Isikhonyane
- Mseluku and his merrymakers, Mseleku, William, Tracey, Hugh
- Authors: Mseluku and his merrymakers , Mseleku, William , Tracey, Hugh
- Date: 1960-01-01
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/201488 , vital:46371 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0578 , Research no.JP17
- Description: Traditional song about the famine in Natal from the locusts in 1923
- Full Text: false
- Date Issued: 1960-01-01
- Authors: Mseluku and his merrymakers , Mseleku, William , Tracey, Hugh
- Date: 1960-01-01
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/201488 , vital:46371 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0578 , Research no.JP17
- Description: Traditional song about the famine in Natal from the locusts in 1923
- Full Text: false
- Date Issued: 1960-01-01
Ezintabeni
- Mseluku and his merrymakers, Composer not specified, Tracey, Hugh
- Authors: Mseluku and his merrymakers , Composer not specified , Tracey, Hugh
- Date: 1960-01-01
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/201693 , vital:46401 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0589 , Research no.JP32
- Description: Fox-trot dance accompanied by drum, piano, guitar, rhythm sticks and saxophone
- Full Text: false
- Date Issued: 1960-01-01
- Authors: Mseluku and his merrymakers , Composer not specified , Tracey, Hugh
- Date: 1960-01-01
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/201693 , vital:46401 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0589 , Research no.JP32
- Description: Fox-trot dance accompanied by drum, piano, guitar, rhythm sticks and saxophone
- Full Text: false
- Date Issued: 1960-01-01
Ekuhambeni
- Mseluku and his merrymakers, Mseleku, William, Tracey, Hugh
- Authors: Mseluku and his merrymakers , Mseleku, William , Tracey, Hugh
- Date: 1960-01-01
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/201466 , vital:46369 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0577 , Research no.JP16
- Description: Rumba dance song, accompanied by drum, piano, rhythm sticks and guitar
- Full Text: false
- Date Issued: 1960-01-01
- Authors: Mseluku and his merrymakers , Mseleku, William , Tracey, Hugh
- Date: 1960-01-01
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/201466 , vital:46369 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0577 , Research no.JP16
- Description: Rumba dance song, accompanied by drum, piano, rhythm sticks and guitar
- Full Text: false
- Date Issued: 1960-01-01
Lo Mthombo Oqumayo
- Mseluku and his merrymakers, Mseleku, William, Tracey, Hugh
- Authors: Mseluku and his merrymakers , Mseleku, William , Tracey, Hugh
- Date: 1960-01-01
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/201434 , vital:46365 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0576 , Research no.JP15
- Description: Rumba dance song accompanied by banjo and saxophone
- Full Text: false
- Date Issued: 1960-01-01
- Authors: Mseluku and his merrymakers , Mseleku, William , Tracey, Hugh
- Date: 1960-01-01
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/201434 , vital:46365 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0576 , Research no.JP15
- Description: Rumba dance song accompanied by banjo and saxophone
- Full Text: false
- Date Issued: 1960-01-01
Umtakati
- Mseluku and his merrymakers, Composer not specified, Tracey, Hugh
- Authors: Mseluku and his merrymakers , Composer not specified , Tracey, Hugh
- Date: 1960-01-01
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/201674 , vital:46399 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0588 , Research no.JP31
- Description: Traditional song about finding the source of an illness
- Full Text: false
- Date Issued: 1960-01-01
- Authors: Mseluku and his merrymakers , Composer not specified , Tracey, Hugh
- Date: 1960-01-01
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/201674 , vital:46399 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0588 , Research no.JP31
- Description: Traditional song about finding the source of an illness
- Full Text: false
- Date Issued: 1960-01-01
Emanzimtoti
- Mseluku and his merrymakers, Mseleku, William, Tracey, Hugh
- Authors: Mseluku and his merrymakers , Mseleku, William , Tracey, Hugh
- Date: 1960-01-01
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa Amanzimtoti f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/201439 , vital:46366 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0576 , Research no.JP15
- Description: Rumba dance song accompanied by banjo and saxophone
- Full Text: false
- Date Issued: 1960-01-01
- Authors: Mseluku and his merrymakers , Mseleku, William , Tracey, Hugh
- Date: 1960-01-01
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa Amanzimtoti f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/201439 , vital:46366 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0576 , Research no.JP15
- Description: Rumba dance song accompanied by banjo and saxophone
- Full Text: false
- Date Issued: 1960-01-01
isimangaliso
- Mseluku and his merrymakers, Composer not specified, Tracey, Hugh
- Authors: Mseluku and his merrymakers , Composer not specified , Tracey, Hugh
- Date: 1960-01-01
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/201665 , vital:46398 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0588 , Research no.JP31
- Description: Dance song in Marabi style, accompanied by the piano
- Full Text: false
- Date Issued: 1960-01-01
- Authors: Mseluku and his merrymakers , Composer not specified , Tracey, Hugh
- Date: 1960-01-01
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/201665 , vital:46398 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0588 , Research no.JP31
- Description: Dance song in Marabi style, accompanied by the piano
- Full Text: false
- Date Issued: 1960-01-01
Amabadi
- Mseluku and his merrymakers, Mseleku, William, Tracey, Hugh
- Authors: Mseluku and his merrymakers , Mseleku, William , Tracey, Hugh
- Date: 1960-01-01
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/201497 , vital:46372 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0578 , Research no.JP17
- Description: Traditional song about poor luck performed by a choir
- Full Text: false
- Date Issued: 1960-01-01
- Authors: Mseluku and his merrymakers , Mseleku, William , Tracey, Hugh
- Date: 1960-01-01
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/201497 , vital:46372 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0578 , Research no.JP17
- Description: Traditional song about poor luck performed by a choir
- Full Text: false
- Date Issued: 1960-01-01
Yimbi indawo
- Mseluku and his merrymakers, Composer not specified, Tracey, Hugh
- Authors: Mseluku and his merrymakers , Composer not specified , Tracey, Hugh
- Date: 1960-01-01
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/201679 , vital:46400 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0589 , Research no.JP32
- Description: Rumba dance song accompanied by drum, rhythm sticks, guitar and saxophone
- Full Text: false
- Date Issued: 1960-01-01
- Authors: Mseluku and his merrymakers , Composer not specified , Tracey, Hugh
- Date: 1960-01-01
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/201679 , vital:46400 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0589 , Research no.JP32
- Description: Rumba dance song accompanied by drum, rhythm sticks, guitar and saxophone
- Full Text: false
- Date Issued: 1960-01-01
Siyanimema bakiti
- Mseluku and his merrymakers, Mseleku, William, Tracey, Hugh
- Authors: Mseluku and his merrymakers , Mseleku, William , Tracey, Hugh
- Date: 1960-01-01
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/201452 , vital:46367 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0577 , Research no.JP16
- Description: Rumba dance song, accompanied by piano, violin and guitar
- Full Text: false
- Date Issued: 1960-01-01
- Authors: Mseluku and his merrymakers , Mseleku, William , Tracey, Hugh
- Date: 1960-01-01
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/201452 , vital:46367 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0577 , Research no.JP16
- Description: Rumba dance song, accompanied by piano, violin and guitar
- Full Text: false
- Date Issued: 1960-01-01
Ray Charles: a psychobiographical study
- Authors: Biggs, Ilze
- Date: 2008
- Subjects: Charles, Ray, 1930-2004 Psychology -- Biographical methods -- Case studies Jazz singers -- Biography Blind entertainers -- Psychology
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2933 , http://hdl.handle.net/10962/d1002442
- Description: Psychobiography is the formulation of an individual's narrative according to a psychological theory. Psychobiographical researchers face a number of challenges. One pertinent challenge is the limited amount of psychobiographical research conducted at academic institutions, including South Africa. Although a number of studies had been completed in the past decade, the impact of psychobiographical research remains negligible. Although much has been written about Ray Charles, none of the existing literature adopted a specific psychological focus. Charles developed from a young boy in a poverty stricken, racially segregated society into an exceptionally successful musician who worked productively until he died at the age of 73. He was selected as the subject on the basis of interest value, uniqueness and significance of life achievements. The primary aim of this study was to explore and describe the development of Charles according to Levinson's (Levinson, et. ai, 1978) theoretical framework. Levinson's theory of adult development identifies and describes the important changes that occur throughout the lifespan of an individual. A secondary aim was to provide an understanding of Charles within the social, economic and historical context in which he lived. The data collection and analysis was conducted according to Yin's (2003) 'analytic generalization'. The data was analysed according to three linked sub-processes proposed by Huberman and Miles (1994).
- Full Text:
- Date Issued: 2008
- Authors: Biggs, Ilze
- Date: 2008
- Subjects: Charles, Ray, 1930-2004 Psychology -- Biographical methods -- Case studies Jazz singers -- Biography Blind entertainers -- Psychology
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2933 , http://hdl.handle.net/10962/d1002442
- Description: Psychobiography is the formulation of an individual's narrative according to a psychological theory. Psychobiographical researchers face a number of challenges. One pertinent challenge is the limited amount of psychobiographical research conducted at academic institutions, including South Africa. Although a number of studies had been completed in the past decade, the impact of psychobiographical research remains negligible. Although much has been written about Ray Charles, none of the existing literature adopted a specific psychological focus. Charles developed from a young boy in a poverty stricken, racially segregated society into an exceptionally successful musician who worked productively until he died at the age of 73. He was selected as the subject on the basis of interest value, uniqueness and significance of life achievements. The primary aim of this study was to explore and describe the development of Charles according to Levinson's (Levinson, et. ai, 1978) theoretical framework. Levinson's theory of adult development identifies and describes the important changes that occur throughout the lifespan of an individual. A secondary aim was to provide an understanding of Charles within the social, economic and historical context in which he lived. The data collection and analysis was conducted according to Yin's (2003) 'analytic generalization'. The data was analysed according to three linked sub-processes proposed by Huberman and Miles (1994).
- Full Text:
- Date Issued: 2008
A phenomenological explication of the male alcoholic's experience of existence with mother and father
- Authors: Singer, Stanley
- Date: 1984
- Subjects: Alcoholism -- Psychological aspects
- Language: English
- Type: Thesis , Masters , MSocSc
- Identifier: vital:3124 , http://hdl.handle.net/10962/d1006143
- Description: Much is written, especially in psychodynamically oriented literature, about the unduly close dependency relationship male alcoholics have with their mothers. Whilst not disputing this it became apparent to myself when working with them that they also expressed strong attachments to their fathers who were described as absent or punitive. The literature goes on to theorize that a repressed homosexual element is often at work in the male alcoholic. Not much more of substance is said about the father other than he may be absent or punitive - even less is mentioned of the male alcoholic's experience with his father. It appears that this relationship has remained largely unexplored as a result of an uncritical imposition of theory, especially psychodynamic, upon the complex phenomenon of alcoholism. These theories generally posit the mother's influence over all problems in living be they neuroses, psychoses or alcoholism. It is possible that a dialogue exists between mother, father and alcoholic son which is more extensive and complex than that currently described in the literature, with father playing a greater role than previously believed.
- Full Text:
- Date Issued: 1984
- Authors: Singer, Stanley
- Date: 1984
- Subjects: Alcoholism -- Psychological aspects
- Language: English
- Type: Thesis , Masters , MSocSc
- Identifier: vital:3124 , http://hdl.handle.net/10962/d1006143
- Description: Much is written, especially in psychodynamically oriented literature, about the unduly close dependency relationship male alcoholics have with their mothers. Whilst not disputing this it became apparent to myself when working with them that they also expressed strong attachments to their fathers who were described as absent or punitive. The literature goes on to theorize that a repressed homosexual element is often at work in the male alcoholic. Not much more of substance is said about the father other than he may be absent or punitive - even less is mentioned of the male alcoholic's experience with his father. It appears that this relationship has remained largely unexplored as a result of an uncritical imposition of theory, especially psychodynamic, upon the complex phenomenon of alcoholism. These theories generally posit the mother's influence over all problems in living be they neuroses, psychoses or alcoholism. It is possible that a dialogue exists between mother, father and alcoholic son which is more extensive and complex than that currently described in the literature, with father playing a greater role than previously believed.
- Full Text:
- Date Issued: 1984
Rhodes remembers former President Nelson Mandela
- Badat, Saleem, De Klerk, Vivian A, Maylam, Paul
- Authors: Badat, Saleem , De Klerk, Vivian A , Maylam, Paul
- Date: 2013
- Language: English
- Type: text
- Identifier: vital:7593 , http://hdl.handle.net/10962/d1007501
- Description: On 6 December 2013 Rhodes honoured former President Nelson Rolihlahla Mandela in a commemoration programme. Dozens of people gathered on Rhodes University's Drostdy lawns in Grahamstown to sing and celebrate the life of Nelson Mandela. Tributes were delivered by Dr Saleem Badat, Rhodes University’s Vice Chancellor, Dr Vivian de Klerk, Dean of Students, and Emeritus Distinguished Professor Paul Maylam.
- Full Text:
- Date Issued: 2013
- Authors: Badat, Saleem , De Klerk, Vivian A , Maylam, Paul
- Date: 2013
- Language: English
- Type: text
- Identifier: vital:7593 , http://hdl.handle.net/10962/d1007501
- Description: On 6 December 2013 Rhodes honoured former President Nelson Rolihlahla Mandela in a commemoration programme. Dozens of people gathered on Rhodes University's Drostdy lawns in Grahamstown to sing and celebrate the life of Nelson Mandela. Tributes were delivered by Dr Saleem Badat, Rhodes University’s Vice Chancellor, Dr Vivian de Klerk, Dean of Students, and Emeritus Distinguished Professor Paul Maylam.
- Full Text:
- Date Issued: 2013
Pathi’s sister is still troubling
- Authors: Naidoo, Savani
- Date: 2023-03-30
- Subjects: Uncatalogued
- Language: English
- Type: Academic theses , Master's theses , text
- Identifier: http://hdl.handle.net/10962/408942 , vital:70539
- Description: My thesis is a collection of micro fiction, flash fiction, fairy tales, vignettes and short stories which explore the tension of being both an insider and an outsider. I have access to different cultures without belonging to any of them: as a child, my family moved from a South African Indian community to a formerly whites-only suburb; as an adult I have lived in South Korea, the United Arab Emirates and Sudan. My prose draws on my life experiences, family legends, neighbourhood gossip, news reports and historical events to question norms and ideas that I may have taken for granted had I been fully inside a single culture. In my thesis I frequently spell words phonetically to mimic how I hear or remember them. I also borrow words from languages I don’t speak. I want the languages I use and mix to corrupt each other, as Raymond Federman put it, in order to better express the voices and contexts of the communities I draw inspiration from. Kuzhali Manickavel’s Things We Found During the Autopsy showed me that culturally rich imagery can be used without interrupting narrative flow with explanations. I am also influenced by the poetic sense of rhythm and melody of Lydia Davis’s minimalist prose, and by Sandra Cisneros’s The House on Mango Street, where each concise short story stands alone but together creates a broad understanding of people and place. Anthologies such as PP/FF, edited by Peter Conners, and My Mother She Killed Me, My Father He Ate Me, edited by Kate Bernheimer, have inspired me to be bold in finding the form that best allows each narrative to be told. , Thesis (MA) -- Faculty of Humanities, School of Languages and Literatures, 2023
- Full Text:
- Date Issued: 2023-03-30
- Authors: Naidoo, Savani
- Date: 2023-03-30
- Subjects: Uncatalogued
- Language: English
- Type: Academic theses , Master's theses , text
- Identifier: http://hdl.handle.net/10962/408942 , vital:70539
- Description: My thesis is a collection of micro fiction, flash fiction, fairy tales, vignettes and short stories which explore the tension of being both an insider and an outsider. I have access to different cultures without belonging to any of them: as a child, my family moved from a South African Indian community to a formerly whites-only suburb; as an adult I have lived in South Korea, the United Arab Emirates and Sudan. My prose draws on my life experiences, family legends, neighbourhood gossip, news reports and historical events to question norms and ideas that I may have taken for granted had I been fully inside a single culture. In my thesis I frequently spell words phonetically to mimic how I hear or remember them. I also borrow words from languages I don’t speak. I want the languages I use and mix to corrupt each other, as Raymond Federman put it, in order to better express the voices and contexts of the communities I draw inspiration from. Kuzhali Manickavel’s Things We Found During the Autopsy showed me that culturally rich imagery can be used without interrupting narrative flow with explanations. I am also influenced by the poetic sense of rhythm and melody of Lydia Davis’s minimalist prose, and by Sandra Cisneros’s The House on Mango Street, where each concise short story stands alone but together creates a broad understanding of people and place. Anthologies such as PP/FF, edited by Peter Conners, and My Mother She Killed Me, My Father He Ate Me, edited by Kate Bernheimer, have inspired me to be bold in finding the form that best allows each narrative to be told. , Thesis (MA) -- Faculty of Humanities, School of Languages and Literatures, 2023
- Full Text:
- Date Issued: 2023-03-30
A psychobiographical study of Harvey Milk
- Authors: Pretorius, Neil Zietsman
- Date: 2021-04
- Subjects: Gay rights , Psychology -- Biographical methods
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/51600 , vital:43321
- Description: The aim of the study was to explore and describe Harvey Milk’s identity development and performance from the theoretical perspective of Narrative Therapy. Harvey (1930-1978), was an American Gay Rights activist who became one of the first openly gay political candidates to be elected to public office in the United States in 1977, before being assassinated in 1978. The study was conducted within a postmodern Social Constructionist epistemology which applied Michael White and David Epston’s (1990) Narrative Therapy as a particular theoretical lens to understand Harvey’s lived experiences. Harvey was chosen as the research subject based on his ability to construct his public identity as an openly gay politician and activist in defiance of the contemporarily dominant heteronormative discourse, despite the danger this posed to his personal safety. His selection was made through purposive sampling which facilitated a qualitative, single case psychobiographical study. Data on Harvey was obtained from both primary and secondary sources available in the public domain, and was analysed using Narrative Therapy concepts that describe individual identity. The study’s findings detail the narrative processes Harvey underwent and the discursive influences he experienced to move from being a closeted gay man, who hid his sexuality from public view, to an openly gay trailblazing Gay Rights activist, who fiercely challenged the norms and effects of heteronormativity on both his own life and that of his gay community. The study emphasises the value of psychobiography and Narrative Therapy to understand individual identity construction and performance. , Thesis (MA) -- Faculty of Health Sciences, 2021
- Full Text:
- Date Issued: 2021-04
- Authors: Pretorius, Neil Zietsman
- Date: 2021-04
- Subjects: Gay rights , Psychology -- Biographical methods
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/51600 , vital:43321
- Description: The aim of the study was to explore and describe Harvey Milk’s identity development and performance from the theoretical perspective of Narrative Therapy. Harvey (1930-1978), was an American Gay Rights activist who became one of the first openly gay political candidates to be elected to public office in the United States in 1977, before being assassinated in 1978. The study was conducted within a postmodern Social Constructionist epistemology which applied Michael White and David Epston’s (1990) Narrative Therapy as a particular theoretical lens to understand Harvey’s lived experiences. Harvey was chosen as the research subject based on his ability to construct his public identity as an openly gay politician and activist in defiance of the contemporarily dominant heteronormative discourse, despite the danger this posed to his personal safety. His selection was made through purposive sampling which facilitated a qualitative, single case psychobiographical study. Data on Harvey was obtained from both primary and secondary sources available in the public domain, and was analysed using Narrative Therapy concepts that describe individual identity. The study’s findings detail the narrative processes Harvey underwent and the discursive influences he experienced to move from being a closeted gay man, who hid his sexuality from public view, to an openly gay trailblazing Gay Rights activist, who fiercely challenged the norms and effects of heteronormativity on both his own life and that of his gay community. The study emphasises the value of psychobiography and Narrative Therapy to understand individual identity construction and performance. , Thesis (MA) -- Faculty of Health Sciences, 2021
- Full Text:
- Date Issued: 2021-04
Imagery and the transformation of meaning in psychotherapy for post-traumatic stress disorder: a hermeneutic case study
- Authors: Karpelowsky, Belinda Jodi
- Date: 2004
- Subjects: Post-traumatic stress disorder -- Treatment , Post-traumatic stress disorder -- Rehabilitation , Imagery (Psychology) -- Therapeutic use , Psychotherapy , Post-traumatic stress disorder -- Case studies
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3000 , http://hdl.handle.net/10962/d1002509 , Post-traumatic stress disorder -- Treatment , Post-traumatic stress disorder -- Rehabilitation , Imagery (Psychology) -- Therapeutic use , Psychotherapy , Post-traumatic stress disorder -- Case studies
- Description: This study discusses the assessment and treatment of a 21-year old male who had suffered multiple traumas, which had culminated in the death of his younger brother. He presented with Acute Stress Disorder. The literature review examines a diverse range of theorists and discourses, that have addressed the psychological consequences of trauma and highlights the complexity of the phenomena involved. The case study, located in the South African context, aims to sensitise the reader to the unique dilemmas facing each trauma survivor, and serves to highlight specifically those areas, which are pertinent and further more contribute significantly to the recovery process. The case narrative consists of a detailed synopsis of the therapy process, extracted from the session record notes documented at the time. Several other sources of information, including contributions from the participant, were used to verify and validate the accuracy of the data included. The narrative is written in a style that conveys the intensity of the nature of trauma work and the manner in which both patient and clinician are frequently confronted with very difficult emotional work. Finally the discussion examines the case narrative through the use of a set of carefully selected hermeneutic questions. These focused on (I) key concepts from the work of Robert Lifton who highlights the existential dimensions of the impact of trauma; (2) the role of the image in encapsulating the complex traumatic and post-traumatic experience of the survivor as well as facilitating the emotional processing of the trauma is examined; (3) the contribution to the process of therapy of aspects of the therapeutic relationship; and (4) the concept of recovery in relation to the question of what constitutes 'trauma work'. In conclusion, several meta-theoretical issues related to trauma, the strengths and weaknesses inherent to the research and relevant future areas of research are highlighted.
- Full Text:
- Date Issued: 2004
- Authors: Karpelowsky, Belinda Jodi
- Date: 2004
- Subjects: Post-traumatic stress disorder -- Treatment , Post-traumatic stress disorder -- Rehabilitation , Imagery (Psychology) -- Therapeutic use , Psychotherapy , Post-traumatic stress disorder -- Case studies
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3000 , http://hdl.handle.net/10962/d1002509 , Post-traumatic stress disorder -- Treatment , Post-traumatic stress disorder -- Rehabilitation , Imagery (Psychology) -- Therapeutic use , Psychotherapy , Post-traumatic stress disorder -- Case studies
- Description: This study discusses the assessment and treatment of a 21-year old male who had suffered multiple traumas, which had culminated in the death of his younger brother. He presented with Acute Stress Disorder. The literature review examines a diverse range of theorists and discourses, that have addressed the psychological consequences of trauma and highlights the complexity of the phenomena involved. The case study, located in the South African context, aims to sensitise the reader to the unique dilemmas facing each trauma survivor, and serves to highlight specifically those areas, which are pertinent and further more contribute significantly to the recovery process. The case narrative consists of a detailed synopsis of the therapy process, extracted from the session record notes documented at the time. Several other sources of information, including contributions from the participant, were used to verify and validate the accuracy of the data included. The narrative is written in a style that conveys the intensity of the nature of trauma work and the manner in which both patient and clinician are frequently confronted with very difficult emotional work. Finally the discussion examines the case narrative through the use of a set of carefully selected hermeneutic questions. These focused on (I) key concepts from the work of Robert Lifton who highlights the existential dimensions of the impact of trauma; (2) the role of the image in encapsulating the complex traumatic and post-traumatic experience of the survivor as well as facilitating the emotional processing of the trauma is examined; (3) the contribution to the process of therapy of aspects of the therapeutic relationship; and (4) the concept of recovery in relation to the question of what constitutes 'trauma work'. In conclusion, several meta-theoretical issues related to trauma, the strengths and weaknesses inherent to the research and relevant future areas of research are highlighted.
- Full Text:
- Date Issued: 2004
Son of a dog
- Authors: Kolawole, Samuel
- Date: 2017
- Subjects: Creative writing (Higher education) South Africa , South African fiction (English) 21st century , African fiction (English) 21st century
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/7195 , vital:21228
- Description: Son of a Dog is inspired by a real-life figure whose exploits captured the Nigerian public imagination in the 1980s. Famously known as Ovbigbo (“The Law”), Lawrence Anini unleashed a nationwide reign of terror against law and order. Set against the backdrop of the political turmoil following the Nigerian civil war, the novel traces Anini’s formative years in menial jobs to his rise to the leadership of a notorious criminal gang. It fuses the established facts of his short meteoric career with my imagined version of his inner life and the contemporary myths that sprung up around his legend. It finally crosses the boundary between the real and the mythic as Lawrence Anini becomes truly invincible and elusive after a lust-struck encounter with a fantastical character. I draw inspiration from the dark visceral fiction of Michael Cisco and Brian Evenson, AyiKwei Armah’s unflinchingly descriptive prose and E.C. Osondu’s sharp contemporary humour.
- Full Text:
- Date Issued: 2017
- Authors: Kolawole, Samuel
- Date: 2017
- Subjects: Creative writing (Higher education) South Africa , South African fiction (English) 21st century , African fiction (English) 21st century
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/7195 , vital:21228
- Description: Son of a Dog is inspired by a real-life figure whose exploits captured the Nigerian public imagination in the 1980s. Famously known as Ovbigbo (“The Law”), Lawrence Anini unleashed a nationwide reign of terror against law and order. Set against the backdrop of the political turmoil following the Nigerian civil war, the novel traces Anini’s formative years in menial jobs to his rise to the leadership of a notorious criminal gang. It fuses the established facts of his short meteoric career with my imagined version of his inner life and the contemporary myths that sprung up around his legend. It finally crosses the boundary between the real and the mythic as Lawrence Anini becomes truly invincible and elusive after a lust-struck encounter with a fantastical character. I draw inspiration from the dark visceral fiction of Michael Cisco and Brian Evenson, AyiKwei Armah’s unflinchingly descriptive prose and E.C. Osondu’s sharp contemporary humour.
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- Date Issued: 2017
Obituary: John Mayne English 1922-2013
- Authors: Lewis, Colin A
- Date: 2013
- Language: English
- Type: Article , text
- Identifier: vital:6162 , http://hdl.handle.net/10962/d1004782
- Description: In 1962 John moved south to Johannesburg, but that bustling city held few attractions for him and he moved further south, to the cathedral city of Grahamstown. Grahamstown, with its nineteenth century Gothic cathedral, elegant Georgian buildings, and distinctive grandeur of Rhodes University, St Andrew's College and other buildings designed by Herbert Baker and his colleagues, suited John. He particularly enjoyed the academic, social, artistic and dramatic life of the community, where many older members of society were distinguished old-Africa hands. John thoroughly enjoyed Grahamstown where, in the partnership of Hoskins and English, he made his mark in the restoration and extension of many significant buildings. His addition to the Anglican chapel at Hog's Back is a masterpiece, as is his incorporation of the old fayade into the rebuilding and extension of the Magistrates' Court.
- Full Text:
- Date Issued: 2013
- Authors: Lewis, Colin A
- Date: 2013
- Language: English
- Type: Article , text
- Identifier: vital:6162 , http://hdl.handle.net/10962/d1004782
- Description: In 1962 John moved south to Johannesburg, but that bustling city held few attractions for him and he moved further south, to the cathedral city of Grahamstown. Grahamstown, with its nineteenth century Gothic cathedral, elegant Georgian buildings, and distinctive grandeur of Rhodes University, St Andrew's College and other buildings designed by Herbert Baker and his colleagues, suited John. He particularly enjoyed the academic, social, artistic and dramatic life of the community, where many older members of society were distinguished old-Africa hands. John thoroughly enjoyed Grahamstown where, in the partnership of Hoskins and English, he made his mark in the restoration and extension of many significant buildings. His addition to the Anglican chapel at Hog's Back is a masterpiece, as is his incorporation of the old fayade into the rebuilding and extension of the Magistrates' Court.
- Full Text:
- Date Issued: 2013
study of the personality of Franz Liszt with special reference to the contradictions in his nature
- Authors: Ensor-Smith, Beryl Eileen
- Date: 1984
- Subjects: Liszt, Franz, 1811-1886
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: vital:2691 , http://hdl.handle.net/10962/d1013323
- Full Text:
- Date Issued: 1984
- Authors: Ensor-Smith, Beryl Eileen
- Date: 1984
- Subjects: Liszt, Franz, 1811-1886
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: vital:2691 , http://hdl.handle.net/10962/d1013323
- Full Text:
- Date Issued: 1984
Repetitive symbolic play as a therapeutic process
- Authors: Campbell, Megan
- Date: 2009
- Subjects: Play therapy Symbolic play Child psychology Developmental psychology
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2944 , http://hdl.handle.net/10962/d1002453
- Description: Child centred play therapy theory explains that the facilitative environment of the relationship between child and play therapist allows the child the opportunity to confront emotional pain imbedded in lived, relational experiences, and in so doing process and gain mastery over it. However very little research exists into how the child, through his use of repetitive, symbolic play, as a therapeutic process, achieves this resolution. This research project aims to address this gap in research by exploring and describing repetitive symbolic play as a therapeutic process within child centred play therapy that facilitates change in the child‟s sense of self, assisting him towards healthy adjustment. The research project uses a young boys‟ therapeutic process as a case study, employing a qualitative research design that draws from interpretative research. Fourteen repetitive play sequence themes were analysed within the context of the case formulation and follow-up feedback meetings that took place throughout the therapy process. Using a hermeneutic enquiry the researcher illustrates how the child‟s sense of self, dependent on his perceptions of his external environment, became far more congruent, as evident through his behaviour, when his environment, first in play therapy, then at home and at school became more consistent, supportive and nurturing. Within this facilitative environment the researcher then describes how the child used repetitive symbolic play to address and process emotional issues relating to earlier experiences within his external environment. Hermeneutic analysis suggests that the child‟s use of repetitive symbolic play within the facilitative relationship between him and his therapist became a therapeutic process in and of itself that contributed towards self-directed healing, and change within his sense of self, that promoted healthier adjustment within his environment.
- Full Text:
- Date Issued: 2009
- Authors: Campbell, Megan
- Date: 2009
- Subjects: Play therapy Symbolic play Child psychology Developmental psychology
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2944 , http://hdl.handle.net/10962/d1002453
- Description: Child centred play therapy theory explains that the facilitative environment of the relationship between child and play therapist allows the child the opportunity to confront emotional pain imbedded in lived, relational experiences, and in so doing process and gain mastery over it. However very little research exists into how the child, through his use of repetitive, symbolic play, as a therapeutic process, achieves this resolution. This research project aims to address this gap in research by exploring and describing repetitive symbolic play as a therapeutic process within child centred play therapy that facilitates change in the child‟s sense of self, assisting him towards healthy adjustment. The research project uses a young boys‟ therapeutic process as a case study, employing a qualitative research design that draws from interpretative research. Fourteen repetitive play sequence themes were analysed within the context of the case formulation and follow-up feedback meetings that took place throughout the therapy process. Using a hermeneutic enquiry the researcher illustrates how the child‟s sense of self, dependent on his perceptions of his external environment, became far more congruent, as evident through his behaviour, when his environment, first in play therapy, then at home and at school became more consistent, supportive and nurturing. Within this facilitative environment the researcher then describes how the child used repetitive symbolic play to address and process emotional issues relating to earlier experiences within his external environment. Hermeneutic analysis suggests that the child‟s use of repetitive symbolic play within the facilitative relationship between him and his therapist became a therapeutic process in and of itself that contributed towards self-directed healing, and change within his sense of self, that promoted healthier adjustment within his environment.
- Full Text:
- Date Issued: 2009