Why we need Di Versity the Superjourno:
- Authors: Garman, Anthea
- Date: 2003
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158740 , vital:40224 , https://hdl.handle.net/10520/EJC146308
- Description: Training and education is a serious subject, and there are thousands (millions) of words to be said about it. But when you're putting a magazine together you need visuals too, and how do you illustrate this subject?.
- Full Text:
- Date Issued: 2003
- Authors: Garman, Anthea
- Date: 2003
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158740 , vital:40224 , https://hdl.handle.net/10520/EJC146308
- Description: Training and education is a serious subject, and there are thousands (millions) of words to be said about it. But when you're putting a magazine together you need visuals too, and how do you illustrate this subject?.
- Full Text:
- Date Issued: 2003
Confession and public life in post‐apartheid South Africa: A Foucauldian reading of Antjie Krog's country of my skull
- Authors: Garman, Anthea
- Date: 2006
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159724 , vital:40337 , DOI: 10.1080/02564710608530406
- Description: Truth commissions around the world have given the technique of confession a new public currency and political power. Many works of literature thematising these commissions have also adopted the technique of confession for literary purposes. In this paper I bring Foucault's understanding of the technique of confession, and his discourse on the role of public intellectuals in modernity, to bear upon an examination of Antjie Krog's literary reflection of the work of the Truth and Reconciliation Commission (TRC), entitled Country of My Skull (1998). I look at how this text, and Krog's subsequent public intellectual status as a witness of the TRC, perpetuate the technique of confession without problematising it in ways that Foucault's work would suggest is necessary.
- Full Text:
- Date Issued: 2006
- Authors: Garman, Anthea
- Date: 2006
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159724 , vital:40337 , DOI: 10.1080/02564710608530406
- Description: Truth commissions around the world have given the technique of confession a new public currency and political power. Many works of literature thematising these commissions have also adopted the technique of confession for literary purposes. In this paper I bring Foucault's understanding of the technique of confession, and his discourse on the role of public intellectuals in modernity, to bear upon an examination of Antjie Krog's literary reflection of the work of the Truth and Reconciliation Commission (TRC), entitled Country of My Skull (1998). I look at how this text, and Krog's subsequent public intellectual status as a witness of the TRC, perpetuate the technique of confession without problematising it in ways that Foucault's work would suggest is necessary.
- Full Text:
- Date Issued: 2006
The both-and edition:
- Authors: Garman, Anthea
- Date: 2009
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158817 , vital:40231 , https://hdl.handle.net/10520/EJC139955
- Description: I was driving down the N2 from Cape Town towards the airport recently and scanning the turn-offs for Vanguard Drive, when suddenly I noticed among the shacks that line the road some really interesting buildings. These were not the pale pink matchboxes that periodically spring up in rows alongside the derelict housing that millions of South Africans call home. They were multi-levelled, had large windows and looked like an architect might have had something to do with them. I was heartened at the sight of housing – at last – with humanity in mind. But as I reread the 2010 pieces in this edition, I’m reminded by Jane Duncan in particular (“Whose World Cup?” page 23) that prettifying the ghastly spaces in our world cup cities that will be visible to those international tourists is high on the agenda for our government. But then, I reason, at least someone will benefit from living along the noisy and congested airport route!.
- Full Text:
- Date Issued: 2009
- Authors: Garman, Anthea
- Date: 2009
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158817 , vital:40231 , https://hdl.handle.net/10520/EJC139955
- Description: I was driving down the N2 from Cape Town towards the airport recently and scanning the turn-offs for Vanguard Drive, when suddenly I noticed among the shacks that line the road some really interesting buildings. These were not the pale pink matchboxes that periodically spring up in rows alongside the derelict housing that millions of South Africans call home. They were multi-levelled, had large windows and looked like an architect might have had something to do with them. I was heartened at the sight of housing – at last – with humanity in mind. But as I reread the 2010 pieces in this edition, I’m reminded by Jane Duncan in particular (“Whose World Cup?” page 23) that prettifying the ghastly spaces in our world cup cities that will be visible to those international tourists is high on the agenda for our government. But then, I reason, at least someone will benefit from living along the noisy and congested airport route!.
- Full Text:
- Date Issued: 2009
Book Review: Black, white and grey: Ethics in South African journalism:
- Garman, Anthea, Mwale, Pascal N
- Authors: Garman, Anthea , Mwale, Pascal N
- Date: 2010
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159968 , vital:40360 , DOI: 10.1080/02560054.2005.9653325
- Description: Book Review: Black, white and grey: Ethics in South African journalism by Franz Krüger Cape Town, Double Storey, 2004. Reviewed by Anthea Garman and Pascal N. Mwale.
- Full Text:
- Date Issued: 2010
- Authors: Garman, Anthea , Mwale, Pascal N
- Date: 2010
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159968 , vital:40360 , DOI: 10.1080/02560054.2005.9653325
- Description: Book Review: Black, white and grey: Ethics in South African journalism by Franz Krüger Cape Town, Double Storey, 2004. Reviewed by Anthea Garman and Pascal N. Mwale.
- Full Text:
- Date Issued: 2010
Ordinary people and the media: the demotic turn
- Authors: Garman, Anthea
- Date: 2014
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159880 , vital:40352 , DOI: 10.1080/02560054.2014.886661
- Description: In this latest book, Graeme Turner, who we have come to know as a thoughtful, perceptive and questioning cultural studies theorist, investigates what the crucial underlying shift is in the relation between the media and the people. This shift is evidenced by the increasing visibility of ordinary people (and their experiences and opinions) in what we consume. At the outset he sums up what he sees as a structural move from media as ‘mediator or perhaps a broadcaster of cultural identities’ to ‘translator or even an author of identities’ (p. 3).
- Full Text:
- Date Issued: 2014
- Authors: Garman, Anthea
- Date: 2014
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159880 , vital:40352 , DOI: 10.1080/02560054.2014.886661
- Description: In this latest book, Graeme Turner, who we have come to know as a thoughtful, perceptive and questioning cultural studies theorist, investigates what the crucial underlying shift is in the relation between the media and the people. This shift is evidenced by the increasing visibility of ordinary people (and their experiences and opinions) in what we consume. At the outset he sums up what he sees as a structural move from media as ‘mediator or perhaps a broadcaster of cultural identities’ to ‘translator or even an author of identities’ (p. 3).
- Full Text:
- Date Issued: 2014
Teaching journalism to produce “interpretive communities" rather than just “professionals”:
- Authors: Garman, Anthea
- Date: 2010
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159846 , vital:40349 , DOI: 10.1080/02560054.2005.9653330
- Description: Debates about whether journalism is a “trade” and can only be learnt “on the job”, or whether journalism should even be taught at universities, are no longer fruitful or even interesting for teachers in tertiary environments. The far more important discussion around the teaching of journalism should be on the approach which focuses too exclusively on its nature as a “profession” and so ignores the critical function of journalists in the world as “interpretive communities”.
- Full Text:
- Date Issued: 2010
- Authors: Garman, Anthea
- Date: 2010
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159846 , vital:40349 , DOI: 10.1080/02560054.2005.9653330
- Description: Debates about whether journalism is a “trade” and can only be learnt “on the job”, or whether journalism should even be taught at universities, are no longer fruitful or even interesting for teachers in tertiary environments. The far more important discussion around the teaching of journalism should be on the approach which focuses too exclusively on its nature as a “profession” and so ignores the critical function of journalists in the world as “interpretive communities”.
- Full Text:
- Date Issued: 2010
The ‘refeudalisation’ or the ‘return of the repressed’ of the public sphere?:
- Authors: Garman, Anthea
- Date: 2011
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159857 , vital:40350 , DOI: 10.1080/02560054.2011.621293
- Description: The prevalent depiction of the heyday of the public sphere and its fall from grace under present-day, publicity-ridden, highly commercialised media, with their individualised address of entertainment, is an inadequate conception of today's complex public spheres. The 18th-century bourgeois public sphere had a number of features – often repressed in practice and in theory – which were bound to have their outcomes and a/effects in the public spaces, practices and vehicles we experience today.
- Full Text:
- Date Issued: 2011
- Authors: Garman, Anthea
- Date: 2011
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159857 , vital:40350 , DOI: 10.1080/02560054.2011.621293
- Description: The prevalent depiction of the heyday of the public sphere and its fall from grace under present-day, publicity-ridden, highly commercialised media, with their individualised address of entertainment, is an inadequate conception of today's complex public spheres. The 18th-century bourgeois public sphere had a number of features – often repressed in practice and in theory – which were bound to have their outcomes and a/effects in the public spaces, practices and vehicles we experience today.
- Full Text:
- Date Issued: 2011
Rethinking ‘actually-existing’ public spheres:
- Authors: Garman, Anthea
- Date: 2011
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159869 , vital:40351 , DOI: 10.1080/02560054.2011.621292
- Description: The idea of the usefulness and efficacy of the public sphere, and the notion of publicness it employs, is one which continues to resonate in modern-day liberal democracies as a mechanism to engage citizens in national matters. It also serves as a check on unfettered power and particularly as a rationale for the news media and their operations.
- Full Text:
- Date Issued: 2011
- Authors: Garman, Anthea
- Date: 2011
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159869 , vital:40351 , DOI: 10.1080/02560054.2011.621292
- Description: The idea of the usefulness and efficacy of the public sphere, and the notion of publicness it employs, is one which continues to resonate in modern-day liberal democracies as a mechanism to engage citizens in national matters. It also serves as a check on unfettered power and particularly as a rationale for the news media and their operations.
- Full Text:
- Date Issued: 2011
Making meaning of citizenship: how ‘born frees’ use media in South Africa's democratic evolution
- Malila, Vanessa, Oeofsen, Marietjie, Garman, Anthea
- Authors: Malila, Vanessa , Oeofsen, Marietjie , Garman, Anthea
- Date: 2013
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159790 , vital:40344 , DOI: 10.1080/02500167.2013.852598
- Description: By examining young people's habits of using the media in relation to citizenship, this article responds to calls that the starting point for research into citizenship and democracy should be the perspectives of citizens themselves. Drawing on both quantitative and qualitative research with young South Africans (the ‘born free’ generation), the study sought to gain insight into how young people use media to make sense of notions of citizenship and participatory democracy in ways that are relevant and reliable to their everyday lives.
- Full Text:
- Date Issued: 2013
- Authors: Malila, Vanessa , Oeofsen, Marietjie , Garman, Anthea
- Date: 2013
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159790 , vital:40344 , DOI: 10.1080/02500167.2013.852598
- Description: By examining young people's habits of using the media in relation to citizenship, this article responds to calls that the starting point for research into citizenship and democracy should be the perspectives of citizens themselves. Drawing on both quantitative and qualitative research with young South Africans (the ‘born free’ generation), the study sought to gain insight into how young people use media to make sense of notions of citizenship and participatory democracy in ways that are relevant and reliable to their everyday lives.
- Full Text:
- Date Issued: 2013
Media, citizenship and the politics of belonging in contemporary South Africa:
- Milton, Viola C, Wasserman, Herman, Garman, Anthea
- Authors: Milton, Viola C , Wasserman, Herman , Garman, Anthea
- Date: 2013
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159802 , vital:40345 , DOI: 10.1080/02500167.2013.864447
- Description: Drawing on a wide range of theoretical and empirical studies, the articles in this special issue examine issues of citizenship and belonging in South Africa. Questions of belonging and citizenship are neither novel, nor particular to South Africa – they have been high on the intellectual (and popular) agenda internationally since at least the early 1990s. Yet South Africa's history of artificially separating and defining its citizens in the racial regimes of colonialism and apartheid still reverberates today, as is reflected in the continued inequalities marring South African society
- Full Text:
- Date Issued: 2013
- Authors: Milton, Viola C , Wasserman, Herman , Garman, Anthea
- Date: 2013
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159802 , vital:40345 , DOI: 10.1080/02500167.2013.864447
- Description: Drawing on a wide range of theoretical and empirical studies, the articles in this special issue examine issues of citizenship and belonging in South Africa. Questions of belonging and citizenship are neither novel, nor particular to South Africa – they have been high on the intellectual (and popular) agenda internationally since at least the early 1990s. Yet South Africa's history of artificially separating and defining its citizens in the racial regimes of colonialism and apartheid still reverberates today, as is reflected in the continued inequalities marring South African society
- Full Text:
- Date Issued: 2013
Being for others : critical reflections on the stranger, the estranged and the self in participatory art
- Authors: Munro, Samantha Fawn
- Date: 2015
- Subjects: Self , Identity (Philosophical concept) in art , Alienation (Philosophy) , Interactive art , Art appreciation , Art exhibition audiences , Interactive art -- Themes, motives , Social interaction
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2507 , http://hdl.handle.net/10962/d1017771
- Description: By referring to established concepts and theories which contemplate our experiences in relation to others and space, this thesis examines the interactions and responses of an audience during various participatory artworks. I draw upon Jean-Paul Sartre’s Being and Nothingness and Elizabeth Grosz’ Architecture From The Outside: Essays on Virtual and Real Space in order to understand our interactions with other people, our interactions inside an environment, and the objects and ceremonies we use during these interactions. I align these experiences with the methods which are employed to anticipate and create the interactions between an audience and a participatory artwork. Our daily interactions can be considered a frame that an artist shapes for their represented situation to allow, provide and guide an audience towards their possibilities for movements and actions within a participatory artwork. The interactions that occur in participatory art are done in relation to others and include groups of people interacting with each other rather than an individual disembodied experience. I refer to Claire Bishop in her book, Artificial Hells, and Nicolas Bourriaud in Relational Aesthetics in order to define participatory art. In defining participatory art I focus on the idea that participation is a social activity without which the artwork does not function or exist. I unravel Brett Bailey’s Exhibit A, Anthea Moys Anthea Moys vs The City of Grahamstown and Christian Boltanski’s Personnes in terms of the frame they use to construct participation and interaction. I refer to my own exhibition Ineffaceable as an exploration of these frames which encourage participation. The inside and the outside are a constant theme throughout this thesis and my exhibition. This thematic re-emerges in relation to a number of opposing and fluctuating dynamics: the self and the other; the object and the subject; familiarity and strangeness; the participator and the spectator; the immersive and the disembodied; and the artwork and the audience. Participatory art has not been sufficiently explored particularly in South Africa with South African case studies and particularly from a practical standpoint that includes methodologies for creating participation. This thesis hopes to enrich and contribute to the contemplations on participatory art by focusing on our interactions with others.
- Full Text:
- Date Issued: 2015
- Authors: Munro, Samantha Fawn
- Date: 2015
- Subjects: Self , Identity (Philosophical concept) in art , Alienation (Philosophy) , Interactive art , Art appreciation , Art exhibition audiences , Interactive art -- Themes, motives , Social interaction
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2507 , http://hdl.handle.net/10962/d1017771
- Description: By referring to established concepts and theories which contemplate our experiences in relation to others and space, this thesis examines the interactions and responses of an audience during various participatory artworks. I draw upon Jean-Paul Sartre’s Being and Nothingness and Elizabeth Grosz’ Architecture From The Outside: Essays on Virtual and Real Space in order to understand our interactions with other people, our interactions inside an environment, and the objects and ceremonies we use during these interactions. I align these experiences with the methods which are employed to anticipate and create the interactions between an audience and a participatory artwork. Our daily interactions can be considered a frame that an artist shapes for their represented situation to allow, provide and guide an audience towards their possibilities for movements and actions within a participatory artwork. The interactions that occur in participatory art are done in relation to others and include groups of people interacting with each other rather than an individual disembodied experience. I refer to Claire Bishop in her book, Artificial Hells, and Nicolas Bourriaud in Relational Aesthetics in order to define participatory art. In defining participatory art I focus on the idea that participation is a social activity without which the artwork does not function or exist. I unravel Brett Bailey’s Exhibit A, Anthea Moys Anthea Moys vs The City of Grahamstown and Christian Boltanski’s Personnes in terms of the frame they use to construct participation and interaction. I refer to my own exhibition Ineffaceable as an exploration of these frames which encourage participation. The inside and the outside are a constant theme throughout this thesis and my exhibition. This thematic re-emerges in relation to a number of opposing and fluctuating dynamics: the self and the other; the object and the subject; familiarity and strangeness; the participator and the spectator; the immersive and the disembodied; and the artwork and the audience. Participatory art has not been sufficiently explored particularly in South Africa with South African case studies and particularly from a practical standpoint that includes methodologies for creating participation. This thesis hopes to enrich and contribute to the contemplations on participatory art by focusing on our interactions with others.
- Full Text:
- Date Issued: 2015
Voice and agency in post-apartheid South African media: young and mediated
- Wasserman, Herman, Garman, Anthea
- Authors: Wasserman, Herman , Garman, Anthea
- Date: 2013
- Language: English
- Type: text , article
- Identifier: vital:38361 , http://hdl.handle.net/10520/EJC141607
- Description: What does the rising number of service delivery protests tell us about who gets to speak and who gets to listen in South African politics? Do politicians listen to the youth, especially the vast numbers of the un- and under-employed? What role do the youth play in social cohesion, civic action and the future of our young democracy?
- Full Text:
- Date Issued: 2013
- Authors: Wasserman, Herman , Garman, Anthea
- Date: 2013
- Language: English
- Type: text , article
- Identifier: vital:38361 , http://hdl.handle.net/10520/EJC141607
- Description: What does the rising number of service delivery protests tell us about who gets to speak and who gets to listen in South African politics? Do politicians listen to the youth, especially the vast numbers of the un- and under-employed? What role do the youth play in social cohesion, civic action and the future of our young democracy?
- Full Text:
- Date Issued: 2013
Making media theory from the South:
- Authors: Garman, Anthea
- Date: 2015
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158873 , vital:40236 , https://doi.org/10.1080/23743670.2015.1008186
- Description: Like many other academics who have joined the digital age I have pages and uploads on Academia.edu, Researchgate, LinkedIn and a Google Scholar-aggregated thing (that seemed to trawl the net for my papers, do it for me and then invite me to view my own collection!). So, I get lots of email alerts telling me when someone has looked at my work and downloaded my papers. I appreciate this virtual community and enjoy participating in it, but the aspect of this that perplexes me is the need to ‘endorse’’ someone for their skills – a practice that seems to stem from LinkedIn’s businessmindedness aimed at youngsters trying to find a foothold on the career ladder. I don’t do endorsements unless the programme forces me to go through this step in order to do what I want to do on the site.
- Full Text:
- Date Issued: 2015
- Authors: Garman, Anthea
- Date: 2015
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158873 , vital:40236 , https://doi.org/10.1080/23743670.2015.1008186
- Description: Like many other academics who have joined the digital age I have pages and uploads on Academia.edu, Researchgate, LinkedIn and a Google Scholar-aggregated thing (that seemed to trawl the net for my papers, do it for me and then invite me to view my own collection!). So, I get lots of email alerts telling me when someone has looked at my work and downloaded my papers. I appreciate this virtual community and enjoy participating in it, but the aspect of this that perplexes me is the need to ‘endorse’’ someone for their skills – a practice that seems to stem from LinkedIn’s businessmindedness aimed at youngsters trying to find a foothold on the career ladder. I don’t do endorsements unless the programme forces me to go through this step in order to do what I want to do on the site.
- Full Text:
- Date Issued: 2015
Capital E for events: ways that work: useful solutions
- Authors: Garman, Anthea
- Date: 2003
- Language: English
- Type: text , article
- Identifier: vital:38359 , http://hdl.handle.net/10520/EJC146297
- Description: You would think being located in a small town in one of the most impoverished provinces in South Africa would be a drawback for making media. But a small town is a reachable, convenient laboratory environment for student journalists - and never more so than when the National Arts Festival comes to Grahamstown during the winter vacation.
- Full Text:
- Date Issued: 2003
- Authors: Garman, Anthea
- Date: 2003
- Language: English
- Type: text , article
- Identifier: vital:38359 , http://hdl.handle.net/10520/EJC146297
- Description: You would think being located in a small town in one of the most impoverished provinces in South Africa would be a drawback for making media. But a small town is a reachable, convenient laboratory environment for student journalists - and never more so than when the National Arts Festival comes to Grahamstown during the winter vacation.
- Full Text:
- Date Issued: 2003
Sculpting with fire: celebrating ephemerality at AfrikaBurn 2015 in the Tankwa Karoo, South Africa
- Authors: Steele, John
- Date: 2015
- Language: English
- Type: text , Article
- Identifier: http://hdl.handle.net/11260/957 , vital:30075
- Description: Land art, and some installation art, is usually aimed at relatively temporarily manipulating the surface of the earth. AfrikaBurn takes place annually in the near-desert of the Tankwa Karoo, South Africa. It is a communal event unique to Africa, and manifests as a fleeting week-long series of interventions in the natural environment, partially aimed at creating and then actively destroying free-standing public sculptures, some of which are huge and intricate. AfrikaBurn gives any one of the thousands of participants an opportunity to be inspired on any scale to generate artworks that take into account a principle that no debris whatsoever is left behind on the surface of the earth after a week-long celebration of creative energies. Unlike, for instance, an artwork built on the edge of the Indian Ocean in the Eastern Cape, where rough tidal seas would ensure gradual destruction, at AfrikaBurn, the sacrificial method of choice is controlled rapid burning, under the direction of a specified firemaster. This paper seeks to unbundle some aspects of land and installation art in Southern Africa with specific reference to AfrikaBurn 2015 events and anti-fracking initiatives. This is within a context that takes into account recognition that even seemingly durable public sculptures are subject to change and may even physically disappear with the passing of time.
- Full Text:
- Date Issued: 2015
- Authors: Steele, John
- Date: 2015
- Language: English
- Type: text , Article
- Identifier: http://hdl.handle.net/11260/957 , vital:30075
- Description: Land art, and some installation art, is usually aimed at relatively temporarily manipulating the surface of the earth. AfrikaBurn takes place annually in the near-desert of the Tankwa Karoo, South Africa. It is a communal event unique to Africa, and manifests as a fleeting week-long series of interventions in the natural environment, partially aimed at creating and then actively destroying free-standing public sculptures, some of which are huge and intricate. AfrikaBurn gives any one of the thousands of participants an opportunity to be inspired on any scale to generate artworks that take into account a principle that no debris whatsoever is left behind on the surface of the earth after a week-long celebration of creative energies. Unlike, for instance, an artwork built on the edge of the Indian Ocean in the Eastern Cape, where rough tidal seas would ensure gradual destruction, at AfrikaBurn, the sacrificial method of choice is controlled rapid burning, under the direction of a specified firemaster. This paper seeks to unbundle some aspects of land and installation art in Southern Africa with specific reference to AfrikaBurn 2015 events and anti-fracking initiatives. This is within a context that takes into account recognition that even seemingly durable public sculptures are subject to change and may even physically disappear with the passing of time.
- Full Text:
- Date Issued: 2015
Africa: Media
- Authors: Garman, Anthea
- Date: 2003
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158752 , vital:40225 , https://hdl.handle.net/10520/EJC146281
- Description: Those are our twin concerns as we move into this new moment in human history which is being called the "Information Society" or the "Information Age".
- Full Text:
- Date Issued: 2003
- Authors: Garman, Anthea
- Date: 2003
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158752 , vital:40225 , https://hdl.handle.net/10520/EJC146281
- Description: Those are our twin concerns as we move into this new moment in human history which is being called the "Information Society" or the "Information Age".
- Full Text:
- Date Issued: 2003
Reviewing review:
- Authors: Garman, Anthea
- Date: 2004
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158773 , vital:40227 , https://hdl.handle.net/10520/EJC146216
- Description: In this 10th year of freedom of media in South Africa, the Rhodes Journalism Review has entered its 14th year as chronicler of media in South Africa. RJR was started in the year that actually unrolled the changes we now live with - 1990 - and attempted to document the complex journey out of apartheid. In the last 10 years Review has been charting the even more complex journey into freedom.
- Full Text:
- Date Issued: 2004
- Authors: Garman, Anthea
- Date: 2004
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158773 , vital:40227 , https://hdl.handle.net/10520/EJC146216
- Description: In this 10th year of freedom of media in South Africa, the Rhodes Journalism Review has entered its 14th year as chronicler of media in South Africa. RJR was started in the year that actually unrolled the changes we now live with - 1990 - and attempted to document the complex journey out of apartheid. In the last 10 years Review has been charting the even more complex journey into freedom.
- Full Text:
- Date Issued: 2004
Interrogating citizen journalism practices: a case study of Rhodes University’s Lindaba Ziyafika Project
- Nyathi, Sihle, Garman, Anthea
- Authors: Nyathi, Sihle , Garman, Anthea
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158915 , vital:40240 , https://doi.org/10.1080/23743670.2016.1259740
- Description: Several scholars have noted that citizen journalism in the West is essentially an online phenomenon, driven by the affordability of Internet technologies. In Africa, projects such as Ushahidi in Kenya have been enabled by platforms such as cell phones and social networks. Voices of Africa, based in southern Africa, publishes on the web only. Publishing on the Internet presumes a citizenry which is relatively well educated; has familiarity with, and access to, new media as a form of social communication; and is confident in their right to participate in newly developed public spheres – particularly those online.
- Full Text:
- Date Issued: 2017
- Authors: Nyathi, Sihle , Garman, Anthea
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158915 , vital:40240 , https://doi.org/10.1080/23743670.2016.1259740
- Description: Several scholars have noted that citizen journalism in the West is essentially an online phenomenon, driven by the affordability of Internet technologies. In Africa, projects such as Ushahidi in Kenya have been enabled by platforms such as cell phones and social networks. Voices of Africa, based in southern Africa, publishes on the web only. Publishing on the Internet presumes a citizenry which is relatively well educated; has familiarity with, and access to, new media as a form of social communication; and is confident in their right to participate in newly developed public spheres – particularly those online.
- Full Text:
- Date Issued: 2017
Listening to the ‘Born Frees’: politics and disillusionment in South Africa
- Malila, Vanessa, Garman, Anthea
- Authors: Malila, Vanessa , Garman, Anthea
- Date: 2016
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158884 , vital:40237 , https://doi.org/10.1080/23743670.2015.1084587
- Description: In 2014 South Africa celebrated 20 years of democracy, and for many of the ‘Born Frees’ – those who came of age politically after 1996 – this was their first opportunity to vote in national elections. With democracy came the promise for South Africa's marginalised majority of voice and agency, but also the implicit promise that their democratically elected government would listen to them. In addition, the South African media have long championed their role as a voice for the voiceless. This article presents work done with youngsters from South Africa's poorest province, the Eastern Cape, in an effort to listen to their experience of politics and to understand their use of the media – especially whether it enables them to speak out and be heard in the public sphere.
- Full Text:
- Date Issued: 2016
- Authors: Malila, Vanessa , Garman, Anthea
- Date: 2016
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158884 , vital:40237 , https://doi.org/10.1080/23743670.2015.1084587
- Description: In 2014 South Africa celebrated 20 years of democracy, and for many of the ‘Born Frees’ – those who came of age politically after 1996 – this was their first opportunity to vote in national elections. With democracy came the promise for South Africa's marginalised majority of voice and agency, but also the implicit promise that their democratically elected government would listen to them. In addition, the South African media have long championed their role as a voice for the voiceless. This article presents work done with youngsters from South Africa's poorest province, the Eastern Cape, in an effort to listen to their experience of politics and to understand their use of the media – especially whether it enables them to speak out and be heard in the public sphere.
- Full Text:
- Date Issued: 2016
Listening and the ambiguities of voice in South African journalism:
- Garman, Anthea, Malila, Vanessa
- Authors: Garman, Anthea , Malila, Vanessa
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158394 , vital:40180 , https://doi.org/10.1080/02500167.2016.1226914
- Description: Political theorists like Bickford (1996) and media theorists like Couldry (2006) have introduced the concept of listening as a complement to long-standing discussions about voice in democracies and in the media which serve the democratic project. This enhanced understanding of voice goes beyond just hearing into giving serious attention to, in particular, marginalised voices. This article reports on an investigation into the ways in which mainstream and community media in the Eastern Cape, South Africa, understand listening as an important part of their role as journalists. Interviews probed the attitudes of journalists and editors towards listening, and also interrogated their own understandings of their role in South Africa, particularly in relation to young people who are finding their political “voice”.
- Full Text:
- Date Issued: 2017
- Authors: Garman, Anthea , Malila, Vanessa
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158394 , vital:40180 , https://doi.org/10.1080/02500167.2016.1226914
- Description: Political theorists like Bickford (1996) and media theorists like Couldry (2006) have introduced the concept of listening as a complement to long-standing discussions about voice in democracies and in the media which serve the democratic project. This enhanced understanding of voice goes beyond just hearing into giving serious attention to, in particular, marginalised voices. This article reports on an investigation into the ways in which mainstream and community media in the Eastern Cape, South Africa, understand listening as an important part of their role as journalists. Interviews probed the attitudes of journalists and editors towards listening, and also interrogated their own understandings of their role in South Africa, particularly in relation to young people who are finding their political “voice”.
- Full Text:
- Date Issued: 2017