Guy Butler (obituary)
- Authors: Wright, Laurence
- Date: 1999
- Language: English
- Type: Article
- Identifier: vital:7052 , http://hdl.handle.net/10962/d1007411
- Description: An obituary focusing on Guy Butler's Shakespearean preoccupations. The 1999/2000 volume of Shakespeare in Southern Africa only appeared in 2001. The Butler obituary was included as a 'stop-press' item as the volume went to print, which accounts for the apparent anomaly between the date of publication and the date of Guy Butler's death.
- Full Text:
- Date Issued: 1999
- Authors: Wright, Laurence
- Date: 1999
- Language: English
- Type: Article
- Identifier: vital:7052 , http://hdl.handle.net/10962/d1007411
- Description: An obituary focusing on Guy Butler's Shakespearean preoccupations. The 1999/2000 volume of Shakespeare in Southern Africa only appeared in 2001. The Butler obituary was included as a 'stop-press' item as the volume went to print, which accounts for the apparent anomaly between the date of publication and the date of Guy Butler's death.
- Full Text:
- Date Issued: 1999
The Winter's Tale shaping our own Renaissance. A play for the 21st Century
- Authors: Wright, Laurence
- Date: 1999
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/455874 , vital:75464 , https://hdl.handle.net/10520/AJA1011582X_198
- Description: The Winters Tale is an extraordinarily elusive play. My contention in this paper" is that, just as Hamlet became the Shakespearean drama for the nineteenth century, and King Lear spoke deeply to the twentieth centu-ry, so it may well be that The Winters Tale will take centre stage for the new millennium. We used to know what the play was about in an easy, non-problematic fashion. It was about repentance and reconciliation; it was about the cycle of the seasons; it was about the Pandosto sub-title,“The Triumph of Time"; later, it became a tricksy celebration of con-tention between Art and Nature (despite the considerable discomfort inflicted upon the dramatis personae), an experiment in the new genre of tragicomedy, or a glittering theatrical tour de force–a romance, but heartless and rather empty. I would maintain that beneath all such read-ings is the assumption that the play is really “a winter's tale': a some-what inconsequential yarn suitable for whiling away a cold evening round the fireside, a view often infused with some lingering taint of the Edwardian view that Shakespeare had “gone sloppy” in his technique."
- Full Text: false
- Date Issued: 1999
- Authors: Wright, Laurence
- Date: 1999
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/455874 , vital:75464 , https://hdl.handle.net/10520/AJA1011582X_198
- Description: The Winters Tale is an extraordinarily elusive play. My contention in this paper" is that, just as Hamlet became the Shakespearean drama for the nineteenth century, and King Lear spoke deeply to the twentieth centu-ry, so it may well be that The Winters Tale will take centre stage for the new millennium. We used to know what the play was about in an easy, non-problematic fashion. It was about repentance and reconciliation; it was about the cycle of the seasons; it was about the Pandosto sub-title,“The Triumph of Time"; later, it became a tricksy celebration of con-tention between Art and Nature (despite the considerable discomfort inflicted upon the dramatis personae), an experiment in the new genre of tragicomedy, or a glittering theatrical tour de force–a romance, but heartless and rather empty. I would maintain that beneath all such read-ings is the assumption that the play is really “a winter's tale': a some-what inconsequential yarn suitable for whiling away a cold evening round the fireside, a view often infused with some lingering taint of the Edwardian view that Shakespeare had “gone sloppy” in his technique."
- Full Text: false
- Date Issued: 1999
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