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Kahwahwe

Kawamyita wagenda baligira nkaituoha

Kukoikya (Riddles)

Kurungi Ngweyo

  • Authors: Fersia Binoberwa with Ruguru girls , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Rubirizi f-ug
  • Language: Nyoro , Nyankole
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169991 , vital:41846 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-04
  • Description: Song praising the beauties of their land, the Banyaguru county, with its many crater lakes along the edge of the rift valley, its fresh and its bananas. The style of singing suggested foreign influence although the singers assured us it was indigenous. Patriotic song, used as dance song for boys and girls, with two conical drums, laced, single and a raft rattle.
  • Full Text: false
  • Date Issued: 1950

Kyamukuku

  • Authors: Sergent Joseph Musisi and Bamba men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bundibugyo f-ug
  • Language: Nyoro , Nyankole
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/170452 , vital:41924 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-08
  • Description: "Who has the authority in this place?" "After the white man comes the Chief and after the Chief it is the Sergent who has the authority." This song was perfomed by two convicts from the local prison let out for the occasion. They were accomapanied by the Sergent in charge of the prison who sang jovially with his arms around his wards shoulders. Humorous song with clapping.
  • Full Text: false
  • Date Issued: 1950

Kyanda

Losunga Bakali

Luma

  • Authors: Atokwe with Bamba men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bundibugyo f-ug
  • Language: Nyoro , Nyankole
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/170391 , vital:41916 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-03
  • Description: The Luma flute dances are a popular recreation in this district which lies under the foot of the Ruwenzori mountain, near its north west end. All the players of this ensemble were prisoners whom the local Ssaza chief let out of custody especially to play for this recording. The names of the seven pipes used:- from high to low pitch 1. Kyenuma, 2. Kyegira, 3. Sikuse, 4. Pee, 5. Kwigirize, 6. Kyigira Kike, 7. Chahomya. Luma flute ensemble x7 and one conical drum laced, single, played with sticks.
  • Full Text: false
  • Date Issued: 1950

Mauwa (Flowers)

  • Authors: Abugu Kisukwe and Bamba men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bundibugyo f-ug
  • Language: Nyoro , Nyankole
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/170400 , vital:41917 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-04
  • Description: "There was a girl I loved dearly. But someone else went and married her." The three Likembe Mbira called Ntoyo and Namurito were of three sizes. The resonating boxes being of remarkable length, 15 inches long by 5 inches broad. The singers were all convicts from the local gaol let out for the occasion. Topical song with 3 Likembe x11 notes.
  • Full Text: false
  • Date Issued: 1950

Mutitira (Happiness)

  • Authors: S. Ruhume, Akiki with Toro men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bukuku f-ug
  • Language: Nyoro , Nyankole
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/170373 , vital:41914 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-01
  • Description: "The bird has seen its friend, that is why it is happy." This means that the host at the party is happy with his friends. The Mateguru dance is frequently performed at drinking parties. The song makes a very jolly round. Mateguru dance song for men and women with Emugudu cylindrical drum, footed, pegged, one conical drum laced, single, played with hands.
  • Full Text: false
  • Date Issued: 1950

Ndamukiza aba Kayanga

Nyamwanga obuyaza Buganda

  • Authors: Samuiri Rwakifunzi and Nkole men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bushenyi f-ug
  • Language: Nyoro , Nyankole
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/170092 , vital:41857 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-14
  • Description: Nyamwanga was a Hima king of Ankole who used to raid the Ganda people of the lake districts before 1890 when the English took over the Protectorate. The rattles are flat containers made of stout grasses inside which wild canna seeds are thrown to and fro. They are held flat between the palms while the fingers may tap the lower side to enhance the main pulses or to syncopate the rhythm. Ekitagururo dance song, with conical drums, laced, single, played with sticks, and three earthenware pots and raft rattles.
  • Full Text: false
  • Date Issued: 1950

Obalemege

  • Authors: Yosamu Kanagwa and Toro men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamukuzi f-ug
  • Language: Nyoro , Nyankole
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/170263 , vital:41875 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-06
  • Description: This praise, which both begins and ends with song, are frequently recited by men at parties. The subject of their adulation may be their host, their cattle or any subject gratifying their senses. Adulation of elders is part of the sycophantic social system common to many tribes and especially cattle owners. The practise of interspersing spoken praises between song is also found among the Sotho of Basutoland. The word Engabo means literally a brave man and these praises were originally intended to praise fighting men. Nowadays woth no fighting to be done the praises have been extended to any gratification and particularly of the 'Pombe' banana beer. Engabo praise, with conical drum. laced, single, played with hands and clapping.
  • Full Text: false
  • Date Issued: 1950

Obw’omugabe Gasyonga II yagwara ekirunga

  • Authors: Rusania and Nkole , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbarara f-ug
  • Language: Nyoro , Nyankole
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169979 , vital:41844 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-03
  • Description: Song sung at the installation of the present (1950) Mugabe as head of all the Ankole. Mugabe Gasyonga II. The manner in which this song is sung gives impression that both the style and the words belong to an era of Hima conquest, when the Nkole first came from the north. Installation of a Chief.
  • Full Text: false
  • Date Issued: 1950

Omubanda

  • Authors: Matesaiwe and Nkole men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bushenyi f-ug
  • Language: Nyoro , Nyankole
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/170117 , vital:41860 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-16
  • Description: The flute (Omubanda. s. Emibanda. pl.) is a notched flute, end blown onto a V shaped notch cut into the end of the open pipe. There are four finger holes in two pairs. These flutes usually accompany the chief country dance the Ekitagururo, a very simple rhythm. The clay poys, which cannot be distinguished in this recording are played by striking the orifice of the pot with a flat beater made of banana frond or leaf. Emibanda flute duet, with two conical drums, laced, single, played with sticks, three clay pots, (Enyungu), rattles and two end blown notched flutes (Emibanda).
  • Full Text: false
  • Date Issued: 1950

Omukazi owajumire embuzi

Omukazi owazaire enkirungu

Omurimo gwangye

  • Authors: Fersia Binoberwa with Ruguru girls , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Rubirizi f-ug
  • Language: Nyoro , Nyankole
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/170002 , vital:41847 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-05
  • Description: Song praising the beauties of their land, the Banyaguru county, with its many crater lakes along the edge of the rift valley, its fresh and its bananas. The style of singing suggested foreign influence although the singers assured us it was indigenous. Patriotic song, used as dance song for boys and girls, with two conical drums, laced, single and a raft rattle.
  • Full Text: false
  • Date Issued: 1950

Owangye n’omunyoro omu Kongo

Rwabazira

  • Authors: Mahibo and Toro men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamukuzi f-ug
  • Language: Nyoro , Nyankole
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/170254 , vital:41874 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-05
  • Description: This praise, which both begins and ends with song, are frequently recited by men at parties. The subject of their adulation may be their host, their cattle or any subject gratifying their senses. Adulation of elders is part of the sycophantic social system common to many tribes and especially cattle owners. The practise of interspersing spoken praises between song is also found among the Sotho of Basutoland. The word Engabo means literally a brave man and these praises were originally intended to praise fighting men. Nowadays woth no fighting to be done the praises have been extended to any gratification and particularly of the 'Pombe' banana beer. Engabo praise, with conical drum. laced, single, played with hands and clapping.
  • Full Text: false
  • Date Issued: 1950
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