Diski 9 Nine and Other Stories (and Things)
- Authors: Mahlabe, Stoffel Seshia
- Date: 2022-04-07
- Subjects: Creative writing (Higher education) South Africa , Diaries -- Authorship , South African essays (English) 21st century , Short stories, South African (English) 21st century , Portuguese fiction History and criticism , African literature (English) History and criticism , Ghanaian fiction (English) History and criticism , South African fiction (English) History and criticism
- Language: English
- Type: Master's thesis , text
- Identifier: http://hdl.handle.net/10962/232283 , vital:49978
- Description: My thesis is a collection of short stories that reflects the everyday lives of ordinary people. They touch on issues of morality within the current context, in such a way as to both entertain and educate. As a child I learned to imitate the wildly comical, sometimes dark dinoonwane and dithamalakwane stories I heard from elders. In my thesis, I draw on Amos Tutuola’s exuberant style of retelling Yoruba folktales and balance this with the languid candour of Jose Saramago’s Blindness. Stories such as Bessora’s The Milka Cow, and Micah Dean Hicks’s Crawfish Noon have impressed me deeply for their incredible, wild narrative strategies that still, however, emulate realism. Dambudzo Marechera and Can Themba are also present influences. Both have sprinklings of erudition in their writing, but in an earthy kind of way. Their writing contains transliterations that have a ring of the vernacular languages, an idiom that Africanises the English language. , Thesis (MA) -- Faculty of Humanities, School of Languages, 2022
- Full Text:
- Date Issued: 2022-04-07
- Authors: Mahlabe, Stoffel Seshia
- Date: 2022-04-07
- Subjects: Creative writing (Higher education) South Africa , Diaries -- Authorship , South African essays (English) 21st century , Short stories, South African (English) 21st century , Portuguese fiction History and criticism , African literature (English) History and criticism , Ghanaian fiction (English) History and criticism , South African fiction (English) History and criticism
- Language: English
- Type: Master's thesis , text
- Identifier: http://hdl.handle.net/10962/232283 , vital:49978
- Description: My thesis is a collection of short stories that reflects the everyday lives of ordinary people. They touch on issues of morality within the current context, in such a way as to both entertain and educate. As a child I learned to imitate the wildly comical, sometimes dark dinoonwane and dithamalakwane stories I heard from elders. In my thesis, I draw on Amos Tutuola’s exuberant style of retelling Yoruba folktales and balance this with the languid candour of Jose Saramago’s Blindness. Stories such as Bessora’s The Milka Cow, and Micah Dean Hicks’s Crawfish Noon have impressed me deeply for their incredible, wild narrative strategies that still, however, emulate realism. Dambudzo Marechera and Can Themba are also present influences. Both have sprinklings of erudition in their writing, but in an earthy kind of way. Their writing contains transliterations that have a ring of the vernacular languages, an idiom that Africanises the English language. , Thesis (MA) -- Faculty of Humanities, School of Languages, 2022
- Full Text:
- Date Issued: 2022-04-07
The self and the impossible pursuit of justice in J.M. Coetzee’s "Waiting for the barbarians, disgrace and foe”
- Authors: Swanepoel, Elbie
- Date: 2022-04-07
- Subjects: Coetzee, J M, 1940- Criticism and interpretation , Coetzee, J M, 1940- Waiting for the barbarians , Coetzee, J M, 1940- Disgrace , Coetzee, J M, 1940- Foe , Ethics in literature , Deconstruction , Postmodernism (Literature) , Justice in literature
- Language: English
- Type: Master's thesis , text
- Identifier: http://hdl.handle.net/10962/232294 , vital:49979
- Description: In its engagement with J.M. Coetzee’s Waiting for the Barbarians, Disgrace and Foe, this thesis explores how the philosophies of Emmanuel Levinas and Jacques Derrida can be used as a framework for understanding the self’s relationship with the other. In contrast to postcolonial readings of these texts, this thesis does not consider the separation between the self and the other in terms of social or cultural differences but rather the radical alterity of the other that is perceived in the face-to-face encounter. This study aims to illustrate how the engagement with alterity exposes the instability of the self’s structures of knowledge that, in these instances, are grounded in the Western metaphysical tradition. The effects of the self’s encounter with the other are seen in the personal transformation of Coetzee’s protagonists whose initial flaws and problematic worldviews are revealed in the context of the injustices done to the other. Furthermore, the study examines the extent to which the self is complicit in the suffering of the other and how this ultimately complicates their pursuit of justice for them. While the focus of this thesis is primarily on the characters, it also shows how the writer’s careful treatment of otherness functions to confront and engage the reader with the alterity of the other and the ethical dilemmas inherent in attempting to conceptualise it. The study concludes that the protagonists’ engagement with others and their subsequent confrontation with themselves lead them to consider what an ethical response to the other might be. This ethical turn results in positive change, however ambiguously, in their thoughts about and behaviours toward other beings. , Thesis (MA) -- Faculty of Humanities, English Language and Linguistics, 2022
- Full Text:
- Date Issued: 2022-04-07
- Authors: Swanepoel, Elbie
- Date: 2022-04-07
- Subjects: Coetzee, J M, 1940- Criticism and interpretation , Coetzee, J M, 1940- Waiting for the barbarians , Coetzee, J M, 1940- Disgrace , Coetzee, J M, 1940- Foe , Ethics in literature , Deconstruction , Postmodernism (Literature) , Justice in literature
- Language: English
- Type: Master's thesis , text
- Identifier: http://hdl.handle.net/10962/232294 , vital:49979
- Description: In its engagement with J.M. Coetzee’s Waiting for the Barbarians, Disgrace and Foe, this thesis explores how the philosophies of Emmanuel Levinas and Jacques Derrida can be used as a framework for understanding the self’s relationship with the other. In contrast to postcolonial readings of these texts, this thesis does not consider the separation between the self and the other in terms of social or cultural differences but rather the radical alterity of the other that is perceived in the face-to-face encounter. This study aims to illustrate how the engagement with alterity exposes the instability of the self’s structures of knowledge that, in these instances, are grounded in the Western metaphysical tradition. The effects of the self’s encounter with the other are seen in the personal transformation of Coetzee’s protagonists whose initial flaws and problematic worldviews are revealed in the context of the injustices done to the other. Furthermore, the study examines the extent to which the self is complicit in the suffering of the other and how this ultimately complicates their pursuit of justice for them. While the focus of this thesis is primarily on the characters, it also shows how the writer’s careful treatment of otherness functions to confront and engage the reader with the alterity of the other and the ethical dilemmas inherent in attempting to conceptualise it. The study concludes that the protagonists’ engagement with others and their subsequent confrontation with themselves lead them to consider what an ethical response to the other might be. This ethical turn results in positive change, however ambiguously, in their thoughts about and behaviours toward other beings. , Thesis (MA) -- Faculty of Humanities, English Language and Linguistics, 2022
- Full Text:
- Date Issued: 2022-04-07
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