Abakaikula kitulayeza twena tucome Mlekule
- Siluvesitere Ilaliya, Hugh Tracey
- Authors: Siluvesitere Ilaliya , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Nyalubungo f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172689 , vital:42271 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR147-04
- Description: "When we harvest our crops we shall all enjoy dancing the Mlekule." Mlekule is a dance perfromed for the chief at his village. The microphone started beneath the instrument and was moved above when he started singing in order to show the difference of tone between the upper and lower surfaces of the resonator. It is interesting to note that unlike the Likembe Mbira further south, the resonator of this instrument is broader at the top than at the bottom, i.e. the bridge end is the broader. The scale was:- 332, 308, 280, 252, 228, 204, 184, 166 vs. Self delecatative tune, with Marimbe Likembe, box resonated, 18 notes.
- Full Text: false
- Date Issued: 1950
- Authors: Siluvesitere Ilaliya , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Nyalubungo f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172689 , vital:42271 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR147-04
- Description: "When we harvest our crops we shall all enjoy dancing the Mlekule." Mlekule is a dance perfromed for the chief at his village. The microphone started beneath the instrument and was moved above when he started singing in order to show the difference of tone between the upper and lower surfaces of the resonator. It is interesting to note that unlike the Likembe Mbira further south, the resonator of this instrument is broader at the top than at the bottom, i.e. the bridge end is the broader. The scale was:- 332, 308, 280, 252, 228, 204, 184, 166 vs. Self delecatative tune, with Marimbe Likembe, box resonated, 18 notes.
- Full Text: false
- Date Issued: 1950
Abakankuli Kitulayeza Turena mlekule
- Siluvesitere Ilaliya, Composer not specified, Tracey, Hugh
- Authors: Siluvesitere Ilaliya , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/297147 , vital:57547 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1796-XYZ5202b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Siluvesitere Ilaliya , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/297147 , vital:57547 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1796-XYZ5202b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Mlekule bona Mbajenda bona
- Siluvesitere Ilaliya, Composer not specified, Tracey, Hugh
- Authors: Siluvesitere Ilaliya , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/297131 , vital:57546 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1796-XYZ5202a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Siluvesitere Ilaliya , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/297131 , vital:57546 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1796-XYZ5202a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Mlekule bona Nibajenda bona
- Siluvesitere Ilaliya, Seef, Tracey, Hugh
- Authors: Siluvesitere Ilaliya , Seef , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania city not specified f-
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/302303 , vital:58164 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1795-XYZ5199a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Siluvesitere Ilaliya , Seef , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania city not specified f-
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/302303 , vital:58164 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1795-XYZ5199a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Mlekule bona nibajenda bona
- Siluvesitere Ilaliya, Hugh Tracey
- Authors: Siluvesitere Ilaliya , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Nyalubungo f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172684 , vital:42270 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR147-03
- Description: "We all like to dance the Mlekule." The microphone started beneath the instrument and was moved above when he started singing in order to show the difference of tone between the upper and lower surfaces of the resonator. It is interesting to note that unlike the Likembe Mbira further south, the resonator of this instrument is broader at the top than at the bottom, i.e. the bridge end is the broader. The scale was:- 332, 308, 280, 252, 228, 204, 184, 166 vs. Self delecatative tune, with Marimbe Likembe, box resonated, 18 notes.
- Full Text: false
- Date Issued: 1950
- Authors: Siluvesitere Ilaliya , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Nyalubungo f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172684 , vital:42270 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR147-03
- Description: "We all like to dance the Mlekule." The microphone started beneath the instrument and was moved above when he started singing in order to show the difference of tone between the upper and lower surfaces of the resonator. It is interesting to note that unlike the Likembe Mbira further south, the resonator of this instrument is broader at the top than at the bottom, i.e. the bridge end is the broader. The scale was:- 332, 308, 280, 252, 228, 204, 184, 166 vs. Self delecatative tune, with Marimbe Likembe, box resonated, 18 notes.
- Full Text: false
- Date Issued: 1950
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