.) and his trip to Natal. Movement from the dance, with Timbila xylophones and in the Ngeniso movement with drum (single headed closed goblet) with 16 players (-14.52102-).
- Full Text: false
- Date Issued: 1949