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Zokudaro (Just like that)

  • Authors: Composer not specified , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Music--Mozambique , Africa Mozambique Espungabera f-mz
  • Language: Ndau
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136317 , vital:37361 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR029-14
  • Description: "Just like that is what I do not like. When you cook you do not sit down properly but only squat. The white people here are from England. See-you are listening to me like a snake, my brothers, Why are you so black like a crow. Why are you so red like a "Jekwaya"? Look Franzi has had a child, the child Mujarai. I am Franzi-son of Maunze Mwiambo. I am from Chipumgumbira (Sipungabera. lit. the small forest of rock rabbits) Portuguese territory. We are happy at Kabira, here working together with the Italians. Sorry for you, friends who stay at home. Don't take "Joni" (a labour recruiting organisation) in order to come here. (i.e. come on your own). The tune is a variation of a well-known traditional tune in S. Rhodesia. Self-delectative song with Mbira dza waNdau.
  • Full Text: false
  • Date Issued: 1957

Muchongolo

Muchongolo (Part I)

Muchongolo (Part II)

Hiyo woye, Busai-we

  • Authors: Simon Mafiru Sithole (Performer) , Composer not specified , Hugh Tracey
  • Date: 1955
  • Subjects: Folk music--Africa , Topical song , Mbira , Africa Zimbabwe Chipinga f-rh
  • Language: Ndau
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/132078 , vital:36796 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-14 , H1B-10
  • Description: "Hi, there Busai, see my poverty, brother. This great trouble which causes it, Busai. That is, when I think of it I weep, Busai." The tuning of the central octave of the instrument was as follows:-440, 392, 364, 332, 296, 260, 220 vps. Personal laments with mbira dza WaNdau and deze resonator.
  • Full Text: false
  • Date Issued: 1955

Mastaire

Matsaire

  • Authors: o Feliciano, Muntano Gomez , Gomez, F , Tracey, Hugh
  • Date: 1955
  • Subjects: Folk music--Africa , Topical song , Guitar music , Africa Mozambique Chibuto, Sul do Save f-mz
  • Language: Ndau
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/131997 , vital:36784 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-06 , Field card no. H1P-11
  • Description: Feliciano's pronunciation of Ndau words, they say, is like a child's speech. "matsaire, you have finished all the people." Matsaire was killed in a certain village, and his ghost came back demanding recompense, under pain of death to all the village. One of three topical songs with guitar.
  • Full Text: false
  • Date Issued: 1955

Muchongolo I

  • Authors: Balani, Pedro Simau , Ndau dancers , Hugh Tracey
  • Date: 1955
  • Subjects: Folk music--Africa , Topical song , Guitar music , Africa Mozambique Mpanda Mjege f-mz
  • Language: Ndau
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/132028 , vital:36788 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-08 , Field card no. HIF-4A
  • Description: The tumbling dance which has been developed by the Ndau people has not only spread south to neighbouring tribes, but has now become a favourite spectacle on the gold mines of South Africa where its performance delights the miners of other tribes as well. It is usually acrobatic and humorous, and is performed to complex rhythms on the drums. The performance of the dancers is frequently of a high order demanding considerable gymnastic ability. Dance music for Muchongolo Tumbling dance with 3 drums and clappers (-12.02-).
  • Full Text: false
  • Date Issued: 1955

Muchongolo II

  • Authors: Balani, Pedro Simau , Ndau dancers , Hugh Tracey
  • Date: 1955
  • Subjects: Folk music--Africa , Topical song , Guitar music , Africa Mozambique Mpanda Mjege f-mz
  • Language: Ndau
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/132033 , vital:36789 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-09 , Field card no. H1F-4B
  • Description: The tumbling dance which has been developed by the Ndau people has not only spread south to neighbouring tribes, but has now become a favourite spectacle on the gold mines of South Africa where its performance delights the miners of other tribes as well. It is usually acrobatic and humorous, and is performed to complex rhythms on the drums. The performance of the dancers is frequently of a high order demanding considerable gymnastic ability. Dance music for Muchongolo Tumbling dance with 3 drums and clappers. (-12.02-).
  • Full Text: false
  • Date Issued: 1955

Muchongolo Part I

Muchongolo Part II

Ndodya mutombo

  • Authors: o Feliciano, Muntano Gomez , Gomez, F , Tracey, Hugh
  • Date: 1955
  • Subjects: Folk music--Africa , Topical song , Guitar music , Africa Mozambique Chibuto f-mz
  • Language: Ndau
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/131992 , vital:36783 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-05 , Field card no. H1P-10
  • Description: "Doctor must cure doctor." When a doctor (nyanga) falls sick, he must seek another nyanga to cure him, as he cannot know the medicine to cure himself. This tune would make an excellent round. One of three topical songs with guitar.
  • Full Text: false
  • Date Issued: 1955

Ndodya mutombo

Ruwe-ruwe

  • Authors: Sithole, Simon Mafiru , Composer not specified , Tracey, Hugh
  • Date: 1955
  • Subjects: Folk music--Africa , Topical song , Mbira , Africa Zimbabwe Mt. Selinda f-rh
  • Language: Ndau
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/132073 , vital:36795 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-13 , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , Field card no. L1B-7
  • Description: "Flowers, flowers for a child to play with. My father died tragically at Makwiani, my mother stoops in the shade of the wood. This music is for worship at Marange." The sad death of his father meant nothing to the children only like a flower to play with. Now his mother walks in the shadow of death, (literally walks bowed down) in the shade of the trees. His music in this song would be used in the worship or devotion of the souls (Mashawi) were he at home, at Marange. Personal laments with mbira dza WaNdau and deze resonator.
  • Full Text: false
  • Date Issued: 1955

Ruwe-ruwe

Title not specified

Wa Mambo

  • Authors: o Feliciano, Muntano Gomez (Performer) , Gomez, F , Tracey, Hugh
  • Date: 1955
  • Subjects: Folk music--Africa , Topical song , Guitar music , Africa Mozambique Chibuto, Sul do Save f-mz
  • Language: Ndau
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/132010 , vital:36785 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-07 , Field card no. H1P-25
  • Description: "Chief, chief, what does the great 'Lion' require? This item is typical of so many African songs in which the courtesies due to chiefs and important people in a local community are referred to in terms of extravagant adulation which hold little meaning for those outside the immediate social circle involved. One of three topical songs with guitar.
  • Full Text: false
  • Date Issued: 1955

Wa mambo

Wa Mambo

Kalimone

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