INkosi yenyukela
- St Albert's music workshop participants, Mogorosi, Patricia, Dargie, Dave
- Authors: St Albert's music workshop participants , Mogorosi, Patricia , Dargie, Dave
- Date: 1977-08-30
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Vosloorus, Gauteng sa
- Language: Northern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/464214 , vital:76487 , DDC022a-07
- Description: Church hymn
- Full Text: false
- Date Issued: 1977-08-30
- Authors: St Albert's music workshop participants , Mogorosi, Patricia , Dargie, Dave
- Date: 1977-08-30
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Vosloorus, Gauteng sa
- Language: Northern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/464214 , vital:76487 , DDC022a-07
- Description: Church hymn
- Full Text: false
- Date Issued: 1977-08-30
Inkosikazi eme ngakwesokunene
- St Albert's music workshop participants, Molefe, S.C., Dargie, Dave
- Authors: St Albert's music workshop participants , Molefe, S.C. , Dargie, Dave
- Date: 1977-08-30
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Vosloorus, Gauteng sa
- Language: Northern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/464253 , vital:76491 , DDC022a-11
- Description: Church hymn
- Full Text: false
- Date Issued: 1977-08-30
- Authors: St Albert's music workshop participants , Molefe, S.C. , Dargie, Dave
- Date: 1977-08-30
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Vosloorus, Gauteng sa
- Language: Northern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/464253 , vital:76491 , DDC022a-11
- Description: Church hymn
- Full Text: false
- Date Issued: 1977-08-30
MPhefumlo wami dumisa iNkosi
- St Albert's music workshop participants, Modisa, Sila, Dargie, Dave
- Authors: St Albert's music workshop participants , Modisa, Sila , Dargie, Dave
- Date: 1977-08-30
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Vosloorus, Gauteng sa
- Language: Northern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/464225 , vital:76488 , DDC022a-08
- Description: Church hymn
- Full Text: false
- Date Issued: 1977-08-30
- Authors: St Albert's music workshop participants , Modisa, Sila , Dargie, Dave
- Date: 1977-08-30
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Vosloorus, Gauteng sa
- Language: Northern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/464225 , vital:76488 , DDC022a-08
- Description: Church hymn
- Full Text: false
- Date Issued: 1977-08-30
Nina amapofu
- St Albert's music workshop participants, Mogumele, Pascalina, Dargie, Dave
- Authors: St Albert's music workshop participants , Mogumele, Pascalina , Dargie, Dave
- Date: 1977-08-30
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Vosloorus, Gauteng sa
- Language: Northern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/464140 , vital:76477 , DDC022a-01
- Description: Church hymn
- Full Text: false
- Date Issued: 1977-08-30
- Authors: St Albert's music workshop participants , Mogumele, Pascalina , Dargie, Dave
- Date: 1977-08-30
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Vosloorus, Gauteng sa
- Language: Northern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/464140 , vital:76477 , DDC022a-01
- Description: Church hymn
- Full Text: false
- Date Issued: 1977-08-30
Romela moya
- St Albert's music workshop participants, Composer not specified, Dargie, Dave
- Authors: St Albert's music workshop participants , Composer not specified , Dargie, Dave
- Date: 1977-08-30
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Vosloorus, Gauteng sa
- Language: Northern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/464202 , vital:76486 , DDC022a-06
- Description: Church hymn
- Full Text: false
- Date Issued: 1977-08-30
- Authors: St Albert's music workshop participants , Composer not specified , Dargie, Dave
- Date: 1977-08-30
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Vosloorus, Gauteng sa
- Language: Northern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/464202 , vital:76486 , DDC022a-06
- Description: Church hymn
- Full Text: false
- Date Issued: 1977-08-30
Sanctus
- St Albert's music workshop participants, Molefe, S.C., Dargie, Dave
- Authors: St Albert's music workshop participants , Molefe, S.C. , Dargie, Dave
- Date: 1977-08-30
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Vosloorus, Gauteng sa
- Language: Northern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/464188 , vital:76484 , DDC022a-04
- Description: Church hymn
- Full Text: false
- Date Issued: 1977-08-30
- Authors: St Albert's music workshop participants , Molefe, S.C. , Dargie, Dave
- Date: 1977-08-30
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Vosloorus, Gauteng sa
- Language: Northern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/464188 , vital:76484 , DDC022a-04
- Description: Church hymn
- Full Text: false
- Date Issued: 1977-08-30
Wena ungumpriste
- St Albert's music workshop participants, Letseka, Hildegaard, Dargie, Dave
- Authors: St Albert's music workshop participants , Letseka, Hildegaard , Dargie, Dave
- Date: 1977-08-30
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Vosloorus, Gauteng sa
- Language: Northern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/464156 , vital:76481 , DDC022a-02
- Description: Church hymn
- Full Text: false
- Date Issued: 1977-08-30
- Authors: St Albert's music workshop participants , Letseka, Hildegaard , Dargie, Dave
- Date: 1977-08-30
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Vosloorus, Gauteng sa
- Language: Northern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/464156 , vital:76481 , DDC022a-02
- Description: Church hymn
- Full Text: false
- Date Issued: 1977-08-30
Yesasani Kumkulumkulu
- St Albert's music workshop participants, Moshoeshoe, Klere, Dargie, Dave
- Authors: St Albert's music workshop participants , Moshoeshoe, Klere , Dargie, Dave
- Date: 1977-08-30
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Vosloorus, Gauteng sa
- Language: Northern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/464180 , vital:76483 , DDC022a-03
- Description: Church hymn
- Full Text: false
- Date Issued: 1977-08-30
- Authors: St Albert's music workshop participants , Moshoeshoe, Klere , Dargie, Dave
- Date: 1977-08-30
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Vosloorus, Gauteng sa
- Language: Northern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/464180 , vital:76483 , DDC022a-03
- Description: Church hymn
- Full Text: false
- Date Issued: 1977-08-30
Malubesethandweni
- Izingonjani Group, Ndlovu, Mandlenkosi, Dargie, Dave
- Authors: Izingonjani Group , Ndlovu, Mandlenkosi , Dargie, Dave
- Date: 1975-04-29
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa St. Aidan's, South Africa sa
- Language: IsiZulu
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/470288 , vital:77344 , DDC220a-07
- Description: Topical song composition at St Aidan's with guitar accompaniment
- Full Text: false
- Date Issued: 1975-04-29
- Authors: Izingonjani Group , Ndlovu, Mandlenkosi , Dargie, Dave
- Date: 1975-04-29
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa St. Aidan's, South Africa sa
- Language: IsiZulu
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/470288 , vital:77344 , DDC220a-07
- Description: Topical song composition at St Aidan's with guitar accompaniment
- Full Text: false
- Date Issued: 1975-04-29
Title not specified
- Sesotho people, Composer not specified, Dargie, Dave
- Authors: Sesotho people , Composer not specified , Dargie, Dave
- Date: 1974
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Ficksburg, Free State Province sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/470818 , vital:77399 , DDC223a-02
- Description: Traditional Sesotho song with clapping accompaniment
- Full Text: false
- Date Issued: 1974
- Authors: Sesotho people , Composer not specified , Dargie, Dave
- Date: 1974
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Ficksburg, Free State Province sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/470818 , vital:77399 , DDC223a-02
- Description: Traditional Sesotho song with clapping accompaniment
- Full Text: false
- Date Issued: 1974
Violence and destruction as an important part of artistic action with reference to the two Great Wars
- Hallier, Michael Glen Thomas
- Authors: Hallier, Michael Glen Thomas
- Date: 1971-11
- Subjects: Uncatalogued
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10962/190329 , vital:44984
- Description: A well known fact about any work of art of any significance is its power to upset current conventions and disturb certain of our normal emotional patterns. The artist frequently achieves this by deliberately expressing emotions that are violent. There is nothing, however, new about the existence of violence in the arts, a large number of works in the history of art being painted with blood. One has only to think of the many battles, rapes, murders, martyrdoms and catastrophes that have been the subjects of many great paintings. Since the beginning of this century, and especially since the work of the Impressionists, in which violence is entirely excluded, violence has taken on a role of great importance and has been used to a greater or lesser extent by artists and group movements. It would appear initially that there are two main reasons in this century for the use of violence: one as a means of using it as a weapon against the academic and avant-garde in the arts, which in turn reflects attitudes found in society, and secondly as a direct reflection of the corrupt society in which we live. This is not to say that the twentieth century is an age in which more violence and sadism is found than in any other era of history, but never has it received so much publicity. I do not believe that man has change so much over the years, but it is my view that the apparent increase in this century is due to the vast changes in communications, it is due to the publicity it receives that violence has in recent times become a focal point, with murders, assassinations and war part of our daily lives. , Thesis (MFA) -- Faculty of Humanities, Fine Art, 1971
- Full Text:
- Date Issued: 1971-11
- Authors: Hallier, Michael Glen Thomas
- Date: 1971-11
- Subjects: Uncatalogued
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10962/190329 , vital:44984
- Description: A well known fact about any work of art of any significance is its power to upset current conventions and disturb certain of our normal emotional patterns. The artist frequently achieves this by deliberately expressing emotions that are violent. There is nothing, however, new about the existence of violence in the arts, a large number of works in the history of art being painted with blood. One has only to think of the many battles, rapes, murders, martyrdoms and catastrophes that have been the subjects of many great paintings. Since the beginning of this century, and especially since the work of the Impressionists, in which violence is entirely excluded, violence has taken on a role of great importance and has been used to a greater or lesser extent by artists and group movements. It would appear initially that there are two main reasons in this century for the use of violence: one as a means of using it as a weapon against the academic and avant-garde in the arts, which in turn reflects attitudes found in society, and secondly as a direct reflection of the corrupt society in which we live. This is not to say that the twentieth century is an age in which more violence and sadism is found than in any other era of history, but never has it received so much publicity. I do not believe that man has change so much over the years, but it is my view that the apparent increase in this century is due to the vast changes in communications, it is due to the publicity it receives that violence has in recent times become a focal point, with murders, assassinations and war part of our daily lives. , Thesis (MFA) -- Faculty of Humanities, Fine Art, 1971
- Full Text:
- Date Issued: 1971-11
1970's White Marilyn Monroe Style Maxi Dress
- Rhodes University Drama Department
- Authors: Rhodes University Drama Department
- Date: 1970's
- Subjects: Clothing and dress , Twentieth century , Vintage clothing , Dresses , Wedding costume , Women's clothing , Costume
- Type: three dimensional object , Realia , image
- Identifier: http://hdl.handle.net/10962/446072 , vital:74461 , WED 5
- Description: 1970s White Marilyn Monroe Style Maxi Dress/ The dress is lined with white pongee lining and the back of the dress is exposed halfway and has a 30cm white zipper which has a hook and eye at the top of the zipper. , Used in unknown Production
- Full Text: false
- Authors: Rhodes University Drama Department
- Date: 1970's
- Subjects: Clothing and dress , Twentieth century , Vintage clothing , Dresses , Wedding costume , Women's clothing , Costume
- Type: three dimensional object , Realia , image
- Identifier: http://hdl.handle.net/10962/446072 , vital:74461 , WED 5
- Description: 1970s White Marilyn Monroe Style Maxi Dress/ The dress is lined with white pongee lining and the back of the dress is exposed halfway and has a 30cm white zipper which has a hook and eye at the top of the zipper. , Used in unknown Production
- Full Text: false
1970s White Marilyn Monroe Stlye Maxi Dress
- Rhodes University Drama Department
- Authors: Rhodes University Drama Department
- Date: 1970
- Subjects: Clothing and dress , Twentieth century , Vintage clothing , Dresses , Wedding costume , Women's clothing , Costume
- Type: three dimensional object , Realia , image
- Identifier: http://hdl.handle.net/10962/446587 , vital:74523 , WED 5
- Description: 1970s White Marilyn Monroe Style Maxi Dress/ The dress is lined with white pongee the back f the dress is exposed halfway and there is a 30cm and has a hook and eye at the top , Used in unknown Production
- Full Text: false
- Authors: Rhodes University Drama Department
- Date: 1970
- Subjects: Clothing and dress , Twentieth century , Vintage clothing , Dresses , Wedding costume , Women's clothing , Costume
- Type: three dimensional object , Realia , image
- Identifier: http://hdl.handle.net/10962/446587 , vital:74523 , WED 5
- Description: 1970s White Marilyn Monroe Style Maxi Dress/ The dress is lined with white pongee the back f the dress is exposed halfway and there is a 30cm and has a hook and eye at the top , Used in unknown Production
- Full Text: false
Army Green Knee High Coat
- Rhodes University Drama Department, Mavuka, Nomsa, Xaba, Nosihle
- Authors: Rhodes University Drama Department , Mavuka, Nomsa , Xaba, Nosihle
- Date: 1970's
- Subjects: Clothing and dress , Coats , Twentieth century , Women's clothing , Vintage clothing , Twenty-first century , Costume , Jackets
- Type: three dimensional object , Realia , image
- Identifier: http://hdl.handle.net/10962/469535 , vital:77265 , PSG 96
- Description: The army green coat is made with suede which is 100% lamb skin and the cuffs are made with fur from what seems to be fox fur. The coat is lined with black textured rayon lining and is suitable for sizes 12 to 14. The coat has three button holes and only two buttons. This kind of coat is similar to coats that dominate the Y2K aesthetic. Did you know? 'Pigments in the inner layers of hair filter harmful ultraviolet radiation just like sunscreen, and may help regulate body temperature. Dark hairs absorb heat, warming an animal, while light colors reflect sun, keeping an animal cooler. Hair color helps camouflage animals from predators or prey by matching the environment they live in.'- eek! , Condition: Decent with visible staining and tearing on the cuff and the back armholes. , This is an item from the Post-Graduate Wall, meaning item has been bought or made for a Post-Graduate production/project. The item cannot be destroyed or adapted as the costume is meant to be preserved following the project. The item can be signed out of the wardrobe but only for a short amount of time. , This record has been reviewed by the wardrobe staff and library technical team members but may be incomplete. The goal is to ensure that the records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email rhodesdramadepartmentwardrobe@gmail.com.
- Full Text: false
- Authors: Rhodes University Drama Department , Mavuka, Nomsa , Xaba, Nosihle
- Date: 1970's
- Subjects: Clothing and dress , Coats , Twentieth century , Women's clothing , Vintage clothing , Twenty-first century , Costume , Jackets
- Type: three dimensional object , Realia , image
- Identifier: http://hdl.handle.net/10962/469535 , vital:77265 , PSG 96
- Description: The army green coat is made with suede which is 100% lamb skin and the cuffs are made with fur from what seems to be fox fur. The coat is lined with black textured rayon lining and is suitable for sizes 12 to 14. The coat has three button holes and only two buttons. This kind of coat is similar to coats that dominate the Y2K aesthetic. Did you know? 'Pigments in the inner layers of hair filter harmful ultraviolet radiation just like sunscreen, and may help regulate body temperature. Dark hairs absorb heat, warming an animal, while light colors reflect sun, keeping an animal cooler. Hair color helps camouflage animals from predators or prey by matching the environment they live in.'- eek! , Condition: Decent with visible staining and tearing on the cuff and the back armholes. , This is an item from the Post-Graduate Wall, meaning item has been bought or made for a Post-Graduate production/project. The item cannot be destroyed or adapted as the costume is meant to be preserved following the project. The item can be signed out of the wardrobe but only for a short amount of time. , This record has been reviewed by the wardrobe staff and library technical team members but may be incomplete. The goal is to ensure that the records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email rhodesdramadepartmentwardrobe@gmail.com.
- Full Text: false
White Vintage 1970's Apron Full Length Dress
- Rhodes University Drama Department
- Authors: Rhodes University Drama Department
- Date: 1970
- Subjects: Clothing and dress , Twentieth century , Vintage clothing , Dresses , Wedding costume , Women's clothing , Costume
- Type: three dimensional object , Realia , image
- Identifier: http://hdl.handle.net/10962/446008 , vital:74455 , WED 2
- Description: White Vintage 1970's Apron Full Length Dress/ The dress has a square neckline with thick straps/ The sides of the dress have slits and a side 30cm zipper on the right hand side and the fabric used is white school tex. , Used in unknown Production
- Full Text: false
- Authors: Rhodes University Drama Department
- Date: 1970
- Subjects: Clothing and dress , Twentieth century , Vintage clothing , Dresses , Wedding costume , Women's clothing , Costume
- Type: three dimensional object , Realia , image
- Identifier: http://hdl.handle.net/10962/446008 , vital:74455 , WED 2
- Description: White Vintage 1970's Apron Full Length Dress/ The dress has a square neckline with thick straps/ The sides of the dress have slits and a side 30cm zipper on the right hand side and the fabric used is white school tex. , Used in unknown Production
- Full Text: false
The construction of a swept-frequency polarimeter for observing decametric radiation from Jupiter
- Authors: Baker, Dirk E.
- Date: 1970-01
- Subjects: Uncatalogued
- Language: English
- Type: Academic theses , Master's theses , text
- Identifier: http://hdl.handle.net/10962/447507 , vital:74652
- Description: This thesis describes the design and construction of a swept-frequency polarimeter for observing Jupiter’s decametric radiation in the frequency range from 15 to 45 MHz. The frequency band is tuned in two parts using two receivers for observing the left- and right-circular components of the radiation in the 15 to 26 MHz range and two receivers for observing the circular components in the 30 to 45 MHz range. The receivers are tuned electronically by means of varactor diodes and are of novel design in that they do not have any intermediate-frequency stages. The frequency band can be swept 10 times per second or 100 times per second. The antennas used for the polarimeter are helical beam antennas, two for each of the circular components in the 15 to 26 MHz range and two for the 30 to 45 MHz range. Model studies of the antennas were conducted to establish whether they have suitable characteristics for observing the polarisation of Jupiter’s decametric radiation over a wide frequency range. Many spectral records of Jupiter’s decametric radiation were obtained using a preliminary version of the swept-frequency receiver and a log-periodic dipole antenna. Some of the records are presented and one record which shows an interesting case of Faraday rotation is analysed. , Thesis (MSc) -- Faculty of Science, Physics, 1970
- Full Text:
- Date Issued: 1970-01
- Authors: Baker, Dirk E.
- Date: 1970-01
- Subjects: Uncatalogued
- Language: English
- Type: Academic theses , Master's theses , text
- Identifier: http://hdl.handle.net/10962/447507 , vital:74652
- Description: This thesis describes the design and construction of a swept-frequency polarimeter for observing Jupiter’s decametric radiation in the frequency range from 15 to 45 MHz. The frequency band is tuned in two parts using two receivers for observing the left- and right-circular components of the radiation in the 15 to 26 MHz range and two receivers for observing the circular components in the 30 to 45 MHz range. The receivers are tuned electronically by means of varactor diodes and are of novel design in that they do not have any intermediate-frequency stages. The frequency band can be swept 10 times per second or 100 times per second. The antennas used for the polarimeter are helical beam antennas, two for each of the circular components in the 15 to 26 MHz range and two for the 30 to 45 MHz range. Model studies of the antennas were conducted to establish whether they have suitable characteristics for observing the polarisation of Jupiter’s decametric radiation over a wide frequency range. Many spectral records of Jupiter’s decametric radiation were obtained using a preliminary version of the swept-frequency receiver and a log-periodic dipole antenna. Some of the records are presented and one record which shows an interesting case of Faraday rotation is analysed. , Thesis (MSc) -- Faculty of Science, Physics, 1970
- Full Text:
- Date Issued: 1970-01
The artistic forms of the image of war
- Authors: Graham, H J
- Date: 1968-03
- Subjects: Uncatalogued
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10962/191267 , vital:45077
- Description: War is a condition of this world. From man to the smallest insect, all are at strife, yet man has a "quality which makes him overlord of all; for whereas the creatures of the forest and plain kill only to eat, or to lead the herd ... man will kill for no reason at all. This makes him terrible among the creatures, for he is the very God of Destruction. And from man's pride in his weapons that give him power has grown his art." Warfare in its primeval state is a direct result of a natural phenomenon, springing from the discovery that certain grass seeds could be cultivated and that certain grass feeding animals could be domesticated. From these roots sprouted two very differently organised communities, the agricultural and the pastoral, who clashed for the first time in the third millenium B.C. , Thesis (MFA) -- Faculty of Humanities, Fine Art, 1968
- Full Text:
- Date Issued: 1968-03
- Authors: Graham, H J
- Date: 1968-03
- Subjects: Uncatalogued
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10962/191267 , vital:45077
- Description: War is a condition of this world. From man to the smallest insect, all are at strife, yet man has a "quality which makes him overlord of all; for whereas the creatures of the forest and plain kill only to eat, or to lead the herd ... man will kill for no reason at all. This makes him terrible among the creatures, for he is the very God of Destruction. And from man's pride in his weapons that give him power has grown his art." Warfare in its primeval state is a direct result of a natural phenomenon, springing from the discovery that certain grass seeds could be cultivated and that certain grass feeding animals could be domesticated. From these roots sprouted two very differently organised communities, the agricultural and the pastoral, who clashed for the first time in the third millenium B.C. , Thesis (MFA) -- Faculty of Humanities, Fine Art, 1968
- Full Text:
- Date Issued: 1968-03
1960's White Grecian Style Dress
- Rhodes University Drama Department
- Authors: Rhodes University Drama Department
- Date: 1960
- Subjects: Clothing and dress , Dresses , Twentieth century , Costume
- Type: three dimensional object , Realia , image
- Identifier: http://hdl.handle.net/10962/443207 , vital:74096 , WCD 2
- Description: White Grecian Style Dress with Gold Embroidered Waist and V-neck/ Material used: floral white Dupion cotton which is characterised by inconsistent horizontal bumps / Waistline consists of golden trimming and individual diamond trimmings /The dress brand is Jane Paris / size 38 / length 90cm / The Dress is lined with off-white silk lining for the bodice and the skirt is lined with a white poplin cotton lining/ The back of the dress has a 50cm white zipper. , Used in unknown Production
- Full Text: false
- Authors: Rhodes University Drama Department
- Date: 1960
- Subjects: Clothing and dress , Dresses , Twentieth century , Costume
- Type: three dimensional object , Realia , image
- Identifier: http://hdl.handle.net/10962/443207 , vital:74096 , WCD 2
- Description: White Grecian Style Dress with Gold Embroidered Waist and V-neck/ Material used: floral white Dupion cotton which is characterised by inconsistent horizontal bumps / Waistline consists of golden trimming and individual diamond trimmings /The dress brand is Jane Paris / size 38 / length 90cm / The Dress is lined with off-white silk lining for the bodice and the skirt is lined with a white poplin cotton lining/ The back of the dress has a 50cm white zipper. , Used in unknown Production
- Full Text: false
1960s Frost White Shift Dress with Sliver and Powder Blue Paisley Design
- Rhodes University Drama Department
- Authors: Rhodes University Drama Department
- Date: 1960
- Subjects: Clothing and dress , Twentieth century , Vintage clothing , Dresses , Women's clothing , Costume
- Type: three dimensional object , Realia , image
- Identifier: http://hdl.handle.net/10962/446562 , vital:74521 , WCD 5
- Description: 1960s Frost White Shift Dress with Sliver and Powder Blue Paisley Design / The dress has capped sleeves and the back of the dress has a 55cm zipper with a belt with cream white flat four whole buttons/ The length is 100cm and the size is 34-36/ The fabric is crepe wool with silver tensile weaving. , Used in unknown Production
- Full Text: false
- Authors: Rhodes University Drama Department
- Date: 1960
- Subjects: Clothing and dress , Twentieth century , Vintage clothing , Dresses , Women's clothing , Costume
- Type: three dimensional object , Realia , image
- Identifier: http://hdl.handle.net/10962/446562 , vital:74521 , WCD 5
- Description: 1960s Frost White Shift Dress with Sliver and Powder Blue Paisley Design / The dress has capped sleeves and the back of the dress has a 55cm zipper with a belt with cream white flat four whole buttons/ The length is 100cm and the size is 34-36/ The fabric is crepe wool with silver tensile weaving. , Used in unknown Production
- Full Text: false
Ivory White Ladies Evening Coat
- Rhodes University Drama Department, Mavuka, Nomsa, Balakisi, Siphosethu
- Authors: Rhodes University Drama Department , Mavuka, Nomsa , Balakisi, Siphosethu
- Date: 1960's
- Subjects: Clothing and dress , Coats , Twentieth century , Women's clothing , Vintage clothing , Twenty-first century , Costume , Jackets
- Type: three dimensional object , Realia , image
- Identifier: http://hdl.handle.net/10962/467811 , vital:76975 , PSG 25
- Description: The white evening coat is made with heavy brocade fabric that has geometric motifs with gold tensile details and three quarter raglan sleeves. The coat includes a shawl collar with hook and eyes in the front closure with a large button hole and a velcro closure from the neckline to the very bottom. The coat include three quarter raglan sleeves and the coat is suitable for sizes large. This kind of silhouette would be worn by the wife of the late President Kennedy, Jacqueline Lee Kennedy Onassis during the 196o's. , Condition: Decent with visible staining and no tearing , This is an item from the Post-Graduate Wall, meaning item has been bought or made for a Post-Graduate production/project. The item cannot be destroyed or adapted as the costume is meant to be preserved following the project. The item can be signed out of the wardrobe but only for a short amount of time. , This record has been reviewed by the wardrobe staff and library technical team members but may be incomplete. The goal is to ensure that the records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email rhodesdramadepartmentwardrobe@gmail.com.
- Full Text: false
- Authors: Rhodes University Drama Department , Mavuka, Nomsa , Balakisi, Siphosethu
- Date: 1960's
- Subjects: Clothing and dress , Coats , Twentieth century , Women's clothing , Vintage clothing , Twenty-first century , Costume , Jackets
- Type: three dimensional object , Realia , image
- Identifier: http://hdl.handle.net/10962/467811 , vital:76975 , PSG 25
- Description: The white evening coat is made with heavy brocade fabric that has geometric motifs with gold tensile details and three quarter raglan sleeves. The coat includes a shawl collar with hook and eyes in the front closure with a large button hole and a velcro closure from the neckline to the very bottom. The coat include three quarter raglan sleeves and the coat is suitable for sizes large. This kind of silhouette would be worn by the wife of the late President Kennedy, Jacqueline Lee Kennedy Onassis during the 196o's. , Condition: Decent with visible staining and no tearing , This is an item from the Post-Graduate Wall, meaning item has been bought or made for a Post-Graduate production/project. The item cannot be destroyed or adapted as the costume is meant to be preserved following the project. The item can be signed out of the wardrobe but only for a short amount of time. , This record has been reviewed by the wardrobe staff and library technical team members but may be incomplete. The goal is to ensure that the records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email rhodesdramadepartmentwardrobe@gmail.com.
- Full Text: false