The representation of women in Njabulo Ndebele’s The Cry of Winnie Mandela and Lauretta Ngcobo’s And They Didn’t Die: an African Feminist Perspective
- Authors: Mavuma, Nonkululo Liyasakha
- Date: 2021-03
- Subjects: Feminism , Literature--Women authors
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10353/22379 , vital:52033
- Description: This study seeks to interrogate the presentation of women in selected South African texts written by a male and female South African author, whose central thematic thrust is the role of women in their day-to-day struggles during the apartheid era. An in-depth analysis of the texts enables this dissertation to provide a comparative study of the representation of women in both texts. The study also examines the kinds of fictional representations that are found in the texts and their significance in the emancipation journey of women from the supremacy of apartheid and customary laws. This study is informed by African feminism, focusing on the stance of Obioma Nnaemeka and Molara Ogundipe-Leslie. African feminism is chosen as a framework for exploring the texts because it is a theory shaped by the resistance of African women against Western rule. The theory embraces debates about motherhood and the contestation about the roles of motherhood in a society. The theory ponders how motherhood is a source of empowerment, liberation and achievement in African societies. The theory affirms that women should equip themselves for effective resistance and participation in societal transformation. These two theorists are relevant because they are both committed to a critical investigation that seeks to differentiate present social conditions and their historical development. Their research examines the conceptualization of frameworks aimed at a social and cultural change grounded on the local and everyday experiences of women. The first chapter provides a broad overview of the study. This chapter highlights the significance of the study in terms of what it can contribute to scholarship on the representation of women in South African texts that reflect on the apartheid era, by analysing them through the lens of African feminism. The second chapter provides context to the critical reception of both novels, which outlines the focus of the research. This chapter also provides the theoretical framework, which provides an overview of the relevant theory on African Feminism that informs the study and highlights Nnaemeka and Ogundipe-Leslie’s concepts of ‘Nego-Feminism’ and ‘Stiwanism’. The third chapter focuses on analysing the portrayal of women in the texts, examining their interactions with one another, with men, and the subjugation they endure because of living in a patriarchal society. The fourth chapter provides a comparative study of the texts. Finally, the last chapter provides a conclusion, analysing the research findings. The study thus brings to the fore the similarities and differences in the representation of women in South African texts that were written in different decades by a male and female writer, that are nevertheless highlighting the same issues. Secondly, in exploring how women in the texts challenge the status quo, this research will hopefully expose how women are not constantly compliant and embracing marginalization as some texts present them but can be seen as having emancipative agency. The study, in particular, provides an analysis of the representation of women in the two novels, specifically, intending to compare and contrast the modalities of their representation in these works. , Thesis (MA) -- Faculty of Social Sciences and Humanities, 2021
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- Date Issued: 2021-03
Investigating the feminist significance of Lars von Trier's representation of women in his Golden Heart Trilogy (1996/1998/2000) and Antichrist (2009)
- Authors: Evans, Melissa Albie
- Date: 2012
- Subjects: Motion picture producers and directors , Feminism , Anti-feminism , Second-wave feminism , Trier, Lars von, 1956-
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:8409 , http://hdl.handle.net/10948/d1011634 , Motion picture producers and directors , Feminism , Anti-feminism , Second-wave feminism , Trier, Lars von, 1956-
- Description: Despite critics‟ negative appraisal of Lars Von Trier's Antichrist (2009) for its ostensible misogyny, a deep thematic resonance exists between its representation of women as historical victims of patriarchal discourse, and the positive representations of women as Christ-like figures found in his Golden Heart Trilogy (1996/1998/2000). Arguably, it is important to recognize this, because these films together comprise an exercise in cinematic resistance to the narratives of the „backlash‟ against women's rights, thematized by Susan Faludi in her Backlash: The Undeclared War Against American Women; resistance which is undermined when these films are considered disparate or incongruous.
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- Date Issued: 2012
An investigation of the continued relevance of Faludi's Backlash (1992) for the negotiation of gender identity, in the wake of the "Lara Croft" phenomenon
- Authors: Van Antwerpen, Lee-Anne
- Date: 2010
- Subjects: Gender identity in mass media , Feminism , Feminism -- Public opinion , Women -- Social conditions , Women -- Psychology
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:8390 , http://hdl.handle.net/10948/1129 , Gender identity in mass media , Feminism , Feminism -- Public opinion , Women -- Social conditions , Women -- Psychology
- Description: In the 1990s, Susan Faludi’s Backlash: The Undeclared War Against Women (1992) was arguably of signal importance in the thematization of the limits imposed by the media on the negotiation of gender identity. However, the utilization of Faludi’s various analyses, in the interest of rendering social critique, has become progressively more problematic during the first decade of the 21st century. This is because her analyses engage neither with the development of media technologies subsequent to the early 1990s, nor with the way in which such technological developments now engage audiences on a greater multiplicity of levels than before, in a manner that consequently stands to inform their subjectivity to a degree hitherto unimagined. (A good example of the latter would, of course, be the proliferation of interactive exchanges on the World Wide Web). As such, in the light of such technological developments, this treatise is orientated around an investigation of the continued relevance of Faludi’s Backlash (1992) for the negotiation of gender identity in the contemporary era. In particular, its focus falls on West’s film Lara Croft: Tomb Raider (2001), which is considered against the backdrop of the Lara Croft: Tomb Raider phenomenon, which encompasses sequels to the film, online interactive sites, graphic novels, figurines, and video games, among other products. This investigation draws on the reception theory of, on the one hand, Adorno and Horkheimer, and, on the other hand, Stuart Hall.
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- Date Issued: 2010
An exploration of female physicality and psyche and how these inform art-making
- Authors: Poole, Tanya Katherine
- Date: 2000
- Subjects: Women artists , Women artists -- Psychology , Rego, Paula -- Interviews , Feminism , Women -- Sexual behavior , Sherman, Cindy , Saville, Jenny, 1970-
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2419 , http://hdl.handle.net/10962/d1002215 , Women artists , Women artists -- Psychology , Rego, Paula -- Interviews , Feminism , Women -- Sexual behavior , Sherman, Cindy , Saville, Jenny, 1970-
- Description: This thesis proposes that female physicality informs the psyche and thus in turn, art-making. My argument will be shown to be apposite and informative to the discussion of the work of Paula Rego, Jenny Saville and Cindy Sherman. Furthermore such an understanding is helpful to a reading of my practice. In examining issues of identity, which contribute to the formulation of a distinctly female psyche, I will base my critique on the philosophical positions of Sartre, de Beauvoir and Paglia.
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- Date Issued: 2000
Women's understandings and experiences of empowerment in an organisation: a qualitative feminist approach
- Authors: Jamieson, Sally Anne
- Date: 1999
- Subjects: Employee empowerment , Women -- Employment -- Social aspects , Feminism , Psychology, Industrial
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2997 , http://hdl.handle.net/10962/d1002506 , Employee empowerment , Women -- Employment -- Social aspects , Feminism , Psychology, Industrial
- Description: This study explores women's understandings and experiences of empowerment so that they could empower themselves by using their own knowledge to see through factors that serve to disempower them. At a time when empowerment and its future is under intense discussion in South Africa, it seems wise to move away from quantitative studies which do not facilitate the development of comprehensive theory in industrial psychology. This study provides a qualitative feminist analysis of women's understandings and experiences of empowerment in an organisation. Written protocols, interviews and a workshop were used as data collection tools and seven women from one organisation participated in the study. The research revealed that women understand and experience empowerment in a number of ways. These understandings and experiences are affected by various factors: organisational factors; personal characteristics and abilities; their relationship with others at work and at home; and societal factors such as double standards for men and women and role expectations. The breadth and scope of the results imply that any attempt to empower women should include relational, motivational and feminist perspectives on power and empowerment. In addition, the results indicate that providing a space in which the women could explore the network of disempowering practices in their lives, was empowering for the women. Through the process of the research, the participants' understandings of empowerment evolved from viewing empowerment as something that is predominantly external (for example, influenced by others and organisational factors) to something that is internal (for example, influenced by motivational factors). This study cautions against seeing empowerment as something that is solely internal because by doing so women are placing the responsibility of empowerment upon themselves thus setting themselves up for failure. However, through the process of seeing empowerment as internal, the women were able to move towards a feminist understanding of empowerment in which not only is empowerment external ("out there") or internal ("within") but includes acknowledging one's own responsibility in empowerment as well as external societal factors that serve to hamper women.
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- Date Issued: 1999