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Alele iya olumbe

  • Authors: Saidi Kikongo and Wagenya fishermen , Hugh Tracey
  • Date: 1952
  • Subjects: Genya (African people) , Nande (Congolese (Democratic Republic) and Ugandan people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Stanleyville f-cg
  • Language: Nande
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/168632 , vital:41632 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0127-06
  • Description: The canoes of the Wagenya are large dugouts, often 60 feet in length and about 30 to 50 inches in width. They can hold as many as 70 to 100 paddlers on festive occasions and have been made famous of recent years by their appearance in films such as "Sanders of the River" and "Savage Splendour." The large slit drum was made out of a single log of wood measuring 25" across and 5 feet long. The slit was 4" to 4 and a half wide and 4 feet long. It was insulated from the ground by resting it on an old motor truck tyre which nowadays often replaces the less permanent bands of grass or other fibrous matter which are necessary if the wooden gong or slit drum is to be resound to full advantage. The gong should be supported like a xylophone note at the natural nodes, so as to prevent muffling the sound. The larger slit drum is called Mongungu. The smaller slit drum is called Mongungu Ngole. Other Genya drums wih membranes are called Lotongo Ngoma and Uke, but the wooden gongs or slit drums are the more numerous, being used not only for dancing but for sending messages as well. These items were copied from discs in the Reference Library section of the I.L.A.M. as the original tapes were not available. Consequently disc surface noise is apparent in some places. Paddling song with large slit drum, small slit drum, conical laced drum.
  • Full Text: false
  • Date Issued: 1952

Ayilongo lokele

  • Authors: Saidi Kikongo and Wagenya fishermen , Hugh Tracey
  • Date: 1952
  • Subjects: Genya (African people) , Nande (Congolese (Democratic Republic) and Ugandan people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Stanleyville f-cg
  • Language: Nande
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/168565 , vital:41625 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0127-01
  • Description: This song is the original of the theme song for the film "Sanders of the river," which was made famous by Paul Robeson. Most of the river scenes with large Wagenya canoes holding 70 to 100 men were taken at this village above the Stanley falls by Zoltan Korda the producer of the film. In its English film version this song is known all over the world. Mr. Zoltan Korda himself confirmed this information and described the filming. The singers sing in parallel or organum, not unlike the songs of the Bemba people of Northern Rhodesia. Paddling song with large slit drum.
  • Full Text: false
  • Date Issued: 1952

Basaula likenja

Colette

  • Authors: Orchestra Tinapa , Hugh Tracey
  • Date: 1952
  • Subjects: Folk songs, Zande , Alur (African people) , Swahili-speaking peoples , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Stanleyville f-cg
  • Language: Zande/Vongara
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/168123 , vital:41543 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0124-13
  • Description: "Colette begs you for money but gives you nothing in return." "I know I owe you money and I will give it to you but I do not have any now. I spoke to you one day and you would not reply. If you would agree to love me for only one day I would take it as a whole month. Colette. There is nothing wrong with Stanleyville. We all know it is a perfect place." 'Rumba' dance with 1 guitar, bottle and friction stick.
  • Full Text: false
  • Date Issued: 1952

Jean Ndjela ku parquet (Jean Ndjela before the court)

Jean Ndjela kwa commissaire (Jean Ndjela before the magistrate)

  • Authors: Ombiza Charles , Hugh Tracey
  • Date: 1952
  • Subjects: Folk songs, Zande , Alur (African people) , Swahili-speaking peoples , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Stanleyville f-cg
  • Language: Zande/Vongara
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/168073 , vital:41538 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0124-9
  • Description: Jean Ndjela (a personal friend of Ombiza's) was a thief on a grand scale. When arrested for stealing goods to the value of 2 to 3 million francs, about 20,000 pounds, he implicated a number of other people to whom he had given stolen goods and when he appeared before the court he was followed, not only by them, but by ten porters bearing the stolen merchandise on their heads 'enough to stock another shop.' The singer concludes with the words "Jean Ndjela, I wish you courage and patience. I only hope you will not die in prison." Topical song, with guitar, bottle and friction stick.
  • Full Text: false
  • Date Issued: 1952

Masida Ngalima

  • Authors: Ombiza Charles , Hugh Tracey
  • Date: 1952
  • Subjects: Folk songs, Zande , Alur (African people) , Swahili-speaking peoples , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Stanleyville f-cg
  • Language: Zande/Vongara
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/168102 , vital:41541 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0124-11
  • Description: Masida Ngalima is the name of a woman. Like so many other African guitar players, Ombiza Charles appears to play the whole of his considerable reportoire in one key only. Most of his songs, like this one were about the well-dressed, perfumed beauties of the town, their charms and their msideeds. "The girls of today know how to dress" he sings. This claim is well justified as the girls of Stanleyville are, in our experience, perhaps the best dressed of all urban girls in the Congo. Topical song with guitar, bottle and friction stick.
  • Full Text: false
  • Date Issued: 1952

Ngolo alila

  • Authors: Saidi Kikongo and Wagenya fishermen , Hugh Tracey
  • Date: 1952
  • Subjects: Genya (African people) , Nande (Congolese (Democratic Republic) and Ugandan people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Stanleyville f-cg
  • Language: Nande
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/168621 , vital:41631 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0127-05
  • Description: The canoes of the Wagenya are large dugouts, often 60 feet in length and about 30 to 50 inches in width. They can hold as many as 70 to 100 paddlers on festive occasions and have been made famous of recent years by their appearance in films such as "Sanders of the River" and "Savage Splendour." The large slit drum was made out of a single log of wood measuring 25" across and 5 feet long. The slit was 4" to 4 and a half wide and 4 feet long. It was insulated from the ground by resting it on an old motor truck tyre which nowadays often replaces the less permanent bands of grass or other fibrous matter which are necessary if the wooden gong or slit drum is to be resound to full advantage. The gong should be supported like a xylophone note at the natural nodes, so as to prevent muffling the sound. The larger slit drum is called Mongungu. The smaller slit drum is called Mongungu Ngole. Other Genya drums wih membranes are called Lotongo Ngoma and Uke, but the wooden gongs or slit drums are the more numerous, being used not only for dancing but for sending messages as well. These items were copied from discs in the Reference Library section of the I.L.A.M. as the original tapes were not available. Consequently disc surface noise is apparent in some places. Paddling song with large slit drum, small slit drum, conical laced drum.
  • Full Text: false
  • Date Issued: 1952

Oto imayima deiye

  • Authors: Saidi Kikongo and Wagenya fishermen , Hugh Tracey
  • Date: 1952
  • Subjects: Genya (African people) , Nande (Congolese (Democratic Republic) and Ugandan people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Stanleyville f-cg
  • Language: Nande
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/168583 , vital:41627 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0127-03
  • Description: The Wagenya people live on the right bank of the river at the Stanley falls where the Lualaba river, turning westwards changes its name into "Congo" and runs smoothly for a thousand navigable miles. They are interbred with the Arabs who arrived in this district and set up a trade post about the same time as Stanley on his great east to west crossing of Africa in 1887-88. This song shows an interesting example of Genya counterpoint copied from a disc in the reference library this item like others on this L.P. suffers from the surface noise of the original disc. Paddling song with large slit drum, smaller slit drum and conical laced drum.
  • Full Text: false
  • Date Issued: 1952

Oya bouwe atye ingane laoto

  • Authors: Saidi Kikongo and Wagenya fishermen , Hugh Tracey
  • Date: 1952
  • Subjects: Genya (African people) , Nande (Congolese (Democratic Republic) and Ugandan people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Stanleyville f-cg
  • Language: Nande
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/168613 , vital:41630 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0127-04
  • Description: The canoes of the Wagenya are large dugouts, often 60 feet in length and about 30 to 50 inches in width. They can hold as many as 70 to 100 paddlers on festive occasions and have been made famous of recent years by their appearance in films such as "Sanders of the River" and "Savage Splendour." The large slit drum was made out of a single log of wood measuring 25" across and 5 feet long. The slit was 4" to 4 and a half wide and 4 feet long. It was insulated from the ground by resting it on an old motor truck tyre which nowadays often replaces the less permanent bands of grass or other fibrous matter which are necessary if the wooden gong or slit drum is to be resound to full advantage. The gong should be supported like a xylophone note at the natural nodes, so as to prevent muffling the sound. The larger slit drum is called Mongungu. The smaller slit drum is called Mongungu Ngole. Other Genya drums wih membranes are called Lotongo Ngoma and Uke, but the wooden gongs or slit drums are the more numerous, being used not only for dancing but for sending messages as well. These items were copied from discs in the Reference Library section of the I.L.A.M. as the original tapes were not available. Consequently disc surface noise is apparent in some places. Paddling song with large slit drum, small slit drum, conical laced drum.
  • Full Text: false
  • Date Issued: 1952

Safari ya Baraka

  • Authors: Ombiza Charles , Hugh Tracey
  • Date: 1952
  • Subjects: Folk songs, Zande , Alur (African people) , Swahili-speaking peoples , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Stanleyville f-cg
  • Language: Zande/Vongara
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/168064 , vital:41537 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0124-08
  • Description: "The successful journey when everything went right, my business affairs flourished, my friends were pleased to see me and I had no mishaps on the way and returned safely." In 1952 Ombiza Charles was one of the leading guitar players and singers in Stanleyville. They had copied the style of playing introduced from Angola through Leopoildvile and every tune they employed they called a 'rumba'. This professional group of performers was called Oroclos. 'Rumba' topical song, with guitar, bottle and friction stick.
  • Full Text: false
  • Date Issued: 1952

Stanleyville putulu

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