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Manja ndi kapolo (Hands are slaves)

- Lonesi Chewane and Joni Hetara, Hugh Tracey

Melo (Name of a man)

- Young girls and 4 drummers, Hugh Tracey

  • Authors: Young girls and 4 drummers , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chipwembwe, Fort Herald f-rh
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/155811 , vital:39919 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-01
  • Description: The drums are carved out of Mutondo wood (one of Sokosa wood) cut locally on the plain. The maker Bauleni made No. 5 as long ago as 1930. The others are more recent. The membranes are of ox hide. The dance is well performed by the young girls who stand in a row or semicircle near the drums and each comes out in turn to do a solo dance, a clever rhythmic routine ending with a sharp pelvic jerk. As one girl finishes another immediately takes her place. The drums are all played with curved wooden beaters except the 2 bass drums numbers 8 and 9 which are played with hands. Some of the girls held clappers and one a tin rattle. Likhuba dance with 9 drums.
  • Full Text: false
  • Date Issued: 1958

Mkazi wa mulomo (The talkative woman)

- Lonesi Chewane and Joni Hetara, Hugh Tracey

Mnyamata (Young man why dont you marry?)

- Frank Nantibule, Hugh Tracey

Mukadzi wanga (My wife)

- Young girls and 4 drummers, Hugh Tracey

  • Authors: Young girls and 4 drummers , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chipwembwe, Fort Herald f-rh
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/155820 , vital:39920 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-02
  • Description: The drums are carved out of Mutondo wood (one of Sokosa wood) cut locally on the plain. The maker Bauleni made No. 5 as long ago as 1930. The others are more recent. The membranes are of ox hide. The dance is well performed by the young girls who stand in a row or semicircle near the drums and each comes out in turn to do a solo dance, a clever rhythmic routine ending with a sharp pelvic jerk. As one girl finishes another immediately takes her place. The drums are all played with curved wooden beaters except the 2 bass drums numbers 8 and 9 which are played with hands. Some of the girls held clappers and one a tin rattle. Likhuba dance with 9 drums.
  • Full Text: false
  • Date Issued: 1958

Mulandeza mulanganga (A bag my brother)

- Six elderly women, Hugh Tracey

  • Authors: Six elderly women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Tengani, Port Herald f-rh
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/155748 , vital:39912 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-09
  • Description: This is an old dance, now only performed by the old people. Two of the performers grasped the long gourd rattles with alternate hands while others beat it with the palm of one hand. The gourds have maize seeds inside as the rattling medium. As they wear away they are replaced with new dry seeds. Chitsukulumwe dance with gourd rattles and clapping.
  • Full Text: false
  • Date Issued: 1958

Munaona (You will see)

- Agnes Maknwalo, Hugh Tracey

Mwana wa Namwali (Child of Namwali)

- Young Men and women, Hugh Tracey

  • Authors: Young Men and women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa f-rh
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/156054 , vital:39946 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-06
  • Description: "The child of Namwali will not sleep today. The child of an older woman, will not sleep today. Will not sleep today. I will 'wage war' at the end of the year." The words 'wage war' are a euphemism for the marriage bed. The song is a warning to a girl to 'go straight' and not to cheapen herself with men. The word 'Namwali' usually refers to a virgin. Chiponda dance with clapping and 3 drums.
  • Full Text: false
  • Date Issued: 1958

Mwanaya (This child)

- Chiko Phiri, Hugh Tracey

  • Authors: Chiko Phiri , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Tengani, Port Herald District f-rh
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/156135 , vital:39955 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-14
  • Description: "The child cries because it is not mine." The father of this seven months old child took his baby in his arms and sang two lullabies, which he said his wife did not know how to sing. The child was as good as gold during the first, but cried all through the second. In spite of the words of the second song, the child was in fact his own. He called himself "Extra Zambezi" for some private reason. Lullaby.
  • Full Text: false
  • Date Issued: 1958

Mwezi mtondo (Month after next)

- Katunga and Mailoso (8 and 6 years old). Son and nephew of the chief, Hugh Tracey

NaBanda naPhiri (Banda and Phiri)

- Young boys and girls, Hugh Tracey

  • Authors: Young boys and girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa f-rh
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/156063 , vital:39947 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-07
  • Description: 'Banda and Phiri, I started calling you long ago now you are left behind. A good example of Mang'anja clapping. The language spoken by these Chikunda emigrants into this region from the Zambezi valley near Tete is much mixed up with the local Mang'anja. Njole dance with clapping.
  • Full Text: false
  • Date Issued: 1958

Namalumbe (Nightjars)

- Young Men and women, Hugh Tracey

Nana, ndili kupita (Sister, I am going)

- George Zongoloti, Hugh Tracey

  • Authors: George Zongoloti , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/155703 , vital:39907 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-04
  • Description: "Sister, I am going, keeping crocodiles, fish and everything there as you do! Do not play with young boys or girls. The small boy will kill you and might keep those things I told you about, rice, maize and flour which belong to you. So mind you do not play with them!" The singer keeps some magical objects such as crocodiles and fish with which to make her own magic. The singer warns his sister not to show the children her magical objects or she will be punished for it. Topicla song with Nthikwi drum.
  • Full Text: false
  • Date Issued: 1958

Nanchengwe (The Hamerkop (a bird))

- Small girls under 14 years, Hugh Tracey

Ndachinyuka, Pitoria (I will say no more, Pitoria)

- George Zongoloti and chorus of small girls, Hugh Tracey

  • Authors: George Zongoloti and chorus of small girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/155721 , vital:39909 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-06
  • Description: The two people mentioned in the song are imaginary and not actual people. "I will not say any more, Pitoria (sometimes pronounced Vitoria by the singers). For you have no teeth left. "Yes" she said, "but you Bitoni, when you come near you sound like Thomas, you make a noise like a motor car engine. When you laugh you make a noise like a maize mill." Pitoria was an old woman who was married to Bitoni. He told her she was now to old. Topical song with Nthikuri barrel drum.
  • Full Text: false
  • Date Issued: 1958

Ndachiona kale (I saw it long ago)

- Simenti Phiri, Hugh Tracey

Ndayamba dale (I start, darling)

- Young girls and 5 drummers, Hugh Tracey

Ndikati ubwera ulendo waimba wisulo kunjila

- Tweleve elderly women and two drummers, Hugh Tracey

  • Authors: Tweleve elderly women and two drummers , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/155766 , vital:39914 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-11
  • Description: "I supposed you would come back from your journey singing as you came along the path. But you have gone for good." A woman is being justifyably caustic about her husband who is going away on a journey presumably leaving her to do all the work. Pairs of singers sing alternately, the second pair repeating what the first initiated. Chitsukulumwe dance with rattles and clapping.
  • Full Text: false
  • Date Issued: 1958

Ndimgayo Timba (The bird Timba)

- Agnes Maknwalo, Hugh Tracey

Nga, nga, nga, nda reka (Lift and drop)

- Bauleni Zhuau, Hugh Tracey

  • Authors: Bauleni Zhuau , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chipwembwe, Fort Herald f-rh
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/155829 , vital:39921 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-03
  • Description: The drum leader was not satisfied with the pitch of the drums and stopped playing to adjust the amount of wax on two of the drums and then started again while the girls continued to sing. The wax is made of caster oil beans pounded up, it sticks onto the drum heads in spite of the continual beating of sticks and hands. The addition of wax or paste lowers the note of the drum and the removal of quite a small amount of wax raises the note. Thus the drums can be tunned with reasonable accuracy. The players brought more paste on the drum heads than they needed, no doubt because a certain amount is lost in playing and then tuned by removing a certain amount on each head with a curved piece of tin shaped like a spoon. Note the stress upon the final syllable of Reka NdaReka. Likhuba dance with 9 tuned drums.
  • Full Text: false
  • Date Issued: 1958
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