Ndapilibuka
- Performer not specified, Shef Mataba (Composer), Hugh Tracey
- Authors: Performer not specified , Shef Mataba (Composer) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lala (African people) , Africa South Africa Serenje f-za
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133741 , vital:37010 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR014-09
- Description: Self-delectative song with Kankowele mbira fan-shaped, with external resonator and mirliton with 2 manuals
- Full Text: false
- Date Issued: 1957
- Authors: Performer not specified , Shef Mataba (Composer) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lala (African people) , Africa South Africa Serenje f-za
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133741 , vital:37010 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR014-09
- Description: Self-delectative song with Kankowele mbira fan-shaped, with external resonator and mirliton with 2 manuals
- Full Text: false
- Date Issued: 1957
Ndarembokutwa muzheni (I am tired of pounding)
- Authors: Shenge Mashowa , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Folk songs, Ndau , Ndau (African people) , Africa Mozambique Maceques f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152033 , vital:39205 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR067-07
- Description: "I am tired of pounding for a lizard who is too tired to go to Johannesburg to work. Get out of that house. If you refuse to come out I will come and pull you out. If it were me I would go to Johannesburg because if women were always telling me to go and work, I would do so." Topical song with mbira dza waNdau.
- Full Text: false
- Date Issued: 1957
- Authors: Shenge Mashowa , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Folk songs, Ndau , Ndau (African people) , Africa Mozambique Maceques f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152033 , vital:39205 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR067-07
- Description: "I am tired of pounding for a lizard who is too tired to go to Johannesburg to work. Get out of that house. If you refuse to come out I will come and pull you out. If it were me I would go to Johannesburg because if women were always telling me to go and work, I would do so." Topical song with mbira dza waNdau.
- Full Text: false
- Date Issued: 1957
Ndazenza udalala negxagxa
- Nontwintwi, performer not specified, composer not specified, Tracey, Hugh
- Authors: Nontwintwi , performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/356003 , vital:64575 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP4329-L1K3
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Nontwintwi , performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/356003 , vital:64575 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP4329-L1K3
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Ndazenza udalala uegxagxa
- Nontwintwi and Annie Macholweni (Performers), Composer not specified, Hugh Tracey
- Authors: Nontwintwi and Annie Macholweni (Performers) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Kingwilliamstown f-za
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133605 , vital:36995 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR013-08
- Description: Self-delactative song with Hadi bow, unbraced, open string and resonated
- Full Text: false
- Date Issued: 1957
- Authors: Nontwintwi and Annie Macholweni (Performers) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Kingwilliamstown f-za
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133605 , vital:36995 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR013-08
- Description: Self-delactative song with Hadi bow, unbraced, open string and resonated
- Full Text: false
- Date Issued: 1957
Nde' ndi ngei thavhani
- Pfariseni Siadi, Tshianeo Ratshitimha and Pfariseni Matshidza, composer not specified, Tracey, Hugh
- Authors: Pfariseni Siadi , Tshianeo Ratshitimha and Pfariseni Matshidza , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/404895 , vital:70119 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT14-KV1-KV1C1A
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Pfariseni Siadi , Tshianeo Ratshitimha and Pfariseni Matshidza , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/404895 , vital:70119 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT14-KV1-KV1C1A
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Ndenda ndofira Joni (I go to die in Johannesburg)
- Penisera Matabeya and Majuta Sitole, Hugh Tracey
- Authors: Penisera Matabeya and Majuta Sitole , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Mozambique , Topical songs , Africa Mozambique Espungabera f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136261 , vital:37355 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR029-09
- Description: The flute blower kept his right ear covered with his hand whilst he played. He also sang voiced notes while he blew the flute. Self-delectative song with Mulanji transverse flute, closed at both ends, with 2 holes at far end of mouth hole.
- Full Text: false
- Date Issued: 1957
- Authors: Penisera Matabeya and Majuta Sitole , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Mozambique , Topical songs , Africa Mozambique Espungabera f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136261 , vital:37355 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR029-09
- Description: The flute blower kept his right ear covered with his hand whilst he played. He also sang voiced notes while he blew the flute. Self-delectative song with Mulanji transverse flute, closed at both ends, with 2 holes at far end of mouth hole.
- Full Text: false
- Date Issued: 1957
Ndete Chakutila
- Justine Mwamba, Group of Bemba men, Hugh Tracey
- Authors: Justine Mwamba , Group of Bemba men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Kasamba f-za
- Language: Lozi , Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183753 , vital:44065 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-11
- Description: The meaning of the chant is that the singer wants a large pot of beer, not a small one. Simple song, not unlike the proceeding children's verses in style. Drinking song, with 1 conical drum
- Full Text: false
- Date Issued: 1957
- Authors: Justine Mwamba , Group of Bemba men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Kasamba f-za
- Language: Lozi , Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183753 , vital:44065 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-11
- Description: The meaning of the chant is that the singer wants a large pot of beer, not a small one. Simple song, not unlike the proceeding children's verses in style. Drinking song, with 1 conical drum
- Full Text: false
- Date Issued: 1957
Ndevinepo ndamwana mdiki (Let me dance myself the small child)
- J. M. Chimpondondo, Ruben Tankadi Mbuluwundi and Tumbuka/Henga men
- Authors: J. M. Chimpondondo , Ruben Tankadi Mbuluwundi and Tumbuka/Henga men
- Date: 1957
- Subjects: Folk music--Malawi , Tumbuka (African people)--Music , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Karonga f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140272 , vital:37857 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR054-11
- Description: The drum was tapped on the side as well as being beaten on either side. Wulumba dance with clapping and Urumba bass drum.
- Full Text: false
- Date Issued: 1957
- Authors: J. M. Chimpondondo , Ruben Tankadi Mbuluwundi and Tumbuka/Henga men
- Date: 1957
- Subjects: Folk music--Malawi , Tumbuka (African people)--Music , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Karonga f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140272 , vital:37857 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR054-11
- Description: The drum was tapped on the side as well as being beaten on either side. Wulumba dance with clapping and Urumba bass drum.
- Full Text: false
- Date Issued: 1957
Ndi nnyo ya nwana
- Tshenwane and Selina, performer not specified, composer not specified, Tracey, Hugh
- Authors: Tshenwane and Selina , performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/409269 , vital:70573 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT20-KV18-KV7C4A
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Tshenwane and Selina , performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/409269 , vital:70573 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT20-KV18-KV7C4A
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Ndi nnyo ya ṅwana
- Vho Musandiwa, Performer not specified, composer not specified, Tracey, Hugh
- Authors: Vho Musandiwa , Performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/406054 , vital:70232 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT15-KV4-KV1H2D
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Vho Musandiwa , Performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/406054 , vital:70232 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT15-KV4-KV1H2D
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Ndi shuye ndi kalele mwana
- Authors: Bigton Gombeza , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160781 , vital:40537 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-03
- Description: This was recorded at the Wankie Colliery in Southern Rhodesia where the player had gone to work. Self delectative song with Bango seven string board zither.
- Full Text: false
- Date Issued: 1957
- Authors: Bigton Gombeza , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160781 , vital:40537 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-03
- Description: This was recorded at the Wankie Colliery in Southern Rhodesia where the player had gone to work. Self delectative song with Bango seven string board zither.
- Full Text: false
- Date Issued: 1957
Ndibolekeni ibayi ndembathe madoda (Please, lend me a blanket to cover myself)
- Gcaleka women and girls, Hugh Tracey
- Authors: Gcaleka women and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150970 , vital:39024 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR062-07
- Description: Drinking songs are sung with great abandon, the women holding their hands above their heads to clap them. Drinking song with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Gcaleka women and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150970 , vital:39024 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR062-07
- Description: Drinking songs are sung with great abandon, the women holding their hands above their heads to clap them. Drinking song with clapping.
- Full Text: false
- Date Issued: 1957
Ndime mukabaryibaryi basankwa (All the young men like me)
- 2 Tonga women and 2 young girls, Hugh Tracey
- Authors: 2 Tonga women and 2 young girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138189 , vital:37605 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR042-06
- Description: The grain being pounded was "munga", one of the millets which had first to be sieved in a basket, in order to get rid of the husks. It was poured into the mortar and water was added in order to prevent the powdery meal from flying up. Pounding song with sound of pestle and mortar.
- Full Text: false
- Date Issued: 1957
- Authors: 2 Tonga women and 2 young girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138189 , vital:37605 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR042-06
- Description: The grain being pounded was "munga", one of the millets which had first to be sieved in a basket, in order to get rid of the husks. It was poured into the mortar and water was added in order to prevent the powdery meal from flying up. Pounding song with sound of pestle and mortar.
- Full Text: false
- Date Issued: 1957
Ndinga Ngonyoko (I am old as your mother and I know everything)
- Young Gcaleka men and girls, Hugh Tracey
- Authors: Young Gcaleka men and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151085 , vital:39028 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-03
- Description: Three young Amakwenkwe boys in most handsomely decorated and beaded clothes wound around them from the waist down-beads in profusion over the head, neck and shoulders, danced sedately around as the girls sang behind them. Mtshotsho song, with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Young Gcaleka men and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151085 , vital:39028 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-03
- Description: Three young Amakwenkwe boys in most handsomely decorated and beaded clothes wound around them from the waist down-beads in profusion over the head, neck and shoulders, danced sedately around as the girls sang behind them. Mtshotsho song, with clapping.
- Full Text: false
- Date Issued: 1957
Ndinike inkomo zolobole (Give back mu dowry)
- Group of Mpondo women, Hugh Tracey
- Authors: Group of Mpondo women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Tabankulu f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136383 , vital:37371 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR030-05
- Description: This dance was performed by the married women standing in a circle. In the second part of the song they say: "The person who grinds the corn for the beer has a lot to say."- Some of the women had painted their faces with pale yellow ochre.- They wore pale blue blankets, were lavishly decorated with beads, mostly in sky blue and white, wore calf length beaded skirts, and a great many brass wire bracelets. In some cases, the typical headring was made of a leather strap (a dog's collar) studded with brass studs, edged and fringed with sky blue and white beads. Umgouzo girl's initiation dance.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Mpondo women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Tabankulu f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136383 , vital:37371 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR030-05
- Description: This dance was performed by the married women standing in a circle. In the second part of the song they say: "The person who grinds the corn for the beer has a lot to say."- Some of the women had painted their faces with pale yellow ochre.- They wore pale blue blankets, were lavishly decorated with beads, mostly in sky blue and white, wore calf length beaded skirts, and a great many brass wire bracelets. In some cases, the typical headring was made of a leather strap (a dog's collar) studded with brass studs, edged and fringed with sky blue and white beads. Umgouzo girl's initiation dance.
- Full Text: false
- Date Issued: 1957
Ndinochema amasebe
- Sitole, Simon Mafiru, Composer not specified, Tracey, Hugh
- Authors: Sitole, Simon Mafiru , Composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk music--Africa , Topical song , Mbira , Africa Zimbabwe Mt. Selinda f-rh
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132046 , vital:36790 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-10 , Field card no. L1B-6
- Description: "See, I am crying, mother-in-law. Poverty, elder brother, alack. See, Sophiatown is bad, patisoni. In my distress I think of home. Happiness to you all at Marange." The singer sings about the conditions in which he finds himself at Sofiatown, near Johannesburg, where he works as a carpenter's assistant. His home, Marange is in the Chipinga District of Southern Rhodesia, about 400 miles north east of Johannesburg. Three topical songs with mbira dza WaNdau and deze resonator.
- Full Text: false
- Date Issued: 1957
- Authors: Sitole, Simon Mafiru , Composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk music--Africa , Topical song , Mbira , Africa Zimbabwe Mt. Selinda f-rh
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132046 , vital:36790 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-10 , Field card no. L1B-6
- Description: "See, I am crying, mother-in-law. Poverty, elder brother, alack. See, Sophiatown is bad, patisoni. In my distress I think of home. Happiness to you all at Marange." The singer sings about the conditions in which he finds himself at Sofiatown, near Johannesburg, where he works as a carpenter's assistant. His home, Marange is in the Chipinga District of Southern Rhodesia, about 400 miles north east of Johannesburg. Three topical songs with mbira dza WaNdau and deze resonator.
- Full Text: false
- Date Issued: 1957
Ndinochema amasebe
- Simon Mafiru Sitole, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Simon Mafiru Sitole , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/354465 , vital:64379 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP4272-2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Simon Mafiru Sitole , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/354465 , vital:64379 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP4272-2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Ndipeze phi? (Where should I drink?)
- Group of Mpondo women, Hugh Tracey
- Authors: Group of Mpondo women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Tabankulu f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136378 , vital:37370 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR030-04
- Description: This dance was performed by the married women standing in a circle. In the second part of the song they say: "The person who grinds the corn for the beer has a lot to say."- Some of the women had painted their faces with pale yellow ochre.- They wore pale blue blankets, were lavishly decorated with beads, mostly in sky blue and white, wore calf length beaded skirts, and a great many brass wire bracelets. In some cases, the typical headring was made of a leather strap (a dog's collar) studded with brass studs, edged and fringed with sky blue and white beads. Umgouzo girl's initiation dance.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Mpondo women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Tabankulu f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136378 , vital:37370 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR030-04
- Description: This dance was performed by the married women standing in a circle. In the second part of the song they say: "The person who grinds the corn for the beer has a lot to say."- Some of the women had painted their faces with pale yellow ochre.- They wore pale blue blankets, were lavishly decorated with beads, mostly in sky blue and white, wore calf length beaded skirts, and a great many brass wire bracelets. In some cases, the typical headring was made of a leather strap (a dog's collar) studded with brass studs, edged and fringed with sky blue and white beads. Umgouzo girl's initiation dance.
- Full Text: false
- Date Issued: 1957
Ndithi khawuthiye nkwenkwe ndala (Please dance, big boy)
- Young men and boys, Hugh Tracey
- Authors: Young men and boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Peddie f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150652 , vital:38993 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR060-11
- Description: The roaring or grunting in this dance song is a sound peculiar to the Xhosa. The Luo and Giriyama of Kenya also do it and some of the East Coast Swahili, notably in their religious songs. It is possibly a vestigial remain of Arab influence acquired during the tribe's sojourn in East Africa some 500 years ago. Mbayizelo dance song, with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Young men and boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Peddie f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150652 , vital:38993 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR060-11
- Description: The roaring or grunting in this dance song is a sound peculiar to the Xhosa. The Luo and Giriyama of Kenya also do it and some of the East Coast Swahili, notably in their religious songs. It is possibly a vestigial remain of Arab influence acquired during the tribe's sojourn in East Africa some 500 years ago. Mbayizelo dance song, with clapping.
- Full Text: false
- Date Issued: 1957
Ndiy' nyama emnandi kwabaka bawo (I am good meat)
- Group of Hlangwini women, Hugh Tracey
- Authors: Group of Hlangwini women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Folk songs, Sotho , Sotho (African people) , Africa South Africa Matatiele f-sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151309 , vital:39050 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR064-03
- Description: "I am good meat to my father's children, they are throwing only bones to me. I should have been dead if the diviners had not been looking after me." The orign of this song and its literal translation are both obsecure. Hoeing song - work song.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Hlangwini women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Folk songs, Sotho , Sotho (African people) , Africa South Africa Matatiele f-sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151309 , vital:39050 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR064-03
- Description: "I am good meat to my father's children, they are throwing only bones to me. I should have been dead if the diviners had not been looking after me." The orign of this song and its literal translation are both obsecure. Hoeing song - work song.
- Full Text: false
- Date Issued: 1957