Nya udile II
- Raimundu Andreu, Luis Manuel maCanda, Tracey, Hugh
- Authors: Raimundu Andreu , Luis Manuel maCanda , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194212 , vital:45430 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-05
- Description: The Chibvelani bow was strung with Ilala palm leaf and the player used all four fingers of the left hand to stop the string and not the more usual one or two, hence the more interesting meloduc possibilities. The bow is resonated in the open mouth, the palm leaf passing between, but not touching, the parted lips. The musical principal is the same as that of the Jews Harp, a vibrating medium suspended in front of the mouth cavity, the pitch of the notes being controlled by altering the shape of the mouth and throat. The performer is virtually singing silently. Song sung with additional verses. Tune on Chitende stressed bow.
- Full Text: false
- Date Issued: 1963
- Authors: Raimundu Andreu , Luis Manuel maCanda , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194212 , vital:45430 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-05
- Description: The Chibvelani bow was strung with Ilala palm leaf and the player used all four fingers of the left hand to stop the string and not the more usual one or two, hence the more interesting meloduc possibilities. The bow is resonated in the open mouth, the palm leaf passing between, but not touching, the parted lips. The musical principal is the same as that of the Jews Harp, a vibrating medium suspended in front of the mouth cavity, the pitch of the notes being controlled by altering the shape of the mouth and throat. The performer is virtually singing silently. Song sung with additional verses. Tune on Chitende stressed bow.
- Full Text: false
- Date Issued: 1963
Shibudu. 7th Movement
- Ngodo of Regulo Banguza, Jao Nemba Mboteya (Leader), Tracey, Hugh
- Authors: Ngodo of Regulo Banguza , Jao Nemba Mboteya (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Banguza f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191395 , vital:45093 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR200-02
- Description: Dialect differences from east to west in Chopi country are marked. Elsewhere this movement is called Chibudu. "If you are a dancer and fail, then you are thrown out of the group and replaced by someone else." Orchestral dances with 16 Timbila xylophones, 2 Chilanzane (Treble), 8 Sange (Alto), 2 Doli (Tenor), 2 Debiinda (Bass), 2 Gulu (Double bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Banguza , Jao Nemba Mboteya (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Banguza f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191395 , vital:45093 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR200-02
- Description: Dialect differences from east to west in Chopi country are marked. Elsewhere this movement is called Chibudu. "If you are a dancer and fail, then you are thrown out of the group and replaced by someone else." Orchestral dances with 16 Timbila xylophones, 2 Chilanzane (Treble), 8 Sange (Alto), 2 Doli (Tenor), 2 Debiinda (Bass), 2 Gulu (Double bass).
- Full Text: false
- Date Issued: 1963
Chiriri - Hengisela izala ya masawa
- Chopi people, Katini, wa Nyamombe, Tracey, Hugh
- Authors: Chopi people , Katini, wa Nyamombe , Tracey, Hugh
- Date: 1949-06-08
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique City not specified f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/276608 , vital:55181 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1074-XYZT4359
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949-06-08
- Authors: Chopi people , Katini, wa Nyamombe , Tracey, Hugh
- Date: 1949-06-08
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique City not specified f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/276608 , vital:55181 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1074-XYZT4359
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949-06-08
Eto Anga Mahwatambuzi
- Ngodo of Zavala, Nyamombe, wa Katini, Tracey, Hugh
- Authors: Ngodo of Zavala , Nyamombe, wa Katini , Tracey, Hugh
- Date: 1949-06-08
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa Mozambique Quissico f-sa
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/217995 , vital:48345 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR1308 , XYZ4356T
- Description: Traditional Ngodo orchestral dance song accompanied by timbila xylophone
- Full Text: false
- Date Issued: 1949-06-08
- Authors: Ngodo of Zavala , Nyamombe, wa Katini , Tracey, Hugh
- Date: 1949-06-08
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa Mozambique Quissico f-sa
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/217995 , vital:48345 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR1308 , XYZ4356T
- Description: Traditional Ngodo orchestral dance song accompanied by timbila xylophone
- Full Text: false
- Date Issued: 1949-06-08
Ngeniso Movement Tata nikaute
- Sagethi wa Nguyuza (Leader), Tracey, Hugh
- Authors: Sagethi wa Nguyuza (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194593 , vital:45466 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-04
- Description: This orchestra was remarkably resonant which is a great credit to the maker of Timbila xylophones in that village. Ngilishi Mchinga. The tuning was as follows:- 536, 488, 440, 360, 336, 304, 268 vs. Orchestral dances with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Sagethi wa Nguyuza (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194593 , vital:45466 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-04
- Description: This orchestra was remarkably resonant which is a great credit to the maker of Timbila xylophones in that village. Ngilishi Mchinga. The tuning was as follows:- 536, 488, 440, 360, 336, 304, 268 vs. Orchestral dances with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
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