Some observations on Wordsworth's achievement in sonnet
- Authors: Gubb, Linette Reay
- Date: 1982
- Subjects: Wordsworth, William, 1770-1850. Sonnets
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2270 , http://hdl.handle.net/10962/d1006346 , Wordsworth, William, 1770-1850. Sonnets
- Description: From preface: This study seeks to give a perspective on Wordsworth's achievement in sonnet, taking into account all the sonnets he wrote, from the outburst of sonneteering in 1802 to the final decade (1840-1850). My chief concern has been to trace Wordsworth's handling of form and theme throughout his poetic career. A subordinate but related concern has been to try to show that Wordsworth's powers do not diminish after 1815, a date which is sometimes regarded as marking the beginning of the poet's "decline" ~ Wordsworth’s skill in blank verse and in other types of lyric is widely acknowledged; his dexterity in the sonnet form is less well recognized or thought to be limited to fewer poems (usually those of the earlier years) than there actually are. As a result, his performance in sonnet is sometimes underestimated, there being more sonnet concerns and structural patterns than the well-known few reflect. It is possible that Wordsworth's own ambiguous attitude to the genre as expressed in his prose writings, together with his insistence that his sonnets were not amongst the best of his poems, has helped to foster such a view. His practice in sonnet, however, proves that his genius is as evident in some of these poems as it is elsewhere, whether he esteemed them less or not.
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- Date Issued: 1982
Sondelani
- Authors: Cedara church music workshop participants , Dargie, Dave
- Date: 1982
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Cedara, KwaZulu-Natal sa
- Language: isiZulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/444870 , vital:74308 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC188a-02
- Description: Group composition of church music with drum and clapping accompaniment
- Full Text: false
- Date Issued: 1982
Sondelani makholwa
- Authors: Dargie, Dave , Cedara church music workshop participants , Dave Dargie and Cedara church music workshop participants
- Date: 1982
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Cedara, KwaZulu-Natal sa
- Language: isiZulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/${Handle} , vital:74202 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC188a-03
- Description: Group composition of church music with drum and clapping accompaniment
- Full Text: false
- Date Issued: 1982
Sondelani makholwa
- Authors: St. Joseph's Scholasticate Congregation , Composer not specified , Dargie, Dave
- Date: 1982
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Cedara, KwaZulu-Natal sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/444906 , vital:74313 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC188a-06
- Description: Catholic mass hymn with Marimba and clapping accompaniment
- Full Text: false
- Date Issued: 1982
Synthesis and reactions of sugar chlorosulphates
- Authors: Glass, Beverley Dawn
- Date: 1982
- Subjects: Chemical reactions Sugar -- Synthesis
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3826 , http://hdl.handle.net/10962/d1006145
- Description: Summary: Partially chlorosulphated derivatives were synthesised for the purpose of examining the reactions of the chlorosulphonyloxy group in the presence of free hydroxyl groups. The behaviour of the chlorosulphonyloxy group was investigated under acidic conditions. Since sterically favoured chlorosulphonyloxy groups undergo facile replacement by chlorine to form chlorodeoxy sugars, some compounds possessing chlorosulphonyloxy groups which,due to polar and steric effects are not replaced by chloride,were investigated with a view to possible activation of the unfavourable centres towards nucleophilic substitution, thereby making available previously inaccessible chlorodeoxy sugars.
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- Date Issued: 1982
Takalani = Be happy
- Authors: St Scholastica congregation , Composer not specified , Dargie, Dave
- Date: 1982
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa St. Scholastica, Limpopo sa
- Language: Tshivenḓa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/421738 , vital:71878 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC161b-09
- Description: Venda church hymn, accompanied by the drum
- Full Text: false
- Date Issued: 1982
Talk on African music, worship and liberation
- Authors: Dargie, Dave , Composer not specified
- Date: 1982
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Pretoria sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/411390 , vital:70811 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC123a-01
- Description: Dave Dargie talks on African music conference, providing examples from various music workshops. Part 1 of 2 of the lecture.
- Full Text: false
- Date Issued: 1982
Talk on African music, worship and liberation
- Authors: Dargie, Dave , Composer not specified
- Date: 1982
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Pretoria sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/411402 , vital:70812 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC123b-01
- Description: Dave Dargie talks on African music conference, providing examples from various music workshops. Part 2 of 2 of the lecture.
- Full Text: false
- Date Issued: 1982
Tanga hambelela Kalunga
- Authors: Performer not specified , Patricia, OSB., Sister , Dargie, Dave
- Date: 1982
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Nambia Oshikuku sx
- Language: Oshikwanyama, Oshiwambo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/328291 , vital:61210 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC307b-05
- Description: Choral church music accompanied by drums and clapping
- Full Text: false
- Date Issued: 1982
Tate hetu ho meguru (Pater noster) from the Missa Oshikuku
- Authors: Performer not specified , Composer not specified , Dargie, Dave
- Date: 1982
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Nambia Oshikuku sx
- Language: Oshikwanyama, Oshiwambo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/328216 , vital:61202 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC307a-11
- Description: Choral church music accompanied by drums and clapping
- Full Text: false
- Date Issued: 1982
Thanda ummwelwane wakho
- Authors: St. Joseph's Scholasticate Congregation , Composer not specified , Dargie, Dave
- Date: 1982
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Cedara, KwaZulu-Natal sa
- Language: isiZulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/444964 , vital:74320 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC188a-12
- Description: Catholic mass hymn with Marimba accompaniment
- Full Text: false
- Date Issued: 1982
Thando ummelwane
- Authors: St Georges Cathedral Choir , Dargie, Dave , Composer not specified
- Date: 1982
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Cape Town
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/409312 , vital:70577 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC112b-02
- Description: Missa Africana hymn, accompanied by the xylophone and drum.
- Full Text: false
- Date Issued: 1982
Thanks song
- Authors: Vatilifa, P. , Sifa, R. , Composer not specified , Dargie, Dave
- Date: 1982
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Nambia Walvis Bay sx
- Language: Oshikwanyama, Oshiwambo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/327519 , vital:61125 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC300b-08
- Description: Traditional Owambo religious song accompanied by mouth organ
- Full Text: false
- Date Issued: 1982
The Acclamation
- Authors: St Georges Cathedral Choir , Dargie, Dave , Mpotulo, L.
- Date: 1982
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Cape Town
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/409352 , vital:70582 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC112b-05
- Description: Missa Africana hymn, accompanied by the xylophone and drum.
- Full Text: false
- Date Issued: 1982
The blood was shed which washes away our sins
- Authors: Dargie, Dave , St Scholastica congregation , Composer not specified
- Date: 1982
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo sa
- Language: Venda , English , isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/379899 , vital:67395 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC077a-04
- Description: Unaccompanied Catholic hymn sung by Dave Dargie.
- Full Text: false
- Date Issued: 1982
The development of cello technique in the string quartets of Joseph Haydn with special reference to (a) the various external influences causing this development and (b) the potential use of the cello parts within a teaching situation
- Authors: Sholto-Douglas, Ishbel Elizabeth Fraser
- Date: 1982
- Subjects: Haydn, Joseph, 1732-1809 -- Quartets, strings Cello -- Methods Cello -- Instruction and study
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2666 , http://hdl.handle.net/10962/d1005864
- Description: From Introduction: In the middle of the eighteenth century, when Haydn began composing his first string quartets, violin writing was highly advanced and the violin an established solo instrument, its supremacy already firmly endorsed by the Italian Violin Schools of the seventeenth and early eighteenth centuries. The pace of development of the cello, however, was not comparable to that of the violin, despite the fact that the first cello known to us was made in 1572.
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- Date Issued: 1982
The diaries of Thomas Shone: 1820 settler, 1838-39 and 1850-59
- Authors: Silva, Penny
- Date: 1982
- Subjects: Shone, Thomas, 1784-1868 , Shone family , British settlers of 1820 (South Africa) , Cape of Good Hope (South Africa) -- History -- 1814-1852 , Cape of Good Hope (South Africa) -- History -- 1853-1871 , Clumber -- History
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2583 , http://hdl.handle.net/10962/d1005799 , Shone, Thomas, 1784-1868 , Shone family , British settlers of 1820 (South Africa) , Cape of Good Hope (South Africa) -- History -- 1814-1852 , Cape of Good Hope (South Africa) -- History -- 1853-1871 , Clumber -- History
- Description: I first read the diaries of Thomas Shone in 1971, when working on manuscripts in the Cory Library, Rhodes University, for the Dictionary of South African English on Historical Principles. The diaries were a significant source of South African English; but more than that, they created a moving and vivid picture of one man's life and personality, which made a deep impression. Written daily (unlike many other settler writings, which are reminiscences), the diaries proved to be a journey into the interior life of Thomas Shone, with all his guilt, pain and occasional joys, documented in his idiosyncratic style. Photographs show Thomas to have been a man with a determined, even hard, mouth, and piercing eyes under rather lowering brows. If he was like his son, Thomas junior, he was "erect and bright", and of the "typical Shone build, rather stumpy and fairly broad." His command of language suggests a good education and a sharp intellect, strangely at variance with his description as a labourer. His writing is imbued with the archaic ring of the King James Bible, and much of the charm of the diaries lies in their movement between the sublime and the mundane, as when Shone breaks a discussion of his need to be faithful to God, to note that "Sarah sat a hen on 22 eggs." Shone's diary is an intensely personal document, yet there are signs that he was at times conscious of a possible audience. His use of the phrase "My friends" to address his readers " is likely to have been part of a convention of the time, rather than overt acknowledgement of the presence of an audience; however at the most personal level of all, his relationship with his mistress, he was not explicit, but employed a form of code (.∶.) Furthermore, there is evidence that he kept a rough diary, from which he later made a neat copy. Thomas began his diary in order to record his attempt to stay away from drink, but his writing soon came to mean more to him than this. He gradually introduced notes on his daily activities, and his temptation to drink became just one part of a personal history. From 5 August 1838, when he first wrote of the loss of his wife, the diary became an important outlet for his misery. Despite his unhappiness, Thomas took delight in the use of sarcasm and wry humour to comment on the foibles of humanity. "Me and Billy went to Mandy's; I cut my thumb and three trees", he wrote; and "Indian corn bread makes my belly ache... (My relations have the mind ache; I believe it is worse than the belly ache.)" "Religion is flying away to other parts as fast as it can; the religion here is money, and Cattle and a covetious Spirit for other men's goods ", he grumbled of the Clumber community. The most effective (and prolonged) use of his gift for sharp conment may be found in his description of the watchnight service at Clumber. Shone seems to have possessed a natural flair for language, and used metaphor and simile to good effect, as in the following examples: "Now am I like a dove that as lost his mate"; Every thing seems quiet; I have still a war in my mind"; "Riches very often finds wing and flys away"; and "My mind is like the troubled sea, never at rest". He often showed an affinity for rhythm and alliteration, probably as a result of his familiarity with Biblical English: "These are my days of grief and sorrow"; "poor poverty"; and "Hard is my fate... all things seem to go contrary, strive which way I will." These examples of language provide a strong contrast with his reporting of everyday activities: Shone changes from one linguistic register into another in his movement from introspective to factual writing. At times Shone achieves an extraordinary vividness in his description of small incidents, as in his stories of encounters with monkeys, or his report of an altercation with his son Jack. One of the loveliest passages is his account of a day spent on his old location at Scott's Bottan. Thomas was "political" only insofar as politics touched his own life. For the political historian the diaries are frustrating; except for his descriptions of the War of Mlanjeni, Shone shows little interest in the wider issues of his time. However, the diaries show the complex web of relationships in a small community, and give insights into commercial interaction, domestic activities, marriage ties, religious attitudes, family behaviour and interpersonal conflicts, all set within the political tensions of the frontier society. As the diaries progressed, and Thomas Shone aged, he weed from being an active participant in the life of the frontier, to being an onlooker and commentator. Possessed of a mind (and tongue) which isolated him from many of his neighbours, he was no doubt also separated from his community by his relationship with Ann Hiscock and by his heavy drinking. The diaries became his vehicle for expressing the inexpressible; and in the end it was religion which gave him solace. It is the "interior" diary which provides much of the fascination which Shone's writings hold for the modern reader. Professor Guy Butler has pointed out that writing was a secondary activity for the settlers, whose chief preoccupation was survival in a difficult environment. Shone's diaries certainly reflect his economic struggle; but it is their portrayal of his pilgrimage through life which makes them remarkable.
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- Date Issued: 1982
The ecology and control of Opuntia Aurantiaca in South Africa in relation to the cochineal insect, Dactylopius Austrinus
- Authors: Zimmermann, Helmuth G
- Date: 1982
- Subjects: Cochineal insect -- South Africa Cactus -- South Africa Weeds -- Control -- South Africa Insect-plant relationships
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:5612 , http://hdl.handle.net/10962/d1003061
- Description: The cochineal insect Dactylopius austrinus De Lotto, which was released on jointed cactus, Opuntia aurantiaca Lindley, in South Africa in 1932, failed to bring the weed under an acceptable level of control in spite of the encouraging results during the first few years after release. The reasons for this apparent failure were never clearly understood. In 1957 the State embarked on an intensive herbicidal control programme which is still in force today. This sustained and expensive programme has undoubtedly reduced the density of the weed in most areas but has failed to solve the problem and the plant continues to expand its range. The biological control of o. aurantiaca in South Africa has been fundamentally influenced by this chemical control campaign. The relationship between chemical and biological control methods is reported in this study.
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- Date Issued: 1982
The factors affecting the interpretation of geochemical surveys in mineral exploration
- Authors: Fletcher, B A
- Date: 1982
- Subjects: Geochemistry , Geochemistry -- Environmental aspects , Mining geology , Minerals , Ore deposits , Geochemical prospecting
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:5014 , http://hdl.handle.net/10962/d1006142
- Description: [From introduction] Exploration geochemistry is an indirect method of detecting mineral deposits by measuring the abundance and distribution of ore elements and elements closely associated with ore in natural materials at or near the earth's surface. The method relies on the assumption that a mineral deposit is reflected by unusual element abundances or distribution patterns (geochemical halos), and that these indications of mineralization can be detected by geochemical surveys involving the collection and analysis of natural materials. The interpretation of geochemical surveys in mineral exploration involves: 1) The use of geological and statistical inference, based on a knowledge of the normal behaviour and distribution of indicator elements in the exploration area, to recognize apparent geochemical anomalies in field and analytical data and to predict the type of geochemical halo reflected by the anomalies. 11) The use of geological inference, based on a knowledge of the characteristics of geochemical halos and their relationship to mineral deposits, to predict the presence and probable location of an ore body. The interpretation process is, however, complicated by the absence of a simple universal formula that relates the abundance and distribution of elements in natural materials to the presence or absence of a mineral deposit. The interpretation of a geochemical survey must, thus, be based on an empirical approach which avaluates each survey as an individual problem. The objective of this dissertation is to illustrate the factors affecting the "nuts and bolts" approach to the interpretation of geochemical surveys in mineral exploration. The discussion is aimed at providing field geologists responsible -for the planning and execution of geochemical surveys with some basic guidelines for interpreting the surveys. I hope that the contents of this dissertation will help field geologists to "look in the last place first".
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- Date Issued: 1982
The factors which influence algal growth in the P.K. le Roux impoundment, Orange River, South Africa
- Authors: Selkirk, Wayne Thomas
- Date: 1982
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:5798 , http://hdl.handle.net/10962/d1005900
- Description: Introduction: In South Africa, much of the work on algal limitation in man-made lakes has centered on nutrients rather than the possible effects of physical factors such as turbidity.In order to determine which is the most important factor in algal limitation in the turbid Orange River system, a comprehensive study of spatial and seasonal changes of the following factors was undertaken in the P.K. Ie Roux impoundment: trace elements , silicon, nitrate, phosphate, total phosphate, phytoplankton standing stock, total suspended solids, secthi disc transparency, light attenuation and the spectral quality of the light. None of the chemical factors appeared to be in short supply but the shallowness of the euphotic zone (0.8 m) had two effects. Firstly. the quantity of light in the upper 1.5 metres was extremely small due to the rapid attenuation of the light by silt. Secondly. the quality of the light was poor due to the selective screening of the shorter wavelengths of light. Once light limitation had been implicated as an important factor in the control of phytoplankton stocks a series of column experiments were used to demonstrate that increased circulation rate. and therefore a higher light dosage. would elevate the algal standing stocks without the addition of nutrients. It was demonstrated that light. as a result of the negative effects of turbidity was the principal cause of low algal standing stocks within the impoundment. and not nutrients as has previously been suggested by other workers.
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- Date Issued: 1982