A baseline study of youth identity, the media and the public sphere in South Africa:
- Malila, Vanessa, Duncan, Jane, Costera Meijer, Irene, Drok, Nico, Garman, Anthea, Strelitz, Larry N, Steenveld, Lynette N, Bosch, Tanja, Ndlovu, Musa
- Authors: Malila, Vanessa , Duncan, Jane , Costera Meijer, Irene , Drok, Nico , Garman, Anthea , Strelitz, Larry N , Steenveld, Lynette N , Bosch, Tanja , Ndlovu, Musa
- Date: 2013
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159780 , vital:40343 , https://research.vu.nl/ws/portalfiles/portal/3635364/Baseline+study+single+column+(1).pdf
- Description: The project on youth identity, the media and the public sphere in South Africa was led by Prof Jane Duncan, Highway Africa Chair of Media and Information Society, at Rhodes University in South Africa. The research project was funded by the South Africa Netherlands Research Programme on Alternatives in Development (SANPAD), and partnered in the Netherlands with Prof Irene Costera Meijer (of VU University of Amsterdam) and Prof Nico Drok (of Windesheim University).
- Full Text:
- Date Issued: 2013
- Authors: Malila, Vanessa , Duncan, Jane , Costera Meijer, Irene , Drok, Nico , Garman, Anthea , Strelitz, Larry N , Steenveld, Lynette N , Bosch, Tanja , Ndlovu, Musa
- Date: 2013
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159780 , vital:40343 , https://research.vu.nl/ws/portalfiles/portal/3635364/Baseline+study+single+column+(1).pdf
- Description: The project on youth identity, the media and the public sphere in South Africa was led by Prof Jane Duncan, Highway Africa Chair of Media and Information Society, at Rhodes University in South Africa. The research project was funded by the South Africa Netherlands Research Programme on Alternatives in Development (SANPAD), and partnered in the Netherlands with Prof Irene Costera Meijer (of VU University of Amsterdam) and Prof Nico Drok (of Windesheim University).
- Full Text:
- Date Issued: 2013
Africa: Media
- Authors: Garman, Anthea
- Date: 2003
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158752 , vital:40225 , https://hdl.handle.net/10520/EJC146281
- Description: Those are our twin concerns as we move into this new moment in human history which is being called the "Information Society" or the "Information Age".
- Full Text:
- Date Issued: 2003
- Authors: Garman, Anthea
- Date: 2003
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158752 , vital:40225 , https://hdl.handle.net/10520/EJC146281
- Description: Those are our twin concerns as we move into this new moment in human history which is being called the "Information Society" or the "Information Age".
- Full Text:
- Date Issued: 2003
Alexandra Fuller of Southern Africa: a white woman writer goes west
- Garman, Anthea, Rennie, Gillian
- Authors: Garman, Anthea , Rennie, Gillian
- Date: 2015
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159924 , vital:40356 , https://ialjs.org/wp-content/uploads/2015/05/134-147-LJS_v7n1.pdf
- Description: In terms of nationality, Alexandra Fuller is difficult to pigeonhole. She was born in England but from age two was brought up in Southern Africa (mostly Rhodesia). She married an American working in Zambia and then moved to Wyoming to raise a family. She has written three books about her family, their peripatetic life, and the violence of decolonizing Africa. The success of these works has made her one of the few African female nonfction writers to gain an international audience. Fuller’s longform journalism has been published in Granta and the Guardian in the United Kingdom, and in the New Yorker, Harper’s, National Geographic, Byliner, and Vogue in the United States. This paper traces the arc of a writer transcending her continent to break into the competitive American magazine market, portraying the complex land from which she has come for a foreign audience.
- Full Text:
- Date Issued: 2015
- Authors: Garman, Anthea , Rennie, Gillian
- Date: 2015
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159924 , vital:40356 , https://ialjs.org/wp-content/uploads/2015/05/134-147-LJS_v7n1.pdf
- Description: In terms of nationality, Alexandra Fuller is difficult to pigeonhole. She was born in England but from age two was brought up in Southern Africa (mostly Rhodesia). She married an American working in Zambia and then moved to Wyoming to raise a family. She has written three books about her family, their peripatetic life, and the violence of decolonizing Africa. The success of these works has made her one of the few African female nonfction writers to gain an international audience. Fuller’s longform journalism has been published in Granta and the Guardian in the United Kingdom, and in the New Yorker, Harper’s, National Geographic, Byliner, and Vogue in the United States. This paper traces the arc of a writer transcending her continent to break into the competitive American magazine market, portraying the complex land from which she has come for a foreign audience.
- Full Text:
- Date Issued: 2015
Anger, Pain and the Body in the Public Sphere:
- Authors: Garman, Anthea
- Date: 2020
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/158459 , vital:40188 , ISBN 9781776145898
- Description: In this timely, original and sophisticated collection, writers from the Global South demonstrate that forms of publicness are multiple, mobile and varied. The notion that societies mediate issues through certain kinds of engagement is at the heart of imaginings of democracy and often centers on the ideal of the public sphere. But this imagined foundation of how we live collectively appears to have suffered a dramatic collapse across the world, with many democracies apparently unable to solve problems through talk – or even to agree on who speaks, in what ways and where. In the 10 essays in this timely, original and sophisticated collection, writers from southern Africa combine theoretical analysis with the examination of historical cases and contemporary developments to demonstrate that forms of publicness are multiple, mobile and varied. They propose new concepts and methodologies to analyse how public engagements work in society.
- Full Text:
- Date Issued: 2020
- Authors: Garman, Anthea
- Date: 2020
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/158459 , vital:40188 , ISBN 9781776145898
- Description: In this timely, original and sophisticated collection, writers from the Global South demonstrate that forms of publicness are multiple, mobile and varied. The notion that societies mediate issues through certain kinds of engagement is at the heart of imaginings of democracy and often centers on the ideal of the public sphere. But this imagined foundation of how we live collectively appears to have suffered a dramatic collapse across the world, with many democracies apparently unable to solve problems through talk – or even to agree on who speaks, in what ways and where. In the 10 essays in this timely, original and sophisticated collection, writers from southern Africa combine theoretical analysis with the examination of historical cases and contemporary developments to demonstrate that forms of publicness are multiple, mobile and varied. They propose new concepts and methodologies to analyse how public engagements work in society.
- Full Text:
- Date Issued: 2020
Antjie Krog and the accumulation of ‘media meta‐capital’:
- Authors: Garman, Anthea
- Date: 2007
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159713 , vital:40336 , DOI: 10.1080/1013929X.2007.9678272
- Description: While Krog's significant body of work in poetry, prose and journalism is undoubtedly central in her trajectory towards international renown, in this essay I explore the dynamics of her “meteoric rise in status”. The news media's role in mediating Krog to the world for nearly 40 years becomes crucial to this investigation. I use a mix of media theory and field theory to illuminate the multi‐faceted and complex relationship Krog has had with the news media and I argue that her acquisition of ‘media meta‐capital’ has played a significant role in her attainment of a unique voice and speaking platform in a postapartheid, public domain in which few white voices, and especially Afrikaner ones, are being heard.
- Full Text:
- Date Issued: 2007
- Authors: Garman, Anthea
- Date: 2007
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159713 , vital:40336 , DOI: 10.1080/1013929X.2007.9678272
- Description: While Krog's significant body of work in poetry, prose and journalism is undoubtedly central in her trajectory towards international renown, in this essay I explore the dynamics of her “meteoric rise in status”. The news media's role in mediating Krog to the world for nearly 40 years becomes crucial to this investigation. I use a mix of media theory and field theory to illuminate the multi‐faceted and complex relationship Krog has had with the news media and I argue that her acquisition of ‘media meta‐capital’ has played a significant role in her attainment of a unique voice and speaking platform in a postapartheid, public domain in which few white voices, and especially Afrikaner ones, are being heard.
- Full Text:
- Date Issued: 2007
Antjie Krog and the post-apartheid public sphere: Speaking poetry to power
- Authors: Garman, Anthea
- Date: 2015
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/159913 , vital:40355 , ISBN 978-1869142933
- Description: Antjie Krog has been known in Afrikaans literary circles and the media for decades because of her poetry and her strong political convictions. Often known simply as 'Antjie,' she is also affectionately called 'our beloved poet' and our 'Joan of Arc' by Afrikaans commentators. It was through her work on the Truth and Reconciliation Commission as an SABC radio journalist and her subsequent book, Country of My Skull, that Antjie Krog then became known to English-speakers in South Africa and across the world. Her work catapulted her particular brand of poetics and politics, honed over many years of her opposition to apartheid, into the South African public sphere at a time when the country was not only looking for a humane and just resolution after the apartheid era, but was also establishing itself as a new democracy.
- Full Text:
- Date Issued: 2015
- Authors: Garman, Anthea
- Date: 2015
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/159913 , vital:40355 , ISBN 978-1869142933
- Description: Antjie Krog has been known in Afrikaans literary circles and the media for decades because of her poetry and her strong political convictions. Often known simply as 'Antjie,' she is also affectionately called 'our beloved poet' and our 'Joan of Arc' by Afrikaans commentators. It was through her work on the Truth and Reconciliation Commission as an SABC radio journalist and her subsequent book, Country of My Skull, that Antjie Krog then became known to English-speakers in South Africa and across the world. Her work catapulted her particular brand of poetics and politics, honed over many years of her opposition to apartheid, into the South African public sphere at a time when the country was not only looking for a humane and just resolution after the apartheid era, but was also establishing itself as a new democracy.
- Full Text:
- Date Issued: 2015
Being South African and belonging: the status and practice of mediated citizenship in a new democracy
- Wasserman, Herman, Garman, Anthea
- Authors: Wasserman, Herman , Garman, Anthea
- Date: 2013
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/159769 , vital:40342 , ISBN 978-1-84888-186-0
- Description: Democratic South Africa, with its highly inclusive constitution and embrace of all races, creeds and colours, could be understood as having an ideal form of citizenship to be emulated by other nations. At the heart of the 1996 constitution is the eradication of apartheid separation and the provision that all South Africans have shared humanity (‘ubuntu’). The Truth and Reconciliation Commission entrenched three founding critical ideas in public life: the right to talk, the recognition of shared humanity and the impulse to speak out about the horrors of the past. As a result the public sphere is filled with a great outpouring of personal stories and experiences in both the mainstream and popular forms of media. But South Africans continue to be preoccupied with the status of their citizenship; who a South African is and who belongs is uppermost in many public conversations.
- Full Text:
- Date Issued: 2013
- Authors: Wasserman, Herman , Garman, Anthea
- Date: 2013
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/159769 , vital:40342 , ISBN 978-1-84888-186-0
- Description: Democratic South Africa, with its highly inclusive constitution and embrace of all races, creeds and colours, could be understood as having an ideal form of citizenship to be emulated by other nations. At the heart of the 1996 constitution is the eradication of apartheid separation and the provision that all South Africans have shared humanity (‘ubuntu’). The Truth and Reconciliation Commission entrenched three founding critical ideas in public life: the right to talk, the recognition of shared humanity and the impulse to speak out about the horrors of the past. As a result the public sphere is filled with a great outpouring of personal stories and experiences in both the mainstream and popular forms of media. But South Africans continue to be preoccupied with the status of their citizenship; who a South African is and who belongs is uppermost in many public conversations.
- Full Text:
- Date Issued: 2013
Book Review: Black, white and grey: Ethics in South African journalism:
- Garman, Anthea, Mwale, Pascal N
- Authors: Garman, Anthea , Mwale, Pascal N
- Date: 2010
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159968 , vital:40360 , DOI: 10.1080/02560054.2005.9653325
- Description: Book Review: Black, white and grey: Ethics in South African journalism by Franz Krüger Cape Town, Double Storey, 2004. Reviewed by Anthea Garman and Pascal N. Mwale.
- Full Text:
- Date Issued: 2010
- Authors: Garman, Anthea , Mwale, Pascal N
- Date: 2010
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159968 , vital:40360 , DOI: 10.1080/02560054.2005.9653325
- Description: Book Review: Black, white and grey: Ethics in South African journalism by Franz Krüger Cape Town, Double Storey, 2004. Reviewed by Anthea Garman and Pascal N. Mwale.
- Full Text:
- Date Issued: 2010
Book Review: Herman Wasserman, Media, Geopolitics and Power
- Authors: Garman, Anthea
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158449 , vital:40187 , https://0-doi.org.wam.seals.ac.za/10.1177/0021909619851645
- Description: The strength of this book is not only that Herman Wasserman gives us a comprehensive overview of the major changes in South Africa’s journalism industries since the transition to democracy, but that he does it through the theoretical lens of Global South thinking. In order to cover the terrain thoroughly Wasserman draws on years of careful observation of – and his previous writings on – the shifts in the institutions and practices of journalism.
- Full Text:
- Date Issued: 2019
- Authors: Garman, Anthea
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158449 , vital:40187 , https://0-doi.org.wam.seals.ac.za/10.1177/0021909619851645
- Description: The strength of this book is not only that Herman Wasserman gives us a comprehensive overview of the major changes in South Africa’s journalism industries since the transition to democracy, but that he does it through the theoretical lens of Global South thinking. In order to cover the terrain thoroughly Wasserman draws on years of careful observation of – and his previous writings on – the shifts in the institutions and practices of journalism.
- Full Text:
- Date Issued: 2019
Capital E for events: ways that work: useful solutions
- Authors: Garman, Anthea
- Date: 2003
- Language: English
- Type: text , article
- Identifier: vital:38359 , http://hdl.handle.net/10520/EJC146297
- Description: You would think being located in a small town in one of the most impoverished provinces in South Africa would be a drawback for making media. But a small town is a reachable, convenient laboratory environment for student journalists - and never more so than when the National Arts Festival comes to Grahamstown during the winter vacation.
- Full Text:
- Date Issued: 2003
- Authors: Garman, Anthea
- Date: 2003
- Language: English
- Type: text , article
- Identifier: vital:38359 , http://hdl.handle.net/10520/EJC146297
- Description: You would think being located in a small town in one of the most impoverished provinces in South Africa would be a drawback for making media. But a small town is a reachable, convenient laboratory environment for student journalists - and never more so than when the National Arts Festival comes to Grahamstown during the winter vacation.
- Full Text:
- Date Issued: 2003
Capital or critique?: when journalism education seeks to influence the field
- Boshoff, Priscilla A, Garman, Anthea
- Authors: Boshoff, Priscilla A , Garman, Anthea
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/143392 , vital:38242 , DOI: 10.1080/02560046.2016.1262437
- Description: Drawing on Bourdieu’s theories of field and capital, we examine the limitations that a journalism school at a prestigious university faces in making a meaningful contribution to the field within a developing country. In the postapartheid South African media landscape, journalism is under pressure both from global forces and a political imperative to address social justice. Given the heterogeneity of the journalistic field and the fact that what counts as capital in it is contested, the School of Journalism and Media Studies at Rhodes University attempts to redefine the parameters by inculcating a particular approach to and philosophy of journalism practice. While Rhodes wants to educate excellent (professional) journalists, it is guided by an overt political mission to cultivate a journalism that is not necessarily ‘in sync’ with the wider field. Ironically, most undergraduates come from the economic and cultural elite, with specific intentions to accumulate the capital which Rhodes bestows. Students are confronted with their privilege and with alternative ideas about the purpose of journalism, and are asked to make choices and take up positions. We consider whether this critical praxis approach is able to influence the ‘state of play’ – or the distribution of power – within the field.
- Full Text:
- Date Issued: 2017
- Authors: Boshoff, Priscilla A , Garman, Anthea
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/143392 , vital:38242 , DOI: 10.1080/02560046.2016.1262437
- Description: Drawing on Bourdieu’s theories of field and capital, we examine the limitations that a journalism school at a prestigious university faces in making a meaningful contribution to the field within a developing country. In the postapartheid South African media landscape, journalism is under pressure both from global forces and a political imperative to address social justice. Given the heterogeneity of the journalistic field and the fact that what counts as capital in it is contested, the School of Journalism and Media Studies at Rhodes University attempts to redefine the parameters by inculcating a particular approach to and philosophy of journalism practice. While Rhodes wants to educate excellent (professional) journalists, it is guided by an overt political mission to cultivate a journalism that is not necessarily ‘in sync’ with the wider field. Ironically, most undergraduates come from the economic and cultural elite, with specific intentions to accumulate the capital which Rhodes bestows. Students are confronted with their privilege and with alternative ideas about the purpose of journalism, and are asked to make choices and take up positions. We consider whether this critical praxis approach is able to influence the ‘state of play’ – or the distribution of power – within the field.
- Full Text:
- Date Issued: 2017
Confession and public life in post‐apartheid South Africa: A Foucauldian reading of Antjie Krog's country of my skull
- Authors: Garman, Anthea
- Date: 2006
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159724 , vital:40337 , DOI: 10.1080/02564710608530406
- Description: Truth commissions around the world have given the technique of confession a new public currency and political power. Many works of literature thematising these commissions have also adopted the technique of confession for literary purposes. In this paper I bring Foucault's understanding of the technique of confession, and his discourse on the role of public intellectuals in modernity, to bear upon an examination of Antjie Krog's literary reflection of the work of the Truth and Reconciliation Commission (TRC), entitled Country of My Skull (1998). I look at how this text, and Krog's subsequent public intellectual status as a witness of the TRC, perpetuate the technique of confession without problematising it in ways that Foucault's work would suggest is necessary.
- Full Text:
- Date Issued: 2006
- Authors: Garman, Anthea
- Date: 2006
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159724 , vital:40337 , DOI: 10.1080/02564710608530406
- Description: Truth commissions around the world have given the technique of confession a new public currency and political power. Many works of literature thematising these commissions have also adopted the technique of confession for literary purposes. In this paper I bring Foucault's understanding of the technique of confession, and his discourse on the role of public intellectuals in modernity, to bear upon an examination of Antjie Krog's literary reflection of the work of the Truth and Reconciliation Commission (TRC), entitled Country of My Skull (1998). I look at how this text, and Krog's subsequent public intellectual status as a witness of the TRC, perpetuate the technique of confession without problematising it in ways that Foucault's work would suggest is necessary.
- Full Text:
- Date Issued: 2006
Digital disruption: some instagrams
- Authors: Garman, Anthea
- Date: 2014
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/144558 , vital:38357 , https://0-hdl.handle.net.wam.seals.ac.za/10520/EJC159516
- Description: I'm going to shamelessly pinch someone else's language to think about the changes and challenges of this media moment we are living through and take the theme for the Mennel Media Exchange (MMX14), organised by Laurie Bley of Duke University and Patrick Conroy of eNCA and held in Johannesburg in July. “ Digital disruption" doesn't fallen into the neat pessimism or optimism so emblematic of our times but does say forcefully that we are all on uncertain ground and need to reconfigure our ways of doing and being in media making, media managing and in education.
- Full Text:
- Date Issued: 2014
- Authors: Garman, Anthea
- Date: 2014
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/144558 , vital:38357 , https://0-hdl.handle.net.wam.seals.ac.za/10520/EJC159516
- Description: I'm going to shamelessly pinch someone else's language to think about the changes and challenges of this media moment we are living through and take the theme for the Mennel Media Exchange (MMX14), organised by Laurie Bley of Duke University and Patrick Conroy of eNCA and held in Johannesburg in July. “ Digital disruption" doesn't fallen into the neat pessimism or optimism so emblematic of our times but does say forcefully that we are all on uncertain ground and need to reconfigure our ways of doing and being in media making, media managing and in education.
- Full Text:
- Date Issued: 2014
Editorial:
- Authors: Garman, Anthea
- Date: 2013
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158840 , vital:40233 , https://hdl.handle.net/10520/EJC141608
- Description: If you've been a Rhodes Journalism Review reader for a while, you'll be surprised by the smaller magazine you are holding in your hands right now. RJR started off life as an A4 but has been big since no 9, December 1994, and the size I inherited when I started as editor in 1997. It's a format I've always loved; it stands (er, stood) out among the wash of pamphlets at international conferences, it gave designers and photographers a fantastic sweep of canvas, and it was distinctive in the world of magazines, a true original.
- Full Text:
- Date Issued: 2013
- Authors: Garman, Anthea
- Date: 2013
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158840 , vital:40233 , https://hdl.handle.net/10520/EJC141608
- Description: If you've been a Rhodes Journalism Review reader for a while, you'll be surprised by the smaller magazine you are holding in your hands right now. RJR started off life as an A4 but has been big since no 9, December 1994, and the size I inherited when I started as editor in 1997. It's a format I've always loved; it stands (er, stood) out among the wash of pamphlets at international conferences, it gave designers and photographers a fantastic sweep of canvas, and it was distinctive in the world of magazines, a true original.
- Full Text:
- Date Issued: 2013
Editorial:
- Authors: Garman, Anthea
- Date: 2013
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158851 , vital:40234 , https://hdl.handle.net/10520/EJC141608
- Description: If you've been a Rhodes Journalism Review reader for a while, you'll be surprised by the smaller magazine you are holding in your hands right now. RJR started off life as an A4 but has been big since no 9, December 1994, and the size I inherited when I started as editor in 1997. It's a format I've always loved; it stands (er, stood) out among the wash of pamphlets at international conferences, it gave designers and photographers a fantastic sweep of canvas, and it was distinctive in the world of magazines, a true original.
- Full Text:
- Date Issued: 2013
- Authors: Garman, Anthea
- Date: 2013
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158851 , vital:40234 , https://hdl.handle.net/10520/EJC141608
- Description: If you've been a Rhodes Journalism Review reader for a while, you'll be surprised by the smaller magazine you are holding in your hands right now. RJR started off life as an A4 but has been big since no 9, December 1994, and the size I inherited when I started as editor in 1997. It's a format I've always loved; it stands (er, stood) out among the wash of pamphlets at international conferences, it gave designers and photographers a fantastic sweep of canvas, and it was distinctive in the world of magazines, a true original.
- Full Text:
- Date Issued: 2013
Global resonance, local amplification: Antjie Krog on a world stage
- Authors: Garman, Anthea
- Date: 2010
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159736 , vital:40338 , https://doi.org/10.1080/02533950903562468
- Description: As a result of the publication of Country of my Skull, an extraordinary literary enactment of witness and confession, Antjie Krog has become internationally known as a writer profoundly engaged with the events and human drama uncovered by the South African Truth and Reconciliation Commission. Her voice is read as that of an expert witness of trauma, forgiveness and the means by which the horrors of the past may be addressed. In seeking to understand how Krog came to be taken up internationally as a representative voice of the South African transition, I focus on a particular global–local nexus for an explanation. I theorise that dealing with the past via truth commissions, a global publishing context and the work of a local writer with a record of excellent literary output and political action enabled a fit which resulted in Krog coming to prominence on a world stage.
- Full Text:
- Date Issued: 2010
- Authors: Garman, Anthea
- Date: 2010
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159736 , vital:40338 , https://doi.org/10.1080/02533950903562468
- Description: As a result of the publication of Country of my Skull, an extraordinary literary enactment of witness and confession, Antjie Krog has become internationally known as a writer profoundly engaged with the events and human drama uncovered by the South African Truth and Reconciliation Commission. Her voice is read as that of an expert witness of trauma, forgiveness and the means by which the horrors of the past may be addressed. In seeking to understand how Krog came to be taken up internationally as a representative voice of the South African transition, I focus on a particular global–local nexus for an explanation. I theorise that dealing with the past via truth commissions, a global publishing context and the work of a local writer with a record of excellent literary output and political action enabled a fit which resulted in Krog coming to prominence on a world stage.
- Full Text:
- Date Issued: 2010
Intermediating Africa:
- Authors: Garman, Anthea
- Date: 2007
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158806 , vital:40230 , https://hdl.handle.net/10520/EJC144693
- Description: In July, Vanity Fair, based in New York, did a unique special edition. Editor Graydon Carter explained how it came about: "Earlier this year, Mark Dowley, a marketing polymath at the Endeavour talent agency who has been involved with Bono's (Red) campaign from the start, called to inquire if I would be interested in having him guest edit an issue of the magazine. Interested? I'll say!".
- Full Text:
- Date Issued: 2007
- Authors: Garman, Anthea
- Date: 2007
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158806 , vital:40230 , https://hdl.handle.net/10520/EJC144693
- Description: In July, Vanity Fair, based in New York, did a unique special edition. Editor Graydon Carter explained how it came about: "Earlier this year, Mark Dowley, a marketing polymath at the Endeavour talent agency who has been involved with Bono's (Red) campaign from the start, called to inquire if I would be interested in having him guest edit an issue of the magazine. Interested? I'll say!".
- Full Text:
- Date Issued: 2007
Interrogating citizen journalism practices: a case study of Rhodes University’s Lindaba Ziyafika Project
- Nyathi, Sihle, Garman, Anthea
- Authors: Nyathi, Sihle , Garman, Anthea
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158915 , vital:40240 , https://doi.org/10.1080/23743670.2016.1259740
- Description: Several scholars have noted that citizen journalism in the West is essentially an online phenomenon, driven by the affordability of Internet technologies. In Africa, projects such as Ushahidi in Kenya have been enabled by platforms such as cell phones and social networks. Voices of Africa, based in southern Africa, publishes on the web only. Publishing on the Internet presumes a citizenry which is relatively well educated; has familiarity with, and access to, new media as a form of social communication; and is confident in their right to participate in newly developed public spheres – particularly those online.
- Full Text:
- Date Issued: 2017
- Authors: Nyathi, Sihle , Garman, Anthea
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158915 , vital:40240 , https://doi.org/10.1080/23743670.2016.1259740
- Description: Several scholars have noted that citizen journalism in the West is essentially an online phenomenon, driven by the affordability of Internet technologies. In Africa, projects such as Ushahidi in Kenya have been enabled by platforms such as cell phones and social networks. Voices of Africa, based in southern Africa, publishes on the web only. Publishing on the Internet presumes a citizenry which is relatively well educated; has familiarity with, and access to, new media as a form of social communication; and is confident in their right to participate in newly developed public spheres – particularly those online.
- Full Text:
- Date Issued: 2017
Khoisan revivalism: the claims of Africa’s first indigenous peoples: racism and the media
- Authors: Garman, Anthea
- Date: 2001
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/${Handle} , vital:40222 , https://hdl.handle.net/10520/EJC144705
- Description: An unexpected development in post-apartheid South Africa is the revivalism of Khoisan identity, the truly indigenous of the country whose blood flows through many who now know themselves by different names.
- Full Text:
- Date Issued: 2001
- Authors: Garman, Anthea
- Date: 2001
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/${Handle} , vital:40222 , https://hdl.handle.net/10520/EJC144705
- Description: An unexpected development in post-apartheid South Africa is the revivalism of Khoisan identity, the truly indigenous of the country whose blood flows through many who now know themselves by different names.
- Full Text:
- Date Issued: 2001
Listening and the ambiguities of voice in South African journalism:
- Garman, Anthea, Malila, Vanessa
- Authors: Garman, Anthea , Malila, Vanessa
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158394 , vital:40180 , https://doi.org/10.1080/02500167.2016.1226914
- Description: Political theorists like Bickford (1996) and media theorists like Couldry (2006) have introduced the concept of listening as a complement to long-standing discussions about voice in democracies and in the media which serve the democratic project. This enhanced understanding of voice goes beyond just hearing into giving serious attention to, in particular, marginalised voices. This article reports on an investigation into the ways in which mainstream and community media in the Eastern Cape, South Africa, understand listening as an important part of their role as journalists. Interviews probed the attitudes of journalists and editors towards listening, and also interrogated their own understandings of their role in South Africa, particularly in relation to young people who are finding their political “voice”.
- Full Text:
- Date Issued: 2017
- Authors: Garman, Anthea , Malila, Vanessa
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158394 , vital:40180 , https://doi.org/10.1080/02500167.2016.1226914
- Description: Political theorists like Bickford (1996) and media theorists like Couldry (2006) have introduced the concept of listening as a complement to long-standing discussions about voice in democracies and in the media which serve the democratic project. This enhanced understanding of voice goes beyond just hearing into giving serious attention to, in particular, marginalised voices. This article reports on an investigation into the ways in which mainstream and community media in the Eastern Cape, South Africa, understand listening as an important part of their role as journalists. Interviews probed the attitudes of journalists and editors towards listening, and also interrogated their own understandings of their role in South Africa, particularly in relation to young people who are finding their political “voice”.
- Full Text:
- Date Issued: 2017