Shirley with her singing group
- Authors: Lebakeng, Shirley
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126043 , vital:35845 , RHPC-018
- Description: Shirley Lebakeng with her singing group. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
- Authors: Lebakeng, Shirley
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126043 , vital:35845 , RHPC-018
- Description: Shirley Lebakeng with her singing group. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
Unfinished poster
- Tito, Dudley, Lebakeng, Shirley, Kuluman, Whytie, Dyeyi, Phumzile, Miza, Victor, Tito, Patrick
- Authors: Tito, Dudley , Lebakeng, Shirley , Kuluman, Whytie , Dyeyi, Phumzile , Miza, Victor , Tito, Patrick
- Date: 197-?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/114554 , vital:33999 , RHPC-006
- Description: Unfinished poster musicians from left Dudley Tito, Shirley Lebakeng, Whytie Kuluman, Phumzile Dyeyi, Victor Miza, Patrick Tito , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 197-?
- Authors: Tito, Dudley , Lebakeng, Shirley , Kuluman, Whytie , Dyeyi, Phumzile , Miza, Victor , Tito, Patrick
- Date: 197-?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/114554 , vital:33999 , RHPC-006
- Description: Unfinished poster musicians from left Dudley Tito, Shirley Lebakeng, Whytie Kuluman, Phumzile Dyeyi, Victor Miza, Patrick Tito , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 197-?
Richard Hatana's 60th birthday celebration
- Lebakeng, Shirley, Wotshela, Fezile, Mkuze, Nomzamo
- Authors: Lebakeng, Shirley , Wotshela, Fezile , Mkuze, Nomzamo
- Date: 1993
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126476 , vital:35891 , RHPC-050
- Description: Shirley Lebakeng, vocalist; SABC presenter Fezile Wotshela; Nomzamo Mkuze at Richard Hatana's 60th birthday celebration. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 1993
- Authors: Lebakeng, Shirley , Wotshela, Fezile , Mkuze, Nomzamo
- Date: 1993
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126476 , vital:35891 , RHPC-050
- Description: Shirley Lebakeng, vocalist; SABC presenter Fezile Wotshela; Nomzamo Mkuze at Richard Hatana's 60th birthday celebration. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 1993
Elaine with her children Kenneth, Shirley, Graham and Teddy
- Subjects: Class reunions -- South Africa -- Grahamstown -- Photographs Grahamstown Teachers' Training College (South Africa) -- Photographs
- Type: Image
- Identifier: http://hdl.handle.net/10962/24975 , vital:23290 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PIC/A 2897_056
- Description: Photograph of Elaine with her children Kenneth, Shirley, Graham and Teddy , Leila Kerr (Linington) (Donor)
- Full Text: false
- Subjects: Class reunions -- South Africa -- Grahamstown -- Photographs Grahamstown Teachers' Training College (South Africa) -- Photographs
- Type: Image
- Identifier: http://hdl.handle.net/10962/24975 , vital:23290 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PIC/A 2897_056
- Description: Photograph of Elaine with her children Kenneth, Shirley, Graham and Teddy , Leila Kerr (Linington) (Donor)
- Full Text: false
The jazz divas an analysis of the musical careers of six New Brighton vocalists
- Authors: Butete, Netsayi
- Date: 2012
- Subjects: Jazz musicians -- Research -- South Africa -- Port Elizabeth Ethnomusicology -- Research -- South Africa Sex discrimination against women -- South Africa Sex discrimination in employment -- South Africa Apartheid -- South Africa
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: vital:2633 , http://hdl.handle.net/10962/d1002298
- Description: There has been insufficient academic research on the music of the Eastern Cape in general and Port Elizabeth and New Brighton in particular. This study, as part of the International Library of African Music (ILAM)lRed Location Museum Music History Project (ILAMIRLMHP) - an oral history intervention to save the music history of New Brighton from extinction through research and documentation of the memories of veteran musicians - is focused on jazz vocalists. The primary objective of my study is to investigate, critically analyze, interpret and document the career experiences of six New Brighton jazz vocalists in the context of performing in the Port Elizabeth music industry during the apartheid and the post-apartheid eras. The secondary objectives are to stimulate research interests in music students and ethnomusicologists to pursue research on the music of Port Elizabeth and the Eastern Cape and to inspire and motivate the vocalists to continue making music with renewed zeal. A qualitative research paradigm informed the field research necessary for this study. The fieldwork paved the way for an eclectic framework of analysis grounded in Pierre Bourdieu's notions of habitus, field and capital, examining the impact of the context on the vocalists' habitus which influenced how they viewed and interpreted their past and current experiences in the performance field. Data obtained through extensive interviewing of New Brighton's contemporary female vocalists and their male counterparts revealed that they have no opportunity to make commercial recordings. The musicians have to migrate to Johannesburg to have successful music careers, although personality politics, greed and lack of professionalism also work against the musicians' success. The data shows that New Brighton musicians, both male and female, do not have enough performance opportunities and there are fewer chances to tour now than there were from the 1960s through the 1980s. As in the apartheid era, female vocalists are still discriminated against in terms of pay, and men discriminate in how they pay other male musicians. Analysis of the vocalists' jazz compositions revealed that their song lyrics depict a bona fide urban African culture and reflect the emotional needs of the society in which they live.
- Full Text:
- Date Issued: 2012
- Authors: Butete, Netsayi
- Date: 2012
- Subjects: Jazz musicians -- Research -- South Africa -- Port Elizabeth Ethnomusicology -- Research -- South Africa Sex discrimination against women -- South Africa Sex discrimination in employment -- South Africa Apartheid -- South Africa
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: vital:2633 , http://hdl.handle.net/10962/d1002298
- Description: There has been insufficient academic research on the music of the Eastern Cape in general and Port Elizabeth and New Brighton in particular. This study, as part of the International Library of African Music (ILAM)lRed Location Museum Music History Project (ILAMIRLMHP) - an oral history intervention to save the music history of New Brighton from extinction through research and documentation of the memories of veteran musicians - is focused on jazz vocalists. The primary objective of my study is to investigate, critically analyze, interpret and document the career experiences of six New Brighton jazz vocalists in the context of performing in the Port Elizabeth music industry during the apartheid and the post-apartheid eras. The secondary objectives are to stimulate research interests in music students and ethnomusicologists to pursue research on the music of Port Elizabeth and the Eastern Cape and to inspire and motivate the vocalists to continue making music with renewed zeal. A qualitative research paradigm informed the field research necessary for this study. The fieldwork paved the way for an eclectic framework of analysis grounded in Pierre Bourdieu's notions of habitus, field and capital, examining the impact of the context on the vocalists' habitus which influenced how they viewed and interpreted their past and current experiences in the performance field. Data obtained through extensive interviewing of New Brighton's contemporary female vocalists and their male counterparts revealed that they have no opportunity to make commercial recordings. The musicians have to migrate to Johannesburg to have successful music careers, although personality politics, greed and lack of professionalism also work against the musicians' success. The data shows that New Brighton musicians, both male and female, do not have enough performance opportunities and there are fewer chances to tour now than there were from the 1960s through the 1980s. As in the apartheid era, female vocalists are still discriminated against in terms of pay, and men discriminate in how they pay other male musicians. Analysis of the vocalists' jazz compositions revealed that their song lyrics depict a bona fide urban African culture and reflect the emotional needs of the society in which they live.
- Full Text:
- Date Issued: 2012
The use of conceptual costume design to express the emotional trajectory of the play sounds of South End
- Authors: Chingosho, Vimbai
- Date: 2016
- Subjects: Fashion -- South Africa -- Port Elizabeth Costume design -- South Africa -- Port Elizabeth
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/11449 , vital:26926
- Description: The aim of this study is to illustrate how, in the design of costumes, adopting design elements used to produce conceptual fashion can create conceptual costumes that have the ability to express emotions. The play Sounds of South End (2013) contains such qualities; therefore it has been selected to illustrate how the mood and emotional trajectory of a play can be interpreted through symbolism. The play illustrates the life before and after the forced removals during the apartheid (1960s and 1970s), of a fictional family, the Dietrichs, who live in South End, a suburb in Port Elizabeth, South Africa. A focus on the nature of emotional changes experienced by the family has been used to determine the overall mood of the play, leading to a translation of the shifting mood through a collection of conceptual costumes. The final collection was exhibited as an installation artwork that is an interpretation of the altering moods and emotions that occur in the life of the Dietrich family as the play unfolds. The conceptual costumes have been constructed to imbue the narrative of the play with deep meaning by using symbolic elements, such as colour, texture and weight, to suggest the emotional trajectory within the play. The eight costumes portray the interrelated gradual decline and resultant deterioration of human relations experienced by the Dietrichs, from a contented state of harmonious living to a wounded state of despair.
- Full Text:
- Date Issued: 2016
- Authors: Chingosho, Vimbai
- Date: 2016
- Subjects: Fashion -- South Africa -- Port Elizabeth Costume design -- South Africa -- Port Elizabeth
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/11449 , vital:26926
- Description: The aim of this study is to illustrate how, in the design of costumes, adopting design elements used to produce conceptual fashion can create conceptual costumes that have the ability to express emotions. The play Sounds of South End (2013) contains such qualities; therefore it has been selected to illustrate how the mood and emotional trajectory of a play can be interpreted through symbolism. The play illustrates the life before and after the forced removals during the apartheid (1960s and 1970s), of a fictional family, the Dietrichs, who live in South End, a suburb in Port Elizabeth, South Africa. A focus on the nature of emotional changes experienced by the family has been used to determine the overall mood of the play, leading to a translation of the shifting mood through a collection of conceptual costumes. The final collection was exhibited as an installation artwork that is an interpretation of the altering moods and emotions that occur in the life of the Dietrich family as the play unfolds. The conceptual costumes have been constructed to imbue the narrative of the play with deep meaning by using symbolic elements, such as colour, texture and weight, to suggest the emotional trajectory within the play. The eight costumes portray the interrelated gradual decline and resultant deterioration of human relations experienced by the Dietrichs, from a contented state of harmonious living to a wounded state of despair.
- Full Text:
- Date Issued: 2016
South West Africa tour for Black Slave band.
- Miza, Victor, Lebokeng, Shirley, Nelf, Melvin, Ntshinga, Jury, Dikana, Vuyisile, Djan, Phindile
- Authors: Miza, Victor , Lebokeng, Shirley , Nelf, Melvin , Ntshinga, Jury , Dikana, Vuyisile , Djan, Phindile
- Date: 1980
- Subjects: UNCATALOGUED
- Type: Image
- Identifier: http://hdl.handle.net/10962/236038 , vital:50372 , DTC-081
- Description: Clipping of an article about the black slave tour. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/) (NEVER CAHNGE THIS FIELD)
- Full Text: false
- Date Issued: 1980
- Authors: Miza, Victor , Lebokeng, Shirley , Nelf, Melvin , Ntshinga, Jury , Dikana, Vuyisile , Djan, Phindile
- Date: 1980
- Subjects: UNCATALOGUED
- Type: Image
- Identifier: http://hdl.handle.net/10962/236038 , vital:50372 , DTC-081
- Description: Clipping of an article about the black slave tour. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/) (NEVER CAHNGE THIS FIELD)
- Full Text: false
- Date Issued: 1980
Slave on the Go Show.
- Banda, 'Mojo' Gladstone, Miza, Victor, Dikana, Vuyisile, Ntshinga, Jury, Djan, Phindile, Lebakeng, Shirley, Ngxovu, Mxolisi
- Authors: Banda, 'Mojo' Gladstone , Miza, Victor , Dikana, Vuyisile , Ntshinga, Jury , Djan, Phindile , Lebakeng, Shirley , Ngxovu, Mxolisi
- Date: 19??
- Subjects: UNCATALOGUED
- Type: Image
- Identifier: http://hdl.handle.net/10962/236029 , vital:50370 , DTC-079
- Description: Clipping of an article about Black Slave on of the top bands in the Eastern Cape. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/) (NEVER CAHNGE THIS FIELD)
- Full Text: false
- Date Issued: 19??
- Authors: Banda, 'Mojo' Gladstone , Miza, Victor , Dikana, Vuyisile , Ntshinga, Jury , Djan, Phindile , Lebakeng, Shirley , Ngxovu, Mxolisi
- Date: 19??
- Subjects: UNCATALOGUED
- Type: Image
- Identifier: http://hdl.handle.net/10962/236029 , vital:50370 , DTC-079
- Description: Clipping of an article about Black Slave on of the top bands in the Eastern Cape. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/) (NEVER CAHNGE THIS FIELD)
- Full Text: false
- Date Issued: 19??
Key editorial and business strategies: a case study of six independent community newspapers
- Milne, Claire, Rau, Asta, du Toit, Peter, Mdlongwa, Francis
- Authors: Milne, Claire , Rau, Asta , du Toit, Peter , Mdlongwa, Francis
- Date: 2006
- Language: English
- Type: Book
- Identifier: vital:531 , http://hdl.handle.net/10962/d1008544
- Description: [From the introduction] The Sol Plaatje Institute for Media Leadership (SPI) conducted this study with the goal of assisting small independent newspapers by exploring and publicising the many challenges that they face in their efforts to become sustainable enterprises. The intent is to reveal key business and editorial strategies successful publications have adopted to assist them in overcoming these challenges. To this end, the SPI conducted in-depth case studies of six successful South African newspapers serving their local communities. Newspapers were selected from a pool of twenty newspapers, which were nominated as successful ventures by the Media Development and Diversity Agency (MDDA) and the Association of Independent Publishers of South Africa (AIP). All twenty newspapers were sent questionnaires. These collected information on each newspaper’s background, money matters, the composition of staff, and the manager’s perception of the opportunities and difficulties facing the small independent community newspapers. Based on the researchers’ interpretations of responses in the questionnaires, the SPI selected six newspapers for the case study phase of the research. The selected newspapers are: KZN Community Newspaper, Southern and Soweto Globe, North Coast Courier, Eastern Free State Issue, Ikhwezi News and Limpopo Mirror. The SPI’s researcher spent a minimum of a week at each newspaper using interviews to gain an in-depth understanding of the information given in the questionnaires. Interviews were conducted with management, staff members, advertisers and readers. The issues covered in management and staff interviews ranged from those relating to business and editorial strategies to probing how people experience the workplace, their local media contexts and the wider media environment. Advertisers and readers were asked how they perceive the performance of the different publications. The value of these case studies is that they provide the reader with an overview of the challenges facing small independent community newspapers and the range of best practices and strategies they use to succeed. By sharing and disseminating this information the SPI hopes to contribute to the sustainability of small independent community newspapers.
- Full Text:
- Date Issued: 2006
- Authors: Milne, Claire , Rau, Asta , du Toit, Peter , Mdlongwa, Francis
- Date: 2006
- Language: English
- Type: Book
- Identifier: vital:531 , http://hdl.handle.net/10962/d1008544
- Description: [From the introduction] The Sol Plaatje Institute for Media Leadership (SPI) conducted this study with the goal of assisting small independent newspapers by exploring and publicising the many challenges that they face in their efforts to become sustainable enterprises. The intent is to reveal key business and editorial strategies successful publications have adopted to assist them in overcoming these challenges. To this end, the SPI conducted in-depth case studies of six successful South African newspapers serving their local communities. Newspapers were selected from a pool of twenty newspapers, which were nominated as successful ventures by the Media Development and Diversity Agency (MDDA) and the Association of Independent Publishers of South Africa (AIP). All twenty newspapers were sent questionnaires. These collected information on each newspaper’s background, money matters, the composition of staff, and the manager’s perception of the opportunities and difficulties facing the small independent community newspapers. Based on the researchers’ interpretations of responses in the questionnaires, the SPI selected six newspapers for the case study phase of the research. The selected newspapers are: KZN Community Newspaper, Southern and Soweto Globe, North Coast Courier, Eastern Free State Issue, Ikhwezi News and Limpopo Mirror. The SPI’s researcher spent a minimum of a week at each newspaper using interviews to gain an in-depth understanding of the information given in the questionnaires. Interviews were conducted with management, staff members, advertisers and readers. The issues covered in management and staff interviews ranged from those relating to business and editorial strategies to probing how people experience the workplace, their local media contexts and the wider media environment. Advertisers and readers were asked how they perceive the performance of the different publications. The value of these case studies is that they provide the reader with an overview of the challenges facing small independent community newspapers and the range of best practices and strategies they use to succeed. By sharing and disseminating this information the SPI hopes to contribute to the sustainability of small independent community newspapers.
- Full Text:
- Date Issued: 2006
Photographing other selves: collecting, collections and collaborative visual identity
- Authors: Minkley, Hannah Smith
- Date: 2016
- Subjects: Documentary photography -- South Africa Semiotics -- South Africa
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/12669 , vital:27105
- Description: This study is situated in a social documentary photography context, and is concerned to explore whether the collaborative interaction between photographer, subject (as collector) and material object (as collection) might enable a practice that presents a more mutual and subject-centred visual identity emerge. In particular, photographers Jim Goldberg and Gideon Mendel have focused more on the subject themselves, using collaborative processes such as photo-voice and photo elicitation, as well as the use of peoples’ handwritten captions on photographic prints themselves. Claudia Mitchell’s overview of visual methodologies is drawn on, together with Ken Plummer’s Documents of Life 2 (2001) and Gillian Rose’s Visual Methodologies (2001) to extend on these possibilities of conducting collaborative visual research.The practical component of this study focuses on personal collections and follows a number of theorists, including Susan Pearce, and John Elsner and Roger Cardinal. It follows Pearce’s identification of three major modes of collecting, and suggests that collections are essentially narratives of the self, and reveal experiences and expressions of personal desire. By drawing on these approaches and the various ways the twelve collectors were photographed, as well as implementing collaborative research processes (handwritten text, archival photographs and the re-staging of the collections), the study confirms Pearce’s three primary modes of collecting, and acknowledges that they are often interlinked or overlap one another. The study further found that a more subject voiced visual identity did indeed become apparent through the collaborative methods applied and discussed. The collaborative research equally demonstrated that these narratives of identity are not singular, but rather narratives of multiple, personal identities of the self.
- Full Text:
- Date Issued: 2016
- Authors: Minkley, Hannah Smith
- Date: 2016
- Subjects: Documentary photography -- South Africa Semiotics -- South Africa
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/12669 , vital:27105
- Description: This study is situated in a social documentary photography context, and is concerned to explore whether the collaborative interaction between photographer, subject (as collector) and material object (as collection) might enable a practice that presents a more mutual and subject-centred visual identity emerge. In particular, photographers Jim Goldberg and Gideon Mendel have focused more on the subject themselves, using collaborative processes such as photo-voice and photo elicitation, as well as the use of peoples’ handwritten captions on photographic prints themselves. Claudia Mitchell’s overview of visual methodologies is drawn on, together with Ken Plummer’s Documents of Life 2 (2001) and Gillian Rose’s Visual Methodologies (2001) to extend on these possibilities of conducting collaborative visual research.The practical component of this study focuses on personal collections and follows a number of theorists, including Susan Pearce, and John Elsner and Roger Cardinal. It follows Pearce’s identification of three major modes of collecting, and suggests that collections are essentially narratives of the self, and reveal experiences and expressions of personal desire. By drawing on these approaches and the various ways the twelve collectors were photographed, as well as implementing collaborative research processes (handwritten text, archival photographs and the re-staging of the collections), the study confirms Pearce’s three primary modes of collecting, and acknowledges that they are often interlinked or overlap one another. The study further found that a more subject voiced visual identity did indeed become apparent through the collaborative methods applied and discussed. The collaborative research equally demonstrated that these narratives of identity are not singular, but rather narratives of multiple, personal identities of the self.
- Full Text:
- Date Issued: 2016
Assessment of the microbial quality of various domestic rainwater harvesting systems and the suitability of a nano based treatment method
- Authors: Malema, Mokaba Shirley
- Date: 2020
- Language: English
- Type: thesis , text , Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/110218 , vital:33249 , https://dx.doi.org/10.21504/10962/110218
- Description: Thesis (PhD)--Rhodes University, Faculty of Science, Chemistry, 2020.
- Full Text: false
- Date Issued: 2020
- Authors: Malema, Mokaba Shirley
- Date: 2020
- Language: English
- Type: thesis , text , Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/110218 , vital:33249 , https://dx.doi.org/10.21504/10962/110218
- Description: Thesis (PhD)--Rhodes University, Faculty of Science, Chemistry, 2020.
- Full Text: false
- Date Issued: 2020
A study of the heroine in certain Victorian novels
- Authors: Addecott, Grahame John
- Date: 1959
- Subjects: English fiction -- 19th century -- History and criticism , Heroines in literature
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2319 , http://hdl.handle.net/10962/d1013374
- Description: During the reign of Queen Victoria was seen the gradual emergence of the emancipated woman. The idea that women were innocent beings who must be kept from real knowledge of the world died hard, however, and to the end of the era there were many who repudiated the very concept of emancipation whether in literature or life. Coupled with the chivalrous, idealistic concept of womanhood was Victorian respectability, and it is not surprising that in the earlier Victorian novels we see clearly the idealistic concept of women and the effects of the cult of respectability. To illustrate my theme, of the gradual change in the concept of the novel which naturally kept pace, more or less, with the progress the emancipation of women was making, I have chosen one novel from each of seven great Victorian novelists whose works span the whale era. The only exception I have made is with Charlotte Bronte. In her case the heroines of two of her novels are discussed mainly because she is the first Victorian novelist to sound a note of protest against the then conventional concept of the heroine.
- Full Text:
- Date Issued: 1959
- Authors: Addecott, Grahame John
- Date: 1959
- Subjects: English fiction -- 19th century -- History and criticism , Heroines in literature
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2319 , http://hdl.handle.net/10962/d1013374
- Description: During the reign of Queen Victoria was seen the gradual emergence of the emancipated woman. The idea that women were innocent beings who must be kept from real knowledge of the world died hard, however, and to the end of the era there were many who repudiated the very concept of emancipation whether in literature or life. Coupled with the chivalrous, idealistic concept of womanhood was Victorian respectability, and it is not surprising that in the earlier Victorian novels we see clearly the idealistic concept of women and the effects of the cult of respectability. To illustrate my theme, of the gradual change in the concept of the novel which naturally kept pace, more or less, with the progress the emancipation of women was making, I have chosen one novel from each of seven great Victorian novelists whose works span the whale era. The only exception I have made is with Charlotte Bronte. In her case the heroines of two of her novels are discussed mainly because she is the first Victorian novelist to sound a note of protest against the then conventional concept of the heroine.
- Full Text:
- Date Issued: 1959
Up Beat Issue Number 4 1991
- SACHED
- Authors: SACHED
- Date: 1991
- Subjects: SACHED
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/116211 , vital:34334
- Description: On the night of the 8 March 1991, a thousand women braved the rain to march through the streets of Johannesburg. They chose this day for their protest march because the 8 March is International Women’s Day. The women marched to highlight the problem of violence against women. They said that women are not safe on the streets at night. Many women are not even safe in their own homes! The night they marched about 140 women were raped in South Africa between six and nine o’ clock. Many women were beaten and raped in their own homes, some were hurt by their own husbands or boyfriends. ‘We want to feel safe in our own homes, at work and in the streets. We demand an end to violence against women,’ Monique Marks of the ANC Women’s League said. Copies of the demands were sent to the Chief Magistrate of Johannesburg, the City Council and Health Department.
- Full Text:
- Date Issued: 1991
- Authors: SACHED
- Date: 1991
- Subjects: SACHED
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/116211 , vital:34334
- Description: On the night of the 8 March 1991, a thousand women braved the rain to march through the streets of Johannesburg. They chose this day for their protest march because the 8 March is International Women’s Day. The women marched to highlight the problem of violence against women. They said that women are not safe on the streets at night. Many women are not even safe in their own homes! The night they marched about 140 women were raped in South Africa between six and nine o’ clock. Many women were beaten and raped in their own homes, some were hurt by their own husbands or boyfriends. ‘We want to feel safe in our own homes, at work and in the streets. We demand an end to violence against women,’ Monique Marks of the ANC Women’s League said. Copies of the demands were sent to the Chief Magistrate of Johannesburg, the City Council and Health Department.
- Full Text:
- Date Issued: 1991
Slanting the light
- Authors: Marais, Shirley
- Date: 2018
- Subjects: South African poetry (English) -- 21st century , Creative writing (Higher education) -- South Africa
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63558 , vital:28440
- Description: Through my poetry I attempt to make sense of my encounters with myself by bringing to creative expression my experiences of and felt responses to people, places and situations. Among the poets who have had a significant influence on my work are Robert Berold, for his quiet assertion of intense, dramatic images; Frank O’Hara for his disciplined sense of mischief; Joan Metelerkamp for her meticulous attention to form and the way she makes a poem breathe; Robert Creeley for his ability to create free-floating meaning; and Mangaliso Buzani, for his fierce, honest poetics.
- Full Text:
- Date Issued: 2018
- Authors: Marais, Shirley
- Date: 2018
- Subjects: South African poetry (English) -- 21st century , Creative writing (Higher education) -- South Africa
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63558 , vital:28440
- Description: Through my poetry I attempt to make sense of my encounters with myself by bringing to creative expression my experiences of and felt responses to people, places and situations. Among the poets who have had a significant influence on my work are Robert Berold, for his quiet assertion of intense, dramatic images; Frank O’Hara for his disciplined sense of mischief; Joan Metelerkamp for her meticulous attention to form and the way she makes a poem breathe; Robert Creeley for his ability to create free-floating meaning; and Mangaliso Buzani, for his fierce, honest poetics.
- Full Text:
- Date Issued: 2018
The further development, optimisation and application of a Yarn Dismantler
- Authors: Fassihi, Ali Akbar
- Date: 2012
- Subjects: Textile industry , Cotton yarn industry
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:10452 , http://hdl.handle.net/10948/d1016066
- Description: The fibre properties of cotton, which vary widely according to genetic and environmental conditions, determine its price and textile processing performance and product quality. It is therefore hardly surprising that cotton fibre properties are routinely measured for trading and quality control purposes, with a great deal of research having been, and still being, devoted towards developing instruments which enable the various fibre properties to be measured rapidly and accurately. In many cases, it is also necessary to be able to measure properties of cotton fibres when they have already been converted into yarn and fabric form. To do so, the yarn has to be dismantled into its component fibres, preferably without significantly changing the fibre properties. This could only be done by manually untwisting the yarn and carefully extracting the fibres from the untwisted yarn, care being taken not to break or lose any fibres in the process. This is a time consuming, laborious and labour intensive process. In view of this, a „yarn dismantler‟ which could automatically, cost effectively and within acceptable time frames, dismantle a cotton yarn into its constituent fibres, without undue damage or changes to the fibres, was developed and patented. This thesis reports the results of research undertaken to further develop, evaluate and optimize the yarn dismantler into the final prototype, as well as those relating to its practical applications, including tracking changes in fibre properties during miniature and pilot scale processing, up to, and including the yarn stage. Initial research undertaken on the original bench and first prototype models indicated that, although they produced very promising results, certain improvements and modifications were necessary, if the dismantler was to perform in an efficient and operator friendly manner at the required speeds. These included changes in the axial position of the untwisting spindle and the perforated screen of the suction drum, increasing the air suction at the perforated drum, installing a new motor for the untwisting spindle drive, separating the drives to the different parts of the unit in order to control them independently, integrating a more effective steaming unit into the unit etc. It was found that the dismantling rate had to be set to equal about 95 percent of the original twist in the yarn, and that steaming of the dismantled (untwisted) yarn on the perforated drum was necessary in order to eliminate any twist liveliness (residual torque) in the dismantled yarn, and enable it to be handled and tested on the AFIS instrument. When the final prototype Yarn Dismantler was produced, incorporating all the above mentioned improvements, it functioned very well at dismantling speeds of at least 2m/min, enabling the length of yarn required for subsequent AFIS testing to be dismantled within an acceptable time of less than 10 minutes, with excellent reproducibility and repeatability of results, also under commercial conditions. It was found that the AFIS measured length characteristics of fibres from the instrument dismantled yarns compared very well with those of fibres from manually dismantled yarns, differences in fibre length generally being less than 1mm, and it was concluded from these and other evaluation tests, that the yarn dismantler produced fibres without any significant fibre breakage. Some limited tests, carried out on commercially produced carded and combed yarns, indicated that short fibre content and dust and trash levels, as measured by the AFIS on fibres from dismantled yarn, together with the corresponding Uster Statistics, could enable a carded cotton yarn to be distinguished from a combed cotton yarn. Statistical analysis of fibre test results obtained at the different stages during miniature and pilot plant scale processing of various cottons, clearly showed that very significant changes in fibre properties could be caused by certain of the processes. For example, significant fibre breakage occurred during the drafting on the spinning frame, prior to twist insertion. The thesis provides detailed results of changes in various fibre properties, including length, short fibre content, maturity, immature fibre content, seed coat neps and fibrous neps, which occurred from the lint to the final yarn, as well as on the relationship between the properties of the fibres from the dismantled yarn and those from the lint. The results obtained have clearly demonstrated the practical value of the yarn dismantler in enabling yarns to be automatically dismantled into their constituent fibres, which can then be tested by an instrument, such as the AFIS, and the test results related to those of the original lint fibres, thereby opening up many fields of research and practical applications, some of which are captured under „Recommended Further Work‟.
- Full Text:
- Date Issued: 2012
- Authors: Fassihi, Ali Akbar
- Date: 2012
- Subjects: Textile industry , Cotton yarn industry
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:10452 , http://hdl.handle.net/10948/d1016066
- Description: The fibre properties of cotton, which vary widely according to genetic and environmental conditions, determine its price and textile processing performance and product quality. It is therefore hardly surprising that cotton fibre properties are routinely measured for trading and quality control purposes, with a great deal of research having been, and still being, devoted towards developing instruments which enable the various fibre properties to be measured rapidly and accurately. In many cases, it is also necessary to be able to measure properties of cotton fibres when they have already been converted into yarn and fabric form. To do so, the yarn has to be dismantled into its component fibres, preferably without significantly changing the fibre properties. This could only be done by manually untwisting the yarn and carefully extracting the fibres from the untwisted yarn, care being taken not to break or lose any fibres in the process. This is a time consuming, laborious and labour intensive process. In view of this, a „yarn dismantler‟ which could automatically, cost effectively and within acceptable time frames, dismantle a cotton yarn into its constituent fibres, without undue damage or changes to the fibres, was developed and patented. This thesis reports the results of research undertaken to further develop, evaluate and optimize the yarn dismantler into the final prototype, as well as those relating to its practical applications, including tracking changes in fibre properties during miniature and pilot scale processing, up to, and including the yarn stage. Initial research undertaken on the original bench and first prototype models indicated that, although they produced very promising results, certain improvements and modifications were necessary, if the dismantler was to perform in an efficient and operator friendly manner at the required speeds. These included changes in the axial position of the untwisting spindle and the perforated screen of the suction drum, increasing the air suction at the perforated drum, installing a new motor for the untwisting spindle drive, separating the drives to the different parts of the unit in order to control them independently, integrating a more effective steaming unit into the unit etc. It was found that the dismantling rate had to be set to equal about 95 percent of the original twist in the yarn, and that steaming of the dismantled (untwisted) yarn on the perforated drum was necessary in order to eliminate any twist liveliness (residual torque) in the dismantled yarn, and enable it to be handled and tested on the AFIS instrument. When the final prototype Yarn Dismantler was produced, incorporating all the above mentioned improvements, it functioned very well at dismantling speeds of at least 2m/min, enabling the length of yarn required for subsequent AFIS testing to be dismantled within an acceptable time of less than 10 minutes, with excellent reproducibility and repeatability of results, also under commercial conditions. It was found that the AFIS measured length characteristics of fibres from the instrument dismantled yarns compared very well with those of fibres from manually dismantled yarns, differences in fibre length generally being less than 1mm, and it was concluded from these and other evaluation tests, that the yarn dismantler produced fibres without any significant fibre breakage. Some limited tests, carried out on commercially produced carded and combed yarns, indicated that short fibre content and dust and trash levels, as measured by the AFIS on fibres from dismantled yarn, together with the corresponding Uster Statistics, could enable a carded cotton yarn to be distinguished from a combed cotton yarn. Statistical analysis of fibre test results obtained at the different stages during miniature and pilot plant scale processing of various cottons, clearly showed that very significant changes in fibre properties could be caused by certain of the processes. For example, significant fibre breakage occurred during the drafting on the spinning frame, prior to twist insertion. The thesis provides detailed results of changes in various fibre properties, including length, short fibre content, maturity, immature fibre content, seed coat neps and fibrous neps, which occurred from the lint to the final yarn, as well as on the relationship between the properties of the fibres from the dismantled yarn and those from the lint. The results obtained have clearly demonstrated the practical value of the yarn dismantler in enabling yarns to be automatically dismantled into their constituent fibres, which can then be tested by an instrument, such as the AFIS, and the test results related to those of the original lint fibres, thereby opening up many fields of research and practical applications, some of which are captured under „Recommended Further Work‟.
- Full Text:
- Date Issued: 2012
The finance linked individual subsidy programme: A housing policy assessment
- Authors: Machelesi, Yandiswa Shirley
- Date: 2022-04
- Subjects: Housing subsidies , Housing development
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/58286 , vital:58924
- Description: Since 1994, the democratic government has put various legislative measures in place to address the spatial legacies of apartheid and manifest the right to access adequate housing, which was denied to many South Africans. Twenty-seven years post-democracy, South Africa is still faced with glaring spatial inequalities, with many South Africans condemned to squalid and inadequate residential conditions. The need for housing continued outweigh what government can supply, thus making the right to access adequate housing an impossible dream for many. Some of the factors that have contributed to increased housing demand are urbanisation, migration and population growth. While democracy has introduced economic opportunities that have improved the lives of many South Africans who were once side-lined and discriminated against, South Africa remains racially polarised, with a widening gap between rich and poor. An increasing majority of South Africa falls in a low-middle income category, which is sometimes considered the middle class. In the context of housing, the middle class is characterised by people who are too rich to qualify for free government subsidised housing yet too poor to access housing finance from mainstream mortgage lenders , Thesis (MA) -- Faculty of Business and Economic science, 2022
- Full Text: false
- Date Issued: 2022-04
- Authors: Machelesi, Yandiswa Shirley
- Date: 2022-04
- Subjects: Housing subsidies , Housing development
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/58286 , vital:58924
- Description: Since 1994, the democratic government has put various legislative measures in place to address the spatial legacies of apartheid and manifest the right to access adequate housing, which was denied to many South Africans. Twenty-seven years post-democracy, South Africa is still faced with glaring spatial inequalities, with many South Africans condemned to squalid and inadequate residential conditions. The need for housing continued outweigh what government can supply, thus making the right to access adequate housing an impossible dream for many. Some of the factors that have contributed to increased housing demand are urbanisation, migration and population growth. While democracy has introduced economic opportunities that have improved the lives of many South Africans who were once side-lined and discriminated against, South Africa remains racially polarised, with a widening gap between rich and poor. An increasing majority of South Africa falls in a low-middle income category, which is sometimes considered the middle class. In the context of housing, the middle class is characterised by people who are too rich to qualify for free government subsidised housing yet too poor to access housing finance from mainstream mortgage lenders , Thesis (MA) -- Faculty of Business and Economic science, 2022
- Full Text: false
- Date Issued: 2022-04
Staffing committee meeting report
- Chemical Workers Industrial Union (CWIU)
- Authors: Chemical Workers Industrial Union (CWIU)
- Date: 1995
- Subjects: CWIU
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/170205 , vital:41868
- Full Text:
- Date Issued: 1995
- Authors: Chemical Workers Industrial Union (CWIU)
- Date: 1995
- Subjects: CWIU
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/170205 , vital:41868
- Full Text:
- Date Issued: 1995
Rhodes University Graduation Ceremony 1963
- Authors: Rhodes University
- Date: 1963
- Language: English
- Type: text
- Identifier: vital:8097 , http://hdl.handle.net/10962/d1004418
- Description: Rhodes University Graduation Ceremonies on Saturday 6 April 1963 at 11 a.m. in the University Great Hall [and] Saturday 4 May 1963 at 11 a.m. in the University Great Hall.
- Full Text:
- Date Issued: 1963
- Authors: Rhodes University
- Date: 1963
- Language: English
- Type: text
- Identifier: vital:8097 , http://hdl.handle.net/10962/d1004418
- Description: Rhodes University Graduation Ceremonies on Saturday 6 April 1963 at 11 a.m. in the University Great Hall [and] Saturday 4 May 1963 at 11 a.m. in the University Great Hall.
- Full Text:
- Date Issued: 1963
Walter Oakley West (1930-2007) : obituary
- Authors: Lewis, Colin A
- Date: 2008
- Language: English
- Type: Article
- Identifier: vital:6703 , http://hdl.handle.net/10962/d1006739
- Full Text:
- Date Issued: 2008
- Authors: Lewis, Colin A
- Date: 2008
- Language: English
- Type: Article
- Identifier: vital:6703 , http://hdl.handle.net/10962/d1006739
- Full Text:
- Date Issued: 2008
L'insoumis chaleureux
- C., Fara
- Authors: C., Fara
- Subjects: McGregor, Chris--1936-1990 , Blue Notes (Musical group : South Africa) , Brotherhood of Breath (Musical group) , Jazz musicians
- Language: French
- Identifier: vital:13505 , http://hdl.handle.net/10962/d1005766 , McGregor, Chris--1936-1990 , Blue Notes (Musical group : South Africa) , Brotherhood of Breath (Musical group) , Jazz musicians
- Description: Photocopied article about Chris McGregor one year after his death. The article is announcing a concert tribute to Chris McGregor. There is also a picture of him playing the keyboards.
- Full Text:
- Authors: C., Fara
- Subjects: McGregor, Chris--1936-1990 , Blue Notes (Musical group : South Africa) , Brotherhood of Breath (Musical group) , Jazz musicians
- Language: French
- Identifier: vital:13505 , http://hdl.handle.net/10962/d1005766 , McGregor, Chris--1936-1990 , Blue Notes (Musical group : South Africa) , Brotherhood of Breath (Musical group) , Jazz musicians
- Description: Photocopied article about Chris McGregor one year after his death. The article is announcing a concert tribute to Chris McGregor. There is also a picture of him playing the keyboards.
- Full Text: