Showing items 281 - 300 of 2909

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Bugenda yaffe

- Budo African Music Club, Erusana Lutwana, Composer not specified, Tracey, Hugh

Buhaya yajumuka

- Haya boys, Kibira, E.B., Tracey, Hugh

Bunya

- Baiyani Medureki with Arusha men and women, Hugh Tracey

Bunya

- Baiyani Medureki, Arusha women and men, composer not specified, Tracey, Hugh

Bunya

- Baiyani Medureki with Arusha men and women, Hugh Tracey

Burai

- Teituk Arap Sumeiyot, Tracey, Hugh

Burai

- Teituk Arap Sumiyot, Hugh Tracey

  • Authors: Teituk Arap Sumiyot , Hugh Tracey
  • Date: 1950
  • Subjects: Kipsigis (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Sotik f-ke
  • Language: Kipsigis
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/177730 , vital:42853 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR165-18
  • Description: This song, it was claimed, was composed by the singer when he was an askari in the Kings African Rifles. He urges everyone to cheer up for as soon as the war is over they will be going home again. It is sung in a mixture of Kipsigis and Swahili. He plays an attractive little melody on the Kibungandet as accompaniment. Topical song, with Kibungandet 5 string lyre.
  • Full Text: false
  • Date Issued: 1950

Bustani mzuri

- Shabani Abdalla Mwankemwa, Dar-es Salaam Jazz Band, composer not specified, Tracey, Hugh

Bustani Mzuri

- Shabani Abdullah Mwenkewa, Daressalaam Jazz Band, Composer not specified, Tracey, Hugh

Busumbu

- Isaka Kitutu, Hugh Tracey

  • Authors: Isaka Kitutu , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
  • Language: Masaba (Gisu, Kisu, Dadiri, Buya)
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169421 , vital:41748 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-02
  • Description: The Busumbu phosphate mines employ many Europeans, Indians and Africans. But what phosphate is used for is a bit of a mystery to the native miners. It is of course, a most important fertiliser. What it will be used for , they sing, will be known. In the meanwhile labourers are many, Europeans, Indians and Africans. The tapping of the players heel on the ground can be heard throughout this recording. Usually the players of these lyres wear an anklet of metal iron bells on that leg. The Gisu cannot be said to be the best exponents of the lyre but they belong to the Nilotic tradition of playing. Topical song with seven string Litungu lyre and leg bells.
  • Full Text: false
  • Date Issued: 1950

Busumbu Balulima

- Kitutu, Isaka, Tracey, Hugh

  • Authors: Kitutu, Isaka , Tracey, Hugh
  • Date: 1950
  • Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Uganda City not specified f-ug
  • Language: Gishu
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/297762 , vital:57625 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2003-XYZ5437
  • Description: Indigenous music
  • Full Text: false
  • Date Issued: 1950

Bwana Hamisi amekasilika

- Rashda Ahmed, Nyamwezi women, composer not specified, Tracey, Hugh

Bwana Leja

- Thomas Mulungo, Hugh Tracey

  • Authors: Thomas Mulungo , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
  • Language: Masaba (Gisu, Kisu, Dadiri, Buya)
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169412 , vital:41747 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-01
  • Description: The player was seated holding the lyre with the strings extending towards the right and played his leg bells by beating his heel on the ground. Bawana Leja (Letcher or Fletcher) was said to be a Government appointed valuator of cattle which were commandered during the war (1939-45) to feed the troops stationed in Kenya and Uganda. The woman complains that her only cow was taken by him and that she had no milk to give her new born child. Topical song with seven string Litungu lyre and leg bells.
  • Full Text: false
  • Date Issued: 1950

Bwana Leja

- Mulungo, Thomas, Tracey, Hugh

Bwana Moshi ufunguo nakupa wasia

- Moshi Ufunguo and his party, Hugh Tracey

  • Authors: Moshi Ufunguo and his party , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Tabora f-tz
  • Language: Swahili
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/179586 , vital:43121 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-04
  • Description: The leader is well knon in Tabora as a cafe entertainer particularly for his humorous interjections - he starts by introducing himself by name. The record was made in a small room which serves as a club and opens out directly onto the street. The small xylophone was said to have come from the other side of Lake Tanganyika in the Congo from the Manyema people. Many members of Congo tribes have migrated into Tanganyika across the lake on account of the trade by the railway to coast used first by the Arabs and later by the railway to Dar-es-Salaam. The sons of these men who still claim to be tribesmen of the Congo were born in Tanganyika and speak and sing only in Swahili. The style is not local and perhaps originates in the Albertville region of Southern Congo. The tone of voice of these cafe singers is typical of those whose major payment is in kind, whic after a while blurs the edge of their voices and their performances. Humorous song, with Malimba xylophone x 8 and Basket rattle.
  • Full Text: false
  • Date Issued: 1950

Bwana Moshi Ufunguo nakupa wasia

- Mushi Ufungus' Malimba Band, Mushi Ufungus, Moshi Ufungus, Tracey, Hugh

Bwana Shanua kidzhere nguma inende

- Kenga Mayele, Giryama men, composer not specified, Tracey, Hugh

Bwana Shanua kidzhere nguma inende

- Kanga Mayele with Giryama men, Hugh Tracey

  • Authors: Kanga Mayele with Giryama men , Hugh Tracey
  • Date: 1950
  • Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
  • Language: Giryama
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/176630 , vital:42722 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-13
  • Description: Bwana Shanua was an old singer famous in his day for inventing Juba dance steps. In this song they praise the old man for his cleverness. The facination of the Juba dance lies largely in the syncopated clapping which goes with it. Juba dance for men and women.
  • Full Text: false
  • Date Issued: 1950

Bwana ukinipa usitie moyoni

- Yasini Simba, Hamisi Mrisho and Omari Mwinyipembe, Omari Mwinyipembe, Tracey, Hugh

Bwana ukinipa usitie moyoni

- Three Wamusha Daku criers, Hugh Tracey

  • Authors: Three Wamusha Daku criers , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Tabora f-tz
  • Language: Swahili
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/${Handle} , vital:43088 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-02
  • Description: The metal shallow drum (of Tambourine type)is made from the top of a metal can or bucket and is pegged African fashion and not laced like the metal cylindrical drum whose duble heads are laced onto the metal, and is played slung over one shoulder. The chants were sung to the same tune. The size of the cylindrical drum was 13" x 8". The size of the shallow drum was 11 1/4" x 3 1/2". Moslem chants (Wamusha Daku), with 1 metal cylindrical drum, laced, 1 metal frame drum, pegged (-14.91-), 1 basket rattle (-12.54-).
  • Full Text: false
  • Date Issued: 1950
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