Jesusi gha neya kukwetu
- Andara Music Workshop Participant, Mayavero, Herman, Dargie, Dave
- Authors: Andara Music Workshop Participant , Mayavero, Herman , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Andara f-sx
- Language: Mbukushu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/306691 , vital:58717 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD113-18
- Description: Composition performed by music workshop participants.
- Full Text: false
- Date Issued: 1988
- Authors: Andara Music Workshop Participant , Mayavero, Herman , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Andara f-sx
- Language: Mbukushu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/306691 , vital:58717 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD113-18
- Description: Composition performed by music workshop participants.
- Full Text: false
- Date Issued: 1988
Book Review: Herman Wasserman, Media, Geopolitics and Power
- Authors: Garman, Anthea
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158449 , vital:40187 , https://0-doi.org.wam.seals.ac.za/10.1177/0021909619851645
- Description: The strength of this book is not only that Herman Wasserman gives us a comprehensive overview of the major changes in South Africa’s journalism industries since the transition to democracy, but that he does it through the theoretical lens of Global South thinking. In order to cover the terrain thoroughly Wasserman draws on years of careful observation of – and his previous writings on – the shifts in the institutions and practices of journalism.
- Full Text:
- Date Issued: 2019
- Authors: Garman, Anthea
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158449 , vital:40187 , https://0-doi.org.wam.seals.ac.za/10.1177/0021909619851645
- Description: The strength of this book is not only that Herman Wasserman gives us a comprehensive overview of the major changes in South Africa’s journalism industries since the transition to democracy, but that he does it through the theoretical lens of Global South thinking. In order to cover the terrain thoroughly Wasserman draws on years of careful observation of – and his previous writings on – the shifts in the institutions and practices of journalism.
- Full Text:
- Date Issued: 2019
Bosman as Verbindingsteken: Hybridities in the Writing of Herman Charles Bosman.
- Authors: Leff, Carol Willa
- Date: 2014
- Subjects: Bosman, Herman Charles, 1905-1951 -- Criticism and interpretation , South African fiction (English) -- 20th century -- History and criticism , Authors, South African -- 20th century , South Africa -- Social life and customs -- 20th century , National characteristics, South African
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2314 , http://hdl.handle.net/10962/d1013163
- Description: This thesis is concerned with how hybridity is created and interpreted by Herman Charles Bosman in his fiction and non-fiction. Bosman was a gifted writer and raconteur who captured the historical, socio-political context of his time by translating Afrikaans culture for the edification and pleasure of an English readership. Hennie Aucamp summed up this linguistic and cultural translation by pointing out that Bosman was a writer who acted as a “verbindingsteken” or hyphen (65) between Afrikaans and English. His texts contain many voices, and are therefore essentially hybrid. Firstly, by drawing on aspects of postcolonial theory, the terms ‘hybridity’, ‘culture’ and ‘identity’, are discussed. Homi Bhabha’s notion of ‘hybridity’ is the conceptual lens through which Bosman’s texts are viewed, and aspects of Mikhail Bakhtin’s cultural theory also serve the same function. Thereafter, biographies of Bosman are discussed in an effort to understand his hyphenated identity. Following this, specific attention is paid to a selection of Bosman’s essays, short stories, and a novel. Scholarly opinions aid interpretation of levels of hybridity in Bosman’s work. In analysing Bosman’s texts critically, it becomes clear that he believed in a united South Africa that acknowledged and accepted all races. However, analysis also reveals that there are some inconsistencies in Bosman’s personal views, as expressed particularly in his essays. His short stories do not contain the same contradictions. Critical analysis of the novel Willemsdorp attests that cultural hybridity is not always viewed as celebratory. It can also be a painful space where identities are split, living both inside and outside their environment, and subsequently marginalized. Bosman’s texts, although published decades ago, remain relevant today in post-apartheid South Africa as much of his writing can be seen as a record of historical events. His short stories and novels capture a confluence of languages, people and cultures. His essays illustrate a deep commitment to promoting South African culture and literature. When reading Bosman one is constantly reminded that differences are not only to be acknowledged, but embraced, in what he prophetically imagined as a hybrid, post-apartheid South African society.
- Full Text:
- Date Issued: 2014
- Authors: Leff, Carol Willa
- Date: 2014
- Subjects: Bosman, Herman Charles, 1905-1951 -- Criticism and interpretation , South African fiction (English) -- 20th century -- History and criticism , Authors, South African -- 20th century , South Africa -- Social life and customs -- 20th century , National characteristics, South African
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2314 , http://hdl.handle.net/10962/d1013163
- Description: This thesis is concerned with how hybridity is created and interpreted by Herman Charles Bosman in his fiction and non-fiction. Bosman was a gifted writer and raconteur who captured the historical, socio-political context of his time by translating Afrikaans culture for the edification and pleasure of an English readership. Hennie Aucamp summed up this linguistic and cultural translation by pointing out that Bosman was a writer who acted as a “verbindingsteken” or hyphen (65) between Afrikaans and English. His texts contain many voices, and are therefore essentially hybrid. Firstly, by drawing on aspects of postcolonial theory, the terms ‘hybridity’, ‘culture’ and ‘identity’, are discussed. Homi Bhabha’s notion of ‘hybridity’ is the conceptual lens through which Bosman’s texts are viewed, and aspects of Mikhail Bakhtin’s cultural theory also serve the same function. Thereafter, biographies of Bosman are discussed in an effort to understand his hyphenated identity. Following this, specific attention is paid to a selection of Bosman’s essays, short stories, and a novel. Scholarly opinions aid interpretation of levels of hybridity in Bosman’s work. In analysing Bosman’s texts critically, it becomes clear that he believed in a united South Africa that acknowledged and accepted all races. However, analysis also reveals that there are some inconsistencies in Bosman’s personal views, as expressed particularly in his essays. His short stories do not contain the same contradictions. Critical analysis of the novel Willemsdorp attests that cultural hybridity is not always viewed as celebratory. It can also be a painful space where identities are split, living both inside and outside their environment, and subsequently marginalized. Bosman’s texts, although published decades ago, remain relevant today in post-apartheid South Africa as much of his writing can be seen as a record of historical events. His short stories and novels capture a confluence of languages, people and cultures. His essays illustrate a deep commitment to promoting South African culture and literature. When reading Bosman one is constantly reminded that differences are not only to be acknowledged, but embraced, in what he prophetically imagined as a hybrid, post-apartheid South African society.
- Full Text:
- Date Issued: 2014
An investigation into how journalists experience economic and political pressures on their ethical decisions at the Nation Media Group in Kenya
- Authors: Maweu, Jacinta Mwende
- Date: 2013
- Subjects: Nation Media Group Limited Journalists -- Kenya Journalistic ethics -- Kenya Press and politics -- Kenya Journalism -- Economic aspects -- Kenya Journalism -- Political aspects -- Kenya Mass media -- Political aspects -- Kenya Mass media -- Economic aspects -- Kenya Freedom of the press -- Kenya
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3508 , http://hdl.handle.net/10962/d1007583
- Description: This study investigates how journalists experience economic and political pressures on their ethical decisions at the Nation Media Group (NMG) conglomerate in Kenya. The study uses qualitative semi- structured interviews to examine how journalists experience these pressures on their professional ethics as they make their daily decisions. Grounded in the critical political economy of the media tradition, the findings of the study indicate that economic and political pressures from advertisers, shareholders’ interests, the profit motive and the highly ethnicised political environment in Kenya largely compromise the ethical decisions of journalists. The study draws on the work done by Herman and Chomsky in their ‘Propaganda Model’ in which they propose ‘filters’ as the analytical indicators of the forms that political and economic pressures that journalists experience may take. The study explores the ways in which journalists experience these pressures, how they respond to the pressures and the ways in which their responses may compromise their journalism ethics. The findings indicate that aside from the pressures from the primary five filters outlined in the Propaganda Model, ethnicity in Kenyan newsrooms is a key ‘filter’ that may compromise the ethical decisions of journalists at the NMG. The study therefore argues that there is a need to modify the explanatory power of the Propaganda Model when applying it to the Kenyan context to include ethnicity as a ‘sixth filter’ that should be understood in relation to the five primary filters. From the findings, it would seem that the government is no longer a major threat to journalists’ freedom and responsibility in Kenya. Market forces and ethnicity in newsrooms pose the greatest threat to journalists’ freedom and responsibility. The study therefore calls for a revision of the normative framework within which journalists’ and media performance in Kenya is assessed. As the study findings show, the prevailing liberal- democratic model ignores the commercial and economic threats the ‘free market’ poses to journalism ethics as well as ethnicity in newsrooms and only focuses on the media- government relations, treating the government as the major threat to media freedom.
- Full Text:
- Date Issued: 2013
- Authors: Maweu, Jacinta Mwende
- Date: 2013
- Subjects: Nation Media Group Limited Journalists -- Kenya Journalistic ethics -- Kenya Press and politics -- Kenya Journalism -- Economic aspects -- Kenya Journalism -- Political aspects -- Kenya Mass media -- Political aspects -- Kenya Mass media -- Economic aspects -- Kenya Freedom of the press -- Kenya
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3508 , http://hdl.handle.net/10962/d1007583
- Description: This study investigates how journalists experience economic and political pressures on their ethical decisions at the Nation Media Group (NMG) conglomerate in Kenya. The study uses qualitative semi- structured interviews to examine how journalists experience these pressures on their professional ethics as they make their daily decisions. Grounded in the critical political economy of the media tradition, the findings of the study indicate that economic and political pressures from advertisers, shareholders’ interests, the profit motive and the highly ethnicised political environment in Kenya largely compromise the ethical decisions of journalists. The study draws on the work done by Herman and Chomsky in their ‘Propaganda Model’ in which they propose ‘filters’ as the analytical indicators of the forms that political and economic pressures that journalists experience may take. The study explores the ways in which journalists experience these pressures, how they respond to the pressures and the ways in which their responses may compromise their journalism ethics. The findings indicate that aside from the pressures from the primary five filters outlined in the Propaganda Model, ethnicity in Kenyan newsrooms is a key ‘filter’ that may compromise the ethical decisions of journalists at the NMG. The study therefore argues that there is a need to modify the explanatory power of the Propaganda Model when applying it to the Kenyan context to include ethnicity as a ‘sixth filter’ that should be understood in relation to the five primary filters. From the findings, it would seem that the government is no longer a major threat to journalists’ freedom and responsibility in Kenya. Market forces and ethnicity in newsrooms pose the greatest threat to journalists’ freedom and responsibility. The study therefore calls for a revision of the normative framework within which journalists’ and media performance in Kenya is assessed. As the study findings show, the prevailing liberal- democratic model ignores the commercial and economic threats the ‘free market’ poses to journalism ethics as well as ethnicity in newsrooms and only focuses on the media- government relations, treating the government as the major threat to media freedom.
- Full Text:
- Date Issued: 2013
Echoes of colonial discourse in journalism:
- Authors: Wasserman, Herman
- Date: 2014
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159891 , vital:40353 , https://doi.org/10.1080/02560054.2014.886657
- Description: Last year marked the 200th anniversary of the birth of David Livingstone, the explorer and missionary who is best remembered as an anti-slavery campaigner who presented Africa in humanitarian terms to the British Empire. Today the legacy of colonialism continues to haunt the continent, and the discourses of colonialism can still be heard in media representations of Africa.
- Full Text:
- Date Issued: 2014
- Authors: Wasserman, Herman
- Date: 2014
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159891 , vital:40353 , https://doi.org/10.1080/02560054.2014.886657
- Description: Last year marked the 200th anniversary of the birth of David Livingstone, the explorer and missionary who is best remembered as an anti-slavery campaigner who presented Africa in humanitarian terms to the British Empire. Today the legacy of colonialism continues to haunt the continent, and the discourses of colonialism can still be heard in media representations of Africa.
- Full Text:
- Date Issued: 2014
Media, citizenship and the politics of belonging in contemporary South Africa:
- Milton, Viola C, Wasserman, Herman, Garman, Anthea
- Authors: Milton, Viola C , Wasserman, Herman , Garman, Anthea
- Date: 2013
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159802 , vital:40345 , DOI: 10.1080/02500167.2013.864447
- Description: Drawing on a wide range of theoretical and empirical studies, the articles in this special issue examine issues of citizenship and belonging in South Africa. Questions of belonging and citizenship are neither novel, nor particular to South Africa – they have been high on the intellectual (and popular) agenda internationally since at least the early 1990s. Yet South Africa's history of artificially separating and defining its citizens in the racial regimes of colonialism and apartheid still reverberates today, as is reflected in the continued inequalities marring South African society
- Full Text:
- Date Issued: 2013
- Authors: Milton, Viola C , Wasserman, Herman , Garman, Anthea
- Date: 2013
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159802 , vital:40345 , DOI: 10.1080/02500167.2013.864447
- Description: Drawing on a wide range of theoretical and empirical studies, the articles in this special issue examine issues of citizenship and belonging in South Africa. Questions of belonging and citizenship are neither novel, nor particular to South Africa – they have been high on the intellectual (and popular) agenda internationally since at least the early 1990s. Yet South Africa's history of artificially separating and defining its citizens in the racial regimes of colonialism and apartheid still reverberates today, as is reflected in the continued inequalities marring South African society
- Full Text:
- Date Issued: 2013
Voice and agency in post-apartheid South African media: young and mediated
- Wasserman, Herman, Garman, Anthea
- Authors: Wasserman, Herman , Garman, Anthea
- Date: 2013
- Language: English
- Type: text , article
- Identifier: vital:38361 , http://hdl.handle.net/10520/EJC141607
- Description: What does the rising number of service delivery protests tell us about who gets to speak and who gets to listen in South African politics? Do politicians listen to the youth, especially the vast numbers of the un- and under-employed? What role do the youth play in social cohesion, civic action and the future of our young democracy?
- Full Text:
- Date Issued: 2013
- Authors: Wasserman, Herman , Garman, Anthea
- Date: 2013
- Language: English
- Type: text , article
- Identifier: vital:38361 , http://hdl.handle.net/10520/EJC141607
- Description: What does the rising number of service delivery protests tell us about who gets to speak and who gets to listen in South African politics? Do politicians listen to the youth, especially the vast numbers of the un- and under-employed? What role do the youth play in social cohesion, civic action and the future of our young democracy?
- Full Text:
- Date Issued: 2013
Understanding propaganda: Noam Chomsky and the institutional analysis of power
- Authors: Cathey, Paul Eben
- Date: 2009
- Subjects: Chomsky, Noam -- Political and social views Propaganda Gramsci, Antonio, 1891-1937 -- Political and social views Social classes
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2765 , http://hdl.handle.net/10962/d1002975
- Description: This thesis argues that Noam Chomsky’s theory of propaganda is a useful way to understand class domination. The strengths and weaknesses of Chomsky’s theory are examined by means of a comparison with Antonio Gramsci’s theory of cultural hegemony. Since work that discusses and analyses Chomsky’s theory is sparse, this piece first gives a detailed explanation of his theory. This requires a short clarification of Chomsky’s terminology, focusing on his definitions of indoctrination and class. Thereafter a thorough account of Chomsky’s ideas regarding class structure, the indoctrinating functions of educational and media institutions and the difference between upper and lower class propaganda are discussed. A common criticism of Chomsky’s arguments is that they are conspiratorial. Thus, following the discussion of Chomsky’s theory I present an argument that Chomsky uses an institutional analysis as opposed to conspiracy theory to reach his conclusions. After arguing that Chomsky has a coherent, logical theory of propaganda that is not conspiratorial, this thesis shifts to a comparison of Chomsky and Gramsci’s theory. The elements of Gramsci’s theory that are relevant to Chomsky are discussed, focusing on their overall similarities, in particular, the question of consent. The final chapter consists of a comparison of the two theories, examining each theorist’s ideas on the nature of education, language, consent and the possible ways in which the lower classes can oppose their own oppression.
- Full Text:
- Date Issued: 2009
- Authors: Cathey, Paul Eben
- Date: 2009
- Subjects: Chomsky, Noam -- Political and social views Propaganda Gramsci, Antonio, 1891-1937 -- Political and social views Social classes
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2765 , http://hdl.handle.net/10962/d1002975
- Description: This thesis argues that Noam Chomsky’s theory of propaganda is a useful way to understand class domination. The strengths and weaknesses of Chomsky’s theory are examined by means of a comparison with Antonio Gramsci’s theory of cultural hegemony. Since work that discusses and analyses Chomsky’s theory is sparse, this piece first gives a detailed explanation of his theory. This requires a short clarification of Chomsky’s terminology, focusing on his definitions of indoctrination and class. Thereafter a thorough account of Chomsky’s ideas regarding class structure, the indoctrinating functions of educational and media institutions and the difference between upper and lower class propaganda are discussed. A common criticism of Chomsky’s arguments is that they are conspiratorial. Thus, following the discussion of Chomsky’s theory I present an argument that Chomsky uses an institutional analysis as opposed to conspiracy theory to reach his conclusions. After arguing that Chomsky has a coherent, logical theory of propaganda that is not conspiratorial, this thesis shifts to a comparison of Chomsky and Gramsci’s theory. The elements of Gramsci’s theory that are relevant to Chomsky are discussed, focusing on their overall similarities, in particular, the question of consent. The final chapter consists of a comparison of the two theories, examining each theorist’s ideas on the nature of education, language, consent and the possible ways in which the lower classes can oppose their own oppression.
- Full Text:
- Date Issued: 2009
Investigating modernisation in Iran in relation to the changing fifth news filter of Herman and Chomsky's 'Propaganda Model'
- Authors: Godfrey, Lianne
- Date: 2013
- Subjects: Social change -- Iran , Propaganda, Anti-communist -- Iran
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:8432 , http://hdl.handle.net/10948/d1020828
- Description: The focus of this dissertation falls on the transformation of the fifth news filter of the propaganda model identified by Edward S. Herman and Noam Chomsky in their Manufacturing Consent: The Political Economy of the Mass Media. This transformation entails a shift from an anti-communist orientation, to an anti-Islamic orientation, and while this shift has been alluded to by several theorists, in what follows it will be dealt with more systematically. In this regard, it will be traced from its roots, in the tension between modernisation theory – as espoused by figures such as Daniel Lerner – and the anti-modernisation theory of Iranian scholars such as Ahmad Fardid, Jalal al-e Ahmad and Ali Shari’ati. Following this, the development of the anti-Islamic orientation of the fifth news filter, in the wake of the Islamic Revolution in Iran, and the ensuing Iranian hostage crisis, will be explored. This will be done as a precursor to examining the continued reflection of the related tropes and stereotypes in US mainstream film, with particular focus falling on Ben Affleck’s Argo (2012). Finally, this dissertation will conclude with a consideration of the possible effects of such representations on the tensions between the US and Iran over the latter’s nuclear ambitions.
- Full Text:
- Date Issued: 2013
- Authors: Godfrey, Lianne
- Date: 2013
- Subjects: Social change -- Iran , Propaganda, Anti-communist -- Iran
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:8432 , http://hdl.handle.net/10948/d1020828
- Description: The focus of this dissertation falls on the transformation of the fifth news filter of the propaganda model identified by Edward S. Herman and Noam Chomsky in their Manufacturing Consent: The Political Economy of the Mass Media. This transformation entails a shift from an anti-communist orientation, to an anti-Islamic orientation, and while this shift has been alluded to by several theorists, in what follows it will be dealt with more systematically. In this regard, it will be traced from its roots, in the tension between modernisation theory – as espoused by figures such as Daniel Lerner – and the anti-modernisation theory of Iranian scholars such as Ahmad Fardid, Jalal al-e Ahmad and Ali Shari’ati. Following this, the development of the anti-Islamic orientation of the fifth news filter, in the wake of the Islamic Revolution in Iran, and the ensuing Iranian hostage crisis, will be explored. This will be done as a precursor to examining the continued reflection of the related tropes and stereotypes in US mainstream film, with particular focus falling on Ben Affleck’s Argo (2012). Finally, this dissertation will conclude with a consideration of the possible effects of such representations on the tensions between the US and Iran over the latter’s nuclear ambitions.
- Full Text:
- Date Issued: 2013
Hugo Raes : de roman als montage : een struktuuranalyse van De vadsige koningen, Een faun met kille horentjes en, Het smarán, het vikka, de ronko en al de andere kleuren van de geschiedenis
- Authors: Renders, L E M M E
- Date: 1981
- Subjects: Raes, Hugo -- Criticism and interpretation Raes, Hugo -- De vadsige koningen Raes, Hugo -- Een faun met kille horentjes Raes, Hugo -- Het smarán, het vikka, de ronko en al de andere kleuren van de geschiedenis Dutch fiction -- 20th century -- History and criticism
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3623 , http://hdl.handle.net/10962/d1007493
- Description: De analyse van het individuele literaire werk zal steeds het begin- en eindpunt moeten zijn van de literatuurstudie in welke gedaante dan ook: "Dit neemt echter niet weg dat het begin en einde, het alfa en omega van de literaire bedrijvigheid, het literair kunstwerk als zodanig, de literaire intentie, functie en efficientie de literair, literairesthetisch, te actualiseren en te valoriseren tekst is ... " (Rutten, 1973, p.144). Juist deze vorm van onderzoek lijkt op het ogenblik soms weI eens verloren te raken tussen de veelheid van literaire theorieen die overal opgang maken. De beoefenaars van de literaire kritiek lijken dikwijls meer begaan met het opbouwen en afbreken van theorieen dan met het literaire werk zelf. Sinds W. Bloks studie Verhaal en lezer in 1960 voor het eerst het licht zag, mag er dan op het gebied van de literatuurwetenschap in de Nederlanden en daarbuiten heel wat veranderd zijn, maar zijn uitspraak: " ... dat de romantheorie op het ogenblik het meest gebaat is met analyses van afzonderlijke werken" (1969, p.9) heeft zeker nog niets aan geldigheid ingeboet.
- Full Text:
- Date Issued: 1981
- Authors: Renders, L E M M E
- Date: 1981
- Subjects: Raes, Hugo -- Criticism and interpretation Raes, Hugo -- De vadsige koningen Raes, Hugo -- Een faun met kille horentjes Raes, Hugo -- Het smarán, het vikka, de ronko en al de andere kleuren van de geschiedenis Dutch fiction -- 20th century -- History and criticism
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3623 , http://hdl.handle.net/10962/d1007493
- Description: De analyse van het individuele literaire werk zal steeds het begin- en eindpunt moeten zijn van de literatuurstudie in welke gedaante dan ook: "Dit neemt echter niet weg dat het begin en einde, het alfa en omega van de literaire bedrijvigheid, het literair kunstwerk als zodanig, de literaire intentie, functie en efficientie de literair, literairesthetisch, te actualiseren en te valoriseren tekst is ... " (Rutten, 1973, p.144). Juist deze vorm van onderzoek lijkt op het ogenblik soms weI eens verloren te raken tussen de veelheid van literaire theorieen die overal opgang maken. De beoefenaars van de literaire kritiek lijken dikwijls meer begaan met het opbouwen en afbreken van theorieen dan met het literaire werk zelf. Sinds W. Bloks studie Verhaal en lezer in 1960 voor het eerst het licht zag, mag er dan op het gebied van de literatuurwetenschap in de Nederlanden en daarbuiten heel wat veranderd zijn, maar zijn uitspraak: " ... dat de romantheorie op het ogenblik het meest gebaat is met analyses van afzonderlijke werken" (1969, p.9) heeft zeker nog niets aan geldigheid ingeboet.
- Full Text:
- Date Issued: 1981
Yitapa
- Choir, Mayarero, Herman, Dargie, Dave
- Authors: Choir , Mayarero, Herman , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Andara f-sx
- Language: Mbukushu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/307774 , vital:58840 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD116-15
- Description: Religious song, accompanied by drums and clapping.
- Full Text: false
- Date Issued: 1988
- Authors: Choir , Mayarero, Herman , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Andara f-sx
- Language: Mbukushu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/307774 , vital:58840 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD116-15
- Description: Religious song, accompanied by drums and clapping.
- Full Text: false
- Date Issued: 1988
Gho Nyambi
- Performer not specified, Mayavero, Herman, Dargie, Dave
- Authors: Performer not specified , Mayavero, Herman , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Nyangana f-sx
- Language: Mbukushu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/306231 , vital:58664 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD112-19
- Description: Religious song, accompanied by three drums.
- Full Text: false
- Date Issued: 1988
- Authors: Performer not specified , Mayavero, Herman , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Nyangana f-sx
- Language: Mbukushu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/306231 , vital:58664 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD112-19
- Description: Religious song, accompanied by three drums.
- Full Text: false
- Date Issued: 1988
Na mono nyama kudighombero
- Andara Music Workshop Participant, Mayavero, Herman, Dargie, Dave
- Authors: Andara Music Workshop Participant , Mayavero, Herman , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Andara f-sx
- Language: Mbukushu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/306750 , vital:58723 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD113-20
- Description: Composition performed by music workshop participants.
- Full Text: false
- Date Issued: 1988
- Authors: Andara Music Workshop Participant , Mayavero, Herman , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Andara f-sx
- Language: Mbukushu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/306750 , vital:58723 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD113-20
- Description: Composition performed by music workshop participants.
- Full Text: false
- Date Issued: 1988
Na mono nyama kudighombero
- Andara Music Workshop Participant, Mayavero, Herman, Dargie, Dave
- Authors: Andara Music Workshop Participant , Mayavero, Herman , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Andara f-sx
- Language: Mbukushu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/306733 , vital:58722 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD113-19
- Description: Composition performed by music workshop participants.
- Full Text: false
- Date Issued: 1988
- Authors: Andara Music Workshop Participant , Mayavero, Herman , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Andara f-sx
- Language: Mbukushu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/306733 , vital:58722 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD113-19
- Description: Composition performed by music workshop participants.
- Full Text: false
- Date Issued: 1988
Tate yetu ou li meulu
- Ovambo Folk, Herman, Sesilia, Dargie, Dave
- Authors: Ovambo Folk , Herman, Sesilia , Dargie, Dave
- Date: 1982-11-03
- Subjects: Choral music , Field recordings , Africa, Sub-Saharan , Africa Namibia Oshikuku f-sx
- Language: Kuanyama, Kwanyama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/279102 , vital:55464 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDD058-13
- Description: Indigenous music.
- Full Text: false
- Date Issued: 1982-11-03
- Authors: Ovambo Folk , Herman, Sesilia , Dargie, Dave
- Date: 1982-11-03
- Subjects: Choral music , Field recordings , Africa, Sub-Saharan , Africa Namibia Oshikuku f-sx
- Language: Kuanyama, Kwanyama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/279102 , vital:55464 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDD058-13
- Description: Indigenous music.
- Full Text: false
- Date Issued: 1982-11-03
New look thanagan
- Magwaza, Herman, Chamane, Caleb, composer not specified, Tracey, Hugh
- Authors: Magwaza, Herman , Chamane, Caleb , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa city not specified city not specified f-
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/249849 , vital:51874 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3462 , ABC3232
- Description: Instrumental tune
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Magwaza, Herman , Chamane, Caleb , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa city not specified city not specified f-
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/249849 , vital:51874 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3462 , ABC3232
- Description: Instrumental tune
- Full Text: false
- Date Issued: 0000-00-00
Umakala
- Herman Magwaza's Guitar Band, composer not specified, Tracey, Hugh
- Authors: Herman Magwaza's Guitar Band , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Country not specified city not specified f-
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/248354 , vital:51677 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3406 , ABC730
- Description: Guitar town dance song
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Herman Magwaza's Guitar Band , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Country not specified city not specified f-
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/248354 , vital:51677 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3406 , ABC730
- Description: Guitar town dance song
- Full Text: false
- Date Issued: 0000-00-00
Ingqaqa
- Herman Magwaza's Guitar Band, composer not specified, Tracey, Hugh
- Authors: Herman Magwaza's Guitar Band , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Country not specified City not specified f-
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/246833 , vital:51518 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3324 , ABC728
- Description: Guitar dance band song
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Herman Magwaza's Guitar Band , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Country not specified City not specified f-
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/246833 , vital:51518 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3324 , ABC728
- Description: Guitar dance band song
- Full Text: false
- Date Issued: 0000-00-00
Mako ghomahe
- Group of Locals, Mayavero, Herman, Dargie, Dave
- Authors: Group of Locals , Mayavero, Herman , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Nyangana f-sx
- Language: Mbukushu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/306222 , vital:58663 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD112-18
- Description: Traditional, religious song, accompanied by three drums .
- Full Text: false
- Date Issued: 1988
- Authors: Group of Locals , Mayavero, Herman , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Nyangana f-sx
- Language: Mbukushu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/306222 , vital:58663 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD112-18
- Description: Traditional, religious song, accompanied by three drums .
- Full Text: false
- Date Issued: 1988
Kuyekeleni
- Herman Magwaza Guitar Band, Composer not specified, Tracey, Hugh
- Authors: Herman Magwaza Guitar Band , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Language not specified
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/247668 , vital:51605 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3345 , ABC729
- Description: Guitar Solo
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Herman Magwaza Guitar Band , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Language not specified
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/247668 , vital:51605 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3345 , ABC729
- Description: Guitar Solo
- Full Text: false
- Date Issued: 0000-00-00