An annotated catalogue and pedagogical approach to clarinet music by Southern African composers: 1995–2022
- Authors: Snyman, Grant
- Date: 2024-12
- Subjects: Clarinet music , Clarinet and piano music , Composition (Music)
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/70405 , vital:78347
- Description: Documenting and cataloguing Southern African clarinet music for performing, teaching, and learning is one of the best ways to preserve the region’s heritage and rich musical identity. Globally, several publications contain annotated bibliographies for the clarinet repertoire, but only a limited number include works by Southern African composers. Continued research and cataloguing of clarinet-related literature is crucial for future developments of the clarinet within a Southern African context and ensuring that the music is not “lost” or that the composers remain unknown. In the past, clarinettists (students, performers, and educators) have experienced several issues when seeking reliable sources pertaining to works by Southern African composers. This newly formed database, archive, and catalogue will assist clarinettists in sourcing “unfamiliar” works and serve as a helpful multi-purpose tool. Recent research has shown an increased interest in creating catalogues for specific musical instruments. This catalogue will not only create an awareness of Southern African composers and their compositions but is presented in a user-friendly and easily accessible format. Although several Southern African compositions exist, they are not often performed or programmed. Besides not being included in concert performances, there is (1) a lack of interest and exposure to “new” repertoire for the clarinet in Southern Africa, (2) a general lack of commercially available recordings, (3) a lack of an extensive or inclusive resource, (4) a lack of information about these composers and access to their music, and (5) an unfamiliarity with contemporary works for the clarinet written by Southern African composers. Thus, an annotated catalogue of A and B♭ clarinet music composed by Southern African composers between 1995 and 2022 has been compiled and includes extended methods for the instrument and suggested teaching methods (facilitating preparation, interpretation, and informed approaches to the performance of Southern African compositions). Composers’ biographical details, an overview of the history of the clarinet and clarinet performance practices in each one of the selected countries, and a glossary of ‘new’ and extended techniques found in these ‘Southern African’ compositions have been included. , Thesis (MMus) -- Faculty of Humanities, School of Visual and Performing Arts, 2024
- Full Text:
- Date Issued: 2024-12
- Authors: Snyman, Grant
- Date: 2024-12
- Subjects: Clarinet music , Clarinet and piano music , Composition (Music)
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/70405 , vital:78347
- Description: Documenting and cataloguing Southern African clarinet music for performing, teaching, and learning is one of the best ways to preserve the region’s heritage and rich musical identity. Globally, several publications contain annotated bibliographies for the clarinet repertoire, but only a limited number include works by Southern African composers. Continued research and cataloguing of clarinet-related literature is crucial for future developments of the clarinet within a Southern African context and ensuring that the music is not “lost” or that the composers remain unknown. In the past, clarinettists (students, performers, and educators) have experienced several issues when seeking reliable sources pertaining to works by Southern African composers. This newly formed database, archive, and catalogue will assist clarinettists in sourcing “unfamiliar” works and serve as a helpful multi-purpose tool. Recent research has shown an increased interest in creating catalogues for specific musical instruments. This catalogue will not only create an awareness of Southern African composers and their compositions but is presented in a user-friendly and easily accessible format. Although several Southern African compositions exist, they are not often performed or programmed. Besides not being included in concert performances, there is (1) a lack of interest and exposure to “new” repertoire for the clarinet in Southern Africa, (2) a general lack of commercially available recordings, (3) a lack of an extensive or inclusive resource, (4) a lack of information about these composers and access to their music, and (5) an unfamiliarity with contemporary works for the clarinet written by Southern African composers. Thus, an annotated catalogue of A and B♭ clarinet music composed by Southern African composers between 1995 and 2022 has been compiled and includes extended methods for the instrument and suggested teaching methods (facilitating preparation, interpretation, and informed approaches to the performance of Southern African compositions). Composers’ biographical details, an overview of the history of the clarinet and clarinet performance practices in each one of the selected countries, and a glossary of ‘new’ and extended techniques found in these ‘Southern African’ compositions have been included. , Thesis (MMus) -- Faculty of Humanities, School of Visual and Performing Arts, 2024
- Full Text:
- Date Issued: 2024-12
The evolution of the role of the orchestral conductor
- Authors: Snyman, Grant
- Date: 2018
- Subjects: Music , Orchestral music Orchestral music -- Interpretation (Phrasing, dynamics, etc.) Conducting
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: http://hdl.handle.net/10948/23153 , vital:30435
- Description: Orchestral conducting is an art form and profession that has existed for over two centuries – but with little detailed documentation. Thus, the core focus of the treatise is to provide a detailed history of the changing role of the orchestral conductor, his role in orchestral music and the future of orchestral conducting as a profession. The treatise describes the periodical history of the orchestra in relation to the need for a conductor that has developed. It discusses four composer-conductors who had a profound and lasting impact on orchestral conducting as a full-time profession. The treatise also highlights two leading international orchestras. These two international orchestras, with the help of their musical directors, were able to reach new musical achievements in the 20th Century. A broad description of the role of the orchestral conductor in South Africa is provided. Moreover, the researcher explores the reasons why classical music, as an established art form, performed by symphony orchestras, has increasingly struggled internationally as a sustainable industry. Finally, the researcher draws on the theoretical framework and his own experience to make recommendations for future development of conductors as well as research in this field.
- Full Text:
- Date Issued: 2018
- Authors: Snyman, Grant
- Date: 2018
- Subjects: Music , Orchestral music Orchestral music -- Interpretation (Phrasing, dynamics, etc.) Conducting
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: http://hdl.handle.net/10948/23153 , vital:30435
- Description: Orchestral conducting is an art form and profession that has existed for over two centuries – but with little detailed documentation. Thus, the core focus of the treatise is to provide a detailed history of the changing role of the orchestral conductor, his role in orchestral music and the future of orchestral conducting as a profession. The treatise describes the periodical history of the orchestra in relation to the need for a conductor that has developed. It discusses four composer-conductors who had a profound and lasting impact on orchestral conducting as a full-time profession. The treatise also highlights two leading international orchestras. These two international orchestras, with the help of their musical directors, were able to reach new musical achievements in the 20th Century. A broad description of the role of the orchestral conductor in South Africa is provided. Moreover, the researcher explores the reasons why classical music, as an established art form, performed by symphony orchestras, has increasingly struggled internationally as a sustainable industry. Finally, the researcher draws on the theoretical framework and his own experience to make recommendations for future development of conductors as well as research in this field.
- Full Text:
- Date Issued: 2018
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