Mai dale tawa tumbila (My darling went away)
- Authors: Agnes Maknwalo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Malindi, Fort Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155838 , vital:39922 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-04
- Description: This woman, Agnes Nzowa (who is a Zimba) was instructed to make contour ridges in her land so immediately her husband went off to Southern Rhodesia to avoid having to help her do the work. Likhuba dance song for young women with 2 tin rattles and clappers.
- Full Text: false
- Date Issued: 1958
- Authors: Agnes Maknwalo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Malindi, Fort Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155838 , vital:39922 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-04
- Description: This woman, Agnes Nzowa (who is a Zimba) was instructed to make contour ridges in her land so immediately her husband went off to Southern Rhodesia to avoid having to help her do the work. Likhuba dance song for young women with 2 tin rattles and clappers.
- Full Text: false
- Date Issued: 1958
It's ok with my "bebee' in the train
- Bweupe, Agnes, 3 friends of Agnes Bweupe, Composer unknown, Tracey, Hugh
- Authors: Bweupe, Agnes , 3 friends of Agnes Bweupe , Composer unknown , Tracey, Hugh
- Date: 1957-07-18
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia City not specified f-za
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/242209 , vital:51012 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT504-L126 , Research no. L2X10
- Description: A party song about reaching paradise by train with the singers "bebee"(baby).
- Full Text: false
- Date Issued: 1957-07-18
- Authors: Bweupe, Agnes , 3 friends of Agnes Bweupe , Composer unknown , Tracey, Hugh
- Date: 1957-07-18
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia City not specified f-za
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/242209 , vital:51012 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT504-L126 , Research no. L2X10
- Description: A party song about reaching paradise by train with the singers "bebee"(baby).
- Full Text: false
- Date Issued: 1957-07-18
Hamba Kulumani
- Bweupe, Agnes, Agnes Bweupe and 3 friends, Composer unknown, Tracey, Hugh
- Authors: Bweupe, Agnes , Agnes Bweupe and 3 friends , Composer unknown , Tracey, Hugh
- Date: 1957-07-18
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Malawi City no specified f-za
- Language: Ndebele
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/242245 , vital:51020 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT504-L126 , Research no. L2X9
- Description: An unaccompanied party song, sending Kulumani away because he is unliked.
- Full Text: false
- Date Issued: 1957-07-18
- Authors: Bweupe, Agnes , Agnes Bweupe and 3 friends , Composer unknown , Tracey, Hugh
- Date: 1957-07-18
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Malawi City no specified f-za
- Language: Ndebele
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/242245 , vital:51020 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT504-L126 , Research no. L2X9
- Description: An unaccompanied party song, sending Kulumani away because he is unliked.
- Full Text: false
- Date Issued: 1957-07-18
Munaona (You will see)
- Authors: Agnes Maknwalo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Malindi, Fort Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155856 , vital:39924 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-06
- Description: Likhuba dance song for young women with 2 tin rattles and clappers.
- Full Text: false
- Date Issued: 1958
- Authors: Agnes Maknwalo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Malindi, Fort Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155856 , vital:39924 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-06
- Description: Likhuba dance song for young women with 2 tin rattles and clappers.
- Full Text: false
- Date Issued: 1958
Rhodes University Graduation Ceremony 1963
- Authors: Rhodes University
- Date: 1963
- Language: English
- Type: text
- Identifier: vital:8097 , http://hdl.handle.net/10962/d1004418
- Description: Rhodes University Graduation Ceremonies on Saturday 6 April 1963 at 11 a.m. in the University Great Hall [and] Saturday 4 May 1963 at 11 a.m. in the University Great Hall.
- Full Text:
- Date Issued: 1963
- Authors: Rhodes University
- Date: 1963
- Language: English
- Type: text
- Identifier: vital:8097 , http://hdl.handle.net/10962/d1004418
- Description: Rhodes University Graduation Ceremonies on Saturday 6 April 1963 at 11 a.m. in the University Great Hall [and] Saturday 4 May 1963 at 11 a.m. in the University Great Hall.
- Full Text:
- Date Issued: 1963
Rhodes University Graduation Ceremony 1956
- Authors: Rhodes University
- Date: 1956
- Language: English
- Type: text
- Identifier: vital:8090 , http://hdl.handle.net/10962/d1004400
- Description: Rhodes University Graduation Ceremony in the University Great Hall on Friday , 6th April, 1956 at 8 p.m. [and] Graduation Ceremony held in April 1956: University College of Fort Hare. Graduation Ceremony at Fort Hare on Friday, April 27th ,1956 at 10:00a.m.
- Full Text:
- Date Issued: 1956
- Authors: Rhodes University
- Date: 1956
- Language: English
- Type: text
- Identifier: vital:8090 , http://hdl.handle.net/10962/d1004400
- Description: Rhodes University Graduation Ceremony in the University Great Hall on Friday , 6th April, 1956 at 8 p.m. [and] Graduation Ceremony held in April 1956: University College of Fort Hare. Graduation Ceremony at Fort Hare on Friday, April 27th ,1956 at 10:00a.m.
- Full Text:
- Date Issued: 1956
"All vistas close in the unseen" : a study of the transcendent in the fiction of E. M. Forster
- Authors: Butler, Ian
- Date: 1987
- Subjects: Forster, E. M. (Edward Morgan), 1879-1970 -- Criticism and interpretation , Forster, E. M. (Edward Morgan), 1879-1970
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:2175 , http://hdl.handle.net/10962/d1001826
- Description: From introduction: It has become something of a commonplace among critics to remark Forster's relative lack of success in offering an alternative to the world which he satirises with such wit and humour. His comic treatment of the suburban absurdities of the Edwardian Englishman is, on the whole, far more compelling and memorable than the often vague, symbolic gestures by means of which he implies the possibility of something better. With the exception of his last and greatest novel, A Passage to India, his "alternatives" are largely factitious and contrived. Worse, the reader senses a fundamental uncertainty on the part of the author: his characteristic ambivalence in itself an indication of a perceptive and discriminating mind -- all too often suggests lack of conviction rather than an intelligent awareness of the infinitude of human possibilities.
- Full Text:
- Date Issued: 1987
- Authors: Butler, Ian
- Date: 1987
- Subjects: Forster, E. M. (Edward Morgan), 1879-1970 -- Criticism and interpretation , Forster, E. M. (Edward Morgan), 1879-1970
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:2175 , http://hdl.handle.net/10962/d1001826
- Description: From introduction: It has become something of a commonplace among critics to remark Forster's relative lack of success in offering an alternative to the world which he satirises with such wit and humour. His comic treatment of the suburban absurdities of the Edwardian Englishman is, on the whole, far more compelling and memorable than the often vague, symbolic gestures by means of which he implies the possibility of something better. With the exception of his last and greatest novel, A Passage to India, his "alternatives" are largely factitious and contrived. Worse, the reader senses a fundamental uncertainty on the part of the author: his characteristic ambivalence in itself an indication of a perceptive and discriminating mind -- all too often suggests lack of conviction rather than an intelligent awareness of the infinitude of human possibilities.
- Full Text:
- Date Issued: 1987
Rhodes University Graduation Ceremony 1961
- Authors: Rhodes University
- Date: 1961
- Language: English
- Type: text
- Identifier: vital:8095 , http://hdl.handle.net/10962/d1004410
- Description: Rhodes University Graduation Ceremonies in the University Great Hall on Saturday , 8th April, 1961, at 11 a.m. [and] Saturday , 22nd April, 1961, at 11 a.m.
- Full Text:
- Date Issued: 1961
- Authors: Rhodes University
- Date: 1961
- Language: English
- Type: text
- Identifier: vital:8095 , http://hdl.handle.net/10962/d1004410
- Description: Rhodes University Graduation Ceremonies in the University Great Hall on Saturday , 8th April, 1961, at 11 a.m. [and] Saturday , 22nd April, 1961, at 11 a.m.
- Full Text:
- Date Issued: 1961
Exploring best practices for crisis communication
- Authors: Hlela, Nomfundo
- Date: 2017
- Subjects: Communication in organizations Corporations -- Public relations , Crisis management Communication in management
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/15060 , vital:28118
- Description: In the past few decades, corporate crises have received high media attention and revealed the impact that a disaster can have on a company’s reputation. A breadth of scholarly literature has already analysed crisis communications and key elements of an effective response. In this study I examine crisis communications strategies of two companies (British Petroleum and Domino’s Pizza) who responded differently when faced with a crisis. The study will explore the companies’ actions and various media materials including public statements, press releases and social media platforms. This information will be presented alongside corresponding news coverage to reveal how the media translated these actions. Results show that by accepting responsibility and marketing efforts to stop the disaster, a corporation can transform its communication strategy and recover its reputation.
- Full Text:
- Date Issued: 2017
- Authors: Hlela, Nomfundo
- Date: 2017
- Subjects: Communication in organizations Corporations -- Public relations , Crisis management Communication in management
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/15060 , vital:28118
- Description: In the past few decades, corporate crises have received high media attention and revealed the impact that a disaster can have on a company’s reputation. A breadth of scholarly literature has already analysed crisis communications and key elements of an effective response. In this study I examine crisis communications strategies of two companies (British Petroleum and Domino’s Pizza) who responded differently when faced with a crisis. The study will explore the companies’ actions and various media materials including public statements, press releases and social media platforms. This information will be presented alongside corresponding news coverage to reveal how the media translated these actions. Results show that by accepting responsibility and marketing efforts to stop the disaster, a corporation can transform its communication strategy and recover its reputation.
- Full Text:
- Date Issued: 2017
Rhodes University Graduation Ceremony 1964
- Authors: Rhodes University
- Date: 1964
- Language: English
- Type: text
- Identifier: vital:8098 , http://hdl.handle.net/10962/d1004426
- Description: Rhodes University Graduation Ceremony on Saturday 11 April 1964 at 10:30 a.m. in the University Great Hall.
- Full Text:
- Date Issued: 1964
- Authors: Rhodes University
- Date: 1964
- Language: English
- Type: text
- Identifier: vital:8098 , http://hdl.handle.net/10962/d1004426
- Description: Rhodes University Graduation Ceremony on Saturday 11 April 1964 at 10:30 a.m. in the University Great Hall.
- Full Text:
- Date Issued: 1964
Ei, ei, ei, ngoana oa l-la (Ei, ei, ei, the child cries)
- Agnes Lekhoti and Nuku Lesoetsa, Hugh Tracey
- Authors: Agnes Lekhoti and Nuku Lesoetsa , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160957 , vital:40573 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-01
- Description: "Ei, Ei, Ei, the child cries and stops. I went to Mpharane and found my friends child ill. I went out and prayed, then I took a pick and went up the mountain." "The Monakaladi plant of Thabana Morena. If you eat it, you will have cracked feet." Lullaby.
- Full Text: false
- Date Issued: 1959
- Authors: Agnes Lekhoti and Nuku Lesoetsa , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160957 , vital:40573 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-01
- Description: "Ei, Ei, Ei, the child cries and stops. I went to Mpharane and found my friends child ill. I went out and prayed, then I took a pick and went up the mountain." "The Monakaladi plant of Thabana Morena. If you eat it, you will have cracked feet." Lullaby.
- Full Text: false
- Date Issued: 1959
Ulushimi lwa mukashana ne nsupa ya mfumu
- Bweupe, Agnes, Group of small girls, Composer not specified, Tracey, Hugh
- Authors: Bweupe, Agnes , Group of small girls , Composer not specified , Tracey, Hugh
- Date: 1957-07-19
- Subjects: Folk music--Africa , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia City not specified f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/196313 , vital:45750 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-505 , Research no. L2Y2
- Description: The narrator tells the story of the girl and the chief's calabash, and sings songs sung by the girl in the story.
- Full Text: false
- Date Issued: 1957-07-19
- Authors: Bweupe, Agnes , Group of small girls , Composer not specified , Tracey, Hugh
- Date: 1957-07-19
- Subjects: Folk music--Africa , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia City not specified f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/196313 , vital:45750 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-505 , Research no. L2Y2
- Description: The narrator tells the story of the girl and the chief's calabash, and sings songs sung by the girl in the story.
- Full Text: false
- Date Issued: 1957-07-19
Ndimgayo Timba (The bird Timba)
- Authors: Agnes Maknwalo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Malindi, Fort Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155847 , vital:39923 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-05
- Description: Timba is supposed to be either a small Tit or a Wren. The song, they say is from the Sena further down the Shire river near its confluence with the Zambezi. Likhuba dance song for young women with 2 tin rattles and clappers.
- Full Text: false
- Date Issued: 1958
- Authors: Agnes Maknwalo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Malindi, Fort Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155847 , vital:39923 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-05
- Description: Timba is supposed to be either a small Tit or a Wren. The song, they say is from the Sena further down the Shire river near its confluence with the Zambezi. Likhuba dance song for young women with 2 tin rattles and clappers.
- Full Text: false
- Date Issued: 1958
Women writers of the South Asian diaspora : towards a transnational feminist Aesthetic?
- Authors: Naidu, Samantha
- Date: 2008
- Language: English
- Type: Article , text
- Identifier: vital:26375 , http://hdl.handle.net/10962/54027 , https://orcid.org/0000-0001-9456-8657
- Description: Women writers of the South Asian diaspora have, in recent decades, found prominence in the international literary arena. These writers may be new immigrants to their diasporic homes, migrants who divide their lives between far-flung homes (for example, Anita Desai, who lives in India, the United Kingdom [UK] and Germany), or descended from nineteenth-century immigrants, as is the case of South African authors like Farida Karodia and Agnes Sam.
- Full Text: false
- Date Issued: 2008
- Authors: Naidu, Samantha
- Date: 2008
- Language: English
- Type: Article , text
- Identifier: vital:26375 , http://hdl.handle.net/10962/54027 , https://orcid.org/0000-0001-9456-8657
- Description: Women writers of the South Asian diaspora have, in recent decades, found prominence in the international literary arena. These writers may be new immigrants to their diasporic homes, migrants who divide their lives between far-flung homes (for example, Anita Desai, who lives in India, the United Kingdom [UK] and Germany), or descended from nineteenth-century immigrants, as is the case of South African authors like Farida Karodia and Agnes Sam.
- Full Text: false
- Date Issued: 2008
Noh'a Metsi (Water snake)
- Agnes Nchanyana. 4 assistants and group of women, Hugh Tracey
- Authors: Agnes Nchanyana. 4 assistants and group of women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161222 , vital:40604 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0102-08
- Description: The leader does a shaking dance on her knees as she sings "Water snake! it comes out the east and it is very angry." The singer, in addition to her diviner's beads, shells, bells and small antelope horns, wore a large Catholic rosary with a worn medal of the Sacred heart, knotted into her girdle. Her scarlet skirt was thickly embroidered with designs in white beads. The adoption of Catholic symbols by pagans for their divination rites is common in nominally Catholic countries, especially by Black Africans (originally referred to as Negroes at the time) who use them in their Voodoo ceremonies. Diviners' song with cylindrical drum (-14.03-) and frame drum (-14.92-).
- Full Text: false
- Date Issued: 1959
- Authors: Agnes Nchanyana. 4 assistants and group of women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161222 , vital:40604 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0102-08
- Description: The leader does a shaking dance on her knees as she sings "Water snake! it comes out the east and it is very angry." The singer, in addition to her diviner's beads, shells, bells and small antelope horns, wore a large Catholic rosary with a worn medal of the Sacred heart, knotted into her girdle. Her scarlet skirt was thickly embroidered with designs in white beads. The adoption of Catholic symbols by pagans for their divination rites is common in nominally Catholic countries, especially by Black Africans (originally referred to as Negroes at the time) who use them in their Voodoo ceremonies. Diviners' song with cylindrical drum (-14.03-) and frame drum (-14.92-).
- Full Text: false
- Date Issued: 1959
"The wife of Lucifer" : women and evil in Charles Dickens
- Authors: Ebelthite, Candice Axell
- Date: 2002
- Subjects: Dickens, Charles, 1812-1870 -- Characters -- Women Evil in literature Women in literature
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2189 , http://hdl.handle.net/10962/d1002231
- Description: This thesis examines Dickens's presentation of evil women. In the course of my reading I discovered that most of the evil women in his novels are mothers, or mother-figures, a finding which altered the nature of my interpretation and led to closer examination of these characters, rather than the prostitutes and criminals who may have been viewed negatively by Nineteenth century society and thereby condemned as evil. Among the many unsympathetically portrayed mothers and mother-figures in Dickens's works, the three that are most interesting are Lady Dedlock, Miss Havisham, and Mrs Skewton. Madame Defarge initiates the discussion, however, as a seminal figure among the many evil women in the novels. Psychoanalytical and socio-historic readings grounded in Nineteenth century conceptions of womanhood provide background material for this thesis. Though useful and informative, however, these areas of study are not sufficient in themselves. The theory that shapes the arguments of this thesis is defined by Steven Cohan, who argues strongly that the demand for psychological coherence as a requisite of character obscures the imaginative power of character as textual construct, and who both refutes and develops character theory as it is argued by Baruch Hochman. Cohan's theory is also finally closer to that outlined by Thomas Docherty, who provides a complex reading of character as ultimately "unknowable".
- Full Text:
- Date Issued: 2002
- Authors: Ebelthite, Candice Axell
- Date: 2002
- Subjects: Dickens, Charles, 1812-1870 -- Characters -- Women Evil in literature Women in literature
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2189 , http://hdl.handle.net/10962/d1002231
- Description: This thesis examines Dickens's presentation of evil women. In the course of my reading I discovered that most of the evil women in his novels are mothers, or mother-figures, a finding which altered the nature of my interpretation and led to closer examination of these characters, rather than the prostitutes and criminals who may have been viewed negatively by Nineteenth century society and thereby condemned as evil. Among the many unsympathetically portrayed mothers and mother-figures in Dickens's works, the three that are most interesting are Lady Dedlock, Miss Havisham, and Mrs Skewton. Madame Defarge initiates the discussion, however, as a seminal figure among the many evil women in the novels. Psychoanalytical and socio-historic readings grounded in Nineteenth century conceptions of womanhood provide background material for this thesis. Though useful and informative, however, these areas of study are not sufficient in themselves. The theory that shapes the arguments of this thesis is defined by Steven Cohan, who argues strongly that the demand for psychological coherence as a requisite of character obscures the imaginative power of character as textual construct, and who both refutes and develops character theory as it is argued by Baruch Hochman. Cohan's theory is also finally closer to that outlined by Thomas Docherty, who provides a complex reading of character as ultimately "unknowable".
- Full Text:
- Date Issued: 2002
Rhodes University College Graduation Ceremony 1948
- Rhodes University College, University of South Africa
- Authors: Rhodes University College , University of South Africa
- Date: 1948
- Language: English
- Type: text
- Identifier: vital:8082 , http://hdl.handle.net/10962/d1004392
- Description: Rhodes University College special Graduation Ceremony, Grahamstown, Saturday, 1st May, 1948
- Full Text:
- Date Issued: 1948
- Authors: Rhodes University College , University of South Africa
- Date: 1948
- Language: English
- Type: text
- Identifier: vital:8082 , http://hdl.handle.net/10962/d1004392
- Description: Rhodes University College special Graduation Ceremony, Grahamstown, Saturday, 1st May, 1948
- Full Text:
- Date Issued: 1948
Rhodes University Graduation Ceremony 1957
- Authors: Rhodes University
- Date: 1957
- Language: English
- Type: text
- Identifier: vital:8091 , http://hdl.handle.net/10962/d1004401
- Description: Rhodes University. Graduation Ceremony in the University Great Hall on Friday , 29th March, 1957, at 8 p.m. [and] Graduation Ceremony held in April 1957: University College of Fort Hare. Graduation Ceremony at Fort Hare on Friday, April 26th ,1957 at 10:00 a.m.
- Full Text:
- Date Issued: 1957
- Authors: Rhodes University
- Date: 1957
- Language: English
- Type: text
- Identifier: vital:8091 , http://hdl.handle.net/10962/d1004401
- Description: Rhodes University. Graduation Ceremony in the University Great Hall on Friday , 29th March, 1957, at 8 p.m. [and] Graduation Ceremony held in April 1957: University College of Fort Hare. Graduation Ceremony at Fort Hare on Friday, April 26th ,1957 at 10:00 a.m.
- Full Text:
- Date Issued: 1957
Molecular phylogeny, phylogeography and evolutionary adaptation of foraging behaviour amongst sympatric patellid limpets along the southern African shoreline
- Authors: Mmonwa, Kolobe Lucas
- Date: 2014
- Subjects: Limpets -- South Africa -- Adaptation , Limpets -- South Africa -- Ecology
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:5882 , http://hdl.handle.net/10962/d1013222
- Description: The southern African shoreline is inhabited by a great diversity of patellid limpets of which most are endemic to South Africa. These limpets have evolved foraging mechanisms that partition ecological resources and reduce interspecific competition, resulting in ecological specialists and generalists. The evolution of ecological specialization or generalization remains poorly understood and there is no agreement on how such evolutionary transitions are correlated with levels of genetic diversity. This study investigated evolutionary correlations between territoriality in foraging and genetic structure of southern African patellid limpets (Cymbula and Scutellastra spp.) using stable δ13C and δ15N ratios, mitochondrial and nuclear DNA markers. The outcomes of the study were best rationalized and understood in the context of the scale of analysis in terms of both space and taxonomy. At biogeographic scales and the interspecific level, the stable isotope signatures and genetic structure of these limpets are determined by extrinsic factors such as biogeography and oceanography. However, at the smallest site scales and the intraspecific level, the isotope signatures and genetic diversity of these limpets are significantly correlated to their foraging traits. At large scales, there are no correlations between foraging behaviour and either genetic structure or isotope signature. At smaller scales, territorial Scutellastra foragers display both isotopic enrichment and greater haplotype diversity than congeneric non-territorial foragers. Thus, the isotope signatures and genetic structure of these limpets are determined by intrinsic species-specific response linked to their foraging behaviour. However, this pattern was intriguing as differences between territorial and non-territorial limpets in both isotopic signature and genetic diversity were observed only along the south coast when the same species were compared in other biogeographic regions. The significant interaction effect between foraging behaviour and stable isotope signatures was only observed from the sites within the Agulhas Bank or which are strongly influenced by the Agulhas current. This south enrichment in isotopic ratios is due to the mixing differences between onshore and offshore waters as the Agulhas current moves from east to south. At the generic level, the correlation between foraging behaviour and isotope signatures and genetic structure were particularly profound for Scutellastra species. The molecular phylogeny revealed deep evolutionary divergence between territorial and non-territorial Scutellastra spp. This divergence was concordant with morphological differences in shell shape and radula anatomy between territorial and non-territorial species. A taxonomic review of the scutellastrid spp. is proposed, suggesting possible re-consideration of the genus as two genera characterized by either territoriality or non-territoriality. The divergence between territorial and non-territorial species in both Scutellastra and Cymbula took place approximately in the early Oligocene. Major climatic cooling and decreases in sea level occurred during the Oligocene and this probably exposed much of the lower intertidal zone, increasing new potential habitats and algal availability. The Oligocene exposure of rocky shores and algal abundance in the lower intertidal zone probably elicited resource partitioning amongst these patellid limpets and subsequently, the evolution of territorial and non-territorial species. Analyses of the demographic history of these patellid limpets revealed evidence of post-glacial spatial expansion around the Pleistocene, implying these limpets were at population equilibrium during the dramatic LGM sea temperatures. Thus, these limpets managed to expand their range during dynamic oceanographic oscillations and dramatic sea-level changes in the Pleistocene. This study highlighted the importance of applying ecological traits as a subject to investigate and comprehend the evolutionary ecology of marine herbivores. The foraging traits of these true limpets are reflected in both their stable isotope ratios and genealogy, presumably as an evolutionary consequence of competition.
- Full Text:
- Date Issued: 2014
- Authors: Mmonwa, Kolobe Lucas
- Date: 2014
- Subjects: Limpets -- South Africa -- Adaptation , Limpets -- South Africa -- Ecology
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:5882 , http://hdl.handle.net/10962/d1013222
- Description: The southern African shoreline is inhabited by a great diversity of patellid limpets of which most are endemic to South Africa. These limpets have evolved foraging mechanisms that partition ecological resources and reduce interspecific competition, resulting in ecological specialists and generalists. The evolution of ecological specialization or generalization remains poorly understood and there is no agreement on how such evolutionary transitions are correlated with levels of genetic diversity. This study investigated evolutionary correlations between territoriality in foraging and genetic structure of southern African patellid limpets (Cymbula and Scutellastra spp.) using stable δ13C and δ15N ratios, mitochondrial and nuclear DNA markers. The outcomes of the study were best rationalized and understood in the context of the scale of analysis in terms of both space and taxonomy. At biogeographic scales and the interspecific level, the stable isotope signatures and genetic structure of these limpets are determined by extrinsic factors such as biogeography and oceanography. However, at the smallest site scales and the intraspecific level, the isotope signatures and genetic diversity of these limpets are significantly correlated to their foraging traits. At large scales, there are no correlations between foraging behaviour and either genetic structure or isotope signature. At smaller scales, territorial Scutellastra foragers display both isotopic enrichment and greater haplotype diversity than congeneric non-territorial foragers. Thus, the isotope signatures and genetic structure of these limpets are determined by intrinsic species-specific response linked to their foraging behaviour. However, this pattern was intriguing as differences between territorial and non-territorial limpets in both isotopic signature and genetic diversity were observed only along the south coast when the same species were compared in other biogeographic regions. The significant interaction effect between foraging behaviour and stable isotope signatures was only observed from the sites within the Agulhas Bank or which are strongly influenced by the Agulhas current. This south enrichment in isotopic ratios is due to the mixing differences between onshore and offshore waters as the Agulhas current moves from east to south. At the generic level, the correlation between foraging behaviour and isotope signatures and genetic structure were particularly profound for Scutellastra species. The molecular phylogeny revealed deep evolutionary divergence between territorial and non-territorial Scutellastra spp. This divergence was concordant with morphological differences in shell shape and radula anatomy between territorial and non-territorial species. A taxonomic review of the scutellastrid spp. is proposed, suggesting possible re-consideration of the genus as two genera characterized by either territoriality or non-territoriality. The divergence between territorial and non-territorial species in both Scutellastra and Cymbula took place approximately in the early Oligocene. Major climatic cooling and decreases in sea level occurred during the Oligocene and this probably exposed much of the lower intertidal zone, increasing new potential habitats and algal availability. The Oligocene exposure of rocky shores and algal abundance in the lower intertidal zone probably elicited resource partitioning amongst these patellid limpets and subsequently, the evolution of territorial and non-territorial species. Analyses of the demographic history of these patellid limpets revealed evidence of post-glacial spatial expansion around the Pleistocene, implying these limpets were at population equilibrium during the dramatic LGM sea temperatures. Thus, these limpets managed to expand their range during dynamic oceanographic oscillations and dramatic sea-level changes in the Pleistocene. This study highlighted the importance of applying ecological traits as a subject to investigate and comprehend the evolutionary ecology of marine herbivores. The foraging traits of these true limpets are reflected in both their stable isotope ratios and genealogy, presumably as an evolutionary consequence of competition.
- Full Text:
- Date Issued: 2014
(De)constructing the archive : an annotated catalog of the Deon van der Walt Collection in the NMMU Library
- Authors: Buys, Frederick Jacobus
- Date: 2014
- Subjects: Music -- Bibliography -- Catalogs , Archives -- Catalogs , Tenors (Singers) -- South Africa
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: vital:8526 , http://hdl.handle.net/10948/d1020585
- Description: Deon van der Walt was, at the height of his career, considered the leading lyric tenor of his generation. In a career that spanned more than 25 years he performed in the great opera houses of the world and sang for the leading conductors of the time, sharing the stage with the best singers in the world. He was the first male South African to accomplish the so-called “grand slam” of opera, having sung in the Royal Opera House, Covent Garden (London), Wiener Staatsoper (Vienna), La Scala (Milan) and the Metropolitan Opera House (New York). He was also a prolific oratorio and lieder singer, collaborating with the best artists the musical world had to offer. In addition he left a large recorded legacy, both published and unpublished. His untimely death on 29 November 2005 was extensively reported on both locally and abroad - a fact which again highlighted the importance of his personal and professional contribution to the international opera world.The Deon van der Walt Collection is the single most important key to unlocking the life and career of one of the most successful South African opera singers of all time. It was bequeathed to the Nelson Mandela Metropolitan University (NMMU) Library the Deon van der Walt Trust in 2007. The collection is made up of an arbitrary assortment of books, documents, sound and video recordings that were left in van der Walt’s Zürich accommodations at the time of his death in 2005. It is housed in separate section on the lower level of the South Campus Library of the NMMU. The collection has been partially catalogued by the NMMU Library but left largely unattended for the last 6 years. The compiling of an annotated catalogue of this collection is the vital first step in connecting the dots of an extraordinary musical career that was hailed as one of the greatest of his time.
- Full Text:
- Date Issued: 2014
- Authors: Buys, Frederick Jacobus
- Date: 2014
- Subjects: Music -- Bibliography -- Catalogs , Archives -- Catalogs , Tenors (Singers) -- South Africa
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: vital:8526 , http://hdl.handle.net/10948/d1020585
- Description: Deon van der Walt was, at the height of his career, considered the leading lyric tenor of his generation. In a career that spanned more than 25 years he performed in the great opera houses of the world and sang for the leading conductors of the time, sharing the stage with the best singers in the world. He was the first male South African to accomplish the so-called “grand slam” of opera, having sung in the Royal Opera House, Covent Garden (London), Wiener Staatsoper (Vienna), La Scala (Milan) and the Metropolitan Opera House (New York). He was also a prolific oratorio and lieder singer, collaborating with the best artists the musical world had to offer. In addition he left a large recorded legacy, both published and unpublished. His untimely death on 29 November 2005 was extensively reported on both locally and abroad - a fact which again highlighted the importance of his personal and professional contribution to the international opera world.The Deon van der Walt Collection is the single most important key to unlocking the life and career of one of the most successful South African opera singers of all time. It was bequeathed to the Nelson Mandela Metropolitan University (NMMU) Library the Deon van der Walt Trust in 2007. The collection is made up of an arbitrary assortment of books, documents, sound and video recordings that were left in van der Walt’s Zürich accommodations at the time of his death in 2005. It is housed in separate section on the lower level of the South Campus Library of the NMMU. The collection has been partially catalogued by the NMMU Library but left largely unattended for the last 6 years. The compiling of an annotated catalogue of this collection is the vital first step in connecting the dots of an extraordinary musical career that was hailed as one of the greatest of his time.
- Full Text:
- Date Issued: 2014