Ikulangamilaga kwilunde
- Mikengemalo Chaba with Sukuma men, Hugh Tracey
- Authors: Mikengemalo Chaba with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwadui f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173331 , vital:42357 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-09
- Description: "The red necked cock looked up to the sky." The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
- Authors: Mikengemalo Chaba with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwadui f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173331 , vital:42357 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-09
- Description: "The red necked cock looked up to the sky." The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
Ikulangamilaga kwilunde
- Mikengemalo Chaba with Sukuma men, Hugh Tracey
- Authors: Mikengemalo Chaba with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwadui f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173318 , vital:42359 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-09
- Description: "The red necked cock looked up to the sky." The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
- Authors: Mikengemalo Chaba with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwadui f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173318 , vital:42359 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-09
- Description: "The red necked cock looked up to the sky." The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
Mwakumajangosha
- Kitula Bini Kinongu with Sukuma men, Hugh Tracey
- Authors: Kitula Bini Kinongu with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kesesa f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173336 , vital:42361 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-10
- Description: "They have tried all day to mark his face, but failed. My child Kilumba is still too young." The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
- Authors: Kitula Bini Kinongu with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kesesa f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173336 , vital:42361 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-10
- Description: "They have tried all day to mark his face, but failed. My child Kilumba is still too young." The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
Mwakumajangosha
- Kitula Bini Kinongu with Sukuma men, Hugh Tracey
- Authors: Kitula Bini Kinongu with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kesesa f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173351 , vital:42360 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-10
- Description: "They have tried all day to mark his face, but failed. My child Kilumba is still too young." The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
- Authors: Kitula Bini Kinongu with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kesesa f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173351 , vital:42360 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-10
- Description: "They have tried all day to mark his face, but failed. My child Kilumba is still too young." The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
Uhimila isekanakali nasukumbe (Uhilila was our best dancer)
- Juma Bin Nyela with Sukuma men, Hugh Tracey
- Authors: Juma Bin Nyela with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwadui f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173356 , vital:42362 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-11
- Description: "Uhimila was so fine a dancer that even Kihimyali would bow down and clap his hands." All African tribes seem to idolize their good dances. The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
- Authors: Juma Bin Nyela with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwadui f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173356 , vital:42362 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-11
- Description: "Uhimila was so fine a dancer that even Kihimyali would bow down and clap his hands." All African tribes seem to idolize their good dances. The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
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