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Die metaroman : dekonstruksie-ondersoek

- Hambidge, Joan, 1956-

Discussion on African religious music

- Dargie, Dave, Dargie Dave

  • Authors: Dargie, Dave , Dargie Dave
  • Date: 1984
  • Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Roma lo
  • Language: English , Sesotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/328974 , vital:61285 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC314a-03
  • Description: Discussion between Dave Dargie and church members
  • Full Text: false
  • Date Issued: 1984

Discussion on church music compositions

- Dargie, Dave

  • Authors: Dargie, Dave
  • Date: 1984
  • Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Pretoria sa
  • Language: English
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/328626 , vital:61246 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC309b-01
  • Description: Discussion between Dave Dargie and students on music compositions between
  • Full Text: false
  • Date Issued: 1984

Discussion on youth and African music

- Dargie, Dave

  • Authors: Dargie, Dave
  • Date: 1984
  • Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Pretoria sa
  • Language: English
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/328412 , vital:61223 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC308b-01
  • Description: Discussion between Dave Dargie and church leaders discussion on youth and Africa music
  • Full Text: false
  • Date Issued: 1984

Discussion on youth and music

- Dargie, Dave

  • Authors: Dargie, Dave
  • Date: 1984
  • Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Pretoria sa
  • Language: English
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/328394 , vital:61221 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC308a-01
  • Description: Discussion between Dave Dargie and church leaders on youth and music
  • Full Text: false
  • Date Issued: 1984

Don't ever trust a woman

- Ntsikana Memorial Church Congregation, Composer not specified, Dargie, Dave

Dr and Mrs Henderson, Mr Samuel Zamani, I Miti and Ester Zamani

  • Date: 1984
  • Subjects: Rhodes University -- History , Rhodes University -- Employees , Rhodes University -- Employees -- Housing
  • Type: Image
  • Identifier: http://hdl.handle.net/10962/40245 , vital:24964 , PIC/M 5514 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
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  • Date Issued: 1984

Dr Hendrson, Mr Simon Nemani, son Mpumelelo and his wife Ivy Nemani

  • Date: 1984
  • Subjects: Rhodes University -- History , Rhodes University -- Employees , Rhodes University -- Employees -- Housing
  • Type: Image
  • Identifier: http://hdl.handle.net/10962/40255 , vital:24965 , PIC/M 5515 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
  • Full Text: false
  • Date Issued: 1984

Dream and the preternatural in the poetry of Walter de la Mare

- Townsend, Rosemary

  • Authors: Townsend, Rosemary
  • Date: 1984
  • Subjects: De la Mare, Walter, 1873-1956 -- Criticism and interpretation
  • Language: English
  • Type: Thesis , Masters , MA
  • Identifier: vital:2258 , http://hdl.handle.net/10962/d1004501 , De la Mare, Walter, 1873-1956 -- Criticism and interpretation
  • Description: From Chapter 1: In this chapter I hope to illustrate in general terms how de la Mare's interest in dream and the preternatural pervades his work. His views on reality and in what it truly consists will be considered and definitions provided of various terms used throughout this study. These will approximate as closely as possible the meanings they acquire through de la Mare's own use of them. Some detailed reference to his work, especially to his prose introduction to the anthology Behold, This Dreamer! and to his poem "Dreams", will provide support for the statements made. Finally, an attempt will be made to place de la Mare, briefly and in broad outline, within his literary context, again with particular reference to his interest in dream and the preternatural and where it corresponds to or deviates from what one could expect from a poet of this period.
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  • Date Issued: 1984

Elevation Dalubom : Ntsikana

- Queenstown Roman Catholic Cathedral ordination choir of 1984, Composer not specified, Dargie, Dave

Elevation: Dalubom

- Mixed Church Choir and Queenstown Cathedral Congregation, Composer Not Specified, Dargie, Dave, Huwiler, Kurt

Elevation: Dalubom

- Mixed Church Choir and Queenstown Cathedral Congregation, Composer Not Specified, Dargie, Dave, Huwiler, Kurt

Ena evangeli e monate ka mehla

- Group at St Augustine's Seminary Workshop, Molbi, Athenasius, Dargie, Dave

Equilibrium, expectations and information : a study of the general theory, the neo-classical synthesis and modern classical macroeconomics

- Torr, Christopher

  • Authors: Torr, Christopher
  • Date: 1984
  • Subjects: Macroeconomics Equilibrium (Economics) Economics
  • Language: English
  • Type: Thesis , Doctoral , PhD
  • Identifier: vital:1035 , http://hdl.handle.net/10962/d1004515
  • Description: From Introduction: It is now nearly 50 years since the appearance of Keynes's General Theory of Employment, Interest and Money and the stream of articles and books on what Keynes really meant or didn't mean shows no sign of abating. In part, this dissertation is a contribution to this voluminous literature, but what follows is hardly an attempt to provide an exhaustive interpretation. Instead the General Theory is examined from a certain angle, with the title "Equilibrium, Expectations and Information" providing the framework for the investigation. That the title has been borrowed from G.B. Richdrdson's 1959 Economic Journal article is no accident. Richardson's work has been unduly neglected and his trichotomy serves as a convenient platform from which to analyse Keynes's method and those of his interpreters, in particular the approaches stemming from the work of Clower and Leijonhufvud. The information structure of the Walrasian type of general equilibrium model is also examined as the latter forms the basis of both the neo-classical interpretation of Keynes's contribution and the rational expectations approach that will be discussed. Finally Richardson's framework is applied in an analysis of two modern classical schools of thought, namely the rational expectations approach headed by Lucas, and the neoRicardian school amongst which Garegnani, Eatwell and Milgate, for example, are prominent. In a sentence, therefore, what follows is an examination of the General Theory and certain interpretations thereof as well as an analysis of modern classical macroeconomics, with the equilibrium-expectations-information framework providing the unifying theme. As will become apparent, the framework does not consist of three watertight compartments. For example, whether a system is in equilibrium or not will depend on whether the expectations of those who have the ablility to effect change are realised. The specification of which agents have this power will depend on the information with which the model builder endows the agents in the model. In discussing this, attention is drawn to Keynes's important distinction between an entrepreneur economy and a cooperative economy. The distinction between the information available to the model builder and that with which he endows the agents in the model is also emphasized.
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  • Date Issued: 1984

Esibhedlele

- Six Lumko Boys, Composer Not Specified, Dargie, Dave

Geochemistry and petrogenesis of the Etendeka volcanic rocks from SWA Namibia

- Erlank, Anthony J, Marsh, Julian S, Duncan, Andrew R, Miller, R M, Hawkesworth, C J, Betton, P J, Rex, D C

  • Authors: Erlank, Anthony J , Marsh, Julian S , Duncan, Andrew R , Miller, R M , Hawkesworth, C J , Betton, P J , Rex, D C
  • Date: 1984
  • Language: English
  • Type: text , article
  • Identifier: http://hdl.handle.net/10962/133923 , vital:37041 , https://pascal-francis.inist.fr/vibad/index.php?action=getRecordDetailamp;idt=6519919
  • Description: The volcanic rocks of the Etendeka Formation from north-west SWA/Namibia have a present-day coverage of 70,000 km² and comprise a series of interbedded basalts, latites and quartz latites, together with four varieties of intrusive dolerite. Apart from one group of dolerites (regional dolerites) which have mineralogical and geochemical similarities to the Lesotho Formation lavas from the Central area, the Etendeka volcanics differ from all other Karoo volcanics by virtue of their Cretaceous age, stratigraphy, mineralogy, geochemistry, and range in mineralogical, elemental and isotopic compositions for the basaltic rocks.
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  • Date Issued: 1984

Geochemistry of Karoo basalts and dolerites in the northeastern Orange Free State: Recognition and origin of the new Karoo basalt magma types.

- Marsh, J S

  • Authors: Marsh, J S
  • Date: 1984
  • Language: English
  • Type: text , article
  • Identifier: http://hdl.handle.net/10962/71283 , vital:29829
  • Description: One of the most significant results emerging from the Karoo Volcanics Project of the NGP ls the recognition of a number of geochemically distinct basalt magma types occurring within the lower part of the Karoo volcanic pile in the Northeastern Cape and Southern Lesotho.
  • Full Text: false
  • Date Issued: 1984

Geochemistry of Karoo basalts and dolerites in the northeastern Orange Free State: Recognition and origin of the new Karoo basalt magma types.

- Marsh, Julian S

  • Authors: Marsh, Julian S
  • Date: 1984
  • Language: English
  • Type: text , article
  • Identifier: http://hdl.handle.net/10962/71288 , vital:29830
  • Description: One of the most significant results emerging from the Karoo Volcanics Project of the NGP ls the recognition of a number of geochemically distinct basalt magma types occurring within the lower part of the Karoo volcanic pile in the Northeastern Cape and Southern Lesotho.
  • Full Text:
  • Date Issued: 1984

Gloria

- Vallem, Umlambi, Mixed Church Choir and Queenstown Cathedral Congregation, Composer Not Specified, Dargie, Dave, Huwiler, Kurt

Goethe's theory of colours: Rudolf Steiner's foundation for an impulse in painting

- Coetzee, Cyril Lawlor

  • Authors: Coetzee, Cyril Lawlor
  • Date: 1984
  • Subjects: Goethe, Johann Wolfgang Von, 1749-1832 -- Aesthetics Steiner, Rudolf, 1861-1925 Color in art Painting, Modern Goethe, Johann Wolfgang Von, 1749-1832 -- Knowledge -- Art
  • Language: English
  • Type: Thesis , Masters , MFA
  • Identifier: vital:2464 , http://hdl.handle.net/10962/d1008571
  • Description: From Introduction: In his influential treatise, Concerning the Spiritual in Art, Wassily Kandinsky refers to Goethe's "prophetic remark" made in connection with the relationship between the arts in which Goethe had asserted that "painting must count this relationship her main foundation". Kandinsky went on to say that Painting in his day stood "at the first stage of a road by which she abstraction of composition". I will, according to her thought and arrive own possibilities, make art an finally at purely artistic What he seems to have been suggesting is that form, colour and sound are differentiated expressions of a unifying spiritual content, that this spiritual content lives also somehow in the human soul and that it is the new task of the artist to awaken original creativity from out of this spirit by working consciously in creative empathy with the laws implicit in form, colour and sound. The extent to which this view of creativity is indebted to Goethe is only fully realised when it is discovered how closely Kandinsky's writings on colour recapitulate his. In an unpublished essay: Goethe's Theory of Colours : Its relation to some aspects in . the history of Art, Michael Grimly argues that not only Kandinsky in Germany but also Chevreul, the colour-theoretician who was, in France, the leading light, in a technical sense, both of Delacroix and of the Impressionists simply repeats in his writings on Colour many of the ideas that Goethe had already formulated.
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  • Date Issued: 1984
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