Zozagne
- Beta Simon (performer), Joe (bass), Alfred Young (guitar), Koukougnon, Kalua Dayag (percussion), Amos Stephen (pianos), Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone), Astrid, Brou Julie, Liazou Ped (chorus), Soro Mamadou (djembe), Amos Stephen (arranged by), Liazou Ped (duet), Sea Charif, Djedje Honorat
- Authors: Beta Simon (performer) , Joe (bass) , Alfred Young (guitar) , Koukougnon, Kalua Dayag (percussion) , Amos Stephen (pianos) , Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone) , Astrid, Brou Julie, Liazou Ped (chorus) , Soro Mamadou (djembe) , Amos Stephen (arranged by) , Liazou Ped (duet) , Sea Charif, Djedje Honorat
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Reggae music , Africa Cote d'Ivoire Abidjan f-iv
- Language: Bete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128026 , vital:36067 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC08-06
- Description: Reggae style singing from Cote d'Ivoire
- Full Text: false
- Date Issued: 2000
- Authors: Beta Simon (performer) , Joe (bass) , Alfred Young (guitar) , Koukougnon, Kalua Dayag (percussion) , Amos Stephen (pianos) , Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone) , Astrid, Brou Julie, Liazou Ped (chorus) , Soro Mamadou (djembe) , Amos Stephen (arranged by) , Liazou Ped (duet) , Sea Charif, Djedje Honorat
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Reggae music , Africa Cote d'Ivoire Abidjan f-iv
- Language: Bete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128026 , vital:36067 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC08-06
- Description: Reggae style singing from Cote d'Ivoire
- Full Text: false
- Date Issued: 2000
Prade
- Beta Simon (performer), Joe (bass), Alfred Young (guitar), Koukougnon, Kalua Dayag (percussion), Amos Stephen (pianos), Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone), Astrid, Brou Julie, Liazou Ped (chorus), Soro Mamadou (djembe), Amos Stephen (arranged by), Liazou Ped (duet), Sea Charif, Djedje Honorat
- Authors: Beta Simon (performer) , Joe (bass) , Alfred Young (guitar) , Koukougnon, Kalua Dayag (percussion) , Amos Stephen (pianos) , Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone) , Astrid, Brou Julie, Liazou Ped (chorus) , Soro Mamadou (djembe) , Amos Stephen (arranged by) , Liazou Ped (duet) , Sea Charif, Djedje Honorat
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Reggae music , Africa Cote d'Ivoire Bete f-iv
- Language: Bete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127972 , vital:36064 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC08-03
- Description: Reggae style singing from Cote d'Ivoire
- Full Text: false
- Date Issued: 2000
- Authors: Beta Simon (performer) , Joe (bass) , Alfred Young (guitar) , Koukougnon, Kalua Dayag (percussion) , Amos Stephen (pianos) , Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone) , Astrid, Brou Julie, Liazou Ped (chorus) , Soro Mamadou (djembe) , Amos Stephen (arranged by) , Liazou Ped (duet) , Sea Charif, Djedje Honorat
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Reggae music , Africa Cote d'Ivoire Bete f-iv
- Language: Bete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127972 , vital:36064 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC08-03
- Description: Reggae style singing from Cote d'Ivoire
- Full Text: false
- Date Issued: 2000
Saraka
- Beta Simon (performer), Joe (bass), Alfred Young (guitar), Koukougnon, Kalua Dayag (percussion), Amos Stephen (pianos), Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone), Astrid, Brou Julie, Liazou Ped (chorus), Soro Mamadou (djembe), Amos Stephen (arranged by), Liazou Ped (duet), Sea Charif, Djedje Honorat
- Authors: Beta Simon (performer) , Joe (bass) , Alfred Young (guitar) , Koukougnon, Kalua Dayag (percussion) , Amos Stephen (pianos) , Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone) , Astrid, Brou Julie, Liazou Ped (chorus) , Soro Mamadou (djembe) , Amos Stephen (arranged by) , Liazou Ped (duet) , Sea Charif, Djedje Honorat
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Reggae music , Africa Cote d'Ivoire Abidjan f-iv
- Language: Bete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127881 , vital:36051 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC08-01
- Description: Reggae style singing from Cote d'Ivoire
- Full Text: false
- Date Issued: 2000
- Authors: Beta Simon (performer) , Joe (bass) , Alfred Young (guitar) , Koukougnon, Kalua Dayag (percussion) , Amos Stephen (pianos) , Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone) , Astrid, Brou Julie, Liazou Ped (chorus) , Soro Mamadou (djembe) , Amos Stephen (arranged by) , Liazou Ped (duet) , Sea Charif, Djedje Honorat
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Reggae music , Africa Cote d'Ivoire Abidjan f-iv
- Language: Bete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127881 , vital:36051 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC08-01
- Description: Reggae style singing from Cote d'Ivoire
- Full Text: false
- Date Issued: 2000
LaPaix
- Beta Simon (performer), Joe (bass), Alfred Young (guitar), Koukougnon, Kalua Dayag (percussion), Amos Stephen (pianos), Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone), Astrid, Brou Julie, Liazou Ped (chorus), Soro Mamadou (djembe), Amos Stephen (arranged by), Liazou Ped (duet), Sea Charif, Djedje Honorat
- Authors: Beta Simon (performer) , Joe (bass) , Alfred Young (guitar) , Koukougnon, Kalua Dayag (percussion) , Amos Stephen (pianos) , Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone) , Astrid, Brou Julie, Liazou Ped (chorus) , Soro Mamadou (djembe) , Amos Stephen (arranged by) , Liazou Ped (duet) , Sea Charif, Djedje Honorat
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Reggae music , Africa Cote d'Ivoire Abidjan f-iv
- Language: Bete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128044 , vital:36069 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC08-08
- Description: Reggae style singing from Cote d'Ivoire
- Full Text: false
- Date Issued: 2000
- Authors: Beta Simon (performer) , Joe (bass) , Alfred Young (guitar) , Koukougnon, Kalua Dayag (percussion) , Amos Stephen (pianos) , Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone) , Astrid, Brou Julie, Liazou Ped (chorus) , Soro Mamadou (djembe) , Amos Stephen (arranged by) , Liazou Ped (duet) , Sea Charif, Djedje Honorat
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Reggae music , Africa Cote d'Ivoire Abidjan f-iv
- Language: Bete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128044 , vital:36069 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC08-08
- Description: Reggae style singing from Cote d'Ivoire
- Full Text: false
- Date Issued: 2000
Diop
- Beta Simon (performer), Joe (bass), Alfred Young (guitar), Koukougnon, Kalua Dayag (percussion), Amos Stephen (pianos), Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone), Astrid, Brou Julie, Liazou Ped (chorus), Soro Mamadou (djembe), Amos Stephen (arranged by), Liazou Ped (duet), Sea Charif, Djedje Honorat
- Authors: Beta Simon (performer) , Joe (bass) , Alfred Young (guitar) , Koukougnon, Kalua Dayag (percussion) , Amos Stephen (pianos) , Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone) , Astrid, Brou Julie, Liazou Ped (chorus) , Soro Mamadou (djembe) , Amos Stephen (arranged by) , Liazou Ped (duet) , Sea Charif, Djedje Honorat
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Reggae music , Africa Cote d'Ivoire Abidjan f-iv
- Language: Bete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127919 , vital:36063 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC08-02
- Description: Reggae style singing from Cote d'Ivoire
- Full Text: false
- Date Issued: 2000
- Authors: Beta Simon (performer) , Joe (bass) , Alfred Young (guitar) , Koukougnon, Kalua Dayag (percussion) , Amos Stephen (pianos) , Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone) , Astrid, Brou Julie, Liazou Ped (chorus) , Soro Mamadou (djembe) , Amos Stephen (arranged by) , Liazou Ped (duet) , Sea Charif, Djedje Honorat
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Reggae music , Africa Cote d'Ivoire Abidjan f-iv
- Language: Bete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127919 , vital:36063 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC08-02
- Description: Reggae style singing from Cote d'Ivoire
- Full Text: false
- Date Issued: 2000
Ti Gbeu
- Beta Simon (performer), Joe (bass), Alfred Young (guitar), Koukougnon, Kalua Dayag (percussion), Amos Stephen (pianos), Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone), Astrid, Brou Julie, Liazou Ped (chorus), Soro Mamadou (djembe), Amos Stephen (arranged by), Liazou Ped (duet), Sea Charif, Djedje Honorat
- Authors: Beta Simon (performer) , Joe (bass) , Alfred Young (guitar) , Koukougnon, Kalua Dayag (percussion) , Amos Stephen (pianos) , Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone) , Astrid, Brou Julie, Liazou Ped (chorus) , Soro Mamadou (djembe) , Amos Stephen (arranged by) , Liazou Ped (duet) , Sea Charif, Djedje Honorat
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Reggae music , Africa Cote d'Ivoire Bete f-iv
- Language: Bete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128005 , vital:36065 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC08-04
- Description: Reggae style singing from Cote d'Ivoire
- Full Text: false
- Date Issued: 2000
- Authors: Beta Simon (performer) , Joe (bass) , Alfred Young (guitar) , Koukougnon, Kalua Dayag (percussion) , Amos Stephen (pianos) , Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone) , Astrid, Brou Julie, Liazou Ped (chorus) , Soro Mamadou (djembe) , Amos Stephen (arranged by) , Liazou Ped (duet) , Sea Charif, Djedje Honorat
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Reggae music , Africa Cote d'Ivoire Bete f-iv
- Language: Bete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128005 , vital:36065 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC08-04
- Description: Reggae style singing from Cote d'Ivoire
- Full Text: false
- Date Issued: 2000
Ramde
- Beta Simon (performer), Joe (bass), Alfred Young (guitar), Koukougnon, Kalua Dayag (percussion), Amos Stephen (pianos), Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone), Astrid, Brou Julie, Liazou Ped (chorus), Soro Mamadou (djembe), Amos Stephen (arranged by), Liazou Ped (duet), Sea Charif, Djedje Honorat
- Authors: Beta Simon (performer) , Joe (bass) , Alfred Young (guitar) , Koukougnon, Kalua Dayag (percussion) , Amos Stephen (pianos) , Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone) , Astrid, Brou Julie, Liazou Ped (chorus) , Soro Mamadou (djembe) , Amos Stephen (arranged by) , Liazou Ped (duet) , Sea Charif, Djedje Honorat
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Reggae music , Africa Cote d'Ivoire Abidjan f-iv
- Language: Bete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128010 , vital:36066 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC08-05
- Description: Reggae style singing from Cote d'Ivoire
- Full Text: false
- Date Issued: 2000
- Authors: Beta Simon (performer) , Joe (bass) , Alfred Young (guitar) , Koukougnon, Kalua Dayag (percussion) , Amos Stephen (pianos) , Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone) , Astrid, Brou Julie, Liazou Ped (chorus) , Soro Mamadou (djembe) , Amos Stephen (arranged by) , Liazou Ped (duet) , Sea Charif, Djedje Honorat
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Reggae music , Africa Cote d'Ivoire Abidjan f-iv
- Language: Bete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128010 , vital:36066 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC08-05
- Description: Reggae style singing from Cote d'Ivoire
- Full Text: false
- Date Issued: 2000
Sankirtan
- Beta Simon (performer), Joe (bass), Alfred Young (guitar), Koukougnon, Kalua Dayag (percussion), Amos Stephen (pianos), Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone), Astrid, Brou Julie, Liazou Ped (chorus), Soro Mamadou (djembe), Amos Stephen (arranged by), Liazou Ped (duet), Sea Charif, Djedje Honorat
- Authors: Beta Simon (performer) , Joe (bass) , Alfred Young (guitar) , Koukougnon, Kalua Dayag (percussion) , Amos Stephen (pianos) , Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone) , Astrid, Brou Julie, Liazou Ped (chorus) , Soro Mamadou (djembe) , Amos Stephen (arranged by) , Liazou Ped (duet) , Sea Charif, Djedje Honorat
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Reggae music , Africa Cote d'Ivoire Abidjan f-iv
- Language: Bete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128031 , vital:36068 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC08-07
- Description: Reggae style singing from Cote d'Ivoire
- Full Text: false
- Date Issued: 2000
- Authors: Beta Simon (performer) , Joe (bass) , Alfred Young (guitar) , Koukougnon, Kalua Dayag (percussion) , Amos Stephen (pianos) , Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone) , Astrid, Brou Julie, Liazou Ped (chorus) , Soro Mamadou (djembe) , Amos Stephen (arranged by) , Liazou Ped (duet) , Sea Charif, Djedje Honorat
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Reggae music , Africa Cote d'Ivoire Abidjan f-iv
- Language: Bete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128031 , vital:36068 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC08-07
- Description: Reggae style singing from Cote d'Ivoire
- Full Text: false
- Date Issued: 2000
Music in Grahamstown, 1880-1900
- Authors: Sparrow, Marion Janet
- Date: 1978
- Subjects: Music -- South Africa -- Grahamstown -- History Music -- South Africa -- Eastern Cape -- History
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: vital:2674 , http://hdl.handle.net/10962/d1007402
- Description: From Introduction: The previous thesis on the study of music in Grahamstown took the development to the point in history which marked the end of the Kaffir Wars on the Eastern Frontier. From 1880 - 1900, the Military Tradition of Grahamstown remained a strong factor in the daily life of the growing community. During the first decade of this thesis, there were years of retrenching and depression and the rural community, who supported many of the musical concerts, were also hard hit by drought and rinderpest. These problems are noticeable during the course of many of the chapters. The difficulties were overcome. The community grew and new schools were established and the effects of the First City Volunteers being away on minor War efforts, followed by the commencement of the Anglo-Boer War, were only temporarily felt in the musical life of the City. There must be to some extent duplication of information already submitted in an earlier thesis on Church Music. Chapter II - on Music in the Churches - is indispensable, as it reveals much of the heart and soul of the community, and without it the overall picture of the development of music in all spheres, would lose its true balance. It has been impossible to trace all the composers represented on the programmes, particularly those of all the glees and popular songs of the day. In some cases possible composers may perhaps have been suggested. There are obvious misprints which have been hinted at in footnotes. The primary source of information for this thesis has been "The Journal". As virtually all the material has been taken from that source and almost every footnote would have read Ibid . .. , I have dispensed with the abbreviation and merely given the date. Where the source of information changed, this was indicated. Throughout I have adhered to the facts and my deductions and suppositions have been reduced to a minimum .
- Full Text:
- Date Issued: 1978
- Authors: Sparrow, Marion Janet
- Date: 1978
- Subjects: Music -- South Africa -- Grahamstown -- History Music -- South Africa -- Eastern Cape -- History
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: vital:2674 , http://hdl.handle.net/10962/d1007402
- Description: From Introduction: The previous thesis on the study of music in Grahamstown took the development to the point in history which marked the end of the Kaffir Wars on the Eastern Frontier. From 1880 - 1900, the Military Tradition of Grahamstown remained a strong factor in the daily life of the growing community. During the first decade of this thesis, there were years of retrenching and depression and the rural community, who supported many of the musical concerts, were also hard hit by drought and rinderpest. These problems are noticeable during the course of many of the chapters. The difficulties were overcome. The community grew and new schools were established and the effects of the First City Volunteers being away on minor War efforts, followed by the commencement of the Anglo-Boer War, were only temporarily felt in the musical life of the City. There must be to some extent duplication of information already submitted in an earlier thesis on Church Music. Chapter II - on Music in the Churches - is indispensable, as it reveals much of the heart and soul of the community, and without it the overall picture of the development of music in all spheres, would lose its true balance. It has been impossible to trace all the composers represented on the programmes, particularly those of all the glees and popular songs of the day. In some cases possible composers may perhaps have been suggested. There are obvious misprints which have been hinted at in footnotes. The primary source of information for this thesis has been "The Journal". As virtually all the material has been taken from that source and almost every footnote would have read Ibid . .. , I have dispensed with the abbreviation and merely given the date. Where the source of information changed, this was indicated. Throughout I have adhered to the facts and my deductions and suppositions have been reduced to a minimum .
- Full Text:
- Date Issued: 1978
Mboma Part II
- Kruger, Jaco (Recorded by), Thiba and Mashandule (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Thiba and Mashandule (Performer) , Composer unknown
- Subjects: Tshanda village , Vhembe district , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Instrumental , Duet performance
- Type: Music , Sound
- Identifier: vital:15598 , JKC11b-22 , http://hdl.handle.net/10962/d1008787 , Tape number: JKC11 , Original tape number: 11 , Track number: 22
- Description: Part II of duet performance of traditional Venda tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 130
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Thiba and Mashandule (Performer) , Composer unknown
- Subjects: Tshanda village , Vhembe district , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Instrumental , Duet performance
- Type: Music , Sound
- Identifier: vital:15598 , JKC11b-22 , http://hdl.handle.net/10962/d1008787 , Tape number: JKC11 , Original tape number: 11 , Track number: 22
- Description: Part II of duet performance of traditional Venda tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 130
- Full Text: false
Kangale Parts I and II
- Kruger, Jaco (Recorded by), Thiba and Mashandule (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Thiba and Mashandule (Performer) , Composer unknown
- Subjects: Tshanda village , Vhembe district , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Duet performance , Instrumental
- Type: Music , Sound
- Identifier: vital:16090 , JKC14a-04 , http://hdl.handle.net/10962/d1009279 , Tape number: JKC14 , Original tape number: 14 , Track number: 04
- Description: Parts I and II of duet performance of traditional Venda song about a fast runner with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 144
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Thiba and Mashandule (Performer) , Composer unknown
- Subjects: Tshanda village , Vhembe district , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Duet performance , Instrumental
- Type: Music , Sound
- Identifier: vital:16090 , JKC14a-04 , http://hdl.handle.net/10962/d1009279 , Tape number: JKC14 , Original tape number: 14 , Track number: 04
- Description: Parts I and II of duet performance of traditional Venda song about a fast runner with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 144
- Full Text: false
Early Cretaceous alluvial palaeosols (Kirkwood formation, Algoa Basin, South Africa) and their palaeoenvironmental and palaeoclimatological significance
- Authors: Frost, Susan
- Date: 1996
- Subjects: Paleopedology -- South Africa -- Eastern Cape , Paleoclimatology -- South Africa -- Eastern Cape
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:4939 , http://hdl.handle.net/10962/d1005551 , Paleopedology -- South Africa -- Eastern Cape , Paleoclimatology -- South Africa -- Eastern Cape
- Description: The Kirkwood Formation in the Bushman's River area of the Algoa Basin is characterised by a number of fining-upward cycles. These have been interpreted as indicating deposition in a dynamic aggrading meandering river system with the channel deposits (conglomerates grading upwards into sandstones) fining upward into the overbank deposits (mudrocks). Channel, channel-margin and overbank deposits were recognised. The three mudrock sequences logged comprise compound pedofacies sequences of multistorey, simple and cumulative palaeosols. Distinctive palaeopedological features, such as root traces and pedotubules, soil horizons and structures, mottles, and iron-rich and calcareous glaebules and calcareous hardpan lenses and layers were used to identify a number of palaeosols within the mudrock sequences. Each mudrock sequence comprises multistorey entisol, inceptisol, alfisol, ultisol, aridisol and vertisol profiles at different stags of pedogenic maturity. The entisols and inceptisols are relatively immature profiles formed close to the meandering river channel and are classified as channel-margin palaeosols. The ultisols, alfisols, aridisols and vertisols are more mature and formed at some distance from the channel. They are classified as proximal floodbasin or distal floodbasin palaeosols depending on their maturity, distance from the channel and grain-size. Slickensides, desiccation cracks, and iron-rich concretions occur, indicating multiple cycles of wetting and drying. A low water-table beneath the floodplain is indicated by both the prominent maroon-brown colouration of the mudstones, caused by oxidation during deposition, and the general lack of evaporites in the sequence. Calcretes comprising calcic and petrocalcic horizons are very common in the lower mudrock sequence, rare in the middle mudrock sequence and relatively common in the upper mudrock sequence. The calcretes generally consist a nodular zone which may, in some cases, be capped by a thin hardpan layer. The calcic palaeosols commonly show stages of carbonate accumulation which indicate at least 10 000 years of formation. The lack of calcrete formation in some of the profiles may indicate frequent flooding and high sediment accretion rates or a decrease in the influx of Ca²⁺-rich aeolian dust into the depositional basin. Clay alluviation is common in many of the profiles and soil structures are commonly well developed. The palaeosols are interpreted as having formed on an aggrading floodplain in a warm to hot (25-30°C), semi-arid climate with a low but seasonal rainfall (100-500mm per annum).
- Full Text:
- Date Issued: 1996
- Authors: Frost, Susan
- Date: 1996
- Subjects: Paleopedology -- South Africa -- Eastern Cape , Paleoclimatology -- South Africa -- Eastern Cape
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:4939 , http://hdl.handle.net/10962/d1005551 , Paleopedology -- South Africa -- Eastern Cape , Paleoclimatology -- South Africa -- Eastern Cape
- Description: The Kirkwood Formation in the Bushman's River area of the Algoa Basin is characterised by a number of fining-upward cycles. These have been interpreted as indicating deposition in a dynamic aggrading meandering river system with the channel deposits (conglomerates grading upwards into sandstones) fining upward into the overbank deposits (mudrocks). Channel, channel-margin and overbank deposits were recognised. The three mudrock sequences logged comprise compound pedofacies sequences of multistorey, simple and cumulative palaeosols. Distinctive palaeopedological features, such as root traces and pedotubules, soil horizons and structures, mottles, and iron-rich and calcareous glaebules and calcareous hardpan lenses and layers were used to identify a number of palaeosols within the mudrock sequences. Each mudrock sequence comprises multistorey entisol, inceptisol, alfisol, ultisol, aridisol and vertisol profiles at different stags of pedogenic maturity. The entisols and inceptisols are relatively immature profiles formed close to the meandering river channel and are classified as channel-margin palaeosols. The ultisols, alfisols, aridisols and vertisols are more mature and formed at some distance from the channel. They are classified as proximal floodbasin or distal floodbasin palaeosols depending on their maturity, distance from the channel and grain-size. Slickensides, desiccation cracks, and iron-rich concretions occur, indicating multiple cycles of wetting and drying. A low water-table beneath the floodplain is indicated by both the prominent maroon-brown colouration of the mudstones, caused by oxidation during deposition, and the general lack of evaporites in the sequence. Calcretes comprising calcic and petrocalcic horizons are very common in the lower mudrock sequence, rare in the middle mudrock sequence and relatively common in the upper mudrock sequence. The calcretes generally consist a nodular zone which may, in some cases, be capped by a thin hardpan layer. The calcic palaeosols commonly show stages of carbonate accumulation which indicate at least 10 000 years of formation. The lack of calcrete formation in some of the profiles may indicate frequent flooding and high sediment accretion rates or a decrease in the influx of Ca²⁺-rich aeolian dust into the depositional basin. Clay alluviation is common in many of the profiles and soil structures are commonly well developed. The palaeosols are interpreted as having formed on an aggrading floodplain in a warm to hot (25-30°C), semi-arid climate with a low but seasonal rainfall (100-500mm per annum).
- Full Text:
- Date Issued: 1996
Optimised small scale reative compensation for Eskom's Albany-Wesley 66/22Kv transmission system
- Authors: Ndimurwimo, Alexis
- Date: 2012
- Subjects: Capacitors , Electric capacity , Power transmission , Voltage regulators
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:9597 , http://hdl.handle.net/10948/d1008156 , Capacitors , Electric capacity , Power transmission , Voltage regulators
- Description: Reactive power compensation, as generated by capacitors, has been used to mitigate the constraints of power transmission and improve the power transfer of the transmission system of the South African power utility, Eskom‟s 66/22kV Albany-Wesley transmission system. An investigation was carried out on a number of current compensation schemes, and their operations, by means of load flow analysis. Different capacitor qualities and technologies were applied to alter the transmission line characteristics that resulted in acceptable voltage regulation. This resulted in easing the load on the lines and transformers and hence reducing line losses. For long transmission lines, utilities need voltage support, as provided for by different voltage compensators, to keep the terminal voltage within standard voltage regulation, and meet the designed power demand. The approach to large and small scale compensation was tested and the outcomes revealed distinct patterns that were used to confirm the hypothesis and improve the transfer of power. The templating temperature and thermal perspective as used by Eskom on line design was discussed and used to design a new transmission line. Load flow solutions were also used to plan and design the optimised transmission system as well as to determine the specification and location of the compensating capacitor banks. Capacitor banks, as a source of reactive power, were used to model the compensation in this research. Electrical protection and faults associated with the capacitors banks were discussed, as prevention to total blackout or load shedding on the transmission line in case of established contingency. Long term investment plans, to meet future electricity demands, require substantial investment hence a financial survey was carried out. Finally this dissertation selects a viable solution to meet the electrical power demands and then recommends a way forward for the Eskom‟s 66/22kV Albany-Wesley line.
- Full Text:
- Date Issued: 2012
- Authors: Ndimurwimo, Alexis
- Date: 2012
- Subjects: Capacitors , Electric capacity , Power transmission , Voltage regulators
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:9597 , http://hdl.handle.net/10948/d1008156 , Capacitors , Electric capacity , Power transmission , Voltage regulators
- Description: Reactive power compensation, as generated by capacitors, has been used to mitigate the constraints of power transmission and improve the power transfer of the transmission system of the South African power utility, Eskom‟s 66/22kV Albany-Wesley transmission system. An investigation was carried out on a number of current compensation schemes, and their operations, by means of load flow analysis. Different capacitor qualities and technologies were applied to alter the transmission line characteristics that resulted in acceptable voltage regulation. This resulted in easing the load on the lines and transformers and hence reducing line losses. For long transmission lines, utilities need voltage support, as provided for by different voltage compensators, to keep the terminal voltage within standard voltage regulation, and meet the designed power demand. The approach to large and small scale compensation was tested and the outcomes revealed distinct patterns that were used to confirm the hypothesis and improve the transfer of power. The templating temperature and thermal perspective as used by Eskom on line design was discussed and used to design a new transmission line. Load flow solutions were also used to plan and design the optimised transmission system as well as to determine the specification and location of the compensating capacitor banks. Capacitor banks, as a source of reactive power, were used to model the compensation in this research. Electrical protection and faults associated with the capacitors banks were discussed, as prevention to total blackout or load shedding on the transmission line in case of established contingency. Long term investment plans, to meet future electricity demands, require substantial investment hence a financial survey was carried out. Finally this dissertation selects a viable solution to meet the electrical power demands and then recommends a way forward for the Eskom‟s 66/22kV Albany-Wesley line.
- Full Text:
- Date Issued: 2012
Ndiri
- Lokwa Albert na Iarimo (Performer), Composer not specified
- Authors: Lokwa Albert na Iarimo (Performer) , Composer not specified
- Subjects: Duet , Indigenous folk music , Likembe natine (treble) , Likembe minu (bass) , Box with mirliton buzzer and sound-hole , Bunia , North Eastern Congo , Belgian Congo (Democratic Republic of Congo)
- Type: Sound , Music
- Identifier: vital:15380 , MOA28-04 , http://hdl.handle.net/10962/d1017686 , MOA28
- Description: Duet with likembes; natine (treble) and minu (bass), by Lokwa Albert na Iarimo , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Lokwa Albert na Iarimo (Performer) , Composer not specified
- Subjects: Duet , Indigenous folk music , Likembe natine (treble) , Likembe minu (bass) , Box with mirliton buzzer and sound-hole , Bunia , North Eastern Congo , Belgian Congo (Democratic Republic of Congo)
- Type: Sound , Music
- Identifier: vital:15380 , MOA28-04 , http://hdl.handle.net/10962/d1017686 , MOA28
- Description: Duet with likembes; natine (treble) and minu (bass), by Lokwa Albert na Iarimo , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Rammbuda o vhuya nndwani Part I
- Kruger, Jaco (Recorded by), Shonisani and Mboi (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Shonisani and Mboi (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Mbila , Instrumental , Duet performance
- Type: Music , Sound
- Identifier: vital:15724 , JKC14b-29 , http://hdl.handle.net/10962/d1008913 , Tape number: JKC14 , Original tape number: 14 , Track number: 29
- Description: English translation of title: 'Rambuda returned from the war' , Part I of duet performance of traditional Venda tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 157
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Shonisani and Mboi (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Mbila , Instrumental , Duet performance
- Type: Music , Sound
- Identifier: vital:15724 , JKC14b-29 , http://hdl.handle.net/10962/d1008913 , Tape number: JKC14 , Original tape number: 14 , Track number: 29
- Description: English translation of title: 'Rambuda returned from the war' , Part I of duet performance of traditional Venda tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 157
- Full Text: false
Rambuda o vhuya nndwani Part I
- Kruger, Jaco (Recorded by), Shonisani and Kruger (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Shonisani and Kruger (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Instrumental , Duet performance
- Type: Music , Sound
- Identifier: vital:15714 , JKC11a-29 , http://hdl.handle.net/10962/d1008903 , Tape number: JKC11 , Original tape number: 11 , Track number: 29
- Description: English translation of title: 'Rambuda returned from the war' , Part I of duet performance of traditional Venda tune with 14 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 124
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Shonisani and Kruger (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Instrumental , Duet performance
- Type: Music , Sound
- Identifier: vital:15714 , JKC11a-29 , http://hdl.handle.net/10962/d1008903 , Tape number: JKC11 , Original tape number: 11 , Track number: 29
- Description: English translation of title: 'Rambuda returned from the war' , Part I of duet performance of traditional Venda tune with 14 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 124
- Full Text: false
Rammbuda o vhuya nndwani Parts I and II
- Kruger, Jaco (Recorded by), Shonisani and Mboi (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Shonisani and Mboi (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Mbila , Duet performance , Instrumental
- Type: Music , Sound
- Identifier: vital:15732 , JKC14b-28 , http://hdl.handle.net/10962/d1008921 , Tape number: JKC14 , Original tape number: 14 , Track number: 28
- Description: English translation of title: 'Rambuda returned from the war' , Parts I and II of duet performance of traditional Venda tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 157
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Shonisani and Mboi (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Mbila , Duet performance , Instrumental
- Type: Music , Sound
- Identifier: vital:15732 , JKC14b-28 , http://hdl.handle.net/10962/d1008921 , Tape number: JKC14 , Original tape number: 14 , Track number: 28
- Description: English translation of title: 'Rambuda returned from the war' , Parts I and II of duet performance of traditional Venda tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 157
- Full Text: false
Rambuda o vhuya nndwani
- Kruger, Jaco (Recorded by), Shonisani and Kruger (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Shonisani and Kruger (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Instrumental , Duet performance
- Type: Music , Sound
- Identifier: vital:15718 , JKC11a-28 , http://hdl.handle.net/10962/d1008907 , Tape number: JKC11 , Original tape number: 11 , Track number: 28
- Description: English translation of title: 'Rambuda returned from the war' , Duet performance of traditional Venda tune with 14 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 124
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Shonisani and Kruger (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Instrumental , Duet performance
- Type: Music , Sound
- Identifier: vital:15718 , JKC11a-28 , http://hdl.handle.net/10962/d1008907 , Tape number: JKC11 , Original tape number: 11 , Track number: 28
- Description: English translation of title: 'Rambuda returned from the war' , Duet performance of traditional Venda tune with 14 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 124
- Full Text: false
Rammbuda o vhuya nndwani Part I
- Kruger, Jaco (Recorded by), Shonisani and Mboi (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Shonisani and Mboi (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Mbila , Duet performance , Instrumental
- Type: Music , Sound
- Identifier: vital:15722 , JKC14b-22 , http://hdl.handle.net/10962/d1008911 , Tape number: JKC14 , Original tape number: 14 , Track number: 22
- Description: English translation of title: 'Rambuda returned from the war' , Part I of duet performance of traditional Venda tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 155
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Shonisani and Mboi (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Mbila , Duet performance , Instrumental
- Type: Music , Sound
- Identifier: vital:15722 , JKC14b-22 , http://hdl.handle.net/10962/d1008911 , Tape number: JKC14 , Original tape number: 14 , Track number: 22
- Description: English translation of title: 'Rambuda returned from the war' , Part I of duet performance of traditional Venda tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 155
- Full Text: false
Phenemene manzeko Part I and II
- Kruger, Jaco (Recorded by), Shonisani and Kruger (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Shonisani and Kruger (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Instrumental , Duet performance
- Type: Music , Sound
- Identifier: vital:15704 , JKC11a-22 , http://hdl.handle.net/10962/d1008893 , Tape number: JKC11 , Original tape number: 11 , Track number: 22
- Description: Duet performance of traditional Venda tune with 14 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 123
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Shonisani and Kruger (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Instrumental , Duet performance
- Type: Music , Sound
- Identifier: vital:15704 , JKC11a-22 , http://hdl.handle.net/10962/d1008893 , Tape number: JKC11 , Original tape number: 11 , Track number: 22
- Description: Duet performance of traditional Venda tune with 14 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 123
- Full Text: false