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Luvale
1952

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Atu

- Andre Boniface Wahamba and group of Chokwe men, Hugh Tracey

Authors: Andre Boniface Wahamba and group of Chokwe men , Hugh Tracey
Date: 1952
Subjects: Folk music--Africa , Folk songs, Chokwe , Chokwe (African people) , Luvale (African people) , Field recordings , Africa, Sub-Saharan , Africa Angola Villa Luzu f-ao
Language: Chokwe , Luvale
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/183301 , vital:43953 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR180-01
Description: "So many people have been born, so many people have died. Now all my folk are finished. So who will keep me company when I die?" This song with its antiphonal call and answer is typical of the style of the majority of folk songs of the Chokwe heard on the mines. This kind of performance is most difficult to record effectively for several reasons. Chianda dance song woth Sangu rattles, leg rattles held in the hand and gourds on sticks
Full Text: false
Date Issued: 1952

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Chitengi

- Andre Boniface Wahamba and group of Chokwe men, Hugh Tracey

Authors: Andre Boniface Wahamba and group of Chokwe men , Hugh Tracey
Date: 1952
Subjects: Folk music--Africa , Folk songs, Chokwe , Chokwe (African people) , Luvale (African people) , Field recordings , Africa, Sub-Saharan , Africa Angola Villa Luzu f-ao
Language: Chokwe , Luvale
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/183309 , vital:43954 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR180-02
Description: "Black cloth may not be worn by a woman who is about to have a child, she may use any other coloured cloth but not black." Such simple sentences revealing local etiquette are quite enough to inspire a local dance song. The Chokwe are more renowned for their beautiful chip carving than for their music, much of it sung in organum. Chianda dance song woth Sangu rattles, leg rattles held in the hand and gourds on sticks
Full Text: false
Date Issued: 1952

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Fuzhi inopenduka kwenda lamukiya

- Mulazhi Ronger and two Chokwe women, Hugh Tracey

Authors: Mulazhi Ronger and two Chokwe women , Hugh Tracey
Date: 1952
Subjects: Folk music--Africa , Folk songs, Chokwe , Chokwe (African people) , Luvale (African people) , Field recordings , Africa, Sub-Saharan , Africa Angola Sandoa f-ao
Language: Chokwe , Luvale
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/183345 , vital:43969 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR180-06
Description: "Go and say how do you do to the Administrateur." (the chief administrative officer of the district). The tuning of his bamboo notes was:- 118, 74, 59, 37, 54, 74 vs. Humorous song with Kisanzhi Mbira with 6 bamboo reeds
Full Text: false
Date Issued: 1952

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Kambula

- Group of Luvale men, Hugh Tracey

Authors: Group of Luvale men , Hugh Tracey
Date: 1952
Subjects: Folk music--Africa , Folk songs, Chokwe , Chokwe (African people) , Luvale (African people) , Field recordings , Africa, Sub-Saharan , Africa Angola Kalwena f-ao
Language: Chokwe , Luvale
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/183430 , vital:43989 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR180-11
Description: Chikele Kele is the alternative name for the Katchatcha mbira. The seven reeds are tuned with paste or wax beneath their tips. The rhythm set by the struck metal is the common southern Congo rhythm. // 1, 2, 3, 1/2, 1, 2, 1/2 // The Katchatcha keeps up a strange chatter of little or no meaning in the background. Katchatcha dance, with Katchatcha mbira with bamboo reeds resonated on top of metal petrol drum and struck metal
Full Text: false
Date Issued: 1952

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Kambula

- Luvale men, performer not specified, Composer not specified, Tracey, Hugh

Authors: Luvale men , performer not specified , Composer not specified , Tracey, Hugh
Date: 1952
Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Congo city not specified f-cg
Language: Luvale
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/390720 , vital:68577 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO803-F1Q7
Description: Indigenous music
Full Text: false
Date Issued: 1952

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Kambula

- Luvale men, Performer not specified, Composer not specified, Tracey, Hugh

Authors: Luvale men , Performer not specified , Composer not specified , Tracey, Hugh
Date: 1952
Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Angola City not specified f-ao
Language: Luvale
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/321291 , vital:60431 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2949-XYZ7102
Description: Indigenous music
Full Text: false
Date Issued: 1952

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Katchakatcha

- Luvale men, Performer not specified, Composer not specified, Tracey, Hugh

Authors: Luvale men , Performer not specified , Composer not specified , Tracey, Hugh
Date: 1952
Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Angola City not specified f-ao
Language: Luvale
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/321282 , vital:60430 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2948-XYZ7101
Description: Indigenous music
Full Text: false
Date Issued: 1952

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Katchatcha

- Group of Luvale men, Hugh Tracey

Authors: Group of Luvale men , Hugh Tracey
Date: 1952
Subjects: Folk music--Africa , Folk songs, Chokwe , Chokwe (African people) , Luvale (African people) , Field recordings , Africa, Sub-Saharan , Africa Angola Kalwena f-ao
Language: Chokwe , Luvale
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/183453 , vital:43992 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR180-12
Description: Chikele Kele is the alternative name for the Katchatcha mbira. The seven reeds are tuned with paste or wax beneath their tips. The rhythm set by the struck metal is the common southern Congo rhythm. // 1, 2, 3, 1/2, 1, 2, 1/2 // The Katchatcha keeps up a strange chatter of little or no meaning in the background. Katchatcha dance, with Katchatcha mbira with bamboo reeds resonated on top of metal petrol drum and struck metal
Full Text: false
Date Issued: 1952

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Katchatcha

- Luvale men, performer not specified, Composer not specified, Tracey, Hugh

Authors: Luvale men , performer not specified , Composer not specified , Tracey, Hugh
Date: 1952
Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Angola city not specified f-ao
Language: Luvale
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/390682 , vital:68573 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO803-F1Q6
Description: Indigenous music
Full Text: false
Date Issued: 1952

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Kufatcha mama

- Mulazhi Ronger and two Chokwe women, Hugh Tracey

Authors: Mulazhi Ronger and two Chokwe women , Hugh Tracey
Date: 1952
Subjects: Folk music--Africa , Folk songs, Chokwe , Chokwe (African people) , Luvale (African people) , Field recordings , Africa, Sub-Saharan , Africa Angola Sandoa f-ao
Language: Chokwe , Luvale
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/183354 , vital:43971 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR180-07
Description: "My mother is dead." The thin tone of the banboo slats contrasts unfavourably with the metal notes of the usual mbira. The singer, however, is a gifted entertainer and demonstrates how effective a performance can be with so slight an accompaniment. Humorous song with Kisazhi Mbira with 6 bamboo reeds
Full Text: false
Date Issued: 1952

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Maliana kasemele mwana

- Mulazhi Ronger and two Chokwe women, Hugh Tracey

Authors: Mulazhi Ronger and two Chokwe women , Hugh Tracey
Date: 1952
Subjects: Folk music--Africa , Folk songs, Chokwe , Chokwe (African people) , Luvale (African people) , Field recordings , Africa, Sub-Saharan , Africa Angola Sandoa f-ao
Language: Chokwe , Luvale
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/183336 , vital:43968 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR180-05
Description: The player used his bamboo tongued mbira more as a percussion instrument than a musical one, and was able to extraxt humour his nammer of playing it. In only a few places in Central and Southern Africa do you find bamboo or cane reeds used on the use of iron oe whether their use was dictated by lack of metal in the district has not yet been determined. Humorous song with Kisanzhi Mbira with 6 bamboo reeds
Full Text: false
Date Issued: 1952

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Mariana, Mariana

- Chokwe men, Hugh Tracey

Authors: Chokwe men , Hugh Tracey
Date: 1952
Subjects: Folk music--Africa , Folk songs, Chokwe , Chokwe (African people) , Luvale (African people) , Field recordings , Africa, Sub-Saharan , Africa Angola Dilolo f-ao
Language: Chokwe , Luvale
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/183319 , vital:43956 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR180-03
Description: A song typical of many Chokwe dance songs. The Chokwe live on both sides of the Congo-Angola border. Chianda dance with drums, 2 open conical drums, pegged 1 closed goblet drum
Full Text: false
Date Issued: 1952

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Masaji

- Chokwe men, Hugh Tracey

Authors: Chokwe men , Hugh Tracey
Date: 1952
Subjects: Folk music--Africa , Folk songs, Chokwe , Chokwe (African people) , Luvale (African people) , Field recordings , Africa, Sub-Saharan , Africa Angola Dilolo f-ao
Language: Chokwe , Luvale
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/183327 , vital:43966 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR180-04
Description: The Chianda dance is probably danced at wakes and funerals. A good example of Chokwe organum singing-that is, singing in paralel. Two Chianda dances with, 2 open conical drums, pegged 1 closed goblet drum
Full Text: false
Date Issued: 1952

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Saikera mwana musheka ndi

- Josiasi Yemba Mate, Hugh Tracey

Authors: Josiasi Yemba Mate , Hugh Tracey
Date: 1952
Subjects: Folk music--Africa , Mbunda (African people)--Zambia , Luvale (African people) , Luchazi (African people) , Chokwe (African people) , Folk songs, Chokwe , Field recordings , Africa, Sub-Saharan , Africa Zambia Luanika f-za
Language: Mbunda , Subiya , Luvale , Luchazi , Chokwe
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/183987 , vital:44145 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR184-01
Description: The 'th' in Kathandi is pronounced as in English. Tuning:- 388, 344, 308, 272, 244, 228, 210, 194 vs. Topical song with Kathandi Mbira, with 14 notes and external resonator
Full Text: false
Date Issued: 1952

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Sitima senda namoto

- Josiasi Yemba Mate, Hugh Tracey

Authors: Josiasi Yemba Mate , Hugh Tracey
Date: 1952
Subjects: Folk music--Africa , Mbunda (African people)--Zambia , Luvale (African people) , Luchazi (African people) , Chokwe (African people) , Folk songs, Chokwe , Field recordings , Africa, Sub-Saharan , Africa Zambia Luanika f-za
Language: Mbunda , Subiya , Luvale , Luchazi , Chokwe
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/183996 , vital:44149 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR184-02
Description: "The train it goes with fire, it goes with steam, it goes with light and it goes with water." This piece was composed by Mate when he left his home near the headquaters of the Zambesi and walked across to Livingstone where he saw and boarded his first train which took him to a job in Bulawayo. He was awarded 3rd prize for this item in the 1953 Osborn Award for the best African musician of the year. Topical song with Kathandi Mbira, with 14 notes and external resonator
Full Text: false
Date Issued: 1952

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Sungule sungelelo, walings ngunya ngunya nawakweneweya

- Josiasi Yemba Mate, Hugh Tracey

Authors: Josiasi Yemba Mate , Hugh Tracey
Date: 1952
Subjects: Folk music--Africa , Mbunda (African people)--Zambia , Luvale (African people) , Luchazi (African people) , Chokwe (African people) , Folk songs, Chokwe , Field recordings , Africa, Sub-Saharan , Africa Zambia Luanika f-za
Language: Mbunda , Subiya , Luvale , Luchazi , Chokwe
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/184037 , vital:44161 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR184-04
Description: "Do not puch me around. I do not like to make trouble." This brilliant young player plays a well known song of his district singing both parts, solo and chorus. Topical song with Kathandi Mbira, fan with external resonator
Full Text: false
Date Issued: 1952

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Tambuka nalikishi

- Josiasi Yemba Mate, Hugh Tracey

Authors: Josiasi Yemba Mate , Hugh Tracey
Date: 1952
Subjects: Folk music--Africa , Mbunda (African people)--Zambia , Luvale (African people) , Luchazi (African people) , Chokwe (African people) , Folk songs, Chokwe , Field recordings , Africa, Sub-Saharan , Africa Zambia Luanika f-za
Language: Mbunda , Subiya , Luvale , Luchazi , Chokwe
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/184027 , vital:44158 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR184-03
Description: This is a genuine African impression of the emotions surrounding a dance in masks rather than the music of the dance itself. A most interesting piece of music. Towards the end of the item, it would appear that he removes the mask to reveal his familiar self to his friends. It is not clear whether the performer Mate sings 'Tanga na likishi', 'Tamba', 'Tambwa', or 'Tambuka'. Barotseland is the furthest south of all the places where carved wooden masks are made. It is said to be a West African cultural intrusion. Further south only grass masks are sometimes used, but no carved ones. Topical song with Kathandi Mbira, fan with external resonator
Full Text: false
Date Issued: 1952

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