Temas en tendense in die poësie van Clinton v. du Plessis
- Authors: Milborrow, Selwyn
- Date: 2025-04
- Subjects: Afrikaans poetry -- 20th century , Afrikaans poetry -- 21st century , Afrikaans literature
- Language: Afrikaans
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/72377 , vital:79217
- Description: The aim of this study is to explore themes and trends in the poetry of Clinton V. du Plessis, with specific focus on selected texts. Du Plessis, a coloured Afrikaans poet, is known for his disapproval of the Afrikaans mainstream publishing industry, and his critical attitude towards the Afrikaans literary canon. This positioning serves as an essential starting point for understanding his work. His debut collection, Geloofsbelydenis van ’n kluisenaar, was published by Perskor in 1984. His self-publications include Flitse (2012), Rangeer (2013), Woorde roes in die water (2014), Verslag (2019), 60 op 60 (2022) and Kaartjies, asseblief (2024). Du Plessis states that a sense of estrangement set in after his debut with Perskor. He reveals to Pearce (2012) that he decided to publish his own work due to the maintenance of a “master narrative” by the Afrikaans literary establishment. He began to self-publish. Nowadays, he posts his poems on Facebook, a social media platform. This shift has gradually led to a movement away from his marginal status. In an interview with Janse Van Rensburg (2018), he confesses that an outsider status holds its own appeal for him, but that it will become increasingly difficult to maintain. Despite his status as a marginal figure, he has crossed the threshold of the canon four times. These paradoxes in Du Plessis’ career cannot be overlooked. While he deliberately adopted the role of a marginal figure, he has received increasing recognition for his poetry over the past decade, including awards, exposure to a broader readership on social media, as well as publications with mainstream publishers. This context creates a canvas on which the themes and trends in Du Plessis’ poetry will be explored. , Thesis (MA) -- Faculty of Humanities, School of Language, Media and Communication, 2025
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- Date Issued: 2025-04
- Authors: Milborrow, Selwyn
- Date: 2025-04
- Subjects: Afrikaans poetry -- 20th century , Afrikaans poetry -- 21st century , Afrikaans literature
- Language: Afrikaans
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/72377 , vital:79217
- Description: The aim of this study is to explore themes and trends in the poetry of Clinton V. du Plessis, with specific focus on selected texts. Du Plessis, a coloured Afrikaans poet, is known for his disapproval of the Afrikaans mainstream publishing industry, and his critical attitude towards the Afrikaans literary canon. This positioning serves as an essential starting point for understanding his work. His debut collection, Geloofsbelydenis van ’n kluisenaar, was published by Perskor in 1984. His self-publications include Flitse (2012), Rangeer (2013), Woorde roes in die water (2014), Verslag (2019), 60 op 60 (2022) and Kaartjies, asseblief (2024). Du Plessis states that a sense of estrangement set in after his debut with Perskor. He reveals to Pearce (2012) that he decided to publish his own work due to the maintenance of a “master narrative” by the Afrikaans literary establishment. He began to self-publish. Nowadays, he posts his poems on Facebook, a social media platform. This shift has gradually led to a movement away from his marginal status. In an interview with Janse Van Rensburg (2018), he confesses that an outsider status holds its own appeal for him, but that it will become increasingly difficult to maintain. Despite his status as a marginal figure, he has crossed the threshold of the canon four times. These paradoxes in Du Plessis’ career cannot be overlooked. While he deliberately adopted the role of a marginal figure, he has received increasing recognition for his poetry over the past decade, including awards, exposure to a broader readership on social media, as well as publications with mainstream publishers. This context creates a canvas on which the themes and trends in Du Plessis’ poetry will be explored. , Thesis (MA) -- Faculty of Humanities, School of Language, Media and Communication, 2025
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- Date Issued: 2025-04
Poppehysie
- Authors: Arendse, Ashwin Albert
- Date: 2021-04
- Subjects: Kaaps , Creative writing (Higher education) -- South Africa , Diaries -- Authorship , Afrikaans poetry -- 21st century , African literature -- History and criticism
- Language: Afrikaans
- Type: thesis , text , Masters , MA
- Identifier: http://hdl.handle.net/10962/178259 , vital:42925
- Description: My thesis, is geskryf in Swartlandse Kaaps, ’n streeksvariant van Kaaps. Die poems is free verses wat afspeel tien ie backdrop van Malmesbury en Stellenbosch se “Coloured areas” mette analysis van dialect en ideolect wat eie is annie mense wat ampe altyd feature innie stories wat ek vertel. Die thesis explore die liefde asse konsep. Dit kyk na hoe die desperate need vi absent liefde ’n toxic relationship feed tussen ’n jong couple ennie destructive impact van liefde oppe pesoon wie nooit geleer was hoe om lief te wies vi annes ie. Dan kyk ek oek na hoe die previous generations, dit van my ma en pa liefde reject et asse unaffordable excess inne community wat brutal en harsh is. Antonio Gramsci se konsep vannie organic intellectual, dien asse philosophical underpinning virrie thesis d.w.s die hoofkarakter dien asse orator virrie intellectual en cultural insights wattie everyman in sy community nie self kan express ie. Die organic intellectual express díe thoughts innie cultural taal van sy social class. Die thesis explore stories soes it vetel wôd dee mense soes my oupa en mense wattie altyd aware is dat hulle stories in hulle in hettie. In dai way val it tot some degree binne die terrain van oral traditions. Die thesis wil dip into die collective conscious vanne social group wat die worst aspects van liewe in Syd-Afrika experience et. Ek voel free verse is ie ideal form van expression vi my in regards tot die skryf van die thesis, omdat ek daamee die line successfully kan blur tussen ie ‘language of the people’ en my eie individual leaning toward poetic language en forms. In terms van style draw ek op vorige digbundels in Kaaps, most notably op Nathan Trantraal se baie controlled, free verse digbundel, ‘Alles het niet kom wôd,’en Ronelda S. Kamfer se technique van ‘oorvertel’, in haa digbundel ‘grond/Santekraam’. , Thesis (MA) -- Faculty of Humanities, School of Languages and Literatures, 2021
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- Date Issued: 2021-04
- Authors: Arendse, Ashwin Albert
- Date: 2021-04
- Subjects: Kaaps , Creative writing (Higher education) -- South Africa , Diaries -- Authorship , Afrikaans poetry -- 21st century , African literature -- History and criticism
- Language: Afrikaans
- Type: thesis , text , Masters , MA
- Identifier: http://hdl.handle.net/10962/178259 , vital:42925
- Description: My thesis, is geskryf in Swartlandse Kaaps, ’n streeksvariant van Kaaps. Die poems is free verses wat afspeel tien ie backdrop van Malmesbury en Stellenbosch se “Coloured areas” mette analysis van dialect en ideolect wat eie is annie mense wat ampe altyd feature innie stories wat ek vertel. Die thesis explore die liefde asse konsep. Dit kyk na hoe die desperate need vi absent liefde ’n toxic relationship feed tussen ’n jong couple ennie destructive impact van liefde oppe pesoon wie nooit geleer was hoe om lief te wies vi annes ie. Dan kyk ek oek na hoe die previous generations, dit van my ma en pa liefde reject et asse unaffordable excess inne community wat brutal en harsh is. Antonio Gramsci se konsep vannie organic intellectual, dien asse philosophical underpinning virrie thesis d.w.s die hoofkarakter dien asse orator virrie intellectual en cultural insights wattie everyman in sy community nie self kan express ie. Die organic intellectual express díe thoughts innie cultural taal van sy social class. Die thesis explore stories soes it vetel wôd dee mense soes my oupa en mense wattie altyd aware is dat hulle stories in hulle in hettie. In dai way val it tot some degree binne die terrain van oral traditions. Die thesis wil dip into die collective conscious vanne social group wat die worst aspects van liewe in Syd-Afrika experience et. Ek voel free verse is ie ideal form van expression vi my in regards tot die skryf van die thesis, omdat ek daamee die line successfully kan blur tussen ie ‘language of the people’ en my eie individual leaning toward poetic language en forms. In terms van style draw ek op vorige digbundels in Kaaps, most notably op Nathan Trantraal se baie controlled, free verse digbundel, ‘Alles het niet kom wôd,’en Ronelda S. Kamfer se technique van ‘oorvertel’, in haa digbundel ‘grond/Santekraam’. , Thesis (MA) -- Faculty of Humanities, School of Languages and Literatures, 2021
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- Date Issued: 2021-04
Chinatown
- Authors: Kamfer, Ronelda S.
- Date: 2020
- Subjects: Afrikaans poetry -- 21st century
- Language: Afrikaans
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/142375 , vital:38074
- Description: Creative work portfolio.
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- Date Issued: 2020
- Authors: Kamfer, Ronelda S.
- Date: 2020
- Subjects: Afrikaans poetry -- 21st century
- Language: Afrikaans
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/142375 , vital:38074
- Description: Creative work portfolio.
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- Date Issued: 2020
Disco
- Authors: Trantraal, Nathan
- Date: 2020
- Subjects: Kaaps , South African fiction (English) -- 21st century , South African poetry (English) -- 21st century , Afrikaans fiction -- 21st century , Afrikaans poetry -- 21st century
- Language: Afrikaans , English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/145217 , vital:38419
- Description: Creative writing portfolio.
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- Date Issued: 2020
- Authors: Trantraal, Nathan
- Date: 2020
- Subjects: Kaaps , South African fiction (English) -- 21st century , South African poetry (English) -- 21st century , Afrikaans fiction -- 21st century , Afrikaans poetry -- 21st century
- Language: Afrikaans , English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/145217 , vital:38419
- Description: Creative writing portfolio.
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- Date Issued: 2020
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