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Ndembo ya Kumilanzi

Ndembo Ya Kuminzi

Ndembo Ya Kuminzi

Nimepata mpenzi mtoto mdogo mzuri simwachi

Nitunde uphi kula nitumdao una nana

Nitunde upi, kula nitundao, una nana

Nzaireki akatera empihi

  • Authors: Samuiri Bitadwa and Nyoro men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
  • Language: Nyoro
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169934 , vital:41840 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-18
  • Description: Nzaireki is held up to ridicule for being a glutton. He ate far too much and was sick all night. Enough, in Bunyoro, as elsewhere, is as good as a feast. The drum and rattles perform in a rhythm typical of much of Bantu Africa. Orunyege dance song for men and women with Ebinyege leg rattles and Goblet drum long stem pegged open.
  • Full Text: false
  • Date Issued: 1950

Nzaireki akatera empihi

  • Authors: Samuiri Bitadwa and Nyoro men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
  • Language: Nyoro
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169925 , vital:41839 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-18
  • Description: Nzaireki is held up to ridicule for being a glutton. He ate far too much and was sick all night. Enough, in Bunyoro, as elsewhere, is as good as a feast. The drum and rattles perform in a rhythm typical of much of Bantu Africa. Orunyege dance song for men and women with Ebinyege leg rattles and Goblet drum long stem pegged open.
  • Full Text: false
  • Date Issued: 1950

Nzaireki akatera empihi

O bail dura ate amanha

O cheye

O Cheye

Obw' omugabe Gasyonga II yagwara ekirunga

Obw’omugabe Gasyonga II yagwara ekirunga

  • Authors: Rusania and Nkole , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbarara f-ug
  • Language: Nyoro , Nyankole
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169979 , vital:41844 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-03
  • Description: Song sung at the installation of the present (1950) Mugabe as head of all the Ankole. Mugabe Gasyonga II. The manner in which this song is sung gives impression that both the style and the words belong to an era of Hima conquest, when the Nkole first came from the north. Installation of a Chief.
  • Full Text: false
  • Date Issued: 1950

Safari ya Msanga-Tifu

  • Authors: Kanga Mayele with Giryama men , Hugh Tracey
  • Date: 1950
  • Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
  • Language: Giryama
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/176612 , vital:42720 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-11
  • Description: "I was so much in love that I found myself in Msanga-Tifu, where my girl lives, without knowing how I had got there." The Msego dance is most attractive to watch and the ingenuity of the rhythm can be guessed from the sound of the dancers in this recording. Msego dance song for men and women with Kayamba raft rattles and clapping (-12.03-).
  • Full Text: false
  • Date Issued: 1950

Samehani baba

Sameheni baba

  • Authors: Nyamugumi Mihabo with Nyamwezi men and women , Hugh Tracey
  • Date: 1950
  • Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
  • Language: Nyamwezi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/173300 , vital:42355 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-07
  • Description: "Excuse me, father, I want to make it clear to Juma that he must not play with me, lest he die." The singers are all Nyamwezi who have come down to the East coast from the interior near Tabora and have now settled permanently at the coast in or around Dar-es-Salaam. These Nyamwezi singers of Dar-es-Salaam have an attractive way of singing their songs repeating each stanza after the soloist. This style may well have been copied from the Arabs or Swahili. Tatu Binti Ali is the young wife of Idi Selemani the organiser of the group. Hiyari ya moyo dance song for men and women..
  • Full Text: false
  • Date Issued: 1950

Sameheni baba

Sameheni baba

Sameheni baba

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