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O, ama Jalimani (Oh, the Germans)

- Group of young Mpondo men and women, Hugh Tracey

  • Authors: Group of young Mpondo men and women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136731 , vital:37412 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-09
  • Description: Most of the women were married, wearing the beaded, tubular headring of the Mpondo married women. One young girl wore a mass of bead choker necklaces in the favourite Mpondo colours, sky-blue and white. The married women wore their hair in a mass of long fine twists or plaits, and wore a number of bead necklaces. Party song for young people with clapping.
  • Full Text: false
  • Date Issued: 1957

Olihomba (A well-dressed person)

- Group of young Mpondo married women, Hugh Tracey

  • Authors: Group of young Mpondo married women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Tabankulu f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136715 , vital:37409 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-07
  • Description: The Mpondo women of this district wear their hair in bunches of fine waxed plaits on either side of their faces, with one thickish waxed plait straight down in the middle of the fore-head, and hanging below the nose or chin. Song for the Umngcutsho dance, with clapping.
  • Full Text: false
  • Date Issued: 1957

Pelile Makoti (My love for you, Makoti, is finished)

- Citaumvano, Hugh Tracey

  • Authors: Citaumvano , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136614 , vital:37397 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-11
  • Description: Makoti was his wife. From what he said, the singer was devoted to her and their song was not to be taken too literally. His capotasto was placed on the fifth fret of the guitar. Love song with guitar.
  • Full Text: false
  • Date Issued: 1957

Puma endlini yam = Get out of my house

- Irene Buyiswa Ndumo, Jury Mpelho, Jury Mpelho, Hugh Tracey

Salime ugamadoda

- Group of Xhosa men (Performers), Composer not specified, Hugh Tracey

Sanusi

- Nkenkese Mgwejo (Performer), N. Mgwejo (Composer), Hugh Tracey

Siyahamba (We are going)

- Midnight stars, Alfred Tafeni, Hugh Tracey

Themb'sie (Name of a girl)

- Jury Mpelho, Hugh Tracey

  • Authors: Jury Mpelho , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Grahamstown f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/135925 , vital:37313 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR027-05
  • Description: "Themb'sie come, I have been calling you. Come in, Themb'sie, come in, I've been calling you. Topical song with dance band including saxaphone, double bass, guitar and drum.
  • Full Text: false
  • Date Issued: 1957

Thula ndivile (Be quiet, I have heard)

- Midnight stars, Alfred Tafeni, Hugh Tracey

  • Authors: Midnight stars , Alfred Tafeni , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Grahamstown f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/135970 , vital:37321 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR027-09
  • Description: "We are here, we young men, and every one must come and listen, as we are here to give a lively time." Many of the words do not make sense, but are just put in to help out the rhythm. Town dance with dance band.
  • Full Text: false
  • Date Issued: 1957

Tikolosh (The imp)

- Group of young Mpondo girls and boys, Hugh Tracey

  • Authors: Group of young Mpondo girls and boys , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136578 , vital:37393 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-06
  • Description: This was performed by the same group of boys and girls as the previous item. The swaying bobbing movement of the dance accentuated by a double stamp on each foot alternately. All the boys carried 2 sticks. The words of the chorus were: "Tikolosh has a wife." Gubura dance for young people.
  • Full Text: false
  • Date Issued: 1957

Tsholoza

- Group of Xhosa/Gcaleka women, Hugh Tracey

  • Authors: Group of Xhosa/Gcaleka women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136151 , vital:37343 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-11
  • Description: This song is sung, they said, by the women for the boys to dance at night. Women's dance for clapping at night iside the hut, with clapping.
  • Full Text: false
  • Date Issued: 1957

Tula mtwana (Hush, baby)

- Group of Qwathi wome, Hugh Tracey

  • Authors: Group of Qwathi wome , Hugh Tracey
  • Date: 1957
  • Subjects: Folk songs, Xhosa , Lullabies, Xhosa , Africa South Africa Engcobo f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134936 , vital:37219 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0022-04
  • Description: Several mothers sitting in the hut with their babies took part in this lullaby.-The voice of one of the babies can be heard. The tune is said to be traditional to the whole country. Lullaby.
  • Full Text: false
  • Date Issued: 1957

Tula mutwana

- Two elderly women (Performers), Composer not specified, Hugh Tracey

U'tengisa nge misopu (You are selling the beadwork)

- Group of Mpondo men and girls, Hugh Tracey

  • Authors: Group of Mpondo men and girls , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136775 , vital:37419 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-13
  • Description: One of the young girls added the deep guttural rhythmic sounds peculiar to Xhosa singing. The singers were each of them singing into a slightly vibrating cupped hand. They were all lying on their stomachs on the grass wrapped in their blankets and looking like basking seals. Dance song for young people.
  • Full Text: false
  • Date Issued: 1957

Ubenga lahlinkomo (He lost the cattle)

- Group of Mpondo men and 3 girls, Hugh Tracey

Ukubula (To thrash out the affair)

- Group of Mpondo men and women led by Khotso, Hugh Tracey

  • Authors: Group of Mpondo men and women led by Khotso , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136524 , vital:37387 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR031-10
  • Description: This was an impromptu sketch of a supposed divination, by Khotso and 2 women. It was a sprited performance of an old time custom. "We didn't know we were going to be found out." says one of the women. One question was: "Whose baboon is this?" "You had better clap your hands, he says to the people. I see them all, I'm going to catch you all. You'd better agree." The group chorused: "Kill the witches. kill the witches." He went on: "Look out, you witches and behave yourselves." He ends up saying to the Chief: "All right, they've all agreed." The witches were accused of having snakes, baboons, "tikoloshes" (gnomes)- everything. "Kali shaya" - "Speak, speak." "Siya vuma" - "We agree-we agree." "Woman, is this your snake?" "Yes, it is", etc., etc. Divibation sketch with clapping and drums.
  • Full Text: false
  • Date Issued: 1957

Ukugwiya

- Group of old Hlubi men, Hugh Tracey

Ukulalubokile (The weeds in the lands have got them beat)

- Citaumvano, Hugh Tracey

  • Authors: Citaumvano , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136605 , vital:37396 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-09
  • Description: "Sila" is literary :to grind", i.e. the woman who grinds the grain for the beer. Topical song with guitar.
  • Full Text: false
  • Date Issued: 1957

Ukutyiwa zezilo (I am enchanted by magic)

- Group of Xhosa women and Notembile and Nopenrose, Hugh Tracey

  • Authors: Group of Xhosa women and Notembile and Nopenrose , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136064 , vital:37333 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-03
  • Description: This item was recorded inside a hut. We were told that this music (performed only by women) is only played at night, inside the huts. Those in the hut who are listening, must listen in silence, perhaps lie down and close their eyes and then "they must think of places far away, where they have never been, or of places where their sons or husbands are working." 2 Self-delectative songs with Hadi musical bow, unbraced, open and resonated.
  • Full Text: false
  • Date Issued: 1957

Ulo tixo omkhulu (God Almighty - The High God)

- Women of Tuku's Location, Hugh Tracey

  • Authors: Women of Tuku's Location , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Wedding music , Africa South Africa Peddie f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/135790 , vital:37299 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR026-06
  • Description: There is some doubt about the origin of this song. The singers claimed that it was a country song before Ntsikana used it as a hymn by the early part of the last century. Others affirm that Ntsikana himself composed it. In the 1700s Ntsikana prphesised that people would be coming from the North (the Fingos) and that the Whites would be coming with the Bible. The song was Ntsikana's own song and Rev. John Knox Bokwe set it in its present form, (information by his son J. T. Bokwe). During the song a man of about 35, danced a stamping dance. He was beautifully dressed in blanket edged with pale blue beads, wearing it like a train. He was also wearing several pounds worth of beads around his neck and torso. This song is sung at the weddings of the "Red Blanket" people. The dancer's beads were mostly in necklaces composed of strands of solid colour. He also wore double-stranded bracelets of pale blue and green beads. He carried a beautiful beaded animal skin, part of which had been sewn up to form a bag with a bead tasselled ornament. The blanket had rows and ornaments of pearl buttons sewn on it and was coloured with red ochre. Wedding song
  • Full Text: false
  • Date Issued: 1957
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