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Kakili kanowana

  • Authors: Jimu Zulu , Ledsoni Mwali , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Nsenga (African people) , Ngoni (African people) , Folk songs, Tonga (Zambezi) , Tonga (Zambezi people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Petauke f-za
  • Language: Nsenga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/184455 , vital:44224 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR185-07
  • Description: It was explained that this song is sung "When we go out hunting for five days." In Northern Rhodesia especially, axe blades are often used as an accompaniment to song. This single blade is not however a good example. Men will knock the triangular blades out of their handles and tap them rhythmically. This particularly effective when a number of blades are used each producing its distinctive oitch of note which serves to accentuate the pattern of the crossed rhythm which are tapped out. The choice of harmonic intervals in this song is interesting. Hunting song, with two pieces of metal (1 axe blade)
  • Full Text: false
  • Date Issued: 1957

Kakonko

Kakonko (The small rough "knot" that spoils good work)

  • Authors: Isaac Matafwana and Sunkutu , Hugh Tracey
  • Date: 1957
  • Subjects: Folk songs, Ambo (Zambia) , Folk songs, Bemba , Topical songs , Africa Zambia Mufulira f-za
  • Language: bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/135143 , vital:37241 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0023-09
  • Description: He goes on to say: "If your mother has no wisdom, how can you have wisdom?" " I married a beautiful woman, but I left her for she was diseased."If a small imperfection spoils an otherwise good work, they call the obstruction a "knot", as in a string. Topical song with guitar and bottle.
  • Full Text: false
  • Date Issued: 1957

Kakwezhi (The month)

Kalele kiwetu yamba mwana ambaya

Kalikambo? (What is the cause?)

  • Authors: Group of Tonga men and girls , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138572 , vital:37651 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR044-08
  • Description: The dancers would come out in pairs, man and girl, dance together for a while opposite each other and then retire to make way for others. Mankuntu dance song for men and women with 2 goblet drums beaten by sticks, and 1 Kayanda conical drum played with hands.
  • Full Text: false
  • Date Issued: 1957

Kalombo (Thank you)

  • Authors: Large group of Lunda women and Kalemba , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Kabinda f-cg
  • Language: Lunda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/139490 , vital:37743 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-09
  • Description: The larger drum was also tapped on the side by a stick. The clapping was done with cupped hands. The Chief de Centre Kapenda, was the head of this group. Jadotville is the headquaters of the central region of the Union Miniere, the other 2 towns being Elizabethville in the East and Kolwezi in the West. It was originally famous for the fact that one of the mines, Shinkolobwe, was the first place in the world from which the famous Curie family obtained the radium for their experiments. At Panda, there is a museum of mineral crystals discovered in the Katanga mines. Kawidi dance with 2 goblet drums, pinned, weighted, with mirlitons, hand beaten.
  • Full Text: false
  • Date Issued: 1957

Kalubambu tambo abibongo

Kalulu drum rhythms

  • Authors: 3 Nyakyusa drummers with Nyakyusa women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Arts, Malawi , Field recordings , Nyakyusa (African people)--Music , Ngonde (African people)--music , Drum--Performance , Africa Malawi Tukuyu f-mw
  • Language: Nyakyusa-Ngonde
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/151828 , vital:39177 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-02
  • Description: The women's dance was slow and graceful, and consisted of advancing and retiring in pairs, raising and lowering their large horse-tail fly-whisks. "Kabulu" in Nyakyusa is derived, they say, from the word meaning to "ululate". During the dance they call out "we are proud of Tukuyu, we are proud we have come." All the drums were locally made on the mine, from oil drums. They were double-headed and laced. Mampenenga and Kalulu dance with 1 conical drum, laced, 2 cylindrical laced drums with wooden beaters.
  • Full Text: false
  • Date Issued: 1957

Kame-lo

Kamiyo (The story of Kamiyo)

  • Authors: Mildred Ntshangase , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136651 , vital:37401 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-15
  • Description: This story was beautifully told. There was once a rich old man who had no wife. So he thought and thought, and then went down to the river, cut down a tree, took a piece of soft wood and made it into a woman. He gave it arms and legs, and a head. And it was a woman. Then he gave her dresses and said to her: "When you are spoken to, you must say you are the daughter of Mfulwe the stream." And she was a very beautiful woman. Now when the young men saw her, they said: "How can such an old man have such a beautiful young wife. We will take her away from him." So they took her away from him and took her her to their kraal. Now the old man had great many cattle and pigeons. And he told 2 of the pigeons to fly to the kraal and say what he told them to say. So they flew and they flew and went to the kraal and said to her: "Kamiyo, Kamiyo, give us your apron." So the people at the kraal said: "Oh, give them your apron, let them have it." So the pigeons flew back with it. Then the old man sent them back again, and they came to the kraal and sang: "Kamiyo, Kamiyo, give us your clothes." So the people at the kraal said: "Let them have your clothes and leave us in peace." So the pigeons took the clothes. But the old man sent them again, this time to take away her headdress. Then the people said: "Let them have your beads and your headcloth, it's the woman we want." The old man sent the pigeons back yet again, and this time they flew into the kraal and sang: Kamiyo, Kamiyo, give us your life. And so singing, they sat on her lap, picked out her brains and took her life. So the lovely Kamiyo crumbled away: first her arms and then her legs and then her head. And her body rolled down to the stream where she turned back into the tree again. Story.
  • Full Text: false
  • Date Issued: 1957

Kamudyanga

Kamusombo wayaya (The tree)

  • Authors: Group of 6 Luvale men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Luvale (African people) , Folk music , Folk dance music--Angola , Africa Angola Dilolo f-ao
  • Language: Luvale/Chokwe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137286 , vital:37506 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-14
  • Description: "There was a certain a certain woman sitting under a tree who said that ever if her husband chased her away she could still take shelter beneath the tree." It looks as if the woman had the better of the affair in the end. The style of singing, so typically Luvale, appears to be most casual and impromptu were it not for the clear understanding between the performers. Kukina and Wangoma dance song
  • Full Text: false
  • Date Issued: 1957

Kamuteketi, Kamuteketi, chalu chinu cha ulendo (I came here as a stranger)

  • Authors: Iron Khoma , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
  • Language: Luvale/Chokwe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137312 , vital:37509 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0037-03
  • Description: "At our place at home, you will find Beti Kamanga, the son of Balidi. I will stay here till night and sleep until morning. My head is coming through my hair. My father and mother are both dead and I am very poor. Jesus called Moses to leave his fishing and come to Him, on Lake Nyasa." Self-delectative nostalgic song with Bangwe board zither with 7 strings, lowest not used.
  • Full Text: false
  • Date Issued: 1957

Kanakazi Kayaya mbebeweta pamulomo (The unfaithful wife talks too much)

Kanakazibulu

  • Authors: Timoti Sadimbi , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138966 , vital:37691 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-04
  • Description: Played with 4 notes. The notes were roughly hewn pieces of wood laid across the thighs ans played by means of sticks. In this case, the player stood behind the back of the young man on whose thighs the notes were played and beat the notes bending forward over his shoulders. The man acting as xylophone stand sat on a stool with his feet on another stool. Beneath his thighs was a large pot used as simple external resonator. The instrument is played out in the fields when preparing the winter gardens in May. Once the gardens are planted, the xylophone notes are discarded and used as fire wood, new ones being cut each year. The position of the loose notes was changed with each change of tune to facilitate the playing of the item. The pause during the 3rd recording was caused by one of the notes rolling down the boys's thigh and having to be replaced. Self-delectative song with Chikirekore loose note xylophone x 4 notes, pot resonated.
  • Full Text: false
  • Date Issued: 1957

Kankola kame

Kantende maninga

Kapidilai ikula-e (The great hill)

  • Authors: Chibuye Matolopa , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Instrumental music , Mbira music , Africa Zambia Serenje f-za
  • Language: Lala
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134584 , vital:37181 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0021-02
  • Description: ""Kapidikai ikulae pambala eka chirikire kunkhondo." "The great hill, the great hill beyond shields me from the war." First composed and sung during the Great War 11. Self-delectative song with Kankowele fan shaped mbira
  • Full Text: false
  • Date Issued: 1957

Kapinga yamba

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