Framed African beadwork artefact
- Date: 2022 , 2022-10-11
- Subjects: Bam, Brigalia , Beadwork
- Language: English
- Type: realia
- Identifier: http://hdl.handle.net/10948/57165 , vital:57345
- Description: Framed African beadwork artefact. , Donated/gifted to Nelson Mandela University Archives , Forms part of: Brigalia Bam collection
- Full Text: false
- Date Issued: 2022
- Date: 2022 , 2022-10-11
- Subjects: Bam, Brigalia , Beadwork
- Language: English
- Type: realia
- Identifier: http://hdl.handle.net/10948/57165 , vital:57345
- Description: Framed African beadwork artefact. , Donated/gifted to Nelson Mandela University Archives , Forms part of: Brigalia Bam collection
- Full Text: false
- Date Issued: 2022
Project 1 - Student teachers' exploration of beadwork : cultural heritage as a resource for mathematical concepts
- Authors: Dabula, Nomonde Patience
- Date: 2001
- Subjects: Ethnomathematics , Beadwork -- South Africa -- Eastern Cape , Beadwork , Mathematics -- Study and teaching , Culture -- Study and teaching
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:1415 , http://hdl.handle.net/10962/d1003292
- Description: This portfolio consists of three research projects that predominantly lie within the socio-cultural strand. The first project is a qualitative ethnomathematical study that links students' knowledge of mathematics to their cultural heritage. The study was conducted with a group of final year student teachers at a College of Education in Umtata, Eastern Cape. These students visited a city museum where mathematics concepts were identified from beadwork artifacts. Mathematics concepts that were identified consisted of symmetry, tessellation and number patterns. Students' views about the nature of mathematics shifted radically after their own explorations. Initially students did not perceive mathematics as relating to socio-cultural practices. But now, they have reviewed their position and see mathematics as inextricably interwoven in everyday activities and as such, a product of all cultures. They also pride themselves of their own cultural heritage to have mathematical connections. A more positive attitude towards studying mathematics in this approach was noticed. Data was collected by means of interviews, reflective journal entries and photographs. The second project is a survey with a group of practising teachers who have already implemented Curriculum 2005, and a group which is about to implement it in 2001. The study sought teachers' understanding of connections between mathematics and socio-cultural issues. The new mathematics curriculum in South Africa calls for teachers to grapple well with these issues. About a third of the articulated specific outcomes specifically relate to socio-cultural issues. If teachers' understanding of these issues is poor, implementation of the new curriculum will remain a mere dream. The findings of the survey revealed that the majority of teachers could not identify the culture related specific outcomes in the new mathematics curriculum. Complicated language used in the OBE policy documents was found to inhibit meaning to these teachers. Although, all teachers showed a positive attitude towards the inclusion of socio-cultural issues in the mathematics classroom, the implementation of these outcomes was found to be very problematic. In this survey data was collected by means of questionnaires. The third project is a literature review on the need to popularise mathematics to students in particular, and to the broader public in general. The 21 st century places great technological demands. Mathematics underpins most thinking behind technological development. The role played by mathematics in advancing other fields is largely hidden to the majority of people. There is, therefore, a need to bring forth the vital role that mathematics plays in these fields. The number of students participating in mathematics is decreasing. Mathematics, as a field, is experiencing competition from other science fields. There is a need to bring some incentives to attract more students into this field and retain those mathematicians already involved. Also important, is the need to change the negative image that the public often holds about mathematics. Many people are mathematically illiterate and do not see mathematics as an everyday activity that relates to their needs. There is, therefore, a need to change the face of mathematics.
- Full Text:
- Date Issued: 2001
- Authors: Dabula, Nomonde Patience
- Date: 2001
- Subjects: Ethnomathematics , Beadwork -- South Africa -- Eastern Cape , Beadwork , Mathematics -- Study and teaching , Culture -- Study and teaching
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:1415 , http://hdl.handle.net/10962/d1003292
- Description: This portfolio consists of three research projects that predominantly lie within the socio-cultural strand. The first project is a qualitative ethnomathematical study that links students' knowledge of mathematics to their cultural heritage. The study was conducted with a group of final year student teachers at a College of Education in Umtata, Eastern Cape. These students visited a city museum where mathematics concepts were identified from beadwork artifacts. Mathematics concepts that were identified consisted of symmetry, tessellation and number patterns. Students' views about the nature of mathematics shifted radically after their own explorations. Initially students did not perceive mathematics as relating to socio-cultural practices. But now, they have reviewed their position and see mathematics as inextricably interwoven in everyday activities and as such, a product of all cultures. They also pride themselves of their own cultural heritage to have mathematical connections. A more positive attitude towards studying mathematics in this approach was noticed. Data was collected by means of interviews, reflective journal entries and photographs. The second project is a survey with a group of practising teachers who have already implemented Curriculum 2005, and a group which is about to implement it in 2001. The study sought teachers' understanding of connections between mathematics and socio-cultural issues. The new mathematics curriculum in South Africa calls for teachers to grapple well with these issues. About a third of the articulated specific outcomes specifically relate to socio-cultural issues. If teachers' understanding of these issues is poor, implementation of the new curriculum will remain a mere dream. The findings of the survey revealed that the majority of teachers could not identify the culture related specific outcomes in the new mathematics curriculum. Complicated language used in the OBE policy documents was found to inhibit meaning to these teachers. Although, all teachers showed a positive attitude towards the inclusion of socio-cultural issues in the mathematics classroom, the implementation of these outcomes was found to be very problematic. In this survey data was collected by means of questionnaires. The third project is a literature review on the need to popularise mathematics to students in particular, and to the broader public in general. The 21 st century places great technological demands. Mathematics underpins most thinking behind technological development. The role played by mathematics in advancing other fields is largely hidden to the majority of people. There is, therefore, a need to bring forth the vital role that mathematics plays in these fields. The number of students participating in mathematics is decreasing. Mathematics, as a field, is experiencing competition from other science fields. There is a need to bring some incentives to attract more students into this field and retain those mathematicians already involved. Also important, is the need to change the negative image that the public often holds about mathematics. Many people are mathematically illiterate and do not see mathematics as an everyday activity that relates to their needs. There is, therefore, a need to change the face of mathematics.
- Full Text:
- Date Issued: 2001
Ipasi lentloko
- Date: 1966-07-07 , 2024-10-22
- Subjects: Beadwork , Ipasi (Head-band) labaThembu
- Language: English
- Type: Personal adornment , personal adornment
- Identifier: http://hdl.handle.net/11260/11611 , vital:75989
- Description: This exquisitely crafted headband features an intricate design made from carefully woven bead strings, showcasing a stunning colour palette of white, navy, and pink. It is commonly embraced by young men as a fashionable and culturally significant accessory. Specifically, this headband holds cultural significance within the abaThembu subcultural group of the isiXhosa-speaking community. Beyond its ornamental value, it serves as a meaningful symbol, representing important life milestones and traditional rites of passage within this cultural context. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1966-07-07
- Date: 1966-07-07 , 2024-10-22
- Subjects: Beadwork , Ipasi (Head-band) labaThembu
- Language: English
- Type: Personal adornment , personal adornment
- Identifier: http://hdl.handle.net/11260/11611 , vital:75989
- Description: This exquisitely crafted headband features an intricate design made from carefully woven bead strings, showcasing a stunning colour palette of white, navy, and pink. It is commonly embraced by young men as a fashionable and culturally significant accessory. Specifically, this headband holds cultural significance within the abaThembu subcultural group of the isiXhosa-speaking community. Beyond its ornamental value, it serves as a meaningful symbol, representing important life milestones and traditional rites of passage within this cultural context. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1966-07-07
Ithumbu
- Date: 1966-07-01 , 2024-10-23
- Subjects: Beadwork , Ithumbu/ Ingqoaha (Wide collar Neckband) labaThembu
- Language: English
- Type: personal adornment
- Identifier: http://hdl.handle.net/11260/11756 , vital:76003
- Description: Ithumbu wide collar neckband is loosely woven and adorned with two bands of pink beads and one band of turquoise blue beads which is edged with navy beads. The entire artefact is edged in white "amaso" beads. This design is closely linked to abaThembu subcultural group of Tyhalarha village near Bumbane Administrative area, where the abaThembu Great House is situated. The neckband was specifically created for elderly men, as indicated by the dominance of pink beads, which are associated with old age among the abaThembu. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1966-07-01
- Date: 1966-07-01 , 2024-10-23
- Subjects: Beadwork , Ithumbu/ Ingqoaha (Wide collar Neckband) labaThembu
- Language: English
- Type: personal adornment
- Identifier: http://hdl.handle.net/11260/11756 , vital:76003
- Description: Ithumbu wide collar neckband is loosely woven and adorned with two bands of pink beads and one band of turquoise blue beads which is edged with navy beads. The entire artefact is edged in white "amaso" beads. This design is closely linked to abaThembu subcultural group of Tyhalarha village near Bumbane Administrative area, where the abaThembu Great House is situated. The neckband was specifically created for elderly men, as indicated by the dominance of pink beads, which are associated with old age among the abaThembu. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1966-07-01
Ikhubalo lomdlezana
- Date: 1966-04-12 , 2024-10-30
- Subjects: Beadwork , Ikhubalo lomdlezana, a charm-necklace for Nursing mother of AbaThembu
- Language: English
- Type: Personal adornment
- Identifier: http://hdl.handle.net/11260/13012 , vital:76189
- Description: Nursing mothers adorn themselves with a striking necklace crafted from large segments of the sangria root, celebrated for its enchanting qualities. This vivid jewellery not only serves as a beautiful accessory but also carries deep cultural significance. The root is believed to possess magical properties, and small pieces are often chewed and gently rubbed onto the infant to offer protection and blessings. This tradition is particularly cherished in the Mazzepa Bay area of the Centani district, where the connection between mother and child is symbolized through the powerful charm of the sangria root. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1966-04-12
- Date: 1966-04-12 , 2024-10-30
- Subjects: Beadwork , Ikhubalo lomdlezana, a charm-necklace for Nursing mother of AbaThembu
- Language: English
- Type: Personal adornment
- Identifier: http://hdl.handle.net/11260/13012 , vital:76189
- Description: Nursing mothers adorn themselves with a striking necklace crafted from large segments of the sangria root, celebrated for its enchanting qualities. This vivid jewellery not only serves as a beautiful accessory but also carries deep cultural significance. The root is believed to possess magical properties, and small pieces are often chewed and gently rubbed onto the infant to offer protection and blessings. This tradition is particularly cherished in the Mazzepa Bay area of the Centani district, where the connection between mother and child is symbolized through the powerful charm of the sangria root. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1966-04-12
Isidlokolo seGqirha
- Date: 1965-10-10 , 2024-10-23
- Subjects: Beadwork , Isidlokolo (Headgear) samaGqirha
- Language: English
- Type: Personal adornment , personal adornment
- Identifier: http://hdl.handle.net/11260/11631 , vital:75991
- Description: The headgear of a Diviner is a traditional piece crafted from wildcat skin and soft cotton. It features a fringed base adorned with a white beaded flat tab, embellished with a modern geometric design in navy, red, and yellow. White beaded streamers cover the wearer's forehead, while two chin straps, also adorned with white beads, complete the piece. The back of the headgear is overlaid with a red diagonal design strip and four long white beaded streamers. This headgear is traditionally worn by male and female traditional doctors who have completed their training. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1965-10-10
- Date: 1965-10-10 , 2024-10-23
- Subjects: Beadwork , Isidlokolo (Headgear) samaGqirha
- Language: English
- Type: Personal adornment , personal adornment
- Identifier: http://hdl.handle.net/11260/11631 , vital:75991
- Description: The headgear of a Diviner is a traditional piece crafted from wildcat skin and soft cotton. It features a fringed base adorned with a white beaded flat tab, embellished with a modern geometric design in navy, red, and yellow. White beaded streamers cover the wearer's forehead, while two chin straps, also adorned with white beads, complete the piece. The back of the headgear is overlaid with a red diagonal design strip and four long white beaded streamers. This headgear is traditionally worn by male and female traditional doctors who have completed their training. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1965-10-10
Imiqhoboka yomqala
- Date: 1965-07-12 , 2024-10-30
- Subjects: Beadwork , Imiqhoboka neckband used by teenagers of AbaThembu
- Language: English
- Type: Personal adornment
- Identifier: http://hdl.handle.net/11260/12621 , vital:76133
- Description: A stunning necklace comprised of five elegant tubes in alternating colours of deep navy and crisp white, vibrant green and soft white, as well as lively orange alongside pure white. The piece is adorned with exquisite pearls in shades of ocean blue and soft pink, which beautifully contrast against cheerful yellow beads and delicate white ones. This eye-catching jewellery is a popular choice among teenagers, especially when attending the lively umtshotsho dance, where it adds a touch of flair and individuality to their vibrant attire. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1965-07-12
- Date: 1965-07-12 , 2024-10-30
- Subjects: Beadwork , Imiqhoboka neckband used by teenagers of AbaThembu
- Language: English
- Type: Personal adornment
- Identifier: http://hdl.handle.net/11260/12621 , vital:76133
- Description: A stunning necklace comprised of five elegant tubes in alternating colours of deep navy and crisp white, vibrant green and soft white, as well as lively orange alongside pure white. The piece is adorned with exquisite pearls in shades of ocean blue and soft pink, which beautifully contrast against cheerful yellow beads and delicate white ones. This eye-catching jewellery is a popular choice among teenagers, especially when attending the lively umtshotsho dance, where it adds a touch of flair and individuality to their vibrant attire. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1965-07-12
Ithumbu
- Date: 1965-05-12 , 2023-09-01
- Subjects: Beadwork , Personal adornment
- Language: English
- Type: personal adornment
- Identifier: http://hdl.handle.net/11260/9012 , vital:71952
- Description: The wide collar neckband, with its intricate beadwork featuring bands of navy, turquoise, white, and black lines, is a striking example of traditional isiXhosa beadwork. Adorned with nine pearl buttons arranged in a vertical line design and edged with cotton, this collar neckband showcases exceptional craftsmanship and attention to detail. The use of navy, turquoise, white, and black colours in the beadwork likely carries symbolic significance within isiXhosa culture, possibly representing elements of nature, spirituality, or cultural identity. The incorporation of pearl buttons adds an element of elegance and luxury to the piece, while the ornate fringe consisting of round white pearls enhances its visual appeal. Specifically worn by married men of the abaThembu cultural group, this collar neckband is a marker of marital status and cultural identity within the community. The neckband offers valuable insights into the intricate techniques and symbolic meanings embedded within traditional beadwork, shedding light on the richness and diversity of African cultural expressions. , 11x35x70cm , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1965-05-12
- Date: 1965-05-12 , 2023-09-01
- Subjects: Beadwork , Personal adornment
- Language: English
- Type: personal adornment
- Identifier: http://hdl.handle.net/11260/9012 , vital:71952
- Description: The wide collar neckband, with its intricate beadwork featuring bands of navy, turquoise, white, and black lines, is a striking example of traditional isiXhosa beadwork. Adorned with nine pearl buttons arranged in a vertical line design and edged with cotton, this collar neckband showcases exceptional craftsmanship and attention to detail. The use of navy, turquoise, white, and black colours in the beadwork likely carries symbolic significance within isiXhosa culture, possibly representing elements of nature, spirituality, or cultural identity. The incorporation of pearl buttons adds an element of elegance and luxury to the piece, while the ornate fringe consisting of round white pearls enhances its visual appeal. Specifically worn by married men of the abaThembu cultural group, this collar neckband is a marker of marital status and cultural identity within the community. The neckband offers valuable insights into the intricate techniques and symbolic meanings embedded within traditional beadwork, shedding light on the richness and diversity of African cultural expressions. , 11x35x70cm , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1965-05-12
Isidanga
- Date: 1964-03-13 , 2024-10-21
- Subjects: Beadwork , Isidanga Necklace for married men of isiXhosa-speaking communities
- Language: English
- Type: personal adornment
- Identifier: http://hdl.handle.net/11260/11207 , vital:75932
- Description: The intricate necklace consists of 24 strands of delicate light turquoise beads held in place by black beads. Traditionally, it is worn as a shoulder strap by married men from isiXhosa-speaking subcultural groups like abaThembu, amaGcaleka, and amaMpondomise. It's worth noting that the amaMpondo cultural group does not traditionally incorporate this style of necklace. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1964-03-13
- Date: 1964-03-13 , 2024-10-21
- Subjects: Beadwork , Isidanga Necklace for married men of isiXhosa-speaking communities
- Language: English
- Type: personal adornment
- Identifier: http://hdl.handle.net/11260/11207 , vital:75932
- Description: The intricate necklace consists of 24 strands of delicate light turquoise beads held in place by black beads. Traditionally, it is worn as a shoulder strap by married men from isiXhosa-speaking subcultural groups like abaThembu, amaGcaleka, and amaMpondomise. It's worth noting that the amaMpondo cultural group does not traditionally incorporate this style of necklace. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1964-03-13
Ithumbu
- Date: 1964-03-13 , 2024-10-23
- Subjects: Beadwork , Ithumbu Wide-collar neckband lakwaBomvana
- Language: English
- Type: Personal adornment
- Identifier: http://hdl.handle.net/11260/11803 , vital:76007
- Description: A narrow circular beaded flat tab neckband in white, green, navy, and orange is worn around the neck by Bomvana young and adult women. It includes two bands of vibrant pink and one in captivating turquoise blue; each delicately edged in white 'amaso' beads. Among isiXhosa-speaking cultural groups, this wide-collar neckband is revered as a symbol of heritage and identity. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1964-03-13
- Date: 1964-03-13 , 2024-10-23
- Subjects: Beadwork , Ithumbu Wide-collar neckband lakwaBomvana
- Language: English
- Type: Personal adornment
- Identifier: http://hdl.handle.net/11260/11803 , vital:76007
- Description: A narrow circular beaded flat tab neckband in white, green, navy, and orange is worn around the neck by Bomvana young and adult women. It includes two bands of vibrant pink and one in captivating turquoise blue; each delicately edged in white 'amaso' beads. Among isiXhosa-speaking cultural groups, this wide-collar neckband is revered as a symbol of heritage and identity. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1964-03-13
Ithumbu labantu abadala
- Date: 1964-03-13 , 2023-09-01
- Subjects: Beadwork , Wide-collar Neckband
- Language: English
- Type: personal adornment
- Identifier: http://hdl.handle.net/11260/9061 , vital:72246
- Description: The bead collar necklace, steeped in tradition and cultural significance, showcases a mesmerising blend of colors and patterns that captivate the eye and soul alike. Crafted in the classic design of bands featuring turquoise, navy, pink, and white, each bead meticulously placed to create a harmonious tapestry of hues. The subtle elegance of black pearls and white beads adorning the edges adds a touch of refinement to this timeless piece. Notably, the inclusion of pink signifies a passage into maturity, denoting the wearer's status within the older age group. Embraced by both adult males and females, this necklace transcends gender boundaries, serving as a unifying symbol of shared heritage and identity. As it graces the necks of its wearers, it becomes a tangible expression of cultural pride and unity, weaving together threads of tradition and belonging that resonate across generations. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1964-03-13
- Date: 1964-03-13 , 2023-09-01
- Subjects: Beadwork , Wide-collar Neckband
- Language: English
- Type: personal adornment
- Identifier: http://hdl.handle.net/11260/9061 , vital:72246
- Description: The bead collar necklace, steeped in tradition and cultural significance, showcases a mesmerising blend of colors and patterns that captivate the eye and soul alike. Crafted in the classic design of bands featuring turquoise, navy, pink, and white, each bead meticulously placed to create a harmonious tapestry of hues. The subtle elegance of black pearls and white beads adorning the edges adds a touch of refinement to this timeless piece. Notably, the inclusion of pink signifies a passage into maturity, denoting the wearer's status within the older age group. Embraced by both adult males and females, this necklace transcends gender boundaries, serving as a unifying symbol of shared heritage and identity. As it graces the necks of its wearers, it becomes a tangible expression of cultural pride and unity, weaving together threads of tradition and belonging that resonate across generations. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1964-03-13
Ithumbu labantu abadala
- Date: 1964-03-13 , 2023-09-01
- Subjects: Beadwork , Ithumbu Wide-collar Neckband for elders of both genders within AbaThembu, AmaGcaleka and AmaMpondomise
- Language: English
- Type: Personal adornment
- Identifier: http://hdl.handle.net/11260/11833 , vital:76010
- Description: The bead collar necklace represents tradition and culture, blending vibrant colours and intricate patterns that enchant the observer's eyes and spirit alike. It is meticulously crafted with bands of turquoise, navy, pink, and white beads, each thoughtfully placed to create a seamless tapestry of hues. Adding black pearls and white beads along the edges adds a touch of sophistication to this timeless piece. The presence of pink in the design symbolises a transition into maturity, signifying the wearer's status within the older age group. Embraced by men and women, this necklace transcends gender distinctions, serving as a unifying emblem of shared heritage and identity. As it adorns the necks of its wearers, it becomes a tangible expression of cultural pride and unity, interweaving threads of tradition and belonging that resonate across generations. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1964-03-13
- Date: 1964-03-13 , 2023-09-01
- Subjects: Beadwork , Ithumbu Wide-collar Neckband for elders of both genders within AbaThembu, AmaGcaleka and AmaMpondomise
- Language: English
- Type: Personal adornment
- Identifier: http://hdl.handle.net/11260/11833 , vital:76010
- Description: The bead collar necklace represents tradition and culture, blending vibrant colours and intricate patterns that enchant the observer's eyes and spirit alike. It is meticulously crafted with bands of turquoise, navy, pink, and white beads, each thoughtfully placed to create a seamless tapestry of hues. Adding black pearls and white beads along the edges adds a touch of sophistication to this timeless piece. The presence of pink in the design symbolises a transition into maturity, signifying the wearer's status within the older age group. Embraced by men and women, this necklace transcends gender distinctions, serving as a unifying emblem of shared heritage and identity. As it adorns the necks of its wearers, it becomes a tangible expression of cultural pride and unity, interweaving threads of tradition and belonging that resonate across generations. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1964-03-13
Ithumbu laseRhode
- Date: 1964-03-13 , 2024-10-23
- Subjects: Beadwork , Ithumbu Wide-collar Neckband of western Thembuland near Lesotho
- Language: English
- Type: Personal adornment
- Identifier: http://hdl.handle.net/11260/11780 , vital:76005
- Description: Originating from the beautiful western Thembuland region near Lesotho, this intricate bead necklace resembles the sinuous form of intestines, capturing attention with its unique allure. It features a predominant hue of mesmerising turquoise blue, lending it an enchanting aura. The colours and design of this necklace hold a distinct narrative, introduced to the region by traditional doctors who adorned themselves with these foreign embellishments. Each bead carries a story of cultural exchange and reverence, embodying the rich tapestry of traditions woven throughout the land. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1964-03-13
- Date: 1964-03-13 , 2024-10-23
- Subjects: Beadwork , Ithumbu Wide-collar Neckband of western Thembuland near Lesotho
- Language: English
- Type: Personal adornment
- Identifier: http://hdl.handle.net/11260/11780 , vital:76005
- Description: Originating from the beautiful western Thembuland region near Lesotho, this intricate bead necklace resembles the sinuous form of intestines, capturing attention with its unique allure. It features a predominant hue of mesmerising turquoise blue, lending it an enchanting aura. The colours and design of this necklace hold a distinct narrative, introduced to the region by traditional doctors who adorned themselves with these foreign embellishments. Each bead carries a story of cultural exchange and reverence, embodying the rich tapestry of traditions woven throughout the land. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1964-03-13
Ithumbu leGqirhakazi
- Date: 1964-03-13 , 2024-10-23
- Subjects: Beadwork , Wide-collar Neckband
- Language: English
- Type: Personal adornment
- Identifier: http://hdl.handle.net/11260/11792 , vital:76006
- Description: The intricately designed exquisite white bead collar necklace showcases an open-work design that captures attention with its elegant simplicity. This timeless piece holds a revered place within tradition, symbolising the sacred essence of priesthood. Worn by those entrusted with spiritual duties, it represents their connection to the divine and their dedication to guiding and serving their community. Each delicate bead woven into its pattern carries the weight of past generations, embodying the wisdom and solemnity of their sacred calling. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1964-03-13
- Date: 1964-03-13 , 2024-10-23
- Subjects: Beadwork , Wide-collar Neckband
- Language: English
- Type: Personal adornment
- Identifier: http://hdl.handle.net/11260/11792 , vital:76006
- Description: The intricately designed exquisite white bead collar necklace showcases an open-work design that captures attention with its elegant simplicity. This timeless piece holds a revered place within tradition, symbolising the sacred essence of priesthood. Worn by those entrusted with spiritual duties, it represents their connection to the divine and their dedication to guiding and serving their community. Each delicate bead woven into its pattern carries the weight of past generations, embodying the wisdom and solemnity of their sacred calling. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1964-03-13
Ithumbu
- Date: 1963-09-12 , 2024-10-23
- Subjects: Beadwork , Ithumbu Wide-collar Neck-band for the young men of AbaThembu, AmaGcaleka and AmaMpondomise
- Language: English
- Type: Personal adornment , personal adornment
- Identifier: http://hdl.handle.net/11260/11767 , vital:76004
- Description: Ithumbu is a unique neckband traditionally worn by young men in isiXhosa-speaking communities. This wide collar neckband, measuring approximately six inches in width, is meticulously crafted with horizontal bands adorned with beads in navy, white, red, and turquoise blue, each edged with black amaso beads. The design of Ithumbu not only reflects the cultural values and aesthetic preferences of isiXhosa-speaking groups but also symbolises the wearer's social identity and status within the community. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1963-09-12
- Date: 1963-09-12 , 2024-10-23
- Subjects: Beadwork , Ithumbu Wide-collar Neck-band for the young men of AbaThembu, AmaGcaleka and AmaMpondomise
- Language: English
- Type: Personal adornment , personal adornment
- Identifier: http://hdl.handle.net/11260/11767 , vital:76004
- Description: Ithumbu is a unique neckband traditionally worn by young men in isiXhosa-speaking communities. This wide collar neckband, measuring approximately six inches in width, is meticulously crafted with horizontal bands adorned with beads in navy, white, red, and turquoise blue, each edged with black amaso beads. The design of Ithumbu not only reflects the cultural values and aesthetic preferences of isiXhosa-speaking groups but also symbolises the wearer's social identity and status within the community. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1963-09-12
Ilenti yomqala
- Date: 1962-05-05 , 2024-10-28
- Subjects: Beadwork , Ilenti yomqala Neck-band used by young women of AbaThembu
- Language: English
- Type: Personal adornment
- Identifier: http://hdl.handle.net/11260/12103 , vital:76053
- Description: This exquisite necklace features a white cloth neckband adorned with delicate narrow strips of black material, interspersed with intricate flat bead strips. The design is elegantly finished with fringes made of textured black braid, adding a touch of sophistication. The focal point of the necklace is the vibrant combination of iimpukane beads in a flat strip layout, showcasing a striking palette of predominantly blue, white, and red hues. This design captures the essence of youthful elegance, making it a captivating accessory for any young woman. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1962-05-05
- Date: 1962-05-05 , 2024-10-28
- Subjects: Beadwork , Ilenti yomqala Neck-band used by young women of AbaThembu
- Language: English
- Type: Personal adornment
- Identifier: http://hdl.handle.net/11260/12103 , vital:76053
- Description: This exquisite necklace features a white cloth neckband adorned with delicate narrow strips of black material, interspersed with intricate flat bead strips. The design is elegantly finished with fringes made of textured black braid, adding a touch of sophistication. The focal point of the necklace is the vibrant combination of iimpukane beads in a flat strip layout, showcasing a striking palette of predominantly blue, white, and red hues. This design captures the essence of youthful elegance, making it a captivating accessory for any young woman. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1962-05-05
Ungcenge wabaThembu
- Date: 1960-10-09 , 2024-10-22
- Subjects: Beadwork , Ungcenge Necklace for middle-aged men and women of abaThembu
- Language: English
- Type: personal adornment
- Identifier: http://hdl.handle.net/11260/11469 , vital:75976
- Description: A traditional Thembu necklace typically consists of a vibrant red beaded string that fastens at the back and holds together 23 overlapping circular strings of beads. These beads are arranged in white, turquoise, navy, and red patterns, creating a visually striking and culturally significant piece of jewellery. This type of necklace is commonly worn by middle-aged men and women belonging to abaThembu subcultural group within the isiXhosa-speaking community. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1960-10-09
- Date: 1960-10-09 , 2024-10-22
- Subjects: Beadwork , Ungcenge Necklace for middle-aged men and women of abaThembu
- Language: English
- Type: personal adornment
- Identifier: http://hdl.handle.net/11260/11469 , vital:75976
- Description: A traditional Thembu necklace typically consists of a vibrant red beaded string that fastens at the back and holds together 23 overlapping circular strings of beads. These beads are arranged in white, turquoise, navy, and red patterns, creating a visually striking and culturally significant piece of jewellery. This type of necklace is commonly worn by middle-aged men and women belonging to abaThembu subcultural group within the isiXhosa-speaking community. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1960-10-09
Ipasi lentloko
- Date: 1960-07-07 , 2023-09-01
- Subjects: Beadwork , Head-band
- Language: English
- Type: realia , personal adornment
- Identifier: http://hdl.handle.net/11260/8438 , vital:67944
- Description: A head-band a flat white bead strip edged in red and decorated in stars design with two pearl buttons at the back, worn by young man, It is part of Walter Sisulu University Beadwork Collection that was acquired from Mrs Broster in 1992,used by married man of abaThembu cultural group. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1960-07-07
- Date: 1960-07-07 , 2023-09-01
- Subjects: Beadwork , Head-band
- Language: English
- Type: realia , personal adornment
- Identifier: http://hdl.handle.net/11260/8438 , vital:67944
- Description: A head-band a flat white bead strip edged in red and decorated in stars design with two pearl buttons at the back, worn by young man, It is part of Walter Sisulu University Beadwork Collection that was acquired from Mrs Broster in 1992,used by married man of abaThembu cultural group. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1960-07-07
Isidla segqwalashu
- Date: 1960-02-13 , 2023-09-01
- Subjects: Beadwork , Penis shealth of an old man
- Language: English
- Type: Personal adornment
- Identifier: http://hdl.handle.net/11260/11863 , vital:76013
- Description: A traditional ceremonial garment worn by young men, the penis sheath is crafted from the skin of a wild cat and adorned with flowing grey fur streamers. This unique attire holds deep cultural significance, symbolising the transition from adolescence to adulthood. Worn with pride by young men, the process of creating the sheath involves hunting the wild cat and crafting the garment as part of a rite of passage. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1960-02-13
- Date: 1960-02-13 , 2023-09-01
- Subjects: Beadwork , Penis shealth of an old man
- Language: English
- Type: Personal adornment
- Identifier: http://hdl.handle.net/11260/11863 , vital:76013
- Description: A traditional ceremonial garment worn by young men, the penis sheath is crafted from the skin of a wild cat and adorned with flowing grey fur streamers. This unique attire holds deep cultural significance, symbolising the transition from adolescence to adulthood. Worn with pride by young men, the process of creating the sheath involves hunting the wild cat and crafting the garment as part of a rite of passage. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1960-02-13
Isidla sendodendala
- Date: 1960-02-13 , 2023-09-01
- Subjects: Beadwork , Penis shealth of an old man
- Language: English
- Type: Personal adornment
- Identifier: http://hdl.handle.net/11260/11906 , vital:76017
- Description: The penis sheath worn by older men is a remarkable piece of traditional attire. This simple yet significant garment is crafted from tanned sheepskin and extends into a short streamer. Its plain leather material reflects the wisdom and dignity of its wearer. This traditional attire, with its lack of elaborate adornments, symbolises the enduring connection between generations and serves as a reminder of the passage of time, embodying cultural tradition and heritage. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1960-02-13
- Date: 1960-02-13 , 2023-09-01
- Subjects: Beadwork , Penis shealth of an old man
- Language: English
- Type: Personal adornment
- Identifier: http://hdl.handle.net/11260/11906 , vital:76017
- Description: The penis sheath worn by older men is a remarkable piece of traditional attire. This simple yet significant garment is crafted from tanned sheepskin and extends into a short streamer. Its plain leather material reflects the wisdom and dignity of its wearer. This traditional attire, with its lack of elaborate adornments, symbolises the enduring connection between generations and serves as a reminder of the passage of time, embodying cultural tradition and heritage. , Purchased from Mrs Joan Broster , Forms part of: Walter Sisulu University Beadwork Collection
- Full Text: false
- Date Issued: 1960-02-13