at the conference in munich
- Authors: Krueger, Anton
- Date: 2010
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/229774 , vital:49709 , xlink:href="https://hdl.handle.net/10520/EJC47821"
- Full Text:
- Date Issued: 2010
- Authors: Krueger, Anton
- Date: 2010
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/229774 , vital:49709 , xlink:href="https://hdl.handle.net/10520/EJC47821"
- Full Text:
- Date Issued: 2010
A white man in exile
- Authors: Krueger, Anton
- Date: 2011
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/229459 , vital:49677 , xlink:href="https://doi.org/10.1080/10137548.2011.636974"
- Description: This article explores intersections between understandings of masculinity and nationalism. Etymologically, ‘patriotism’ refers to a love for a fatherland and a patriarchal order; it includes notions of loyalty, honour and a range of qualities often associated with conceptions of masculinity. But if gender remains fixed to these normative constructions, what happens to one’s sense of masculine identity when the national state changes? My interest lies in exploring how white South African men have been repositioned in terms of a shift in their gendered identification, with a reflection on the possibly tragic consequences of maintaining an overly rigid gender role identification. As long as masculinity is embedded within nationalism, it will be caught up within a defensive reactive mode which can turn self-destructive. In order to explore these ideas the article employs as its central metaphor the character of Dawid Olivier, who is the protagonist of Athol Fugard’s Sorrows and Rejoicings (2002).
- Full Text:
- Date Issued: 2011
- Authors: Krueger, Anton
- Date: 2011
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/229459 , vital:49677 , xlink:href="https://doi.org/10.1080/10137548.2011.636974"
- Description: This article explores intersections between understandings of masculinity and nationalism. Etymologically, ‘patriotism’ refers to a love for a fatherland and a patriarchal order; it includes notions of loyalty, honour and a range of qualities often associated with conceptions of masculinity. But if gender remains fixed to these normative constructions, what happens to one’s sense of masculine identity when the national state changes? My interest lies in exploring how white South African men have been repositioned in terms of a shift in their gendered identification, with a reflection on the possibly tragic consequences of maintaining an overly rigid gender role identification. As long as masculinity is embedded within nationalism, it will be caught up within a defensive reactive mode which can turn self-destructive. In order to explore these ideas the article employs as its central metaphor the character of Dawid Olivier, who is the protagonist of Athol Fugard’s Sorrows and Rejoicings (2002).
- Full Text:
- Date Issued: 2011
The implacable grandeur of the stranger
- Authors: Krueger, Anton
- Date: 2012
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/229430 , vital:49673 , xlink:href="https://doi.org/10.1080/10137548.2013.799798"
- Description: South Africa is a nation of strangers, an uneasy mishmash of heterogeneous economic groupings, cultures and languages, a nation of marginalised minorities awkwardly pasted together. Numerous attempts have been made by its government to define and bolster a sense of nationalism and to create a sense of cohesion; however, a shadow side of this appeal for national identity has been the rise in xenophobic violence precipitated by the steady influx of refugees into the country. The title of this article is drawn from Albert Camus’s introduction to his disarming novella of dislocation, L’Etranger (1942), and I would like to explore some of the philosophical implications of representing strangers in different ways. Drawing on works by Zygmunt Bauman, Georg Simmel and Julia Kristeva, I will consider ambivalences towards the stranger represented in Magnet Theatre’s production (2010) of Die Vreemdeling [The Stranger], and pose a few questions about our relationship with the unknown. Attempts to familiarise the constituents of various communities with aspects of each other’s strangeness is a project which has typified much South African theatre in the past; and yet this is an approach which stands in sharp contrast to the importance granted processes of defamiliarisation first proposed so succinctly by Victor Shklovsky in 1917. Instead of attempts to harness and explain the unfamiliarity of others in order to communicate diversity, a celebration of the grandeur of the stranger may provide a more enriching alternative.
- Full Text:
- Date Issued: 2012
- Authors: Krueger, Anton
- Date: 2012
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/229430 , vital:49673 , xlink:href="https://doi.org/10.1080/10137548.2013.799798"
- Description: South Africa is a nation of strangers, an uneasy mishmash of heterogeneous economic groupings, cultures and languages, a nation of marginalised minorities awkwardly pasted together. Numerous attempts have been made by its government to define and bolster a sense of nationalism and to create a sense of cohesion; however, a shadow side of this appeal for national identity has been the rise in xenophobic violence precipitated by the steady influx of refugees into the country. The title of this article is drawn from Albert Camus’s introduction to his disarming novella of dislocation, L’Etranger (1942), and I would like to explore some of the philosophical implications of representing strangers in different ways. Drawing on works by Zygmunt Bauman, Georg Simmel and Julia Kristeva, I will consider ambivalences towards the stranger represented in Magnet Theatre’s production (2010) of Die Vreemdeling [The Stranger], and pose a few questions about our relationship with the unknown. Attempts to familiarise the constituents of various communities with aspects of each other’s strangeness is a project which has typified much South African theatre in the past; and yet this is an approach which stands in sharp contrast to the importance granted processes of defamiliarisation first proposed so succinctly by Victor Shklovsky in 1917. Instead of attempts to harness and explain the unfamiliarity of others in order to communicate diversity, a celebration of the grandeur of the stranger may provide a more enriching alternative.
- Full Text:
- Date Issued: 2012
in a park in Europe
- Authors: Krueger, Anton
- Date: 2008
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/229851 , vital:49717 , xlink:href="https://hdl.handle.net/10520/EJC47802"
- Full Text:
- Date Issued: 2008
- Authors: Krueger, Anton
- Date: 2008
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/229851 , vital:49717 , xlink:href="https://hdl.handle.net/10520/EJC47802"
- Full Text:
- Date Issued: 2008
consumed society
- Authors: Krueger, Anton
- Date: 2008
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/229840 , vital:49716 , xlink:href="https://hdl.handle.net/10520/EJC47802"
- Full Text:
- Date Issued: 2008
- Authors: Krueger, Anton
- Date: 2008
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/229840 , vital:49716 , xlink:href="https://hdl.handle.net/10520/EJC47802"
- Full Text:
- Date Issued: 2008
On Moving House
- Authors: Krueger, Anton
- Date: 2009
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/229785 , vital:49710 , xlink:href="https://hdl.handle.net/10520/EJC47812"
- Full Text:
- Date Issued: 2009
- Authors: Krueger, Anton
- Date: 2009
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/229785 , vital:49710 , xlink:href="https://hdl.handle.net/10520/EJC47812"
- Full Text:
- Date Issued: 2009
A Century of South African Theatre
- Authors: Krueger, Anton
- Date: 2019
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/229623 , vital:49694 , xlink:href="https://doi.org/10.1080/10137548.2020.1716515"
- Description: In many ways, this is an updated repackaging of Loren Kruger's seminal work of 20 years ago, Plays, Pageants and the Drama of South Africa (1999). The material has been extensively revised and reworked using similar categories as the first book, including: pageantry and representations of nationhood, neo-colonial theatre, urbanization and its consequences; the rise of Afrikaans theatre; theatres of resistance; black consciousness; and contemporary theatre. Some of these sections have been extended (such as a longer discussion of HIE Dhlomo) and there is also a completely new section which has not been published elsewhere on current theatre trends (cleverly titled “The Constitution of South African Theatre at the Present Time”).
- Full Text:
- Date Issued: 2019
- Authors: Krueger, Anton
- Date: 2019
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/229623 , vital:49694 , xlink:href="https://doi.org/10.1080/10137548.2020.1716515"
- Description: In many ways, this is an updated repackaging of Loren Kruger's seminal work of 20 years ago, Plays, Pageants and the Drama of South Africa (1999). The material has been extensively revised and reworked using similar categories as the first book, including: pageantry and representations of nationhood, neo-colonial theatre, urbanization and its consequences; the rise of Afrikaans theatre; theatres of resistance; black consciousness; and contemporary theatre. Some of these sections have been extended (such as a longer discussion of HIE Dhlomo) and there is also a completely new section which has not been published elsewhere on current theatre trends (cleverly titled “The Constitution of South African Theatre at the Present Time”).
- Full Text:
- Date Issued: 2019
Uncle Noodle
- Authors: Krueger, Anton
- Date: 2015
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/229676 , vital:49699 , xlink:href="https://hdl.handle.net/10520/EJC176906"
- Description: “Ah,” he seemed surprised to see me, “Now you find out who really cares...” His kidneys hadn‟t been on the job in months, and with the machines failing, his hands were fattening into stubby yellow fingers, as the waste shored up inside of him. I touched his arm, and we joked about the broad blunt strokes of the casiotone the old dame played for the lunch-eaters next door. Uncle Noodle had always been my favourite. In a world where adults were always certain, ready to disdain and judge and pass verdict – I loved it that he was indecisive, insecure, unsure. Often wretched, often defeated. His heart had chasmed in the wake of his wife‟s leaving, finally dividing him from all his hopes, collapsing his dignity destroying his happiness machinery.
- Full Text:
- Date Issued: 2015
- Authors: Krueger, Anton
- Date: 2015
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/229676 , vital:49699 , xlink:href="https://hdl.handle.net/10520/EJC176906"
- Description: “Ah,” he seemed surprised to see me, “Now you find out who really cares...” His kidneys hadn‟t been on the job in months, and with the machines failing, his hands were fattening into stubby yellow fingers, as the waste shored up inside of him. I touched his arm, and we joked about the broad blunt strokes of the casiotone the old dame played for the lunch-eaters next door. Uncle Noodle had always been my favourite. In a world where adults were always certain, ready to disdain and judge and pass verdict – I loved it that he was indecisive, insecure, unsure. Often wretched, often defeated. His heart had chasmed in the wake of his wife‟s leaving, finally dividing him from all his hopes, collapsing his dignity destroying his happiness machinery.
- Full Text:
- Date Issued: 2015
Whose voice is it anyway?
- Authors: Krueger, Anton
- Date: 2015
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/225695 , vital:49249 , xlink:href="https://doi.org/10.1080/1013929X.2015.1086195"
- Description: This essay surveys a number of different interpretations of the metaphor of “voice”. It begins by exploring the use of free writing exercises as a means of nurturing the emergence of physical (audible) voice in creative writing classes before assessing some of the ramifications and implications of the trope, both diachronically and synchronically. A key issue of this discussion is whether voice is regarded as individual or social.
- Full Text:
- Date Issued: 2015
- Authors: Krueger, Anton
- Date: 2015
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/225695 , vital:49249 , xlink:href="https://doi.org/10.1080/1013929X.2015.1086195"
- Description: This essay surveys a number of different interpretations of the metaphor of “voice”. It begins by exploring the use of free writing exercises as a means of nurturing the emergence of physical (audible) voice in creative writing classes before assessing some of the ramifications and implications of the trope, both diachronically and synchronically. A key issue of this discussion is whether voice is regarded as individual or social.
- Full Text:
- Date Issued: 2015
Performing mindful creativity
- Authors: Krueger, Anton
- Date: 2017
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/225574 , vital:49236 , xlink:href="https://doi.org/10.5920/pam.2017.05"
- Description: This essay is grounded in the practical experience of three South African theatre practitioners who have all had some experience of mindfulness. It's based on interviews conducted with a performer (Andrew Buckland), a director (Janni Young), and a designer (Illka Louw). The aim of my conversations with these three was to explore ways in which mindfulness continues to enhance artistic practises, seeing our dialogues as a springboard to exploring intersections between creative practise and theories about mindfulness. To assist me in this process, I also interviewed Rob Nairn - co-founder of both the Mindfulness Association (UK) and Mindfulness Africa (RSA) - about key issues highlighting convergences between creativity and mindfulness. Some of the issues which are addressed include: the artist's relationship with fear, differing definitions of the value of conceptualisation, as well as whether or not the monkey mind (that is, the wandering mind) might hamper or help creativity.
- Full Text:
- Date Issued: 2017
- Authors: Krueger, Anton
- Date: 2017
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/225574 , vital:49236 , xlink:href="https://doi.org/10.5920/pam.2017.05"
- Description: This essay is grounded in the practical experience of three South African theatre practitioners who have all had some experience of mindfulness. It's based on interviews conducted with a performer (Andrew Buckland), a director (Janni Young), and a designer (Illka Louw). The aim of my conversations with these three was to explore ways in which mindfulness continues to enhance artistic practises, seeing our dialogues as a springboard to exploring intersections between creative practise and theories about mindfulness. To assist me in this process, I also interviewed Rob Nairn - co-founder of both the Mindfulness Association (UK) and Mindfulness Africa (RSA) - about key issues highlighting convergences between creativity and mindfulness. Some of the issues which are addressed include: the artist's relationship with fear, differing definitions of the value of conceptualisation, as well as whether or not the monkey mind (that is, the wandering mind) might hamper or help creativity.
- Full Text:
- Date Issued: 2017
at the conference in münich
- Authors: Krueger, Anton
- Date: 2010
- Subjects: To be catalogued
- Language: English
- Type: text , poem
- Identifier: http://hdl.handle.net/10962/462941 , vital:76349 , ISBN 0028-4459 , https://journals.co.za/doi/epdf/10.10520/EJC47821
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 2010
- Authors: Krueger, Anton
- Date: 2010
- Subjects: To be catalogued
- Language: English
- Type: text , poem
- Identifier: http://hdl.handle.net/10962/462941 , vital:76349 , ISBN 0028-4459 , https://journals.co.za/doi/epdf/10.10520/EJC47821
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 2010
consumed society
- Authors: Krueger, Anton
- Date: 2008
- Subjects: To be catalogued
- Language: English
- Type: text , poem
- Identifier: http://hdl.handle.net/10962/462952 , vital:76350 , ISBN 0028-4459 , https://journals.co.za/doi/epdf/10.10520/EJC47802
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 2008
- Authors: Krueger, Anton
- Date: 2008
- Subjects: To be catalogued
- Language: English
- Type: text , poem
- Identifier: http://hdl.handle.net/10962/462952 , vital:76350 , ISBN 0028-4459 , https://journals.co.za/doi/epdf/10.10520/EJC47802
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 2008