Uku ndapita ine
- Nyirenda, Ganizani, Phiri, Jeremia, Tracey, Hugh
- Authors: Nyirenda, Ganizani , Phiri, Jeremia , Tracey, Hugh
- Date: 1950-05-22
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi City not specified f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/282840 , vital:55879 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1461-XYZ4906b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950-05-22
- Authors: Nyirenda, Ganizani , Phiri, Jeremia , Tracey, Hugh
- Date: 1950-05-22
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi City not specified f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/282840 , vital:55879 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1461-XYZ4906b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950-05-22
Inu A Nambewe, inu A Phiri (You Nambewa, you Phiri)
- Five elderly Chewa men, Hugh Tracey
- Authors: Five elderly Chewa men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160242 , vital:40425 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-09
- Description: After singing their song they tap their bamboo friction sticks and laugh and blow into the ends of the bamboos. A widow has to put string into her hair for two years after the husband dies, to mourn for him. The wicked old man is egging on the widow to be merry again. When this recording was played to some villagers in a nearby district, the Chief Njolomole was specially delighted to hear the blowing down the bamboo tubes at the end of the performance, an old drinking party custom, it appeared. "You Nambewa, you Phiri (two widows). Have you already taken off your mourning strings before you have finished mourning for your husband. You A Nabetha, and you A Naketha?" Drinking party dance song. Umkwenda with friction sticks.
- Full Text: false
- Date Issued: 1958
- Authors: Five elderly Chewa men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160242 , vital:40425 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-09
- Description: After singing their song they tap their bamboo friction sticks and laugh and blow into the ends of the bamboos. A widow has to put string into her hair for two years after the husband dies, to mourn for him. The wicked old man is egging on the widow to be merry again. When this recording was played to some villagers in a nearby district, the Chief Njolomole was specially delighted to hear the blowing down the bamboo tubes at the end of the performance, an old drinking party custom, it appeared. "You Nambewa, you Phiri (two widows). Have you already taken off your mourning strings before you have finished mourning for your husband. You A Nabetha, and you A Naketha?" Drinking party dance song. Umkwenda with friction sticks.
- Full Text: false
- Date Issued: 1958
Mbeta
- Mbowela Phiri, Simarambo Phiri, Composer not specified, Tracey, Hugh
- Authors: Mbowela Phiri , Simarambo Phiri , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/315626 , vital:59735 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2730-XYZ6272
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Mbowela Phiri , Simarambo Phiri , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/315626 , vital:59735 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2730-XYZ6272
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Mbeta
- Phiri, Mbowela, Phiri, Simarambo, Composer not specified, Tracey, Hugh
- Authors: Phiri, Mbowela , Phiri, Simarambo , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi City not specified f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/281102 , vital:55692 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1334-XYZ4793
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Phiri, Mbowela , Phiri, Simarambo , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi City not specified f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/281102 , vital:55692 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1334-XYZ4793
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
NaBanda naPhiri (Banda and Phiri)
- Young boys and girls, Hugh Tracey
- Authors: Young boys and girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156063 , vital:39947 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-07
- Description: 'Banda and Phiri, I started calling you long ago now you are left behind. A good example of Mang'anja clapping. The language spoken by these Chikunda emigrants into this region from the Zambezi valley near Tete is much mixed up with the local Mang'anja. Njole dance with clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Young boys and girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156063 , vital:39947 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-07
- Description: 'Banda and Phiri, I started calling you long ago now you are left behind. A good example of Mang'anja clapping. The language spoken by these Chikunda emigrants into this region from the Zambezi valley near Tete is much mixed up with the local Mang'anja. Njole dance with clapping.
- Full Text: false
- Date Issued: 1958
Visualising Chinese presence: an analysis of the contemporary arts of Zambia and Zimbabwe
- Authors: Zhang, Lifang
- Date: 2020
- Subjects: Art, Modern -- 21st century , Art, Modern -- 21st century -- Chinese influences , China -- Relations -- Zambia , China -- Relations -- Zimbabwe , Art and society -- Zambia , Social practice (Art) -- Zambia , Art and globalization -- Zambia , Art and society -- Zimbabwe , Social practice (Art) -- Zimbabwe , Art and globalization -- Zimbabwe
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/146618 , vital:38542
- Description: With the revival and rapid growth of relations between China and African countries in the present century, the “China-Africa relationship” has become a topic of close attention globally and the media and politicians have been dominating the mainstream discourses with dichotomised narratives. China-Africa engagement has also spurred academic research, most of which is oriented toward large-scale economic, political, and strategic concerns. In this context, it is significant to conduct in-depth research exploring specific engagement between Chinese and African people on the ground. Contemporary artists based in Africa have started to represent, through artworks and performances, their experiences and expressions of relations between China and various African countries. However, an examination of twenty-first century connections between Africa and China in relation to the contemporary visual arts is a new area of study and only a limited number of scholarly works exist. To contribute to the research in this area, this thesis explores the ways in which artists engage with specific realities and lived-experiences of Chinese presence through their artistic practices, with a focus on a selection of artists from Zambia and Zimbabwe. Through visual analysis, interviews and field work, this thesis provides a systematic investigation of contemporary arts of Zambia and Zimbabwe in relation to Africa- China encounters, engaging with four aspects: the discursive field, the material presence, individual experiences of encounters, and the broader relational connections within the arts. This thesis argues that, motivated by the histories and realities of African societies, artists from Zambia and Zimbabwe, through their artistic practices, form part of the Africa-China engagement and insert their agencies in the south-south relations between Africans and Chinese. Therefore, this thesis demonstrates the value in approaching the broader discussion on Africa-China engagements from the perspective of contemporary art, arguing that, with the social concerns of the artists and the expressive capacity of creative forms, visual arts are able to embrace diversity, dynamics, complexities and contradictions, and, therefore, can develop the topic beyond the stereotypical narratives about Africa-China relations to a more nuanced understanding of African-Chinese encounters in specific contexts.
- Full Text:
- Date Issued: 2020
- Authors: Zhang, Lifang
- Date: 2020
- Subjects: Art, Modern -- 21st century , Art, Modern -- 21st century -- Chinese influences , China -- Relations -- Zambia , China -- Relations -- Zimbabwe , Art and society -- Zambia , Social practice (Art) -- Zambia , Art and globalization -- Zambia , Art and society -- Zimbabwe , Social practice (Art) -- Zimbabwe , Art and globalization -- Zimbabwe
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/146618 , vital:38542
- Description: With the revival and rapid growth of relations between China and African countries in the present century, the “China-Africa relationship” has become a topic of close attention globally and the media and politicians have been dominating the mainstream discourses with dichotomised narratives. China-Africa engagement has also spurred academic research, most of which is oriented toward large-scale economic, political, and strategic concerns. In this context, it is significant to conduct in-depth research exploring specific engagement between Chinese and African people on the ground. Contemporary artists based in Africa have started to represent, through artworks and performances, their experiences and expressions of relations between China and various African countries. However, an examination of twenty-first century connections between Africa and China in relation to the contemporary visual arts is a new area of study and only a limited number of scholarly works exist. To contribute to the research in this area, this thesis explores the ways in which artists engage with specific realities and lived-experiences of Chinese presence through their artistic practices, with a focus on a selection of artists from Zambia and Zimbabwe. Through visual analysis, interviews and field work, this thesis provides a systematic investigation of contemporary arts of Zambia and Zimbabwe in relation to Africa- China encounters, engaging with four aspects: the discursive field, the material presence, individual experiences of encounters, and the broader relational connections within the arts. This thesis argues that, motivated by the histories and realities of African societies, artists from Zambia and Zimbabwe, through their artistic practices, form part of the Africa-China engagement and insert their agencies in the south-south relations between Africans and Chinese. Therefore, this thesis demonstrates the value in approaching the broader discussion on Africa-China engagements from the perspective of contemporary art, arguing that, with the social concerns of the artists and the expressive capacity of creative forms, visual arts are able to embrace diversity, dynamics, complexities and contradictions, and, therefore, can develop the topic beyond the stereotypical narratives about Africa-China relations to a more nuanced understanding of African-Chinese encounters in specific contexts.
- Full Text:
- Date Issued: 2020
Tisimbi wasauka
- Alfred Phiri (Performer), Composer not specified
- Authors: Alfred Phiri (Performer) , Composer not specified
- Subjects: Self delectative , Indigenous Music , Bangwe seven stringed board zither , Furancungo , Mozambique
- Type: Sound , Music
- Identifier: vital:15374 , MOA27-20 , http://hdl.handle.net/10962/d1017679 , MOA27
- Description: Self delectative song by Alfred Phiri, accompanied by bangwe seven stringed board zither , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Alfred Phiri (Performer) , Composer not specified
- Subjects: Self delectative , Indigenous Music , Bangwe seven stringed board zither , Furancungo , Mozambique
- Type: Sound , Music
- Identifier: vital:15374 , MOA27-20 , http://hdl.handle.net/10962/d1017679 , MOA27
- Description: Self delectative song by Alfred Phiri, accompanied by bangwe seven stringed board zither , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Amai anda nena mangwila-ngwila (My mother always told me not to touch anything in the house)
- Authors: Josani Phiri , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Dowa f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160790 , vital:40544 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-04
- Description: On hearing his song played back to him, Josani Phiri held his head in his hands and shook it unbelievingly during the whole playing. Self delectative song with Bongo board zither.
- Full Text: false
- Date Issued: 1957
- Authors: Josani Phiri , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Dowa f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160790 , vital:40544 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-04
- Description: On hearing his song played back to him, Josani Phiri held his head in his hands and shook it unbelievingly during the whole playing. Self delectative song with Bongo board zither.
- Full Text: false
- Date Issued: 1957
Mbeta
- Mbowela, Phiri (Performer), Simarambo, Phiri (Performer), Tracey, Hugh (Recordist)
- Authors: Mbowela, Phiri (Performer) , Simarambo, Phiri (Performer) , Tracey, Hugh (Recordist)
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187102 , vital:44565 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-23
- Description: "It is a bad thing to have no husband. A man forced me to sleep with him. Then the people said I was bad woman!" The Gwetisa is a dance performed at parties or at any time they say, when people are gathered together. The 'echoed' style of singing is familiar to most of central Nyasaland and the celeste caused between the two voices appears as over-modulation on the recording. Gwesta dance song for men and women
- Full Text: false
- Date Issued: 1950
- Authors: Mbowela, Phiri (Performer) , Simarambo, Phiri (Performer) , Tracey, Hugh (Recordist)
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187102 , vital:44565 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-23
- Description: "It is a bad thing to have no husband. A man forced me to sleep with him. Then the people said I was bad woman!" The Gwetisa is a dance performed at parties or at any time they say, when people are gathered together. The 'echoed' style of singing is familiar to most of central Nyasaland and the celeste caused between the two voices appears as over-modulation on the recording. Gwesta dance song for men and women
- Full Text: false
- Date Issued: 1950
Suicide and the South African business cycle: a time series approach, 2006-2015
- Authors: Pitot, Amaury
- Date: 2018
- Subjects: Suicide -- South Africa , Business cycles -- South Africa , Autoregression (Statistics) , Divorce -- South Africa , AutoRegressive Distributed Lagged model (ARDL)
- Language: English
- Type: text , Thesis , Masters , MCom
- Identifier: http://hdl.handle.net/10962/62286 , vital:28150
- Description: Suicide is a major public health issue and imposes substantial economic cost on society every year. For example, the World Health Organisation has estimated that there are over one million completed suicides every year, of which about 75% occur in middle and low income countries. In South Africa, suicide is one of the leading causes of non-natural death, but remains under-researched from an economic point of view due to limited data availability. Using monthly data for the period 2006-2015, this study explores whether there is a relationship between suicide and the South African business cycle. This is further broken down to examine how, if at all, this relationship with the business cycle differs across age-, gender-, and racial groups. The primary source of data for suicide and demographic groups were obtained from Statistics South Africa’s Mortality and Causes of Death Data from Death Notification released since 2006. The coincident indicator was used as a proxy for the business cycle as it represents the business cycle in real time. Using an autoregressive distributed lagged model (ARDL), a long run relationship was established with suicide being a function of the coincident indicator, divorce and fertility rate. The findings of this paper show that the overall suicide rate moves with the South African business cycle (i.e. pro-cyclical relationship) in the long run. This relationship holds for males, the black population group and the 15-29 and 30-44 age categories. In addition, the divorce rate had a positive and significant relationship with the overall suicide rate, as well as suicide among the black population group and for the 30-44 age category, whereas fertility rates had no significant relationship with suicide.
- Full Text:
- Date Issued: 2018
- Authors: Pitot, Amaury
- Date: 2018
- Subjects: Suicide -- South Africa , Business cycles -- South Africa , Autoregression (Statistics) , Divorce -- South Africa , AutoRegressive Distributed Lagged model (ARDL)
- Language: English
- Type: text , Thesis , Masters , MCom
- Identifier: http://hdl.handle.net/10962/62286 , vital:28150
- Description: Suicide is a major public health issue and imposes substantial economic cost on society every year. For example, the World Health Organisation has estimated that there are over one million completed suicides every year, of which about 75% occur in middle and low income countries. In South Africa, suicide is one of the leading causes of non-natural death, but remains under-researched from an economic point of view due to limited data availability. Using monthly data for the period 2006-2015, this study explores whether there is a relationship between suicide and the South African business cycle. This is further broken down to examine how, if at all, this relationship with the business cycle differs across age-, gender-, and racial groups. The primary source of data for suicide and demographic groups were obtained from Statistics South Africa’s Mortality and Causes of Death Data from Death Notification released since 2006. The coincident indicator was used as a proxy for the business cycle as it represents the business cycle in real time. Using an autoregressive distributed lagged model (ARDL), a long run relationship was established with suicide being a function of the coincident indicator, divorce and fertility rate. The findings of this paper show that the overall suicide rate moves with the South African business cycle (i.e. pro-cyclical relationship) in the long run. This relationship holds for males, the black population group and the 15-29 and 30-44 age categories. In addition, the divorce rate had a positive and significant relationship with the overall suicide rate, as well as suicide among the black population group and for the 30-44 age category, whereas fertility rates had no significant relationship with suicide.
- Full Text:
- Date Issued: 2018
Ndachiona kale (I saw it long ago)
- Authors: Simenti Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Malindi, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155921 , vital:39931 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-12
- Description: The singer makes only the simplest remarks in his lyric, such as "Go to Jubeki" (Johannesburg). Self delectative song with board zither.
- Full Text: false
- Date Issued: 1958
- Authors: Simenti Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Malindi, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155921 , vital:39931 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-12
- Description: The singer makes only the simplest remarks in his lyric, such as "Go to Jubeki" (Johannesburg). Self delectative song with board zither.
- Full Text: false
- Date Issued: 1958
Cabo Obela
- Filemon Phiri, Tonga women, Folk, Tracey, Hugh
- Authors: Filemon Phiri , Tonga women , Folk , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/301992 , vital:58128 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2221-XYZ5651
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Filemon Phiri , Tonga women , Folk , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/301992 , vital:58128 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2221-XYZ5651
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Ona, Onanyenzi zilikuwala
- Mutika Chirwa, Tonga men, George Phiri, Tracey, Hugh
- Authors: Mutika Chirwa , Tonga men , George Phiri , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zambia city not specified f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/382011 , vital:67624 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO587-C4D15
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Mutika Chirwa , Tonga men , George Phiri , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zambia city not specified f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/382011 , vital:67624 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO587-C4D15
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Kawoza ndirende
- Filemon Phiri, Tonga women, folk, Tracey, Hugh
- Authors: Filemon Phiri , Tonga women , folk , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/301291 , vital:58032 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2221-XYZ5651
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Filemon Phiri , Tonga women , folk , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/301291 , vital:58032 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2221-XYZ5651
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Muvalenje
- Phiri, Witimani, Tracey, Hugh
- Authors: Phiri, Witimani , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi City not specified f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/281751 , vital:55761 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1361-XYZ4808
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Phiri, Witimani , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi City not specified f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/281751 , vital:55761 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1361-XYZ4808
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Ona, ona, nyenyezi zili kuwala
- Chirwa, Mutika, Tonga men, Phiri, George, Tracey, Hugh
- Authors: Chirwa, Mutika , Tonga men , Phiri, George , Tracey, Hugh
- Date: 1949-08-11
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Malawi City not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/271694 , vital:54582 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP0892-XYZT4234
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949-08-11
- Authors: Chirwa, Mutika , Tonga men , Phiri, George , Tracey, Hugh
- Date: 1949-08-11
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Malawi City not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/271694 , vital:54582 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP0892-XYZT4234
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949-08-11
Mulungu analenga Adamu ndi Eva
- Mikaeli Husen Phiri, Mulale School Children, Composer not specified, Tracey, Hugh
- Authors: Mikaeli Husen Phiri , Mulale School Children , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/315945 , vital:59771 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2752-XYZ6275
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Mikaeli Husen Phiri , Mulale School Children , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/315945 , vital:59771 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2752-XYZ6275
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
The effects of monetary policy on output and unemployment
- Authors: Mkhombo, Thabo
- Date: 2018
- Subjects: Monetary policy -- Econometric models , Monetary policy -- South Africa Unemployment -- South Africa
- Language: English
- Type: Thesis , Masters , MCom
- Identifier: http://hdl.handle.net/10948/32783 , vital:32360
- Description: Following the global financial crisis of 2007 and the ensuing global recessionary of 2009, most economies have been concerned with improving economic growth levels as well as lowering levels of unemployment rates. For the case of South Africa, much concern has been placed on the ability of monetary authorities to contribute to such macroeconomics objectives. therefore the primary objective of the study was to investigate the influence of the monetary policy conduct on economic growth and unemployment.
- Full Text: false
- Date Issued: 2018
- Authors: Mkhombo, Thabo
- Date: 2018
- Subjects: Monetary policy -- Econometric models , Monetary policy -- South Africa Unemployment -- South Africa
- Language: English
- Type: Thesis , Masters , MCom
- Identifier: http://hdl.handle.net/10948/32783 , vital:32360
- Description: Following the global financial crisis of 2007 and the ensuing global recessionary of 2009, most economies have been concerned with improving economic growth levels as well as lowering levels of unemployment rates. For the case of South Africa, much concern has been placed on the ability of monetary authorities to contribute to such macroeconomics objectives. therefore the primary objective of the study was to investigate the influence of the monetary policy conduct on economic growth and unemployment.
- Full Text: false
- Date Issued: 2018
Munkhwala wacizungu
- Phiri, N.J., Ngwata, N.Z., Tracey, Hugh
- Authors: Phiri, N.J. , Ngwata, N.Z. , Tracey, Hugh
- Date: 1950-05-23
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Malawi City not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/270380 , vital:54434 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP0809-XYZ5939
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950-05-23
- Authors: Phiri, N.J. , Ngwata, N.Z. , Tracey, Hugh
- Date: 1950-05-23
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Malawi City not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/270380 , vital:54434 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP0809-XYZ5939
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950-05-23
Ndachiona kale
- Simenti Phiri, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Simenti Phiri , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1958
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/396322 , vital:69170 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , GM01-09-TR88-B-4
- Description: Indigenous music
- Full Text: false
- Date Issued: 1958
- Authors: Simenti Phiri , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1958
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/396322 , vital:69170 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , GM01-09-TR88-B-4
- Description: Indigenous music
- Full Text: false
- Date Issued: 1958