Come and celebrate
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-za
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/100793 , vital:31885 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC082b-20
- Description: Instrumental music
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-za
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/100793 , vital:31885 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC082b-20
- Description: Instrumental music
- Full Text: false
- Date Issued: 1987
Come and celebrate
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-za
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/100811 , vital:31887 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC083a-01
- Description: Instrumental music
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-za
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/100811 , vital:31887 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC083a-01
- Description: Instrumental music
- Full Text: false
- Date Issued: 1987
Come on lets dance
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/101658 , vital:32013 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC085b-13
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/101658 , vital:32013 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC085b-13
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
Communion Song
- Ga-Rankuwa Workshop Participants, Composer not specified, Dargie, Dave
- Authors: Ga-Rankuwa Workshop Participants , Composer not specified , Dargie, Dave
- Date: 1987
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ga-Rankuwa f-sa
- Language: Setswana
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/301356 , vital:58040 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD104-17
- Description: Unaccompanied Workshop Mass hymn.
- Full Text: false
- Date Issued: 1987
- Authors: Ga-Rankuwa Workshop Participants , Composer not specified , Dargie, Dave
- Date: 1987
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ga-Rankuwa f-sa
- Language: Setswana
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/301356 , vital:58040 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD104-17
- Description: Unaccompanied Workshop Mass hymn.
- Full Text: false
- Date Issued: 1987
Communion Song
- Christ the New Man Centre Congregation, Composer Not Specified, Dargie, Dave
- Authors: Christ the New Man Centre Congregation , Composer Not Specified , Dargie, Dave
- Date: 1987
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ngqoko f-sa
- Language: Setswana
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/301792 , vital:58097 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD105-23
- Description: Sung Mass at Christ the New Man Centre with drum and clapping accompaniment.
- Full Text: false
- Date Issued: 1987
- Authors: Christ the New Man Centre Congregation , Composer Not Specified , Dargie, Dave
- Date: 1987
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ngqoko f-sa
- Language: Setswana
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/301792 , vital:58097 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD105-23
- Description: Sung Mass at Christ the New Man Centre with drum and clapping accompaniment.
- Full Text: false
- Date Issued: 1987
Confusion
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/102055 , vital:32066 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC087a-05
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/102055 , vital:32066 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC087a-05
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
Confusion
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Dance music , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/103547 , vital:32264 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC091b-09
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Dance music , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/103547 , vital:32264 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC091b-09
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
Confusion
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/101343 , vital:31957 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC084b-08
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/101343 , vital:31957 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC084b-08
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
Consecration
- Christ the New Man Centre Congregation, Composer Not Specified, Dargie, Dave
- Authors: Christ the New Man Centre Congregation , Composer Not Specified , Dargie, Dave
- Date: 1987
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ngqoko f-sa
- Language: Setswana
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/301746 , vital:58090 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD105-17
- Description: Sung mass at Christ the New Man Centre.
- Full Text: false
- Date Issued: 1987
- Authors: Christ the New Man Centre Congregation , Composer Not Specified , Dargie, Dave
- Date: 1987
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ngqoko f-sa
- Language: Setswana
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/301746 , vital:58090 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD105-17
- Description: Sung mass at Christ the New Man Centre.
- Full Text: false
- Date Issued: 1987
COSATU constitution as amended at COSATU 2nd National Congress l987
- COSATU
- Authors: COSATU
- Date: 1987
- Subjects: COSATU
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/109708 , vital:33182
- Description: We the Trade Union representatives here present firmiy commit ourselves to a unified democratic South Africa, free of oppression and economic exploitation. We believe that this can only be achieved under the leadership of a united working class. Our history has taught us that to achieve this goal we will have to carry out the following tasks. To organise the unorganised workers and build effective trade unions based on the democratic organisation of workers in the factories, mines, shops, farms and other workplaces. Organise national industrial trade unions, financed and controlled by their worker members through democratically elected committees. Unify these industrial unions into a national worker controlled federation. Combat the divisions amongst the workers of South Africa and unite them into a strong and confident working class. Encourage democratic worker organisation and leadership in all spheres of our society together with other progressive sectors of the community. Reinforce and encourage progressive international worker contact and solidarity so as to assist one another in our struggles.We call on all those who identify with this commitment to join us and the workers whom we represent as comrades in the struggle ahead. We call on all trade unions to strive to unite their members in their ranks without discrimination and prejudice, and therefore resolve that this federation shall determinedly seek to further and protect the interests of all workers and that its guiding motto shall be the universal slogan of working class solidarity: "AN INJURY TO ONE IS AN INJURY TO ALL".
- Full Text:
- Date Issued: 1987
- Authors: COSATU
- Date: 1987
- Subjects: COSATU
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/109708 , vital:33182
- Description: We the Trade Union representatives here present firmiy commit ourselves to a unified democratic South Africa, free of oppression and economic exploitation. We believe that this can only be achieved under the leadership of a united working class. Our history has taught us that to achieve this goal we will have to carry out the following tasks. To organise the unorganised workers and build effective trade unions based on the democratic organisation of workers in the factories, mines, shops, farms and other workplaces. Organise national industrial trade unions, financed and controlled by their worker members through democratically elected committees. Unify these industrial unions into a national worker controlled federation. Combat the divisions amongst the workers of South Africa and unite them into a strong and confident working class. Encourage democratic worker organisation and leadership in all spheres of our society together with other progressive sectors of the community. Reinforce and encourage progressive international worker contact and solidarity so as to assist one another in our struggles.We call on all those who identify with this commitment to join us and the workers whom we represent as comrades in the struggle ahead. We call on all trade unions to strive to unite their members in their ranks without discrimination and prejudice, and therefore resolve that this federation shall determinedly seek to further and protect the interests of all workers and that its guiding motto shall be the universal slogan of working class solidarity: "AN INJURY TO ONE IS AN INJURY TO ALL".
- Full Text:
- Date Issued: 1987
COSATU press clipping service - Fight poverty & exploitation
- COSATU
- Authors: COSATU
- Date: 1987
- Subjects: COSATU
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/109719 , vital:33183
- Description: The Congress of SA living wage campaign will be launched towards the end of this month. Already various regions report that police are refusing permission for public launches to be held. Initial plans by some regions to launch the campaign at the end of this week, to coincide with the commemoration of the Sharpeville and Langa massacres, had to be shelved when permission to hold a mass rally was turned down. Cosatu has vowed to make this the "biggest challenge to bosses and their profit system". The struggle is also seen as more than just an economic one. "It is a struggle against apartheid- capitalism which is built on ultra-cheap, ultra- controllable and super-exploitable labour.
- Full Text:
- Date Issued: 1987
- Authors: COSATU
- Date: 1987
- Subjects: COSATU
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/109719 , vital:33183
- Description: The Congress of SA living wage campaign will be launched towards the end of this month. Already various regions report that police are refusing permission for public launches to be held. Initial plans by some regions to launch the campaign at the end of this week, to coincide with the commemoration of the Sharpeville and Langa massacres, had to be shelved when permission to hold a mass rally was turned down. Cosatu has vowed to make this the "biggest challenge to bosses and their profit system". The struggle is also seen as more than just an economic one. "It is a struggle against apartheid- capitalism which is built on ultra-cheap, ultra- controllable and super-exploitable labour.
- Full Text:
- Date Issued: 1987
Creator
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/101986 , vital:32057 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC086b-14
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/101986 , vital:32057 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC086b-14
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
Creed
- Christ the New Man Centre Congregation, Composer Not Specified, Dargie, Dave
- Authors: Christ the New Man Centre Congregation , Composer Not Specified , Dargie, Dave
- Date: 1987
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ngqoko f-sa
- Language: Setswana
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/301663 , vital:58080 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD105-08
- Description: Sung mass at Christ the New Man Centre.
- Full Text: false
- Date Issued: 1987
- Authors: Christ the New Man Centre Congregation , Composer Not Specified , Dargie, Dave
- Date: 1987
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ngqoko f-sa
- Language: Setswana
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/301663 , vital:58080 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD105-08
- Description: Sung mass at Christ the New Man Centre.
- Full Text: false
- Date Issued: 1987
Crowd of 1 600 packs hall to hear Slabbert
- Authors: Barkhuizen, Dawn
- Date: 1987
- Subjects: Apartheid -- South Africa , Racism -- South Africa , Dakar Conference (1987, Dakar) , South Africa -- Politics and government , Institute for a Democratic Alternative for South Africa , African National Congress , Government Resistance to – South Africa , Slabbert, F. van Zyl (Frederik van Zyl), 1940-2010
- Language: English
- Type: text , clippings
- Identifier: http://hdl.handle.net/10962/57773 , vital:26988 , This item is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
- Description: Newspaper clipping reporting on the address by Dr Frederik van Zyl Slabbert (IDASA Executive Director), at the Feather Market Hall in Port Elizabeth. Dr. Slabbert addressed a crowd of 1600 interested parties, with the message of the address focussing on the outcomes of the political discussions held in Dakar, Senegal, between the 9th and 12th of July 1987, between members of IDASA and the ANC.
- Full Text:
- Date Issued: 1987
- Authors: Barkhuizen, Dawn
- Date: 1987
- Subjects: Apartheid -- South Africa , Racism -- South Africa , Dakar Conference (1987, Dakar) , South Africa -- Politics and government , Institute for a Democratic Alternative for South Africa , African National Congress , Government Resistance to – South Africa , Slabbert, F. van Zyl (Frederik van Zyl), 1940-2010
- Language: English
- Type: text , clippings
- Identifier: http://hdl.handle.net/10962/57773 , vital:26988 , This item is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
- Description: Newspaper clipping reporting on the address by Dr Frederik van Zyl Slabbert (IDASA Executive Director), at the Feather Market Hall in Port Elizabeth. Dr. Slabbert addressed a crowd of 1600 interested parties, with the message of the address focussing on the outcomes of the political discussions held in Dakar, Senegal, between the 9th and 12th of July 1987, between members of IDASA and the ANC.
- Full Text:
- Date Issued: 1987
Crying all the time
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Love song , Bass guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/104490 , vital:32391 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC094a-10
- Description: Love song with bass guitar accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Love song , Bass guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/104490 , vital:32391 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC094a-10
- Description: Love song with bass guitar accompaniment
- Full Text: false
- Date Issued: 1987
CSP-i : an implementation of CSP
- Authors: Wrench, Karen Lee
- Date: 1987 , 2013-03-08
- Subjects: Synchronization--Computers , Programming languages (Electronic computers)
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:4579 , http://hdl.handle.net/10962/d1003124 , Synchronization--Computers , Programming languages (Electronic computers)
- Description: CSP (Communicating Sequential Processes) is a notation proposed by Hoare, for expressing process communication and synchronization. Although this notation has been widely acclaimed, Hoare himself never implemented it as a computer language. He did however produce the necessary correctness proofs and subsequently the notation has been adopted (in various guises) by the designers of other concurrent languages such as Ada and occam. Only two attempts have been made at a direct and precise implementation of CSP. With closer scrutiny, even these implementations are found to deviate from the specifications expounded by Hoare, and in so doing restrict the original proposal. This thesis comprises two main sections. The first of these includes a brief look at the primitives of concurrent programming, followed by a comparative study of the existing adaptations of CSP and other message passing languages. The latter section is devoted to a description of the author's attempt at an original implementation of the notation. The result of this attempt is the creation of the CSP-i language and a suitable environment for executing CSP-i programs on an IBM PC. The CSP-i implementation is comparable with other concurrent systems presently available. In some aspects, the primitives featured in CSP-i provide the user with a more efficient and concise notation for expressing concurrent algorithms than several other message-based languages, notably occam. , KMBT_363 , Adobe Acrobat 9.53 Paper Capture Plug-in
- Full Text:
- Date Issued: 1987
- Authors: Wrench, Karen Lee
- Date: 1987 , 2013-03-08
- Subjects: Synchronization--Computers , Programming languages (Electronic computers)
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:4579 , http://hdl.handle.net/10962/d1003124 , Synchronization--Computers , Programming languages (Electronic computers)
- Description: CSP (Communicating Sequential Processes) is a notation proposed by Hoare, for expressing process communication and synchronization. Although this notation has been widely acclaimed, Hoare himself never implemented it as a computer language. He did however produce the necessary correctness proofs and subsequently the notation has been adopted (in various guises) by the designers of other concurrent languages such as Ada and occam. Only two attempts have been made at a direct and precise implementation of CSP. With closer scrutiny, even these implementations are found to deviate from the specifications expounded by Hoare, and in so doing restrict the original proposal. This thesis comprises two main sections. The first of these includes a brief look at the primitives of concurrent programming, followed by a comparative study of the existing adaptations of CSP and other message passing languages. The latter section is devoted to a description of the author's attempt at an original implementation of the notation. The result of this attempt is the creation of the CSP-i language and a suitable environment for executing CSP-i programs on an IBM PC. The CSP-i implementation is comparable with other concurrent systems presently available. In some aspects, the primitives featured in CSP-i provide the user with a more efficient and concise notation for expressing concurrent algorithms than several other message-based languages, notably occam. , KMBT_363 , Adobe Acrobat 9.53 Paper Capture Plug-in
- Full Text:
- Date Issued: 1987
Current practice in the field of architectural and autonomous stained glass in Europe and the United States of America
- Authors: Nesbit, G H H
- Date: 1987
- Subjects: Glass painting and staining -- Europe , Glass painting and staining -- United States
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2488 , http://hdl.handle.net/10962/d1012955
- Description: This prodrome sought to define through research, the material. composition, historic foundations, significance and technical development of glass as a window-glazing material for ecclesiastical, and later secular purposes, and examining thus its determining role in the development of architecture. The history and techniques of stained glass, an art-form linked more than any other to the mythology and dogma of the Roman Catholic Church, were traced; its history is thus one with that of the church, rising to its greatest glory during the twelfth and thirteenth centuries, and declining from the late fifteenth to the seventeenth centuries. The iconography of the church was examined, and the development of window and tracery types discussed through reference to pertinent examples on both sides of the English Channel. Subjects, stylistic and technical factors, sources of reference, ecclesiastical influences, were all within the context of social and political history . viewed. Intro., p. 1-2.
- Full Text:
- Date Issued: 1987
- Authors: Nesbit, G H H
- Date: 1987
- Subjects: Glass painting and staining -- Europe , Glass painting and staining -- United States
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2488 , http://hdl.handle.net/10962/d1012955
- Description: This prodrome sought to define through research, the material. composition, historic foundations, significance and technical development of glass as a window-glazing material for ecclesiastical, and later secular purposes, and examining thus its determining role in the development of architecture. The history and techniques of stained glass, an art-form linked more than any other to the mythology and dogma of the Roman Catholic Church, were traced; its history is thus one with that of the church, rising to its greatest glory during the twelfth and thirteenth centuries, and declining from the late fifteenth to the seventeenth centuries. The iconography of the church was examined, and the development of window and tracery types discussed through reference to pertinent examples on both sides of the English Channel. Subjects, stylistic and technical factors, sources of reference, ecclesiastical influences, were all within the context of social and political history . viewed. Intro., p. 1-2.
- Full Text:
- Date Issued: 1987
Cynthia
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Dance music , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/103565 , vital:32267 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC091b-11
- Description: Love song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Dance music , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/103565 , vital:32267 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC091b-11
- Description: Love song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
Cynthia
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Love song , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/103584 , vital:32272 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC091b-12
- Description: Love song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Love song , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/103584 , vital:32272 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC091b-12
- Description: Love song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
Dance papa dance
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/101573 , vital:32002 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC085b-04
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/101573 , vital:32002 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC085b-04
- Description: Topical song with guitar accompaniment
- Full Text: false
- Date Issued: 1987