A tree cannot make a forest: looking inward, reaching out in African Art Studies
- Authors: Fọlárànmí, Stephen
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146090 , vital:38494 , https://0-doi.org.wam.seals.ac.za/10.1162/afar_a_00453
- Description: These proverbs from the Yorùbá of southwestern Nigeria and the Bemba of Zambia are a few examples that can be found in many Africa languages. While these proverbs are rich in philosophical sayings and muses, many are being forgotten because fewer and fewer people possess deep knowledge of languages, and in the arts, Africans tend to look to the Global North for theoretical frameworks to examine their art and other cultural properties. The title of this piece is therefore an identification with the potency of the proverbs because of the trends of collaboration that I have noticed in the last few years in African Art Studies. It could also be said to be a call to look into what could be shared within Global Souths in terms of an available knowledge base that could be used to forge ahead rather than subjecting thoughts and knowledge to the Global North.
- Full Text:
- Date Issued: 2019
- Authors: Fọlárànmí, Stephen
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146090 , vital:38494 , https://0-doi.org.wam.seals.ac.za/10.1162/afar_a_00453
- Description: These proverbs from the Yorùbá of southwestern Nigeria and the Bemba of Zambia are a few examples that can be found in many Africa languages. While these proverbs are rich in philosophical sayings and muses, many are being forgotten because fewer and fewer people possess deep knowledge of languages, and in the arts, Africans tend to look to the Global North for theoretical frameworks to examine their art and other cultural properties. The title of this piece is therefore an identification with the potency of the proverbs because of the trends of collaboration that I have noticed in the last few years in African Art Studies. It could also be said to be a call to look into what could be shared within Global Souths in terms of an available knowledge base that could be used to forge ahead rather than subjecting thoughts and knowledge to the Global North.
- Full Text:
- Date Issued: 2019
Re-Inventing African literature through Visual Arts:
- Fọlárànmí, Stephen, Ijisakin, Eyitayo Tolulope
- Authors: Fọlárànmí, Stephen , Ijisakin, Eyitayo Tolulope
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146132 , vital:38498 , DOI https://doi.org/10.2478/mjss-2019-0054
- Description: Evidence abounds of the synergy that exists between literature and visual arts in Africa. Illustrations are known to have given more meaning to books, while the text plays the role of the storyteller, the illustration acts out the story or scene on the pages of the book. Illustrations also make readership very easy and appealing to children and the uneducated people in our local communities. In recent times however, studies have shown a sharp decline in the inclusion of very good, insightful and inspiring illustrations into African literary text. When included, it is often poor and limited to the cover page of the book. This paper examines the merits derivable from the inclusion of visual arts into African literature as well as the reason for its decline with a view to suggesting how it can be used to reinvent African literature. It is expected that by so doing, publishers and authors will see the need and importance of using more illustrations in their books. This will, in turn, generate more interest in the culture of reading among the youths of the 21st century as well as the development of literature directed towards children and the unread.
- Full Text:
- Date Issued: 2019
- Authors: Fọlárànmí, Stephen , Ijisakin, Eyitayo Tolulope
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146132 , vital:38498 , DOI https://doi.org/10.2478/mjss-2019-0054
- Description: Evidence abounds of the synergy that exists between literature and visual arts in Africa. Illustrations are known to have given more meaning to books, while the text plays the role of the storyteller, the illustration acts out the story or scene on the pages of the book. Illustrations also make readership very easy and appealing to children and the uneducated people in our local communities. In recent times however, studies have shown a sharp decline in the inclusion of very good, insightful and inspiring illustrations into African literary text. When included, it is often poor and limited to the cover page of the book. This paper examines the merits derivable from the inclusion of visual arts into African literature as well as the reason for its decline with a view to suggesting how it can be used to reinvent African literature. It is expected that by so doing, publishers and authors will see the need and importance of using more illustrations in their books. This will, in turn, generate more interest in the culture of reading among the youths of the 21st century as well as the development of literature directed towards children and the unread.
- Full Text:
- Date Issued: 2019
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