Apartheid Shakespeare On Trial: Rohan Quince. Shakespeare in South Africa: Stage Productions during the Apartheid Era: article review
- Authors: Wright, Laurence
- Date: 2003
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/455576 , vital:75440 , https://hdl.handle.net/10520/EJC48018
- Description: This is an important book for a number of reasons. First, it delineates a period of Shakespearean production in South Africa scarcely investigated. Secondly, the study takes trouble relating the productions under scrutiny to their socio-political milieu (not always successfully). And thirdly, it is written by someone who actively enjoys Shakespeare and the theatre.
- Full Text:
- Date Issued: 2003
- Authors: Wright, Laurence
- Date: 2003
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/455576 , vital:75440 , https://hdl.handle.net/10520/EJC48018
- Description: This is an important book for a number of reasons. First, it delineates a period of Shakespearean production in South Africa scarcely investigated. Secondly, the study takes trouble relating the productions under scrutiny to their socio-political milieu (not always successfully). And thirdly, it is written by someone who actively enjoys Shakespeare and the theatre.
- Full Text:
- Date Issued: 2003
Introduction [to the book "Scatter the Shrilling Bones" by Sithembele Isaac Xhegwana]
- Authors: Wright, Laurence
- Date: 2003
- Language: English
- Type: text , article
- Identifier: vital:7056 , http://hdl.handle.net/10962/d1007417
- Description: preprint , Scatter the Shrilling Bones by Sithembele Xhegwana comprises an ordered sequence of poems that conveys a journey both literal and spiritual. Revisitation is the organizing principle of the collection – the return to rural sources and origins by a consciousness estranged and illumined by modernity (cf. ‘The Return’). Underlying the collection is the theme of the night journey, whose archetype in western culture is Odysseus’ descent to the underworld – a pattern identified as such in the concluding essay ‘Starting from my Place: Notes on an Aesthetic’. The underworld here is literally the return to the home territory – a journey from Cape Town to the rural Eastern Cape – but also a revisiting of the mental world of traditional Africa: ‘Here at home, here all guilt begins’ (‘Homecoming’). The return journey is haunted by nightmare memories of mental illness, the schizophrenic episodes accompanying (or occasioned by?) the poet’s initial encounters with modernity. This illness is represented as both pathological and cultural – a price paid for challenging and rejecting the old certainties while grappling with new assumptions: “He undermines the ancestors, That’s why he suffers. Let him.” (‘To Himself’)
- Full Text:
- Date Issued: 2003
- Authors: Wright, Laurence
- Date: 2003
- Language: English
- Type: text , article
- Identifier: vital:7056 , http://hdl.handle.net/10962/d1007417
- Description: preprint , Scatter the Shrilling Bones by Sithembele Xhegwana comprises an ordered sequence of poems that conveys a journey both literal and spiritual. Revisitation is the organizing principle of the collection – the return to rural sources and origins by a consciousness estranged and illumined by modernity (cf. ‘The Return’). Underlying the collection is the theme of the night journey, whose archetype in western culture is Odysseus’ descent to the underworld – a pattern identified as such in the concluding essay ‘Starting from my Place: Notes on an Aesthetic’. The underworld here is literally the return to the home territory – a journey from Cape Town to the rural Eastern Cape – but also a revisiting of the mental world of traditional Africa: ‘Here at home, here all guilt begins’ (‘Homecoming’). The return journey is haunted by nightmare memories of mental illness, the schizophrenic episodes accompanying (or occasioned by?) the poet’s initial encounters with modernity. This illness is represented as both pathological and cultural – a price paid for challenging and rejecting the old certainties while grappling with new assumptions: “He undermines the ancestors, That’s why he suffers. Let him.” (‘To Himself’)
- Full Text:
- Date Issued: 2003
Shakespeare in the Media: Newspaper Response to Shakespeare in Post-Independence West Bengal, 1948-97, Lipika Sidkar: book review
- Authors: Wright, Laurence
- Date: 2003
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/455757 , vital:75454 , https://hdl.handle.net/10520/EJC48012
- Description: Reading this book is a cultural experience in itself, from the typography and layout, to the scholarly conventions observed, the treatment of the subject matter and its arrangement. I found it fascinating, perhaps exaggeratedly so because of abysmal ignorance on my part concerning the voluminous scholarly and text-book literature on Shakespeare which has streamed from the presses of the sub-continent.
- Full Text:
- Date Issued: 2003
- Authors: Wright, Laurence
- Date: 2003
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/455757 , vital:75454 , https://hdl.handle.net/10520/EJC48012
- Description: Reading this book is a cultural experience in itself, from the typography and layout, to the scholarly conventions observed, the treatment of the subject matter and its arrangement. I found it fascinating, perhaps exaggeratedly so because of abysmal ignorance on my part concerning the voluminous scholarly and text-book literature on Shakespeare which has streamed from the presses of the sub-continent.
- Full Text:
- Date Issued: 2003
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