Mukwa mbumba
- Lukwenya Simon and Lulua men, Hugh Tracey
- Authors: Lukwenya Simon and Lulua men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people)--Music , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kabinda f-cg
- Language: Luba/Lulua
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137002 , vital:37477 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR035-10
- Description: Remarks of a woman sitting beside the singer are interpolated towards the end of the song. Topical song with 2 chisanzhi mbira with ululations.
- Full Text: false
- Date Issued: 1957
- Authors: Lukwenya Simon and Lulua men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people)--Music , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kabinda f-cg
- Language: Luba/Lulua
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137002 , vital:37477 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR035-10
- Description: Remarks of a woman sitting beside the singer are interpolated towards the end of the song. Topical song with 2 chisanzhi mbira with ululations.
- Full Text: false
- Date Issued: 1957
Mukwabumba sechilanba (This cloth is very strong)
- Marcel Mwiyaya and large group of Lulua men and women, Hugh Tracey
- Authors: Marcel Mwiyaya and large group of Lulua men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people)--Music , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba/Lulua
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136939 , vital:37470 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR035-03
- Description: The mirlitons on the gourds of these xylophones are on nipples inserted into the sides of the gourd-on a pece of gourd neck and fastened with wax. Mukwabumba dance with 2 xylophones, 2 goblet drums, closed, weighted, pinned with mirlitons and hand beaten, and 1 ligazi basket rattle, 1 whistle and tapped wood.
- Full Text: false
- Date Issued: 1957
- Authors: Marcel Mwiyaya and large group of Lulua men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people)--Music , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba/Lulua
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136939 , vital:37470 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR035-03
- Description: The mirlitons on the gourds of these xylophones are on nipples inserted into the sides of the gourd-on a pece of gourd neck and fastened with wax. Mukwabumba dance with 2 xylophones, 2 goblet drums, closed, weighted, pinned with mirlitons and hand beaten, and 1 ligazi basket rattle, 1 whistle and tapped wood.
- Full Text: false
- Date Issued: 1957
Mulala karimukwa panga (Mulala stole money from the Panga)
- Group of 5 Lozi men, Hugh Tracey
- Authors: Group of 5 Lozi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Lozi (African people) , Africa Zambia Nchanga Mine Compound f-za
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152138 , vital:39216 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR067-17
- Description: Mulala was the son of a chief, and stole money from the Panga Bank. Tuning:- 412, 356, 312, 272, 256, 228, 206, 178, 136 vs. Siyamboka dance song with 1 Silimba xylophone (x9 notes), resonator on frame and mirliton.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 5 Lozi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Lozi (African people) , Africa Zambia Nchanga Mine Compound f-za
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152138 , vital:39216 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR067-17
- Description: Mulala was the son of a chief, and stole money from the Panga Bank. Tuning:- 412, 356, 312, 272, 256, 228, 206, 178, 136 vs. Siyamboka dance song with 1 Silimba xylophone (x9 notes), resonator on frame and mirliton.
- Full Text: false
- Date Issued: 1957
Mulala syanangoma valikuyalalika (A poisonous snake came and rubbed itself against me)
- Siachema and his friends, Hugh Tracey
- Authors: Siachema and his friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138243 , vital:37614 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR042-12
- Description: "The mulala (a poisonous snake) came and rubbed itself against me and next morning I found I was suffering from sores. Then I told my father to go to the diviner. The diviner said: "Go and dig up some roots of chingwele (a plant)". Then the old woman, when she went to draw water at the river said: "I don't like Siachema." I would like to know why she said this." Tuning of the instrument as follows:- 592, 528, 480, 432, 400, 356, 320, 296, 264, 240 vps. Topical song with fan-shaped Kankowela mbira, with external resonator.
- Full Text: false
- Date Issued: 1957
- Authors: Siachema and his friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138243 , vital:37614 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR042-12
- Description: "The mulala (a poisonous snake) came and rubbed itself against me and next morning I found I was suffering from sores. Then I told my father to go to the diviner. The diviner said: "Go and dig up some roots of chingwele (a plant)". Then the old woman, when she went to draw water at the river said: "I don't like Siachema." I would like to know why she said this." Tuning of the instrument as follows:- 592, 528, 480, 432, 400, 356, 320, 296, 264, 240 vps. Topical song with fan-shaped Kankowela mbira, with external resonator.
- Full Text: false
- Date Issued: 1957
Muleba mushianda tato
- Ngoi Nono, Kabongo Anastase with 9 Luba men, Hugh Tracey
- Authors: Ngoi Nono, Kabongo Anastase with 9 Luba men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Africa Democratic Republic of Congo Katanga f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137950 , vital:37578 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR040-12
- Description: The song concerns a girl who was left alone in the world and had no one to look after her, and so used to sing for her living. Self-delectative song with chisanzgi box mbira with sound holes.
- Full Text: false
- Date Issued: 1957
- Authors: Ngoi Nono, Kabongo Anastase with 9 Luba men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Africa Democratic Republic of Congo Katanga f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137950 , vital:37578 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR040-12
- Description: The song concerns a girl who was left alone in the world and had no one to look after her, and so used to sing for her living. Self-delectative song with chisanzgi box mbira with sound holes.
- Full Text: false
- Date Issued: 1957
Muleka mwene ngoie
- Kaseba Anatole, Performer not specified, G Kaseba, Tracey, Hugh
- Authors: Kaseba Anatole , Performer not specified , G Kaseba , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic republic of Congo city not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/345623 , vital:63298 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3963-L2Z13
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Kaseba Anatole , Performer not specified , G Kaseba , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic republic of Congo city not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/345623 , vital:63298 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3963-L2Z13
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Muleka mwene ngoie
- Authors: A. Kaseba , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Africa Democratic Republic of Congo Katanga f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137904 , vital:37572 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR040-07
- Description: The singer goes on to enumerate all the various districts where the rumor of the fame of this legendary beauty has arrived. "Muleka is a girl so beautiful that her fame has spread far and wide throughout the Kasai." This is a good example of a new accompaniment to an indifenous form of song. Topical song with guitar.
- Full Text: false
- Date Issued: 1957
- Authors: A. Kaseba , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Africa Democratic Republic of Congo Katanga f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137904 , vital:37572 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR040-07
- Description: The singer goes on to enumerate all the various districts where the rumor of the fame of this legendary beauty has arrived. "Muleka is a girl so beautiful that her fame has spread far and wide throughout the Kasai." This is a good example of a new accompaniment to an indifenous form of song. Topical song with guitar.
- Full Text: false
- Date Issued: 1957
Muleka Mwene Yombwe
- performer not specified, Composer not specified, Tracey, Hugh
- Authors: performer not specified , Composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic republic of Congo city not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/345605 , vital:63296 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3962-2563a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: performer not specified , Composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic republic of Congo city not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/345605 , vital:63296 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3962-2563a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Muleka Mwene Yombwe (Name of a man)
- Ngoi Nono and Kabango Anastase with Luba men, Hugh Tracey
- Authors: Ngoi Nono and Kabango Anastase with Luba men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Topical songs , Instrumental music , Africa Democratic Republic of Congo Katanga f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134515 , vital:37170 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0020-08
- Description: The song is about a man called Muleka Mwene Yombwe who refused to allow his wife to go down to the river to fish. All the group's songs were songs they had heard in their own village and set to the guitar, and this is an excellent example. Topical song with 2 guitars and bottle, and small rattle.
- Full Text: false
- Date Issued: 1957
- Authors: Ngoi Nono and Kabango Anastase with Luba men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Topical songs , Instrumental music , Africa Democratic Republic of Congo Katanga f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134515 , vital:37170 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0020-08
- Description: The song is about a man called Muleka Mwene Yombwe who refused to allow his wife to go down to the river to fish. All the group's songs were songs they had heard in their own village and set to the guitar, and this is an excellent example. Topical song with 2 guitars and bottle, and small rattle.
- Full Text: false
- Date Issued: 1957
Mulemba mushianda
- Kabango Prospere and friends, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Kabango Prospere and friends , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic republic of Congo city not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/345542 , vital:63289 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3958-2556b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Kabango Prospere and friends , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic republic of Congo city not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/345542 , vital:63289 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3958-2556b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Mumabale chonga (That one is my friend)
- Masaria and other Tonga women, Hugh Tracey
- Authors: Masaria and other Tonga women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138154 , vital:37600 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR042-05
- Description: This song were taken during the actual grinding of millet into meal outside a hut. The millet was a fine brown variety known as Munga in Rhodesia. This small work song is sometimes well known by everyone in the village and commonly used by the women as they grind their corn on the stone outside their hut, or they are individual compositions without a name and with few words to the lyrics. Grinding song accompanied by the sound of grindstone.
- Full Text: false
- Date Issued: 1957
- Authors: Masaria and other Tonga women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138154 , vital:37600 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR042-05
- Description: This song were taken during the actual grinding of millet into meal outside a hut. The millet was a fine brown variety known as Munga in Rhodesia. This small work song is sometimes well known by everyone in the village and commonly used by the women as they grind their corn on the stone outside their hut, or they are individual compositions without a name and with few words to the lyrics. Grinding song accompanied by the sound of grindstone.
- Full Text: false
- Date Issued: 1957
Munendo na munendo (Christian travellers)
- Members of the christian Mission to Many lands, Hugh Tracey
- Authors: Members of the christian Mission to Many lands , Hugh Tracey
- Date: 1957
- Subjects: Hymns, Bemba , Africa Zambia Chingola f-za
- Language: bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135370 , vital:37262 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0024-07
- Description: This hymn appears to be based on the old hymn tune-"Shouting out the battle-cry freedom. 2 separate Hymns.
- Full Text: false
- Date Issued: 1957
- Authors: Members of the christian Mission to Many lands , Hugh Tracey
- Date: 1957
- Subjects: Hymns, Bemba , Africa Zambia Chingola f-za
- Language: bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135370 , vital:37262 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0024-07
- Description: This hymn appears to be based on the old hymn tune-"Shouting out the battle-cry freedom. 2 separate Hymns.
- Full Text: false
- Date Issued: 1957
Mungate tamara
- R. T. Mbuluwundi (Composer), Ruben Tankadi Mbuluwundi and group of 5 Tumbuka men (Performers), Hugh Tracey
- Authors: R. T. Mbuluwundi (Composer) , Ruben Tankadi Mbuluwundi and group of 5 Tumbuka men (Performers) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Humorous songs , Songs, Tumbuka , Africa Malawi Rumpi f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134046 , vital:37064 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR017-04
- Description: The song is supposed to be sung by the fore-fathers of the tribe, who say: "We still know how to drink!" In the song, the leader was Smart Chigwamba.
- Full Text: false
- Date Issued: 1957
- Authors: R. T. Mbuluwundi (Composer) , Ruben Tankadi Mbuluwundi and group of 5 Tumbuka men (Performers) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Humorous songs , Songs, Tumbuka , Africa Malawi Rumpi f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134046 , vital:37064 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR017-04
- Description: The song is supposed to be sung by the fore-fathers of the tribe, who say: "We still know how to drink!" In the song, the leader was Smart Chigwamba.
- Full Text: false
- Date Issued: 1957
Mungore
- Group of 14 Tonga men, Hugh Tracey
- Authors: Group of 14 Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137421 , vital:37522 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR037-12
- Description: The Malipenga dance of the Tonga and other tribes of north central Nyasaland was originated, they say, in military drill which it imitates. With African genius for converting what is normally a drudgery into a game, these Tonga made barrack square drilling into a form of enjoyable dance, with opportunities for all to shine in the grace of their movements. The instruments of the military band have been substituted by singing horns- with mirliton buzzers- so that anyone who can sing a Tonga tune can equally well participate in the Malipenga band. Short gourds or horns are used for the higher pitched voices and longer for the basses. 2nd and 3rd Movement of the Malipenga dance with bass drum (mine type), pegged, closed, wooden beaters and 1 small cylindrical drum, pegged, closed and wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 14 Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137421 , vital:37522 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR037-12
- Description: The Malipenga dance of the Tonga and other tribes of north central Nyasaland was originated, they say, in military drill which it imitates. With African genius for converting what is normally a drudgery into a game, these Tonga made barrack square drilling into a form of enjoyable dance, with opportunities for all to shine in the grace of their movements. The instruments of the military band have been substituted by singing horns- with mirliton buzzers- so that anyone who can sing a Tonga tune can equally well participate in the Malipenga band. Short gourds or horns are used for the higher pitched voices and longer for the basses. 2nd and 3rd Movement of the Malipenga dance with bass drum (mine type), pegged, closed, wooden beaters and 1 small cylindrical drum, pegged, closed and wooden beaters.
- Full Text: false
- Date Issued: 1957
Munkwele
- Group of 7 Tumbuka men, Hugh Tracey
- Authors: Group of 7 Tumbuka men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Tumbuka (African people)--Music , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Rumpi f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140287 , vital:37858 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR054-12
- Description: The drum was tapped on the side as well as being beaten on either side. Malipenga dance song with Nkohombo singing horns (calabashes), 1 brass drum, double, laced with 2 beaters.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 7 Tumbuka men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Tumbuka (African people)--Music , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Rumpi f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140287 , vital:37858 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR054-12
- Description: The drum was tapped on the side as well as being beaten on either side. Malipenga dance song with Nkohombo singing horns (calabashes), 1 brass drum, double, laced with 2 beaters.
- Full Text: false
- Date Issued: 1957
Munyaliwa
- Girls of Magidi's Tshigombela team, Performer not specified, composer not specified, Tracey, Hugh
- Authors: Girls of Magidi's Tshigombela team , Performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/405882 , vital:70216 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT15-KV3-KV1F3B
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Girls of Magidi's Tshigombela team , Performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/405882 , vital:70216 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT15-KV3-KV1F3B
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Munyaliwa
- Girls of Magidi's Tshigombela team, Performer not specified, composer not specified, Tracey, Hugh
- Authors: Girls of Magidi's Tshigombela team , Performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/405890 , vital:70215 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT15-KV3-KV1F3B
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Girls of Magidi's Tshigombela team , Performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/405890 , vital:70215 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT15-KV3-KV1F3B
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Musafu sumu (Bible hymn)
- Group of 16 Tonga men and boys, Hugh Tracey
- Authors: Group of 16 Tonga men and boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137402 , vital:37520 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR037-11
- Description: The leader is Joni Phiri. "Haye Mwazadi mwanozga." "You have done well to come." The Malipenga dance of the Tonga and other tribes of north central Nyasaland was originated, they say, in military drill where it imitates. With African genius for converting what is normally a drudgery into a game, these Tonga made barrack square drilling into a form of enjoyable dance, with opportunities for all to shine in the grace of their movements. The instruments of the mirliton buzzers so that anyone who can sing a Tonga tune can equally well participate in the Malipenga band. Short gourds or horns are used for the higher pitched voices and longer for the bases. 4 Movements of the Malipenga dance, the first 2 with Chandi and Muganda drums, with 12 singing horns (calabash), 1 bass drum.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 16 Tonga men and boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137402 , vital:37520 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR037-11
- Description: The leader is Joni Phiri. "Haye Mwazadi mwanozga." "You have done well to come." The Malipenga dance of the Tonga and other tribes of north central Nyasaland was originated, they say, in military drill where it imitates. With African genius for converting what is normally a drudgery into a game, these Tonga made barrack square drilling into a form of enjoyable dance, with opportunities for all to shine in the grace of their movements. The instruments of the mirliton buzzers so that anyone who can sing a Tonga tune can equally well participate in the Malipenga band. Short gourds or horns are used for the higher pitched voices and longer for the bases. 4 Movements of the Malipenga dance, the first 2 with Chandi and Muganda drums, with 12 singing horns (calabash), 1 bass drum.
- Full Text: false
- Date Issued: 1957
Musambo
- Large group of Luba men and women, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Large group of Luba men and women , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic republic of Congo city not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/345524 , vital:63287 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3957-L3C6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Large group of Luba men and women , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic republic of Congo city not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/345524 , vital:63287 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3957-L3C6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Musambo
- Large group of of Luba men and women, Hugh Tracey
- Authors: Large group of of Luba men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137803 , vital:37561 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-09
- Description: In the course of the song and towards the end, one of the drummers turned his drum over completely and went on drumming without losing the rhythm. Mambala dance song with 5 goblet drums, closed, pinned, weighted, with mirlitons, hand beaten and 1 double bell and basket rattle.
- Full Text: false
- Date Issued: 1957
- Authors: Large group of of Luba men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137803 , vital:37561 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-09
- Description: In the course of the song and towards the end, one of the drummers turned his drum over completely and went on drumming without losing the rhythm. Mambala dance song with 5 goblet drums, closed, pinned, weighted, with mirlitons, hand beaten and 1 double bell and basket rattle.
- Full Text: false
- Date Issued: 1957