Abasungu balisa-we tata
- Authors: Philemon Kalela , Bemba men , composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zambia city not specified f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/389350 , vital:68438 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0770-F1K2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Abasungu balisa-we tata
- Authors: Philemon Kalela , Group of Bemba men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
- Language: Lozi , Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183808 , vital:44071 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-17
- Description: "The White people have come, father, they are flying in the sky. They have made the smelter. They have made the shaft. They brought money. They have come here for good, they will never turn back from our country. They have settled in our (Lamba) country, these settlers of the Copper Belt." This refers to great industrial intrusion into this part of Africa where large deposits of copper are now being mined in what used to be a remote and densely wooded part of the country. Topical song
- Full Text: false
- Date Issued: 1952
Abasungu Balisa-we Tata
- Authors: Philemon Kalela , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zambia City not specified f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/320258 , vital:60317 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2886-XYZ7045
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Owa Chitawala
- Authors: Philemon Kalela , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zambia City not specified f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/320253 , vital:60316 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2885-XYZ7044
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Owachitawala
- Authors: Philemon Kalela , Group of Bemba men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
- Language: Lozi , Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183798 , vital:44070 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-16
- Description: A song making fun of the Watchtower sect which holds its meetings every Monday and Wednesday in different private houses. The singers were alleged to be Catholics but that did not stop their singing the songs of the rival church. The word Chitawala is made up of the syllables of the English word heard by African Wachi-ta-wa-la. The local Bemba being unable to say an'R', preferring the 'L'. Topical song
- Full Text: false
- Date Issued: 1952