For nearly 20 years
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Bass guitar , Popular song , Steel drum (Musical instrument) , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/105617 , vital:32548 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC097a-01
- Description: Xhosa urban topical song accompanied by bass guitar and steel pan drum
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Bass guitar , Popular song , Steel drum (Musical instrument) , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/105617 , vital:32548 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC097a-01
- Description: Xhosa urban topical song accompanied by bass guitar and steel pan drum
- Full Text: false
- Date Issued: 1987
For real
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Piano , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/101162 , vital:31931 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC084a-05
- Description: Topical song with piano accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Piano , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/101162 , vital:31931 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC084a-05
- Description: Topical song with piano accompaniment
- Full Text: false
- Date Issued: 1987
For the best
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/101681 , vital:32017 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC085b-16
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/101681 , vital:32017 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC085b-16
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
For the good and the bad
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-za
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/100604 , vital:31851 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC082a-20
- Description: Instrumental music
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-za
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/100604 , vital:31851 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC082a-20
- Description: Instrumental music
- Full Text: false
- Date Issued: 1987
For their rights
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-za
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/100657 , vital:31869 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC082b-05
- Description: Instrumental music
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-za
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/100657 , vital:31869 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC082b-05
- Description: Instrumental music
- Full Text: false
- Date Issued: 1987
For you are my Lord
- Christ the New Man Centre Congregation, Composer Not Specified, Dargie, Dave
- Authors: Christ the New Man Centre Congregation , Composer Not Specified , Dargie, Dave
- Date: 1987
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ngqoko f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/301809 , vital:58098 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD105-24
- Description: Sung Mass at Christ the New Man Centre with Marimba accompaniment.
- Full Text: false
- Date Issued: 1987
- Authors: Christ the New Man Centre Congregation , Composer Not Specified , Dargie, Dave
- Date: 1987
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ngqoko f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/301809 , vital:58098 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD105-24
- Description: Sung Mass at Christ the New Man Centre with Marimba accompaniment.
- Full Text: false
- Date Issued: 1987
From Grahamstown
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical song , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/105027 , vital:32457 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC095b-06
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical song , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/105027 , vital:32457 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC095b-06
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
From Grahamstown
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical song , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/104577 , vital:32405 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC095b-06
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical song , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/104577 , vital:32405 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC095b-06
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
From miles around
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical song , Bass guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/104481 , vital:32390 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC094a-09
- Description: Topical song with bass guitar accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical song , Bass guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/104481 , vital:32390 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC094a-09
- Description: Topical song with bass guitar accompaniment
- Full Text: false
- Date Issued: 1987
From the gheto
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Music--Moral and ethical aspects , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/103746 , vital:32293 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC092a-11
- Description: Moral song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Music--Moral and ethical aspects , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/103746 , vital:32293 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC092a-11
- Description: Moral song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
Full Moon
- Authors: Berold, Robert
- Date: 1987
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/460231 , vital:75908 , https://journals.co.za/doi/epdf/10.10520/AJA00284459_438
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 1987
- Authors: Berold, Robert
- Date: 1987
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/460231 , vital:75908 , https://journals.co.za/doi/epdf/10.10520/AJA00284459_438
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 1987
Funeral rites of the amaXhosa as therapeutic procedures compared to crisis intervention : an anthropological-descriptive evaluation
- Solomon, Angela Ntombizodwa Nokuphila
- Authors: Solomon, Angela Ntombizodwa Nokuphila
- Date: 1987
- Subjects: Xhosa (African people) -- Funeral customs and rites , Xhosa (African people) -- Psychology , Bereavement -- Psychological aspects , Mourning customs -- South Africa
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:3164 , http://hdl.handle.net/10962/d1007699
- Description: This study was undertaken in an attempt to investigate the analogy between the Crisis Intervention Model and the Funeral Rites of the amaXhosa. The latter group includes both traditional as well as Western Christian elements. The study was confined to the geographical area of Ciskei and more specifically the villages in and around Peddie and Ndevana near Zwelitsha, as regards traditional people, and the Black townships of Zwelitsha and Whittlesea,as regards more Westernized people. It is, however, the contention of the study that experiences discussed here are common to Blacks in South Africa irrespective of ethnicity. The justification for this generalisation is based on anthropological commonalities as well as historical vicissitudes among Blacks in Southern Africa. For instance, ritual slaughter performed after death in propitiation with the ancestors is known among all Blacks in South Africa. Also the Politico-historical events as well as socio-economic developments in the country affect Blacks in a more or less similar manner. For example, the changing family structure among Blacks, because of changes from one type of economy to another, is a social process affecting all Blacks in Southern Africa - in particular the working class (Colin Murray, 1980). The Funeral rites under study are postulated as possessing elements of therapeutic and practical value which result in the alleviation of grief and the encouragement of full acceptable means of mourning. The study is chiefly descriptive and anthropological material has been used. Recordings were made from participant observation whenever there was a funeral in the area studied. Information about funerals is easily obtainable as these are announced over Radio Ciskei and Radio Xhosa every evening. Mourners and interveners were interviewed. The former to elicit the needs they had felt, the latter to elicit the needs they had perceived the former to have. The Crisis Intervention Model is fairly simple to understand and uses practical theory. Therefore, it is not surprising that there should be elements of similarity between this model and the funeral rites of the amaXhosa as both deal with people in need of support. These funeral rites are rooted in a culture which has as one of its crucial aspects intimate, face-to-face interaction of its members in constant exchange as regards both emotional support and services. These "credit networks" ensure that a person is never bereft of emotional support. Moreover, temporary services are always accorded to a person in crisis. An effort has been made to relate the Crisis Intervention Model to the South African context of Blacks (both traditional as well as Christian). By necessity this has meant looking at all cultural dimensions of Black society - historical, political, economic and cultural, in order to provide a clearer picture of the people under study. That is, human psychological experiences of grief and mourning are seen as processes related to and developing within the concrete everyday realities. Some of the experiences described have been personally witnessed by the researcher in her personal involvement with cultural practices. Funerals are, of necessity, sad occasions and this study, using participant observation methods sometimes brought on sad memories of the researcher's own losses of loved ones. In the discussion a comparison was made between the traditional methods of grief work, the Crisis Intervention theory and the mourner studied and it was found that these rites do indeed, contain therapeutic and practical elements of dealing with grief and mourning, comparable to the Crisis Intervention Model. Finally in the conclusior a proposal for further areas of study in this field was suggested.
- Full Text:
- Date Issued: 1987
- Authors: Solomon, Angela Ntombizodwa Nokuphila
- Date: 1987
- Subjects: Xhosa (African people) -- Funeral customs and rites , Xhosa (African people) -- Psychology , Bereavement -- Psychological aspects , Mourning customs -- South Africa
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:3164 , http://hdl.handle.net/10962/d1007699
- Description: This study was undertaken in an attempt to investigate the analogy between the Crisis Intervention Model and the Funeral Rites of the amaXhosa. The latter group includes both traditional as well as Western Christian elements. The study was confined to the geographical area of Ciskei and more specifically the villages in and around Peddie and Ndevana near Zwelitsha, as regards traditional people, and the Black townships of Zwelitsha and Whittlesea,as regards more Westernized people. It is, however, the contention of the study that experiences discussed here are common to Blacks in South Africa irrespective of ethnicity. The justification for this generalisation is based on anthropological commonalities as well as historical vicissitudes among Blacks in Southern Africa. For instance, ritual slaughter performed after death in propitiation with the ancestors is known among all Blacks in South Africa. Also the Politico-historical events as well as socio-economic developments in the country affect Blacks in a more or less similar manner. For example, the changing family structure among Blacks, because of changes from one type of economy to another, is a social process affecting all Blacks in Southern Africa - in particular the working class (Colin Murray, 1980). The Funeral rites under study are postulated as possessing elements of therapeutic and practical value which result in the alleviation of grief and the encouragement of full acceptable means of mourning. The study is chiefly descriptive and anthropological material has been used. Recordings were made from participant observation whenever there was a funeral in the area studied. Information about funerals is easily obtainable as these are announced over Radio Ciskei and Radio Xhosa every evening. Mourners and interveners were interviewed. The former to elicit the needs they had felt, the latter to elicit the needs they had perceived the former to have. The Crisis Intervention Model is fairly simple to understand and uses practical theory. Therefore, it is not surprising that there should be elements of similarity between this model and the funeral rites of the amaXhosa as both deal with people in need of support. These funeral rites are rooted in a culture which has as one of its crucial aspects intimate, face-to-face interaction of its members in constant exchange as regards both emotional support and services. These "credit networks" ensure that a person is never bereft of emotional support. Moreover, temporary services are always accorded to a person in crisis. An effort has been made to relate the Crisis Intervention Model to the South African context of Blacks (both traditional as well as Christian). By necessity this has meant looking at all cultural dimensions of Black society - historical, political, economic and cultural, in order to provide a clearer picture of the people under study. That is, human psychological experiences of grief and mourning are seen as processes related to and developing within the concrete everyday realities. Some of the experiences described have been personally witnessed by the researcher in her personal involvement with cultural practices. Funerals are, of necessity, sad occasions and this study, using participant observation methods sometimes brought on sad memories of the researcher's own losses of loved ones. In the discussion a comparison was made between the traditional methods of grief work, the Crisis Intervention theory and the mourner studied and it was found that these rites do indeed, contain therapeutic and practical elements of dealing with grief and mourning, comparable to the Crisis Intervention Model. Finally in the conclusior a proposal for further areas of study in this field was suggested.
- Full Text:
- Date Issued: 1987
Funtime tonight
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/102150 , vital:32076 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC087a-15
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/102150 , vital:32076 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC087a-15
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
Funtime tonight
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/102155 , vital:32077 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC087a-16
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/102155 , vital:32077 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC087a-16
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
Gambling in the streets
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical song , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/103355 , vital:32237 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC091a-07
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical song , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/103355 , vital:32237 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC091a-07
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
Gates
- Authors: Berold, Robert
- Date: 1987
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/460245 , vital:75909 , https://journals.co.za/doi/epdf/10.10520/AJA00284459_438
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 1987
- Authors: Berold, Robert
- Date: 1987
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/460245 , vital:75909 , https://journals.co.za/doi/epdf/10.10520/AJA00284459_438
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 1987
Gijimani
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-za
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/99934 , vital:31770 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC080b-04
- Description: Instrumental music
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-za
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/99934 , vital:31770 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC080b-04
- Description: Instrumental music
- Full Text: false
- Date Issued: 1987
Girl from Soweto
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical song , Bass guitar , Drum , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/107028 , vital:32752 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC103a-06
- Description: Topical song accompanied by bass guitar and drum
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical song , Bass guitar , Drum , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/107028 , vital:32752 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC103a-06
- Description: Topical song accompanied by bass guitar and drum
- Full Text: false
- Date Issued: 1987
Girls girls girls
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/101966 , vital:32054 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC086b-12
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/101966 , vital:32054 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC086b-12
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
Gloria
- Christ the New Man Centre Congregation, Composer Not Specified, Dargie, Dave
- Authors: Christ the New Man Centre Congregation , Composer Not Specified , Dargie, Dave
- Date: 1987
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ngqoko f-sa
- Language: Setswana
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/301627 , vital:58076 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD105-04
- Description: Sung mass at Christ the New Man Centre.
- Full Text: false
- Date Issued: 1987
- Authors: Christ the New Man Centre Congregation , Composer Not Specified , Dargie, Dave
- Date: 1987
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ngqoko f-sa
- Language: Setswana
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/301627 , vital:58076 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD105-04
- Description: Sung mass at Christ the New Man Centre.
- Full Text: false
- Date Issued: 1987