Showing items 1481 - 1500 of 1651

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Nsiriba ya munange katego

- Entenga, Royal drummers, Hugh Tracey

  • Authors: Entenga, Royal drummers , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
  • Language: Ganda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/170728 , vital:41954 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-15
  • Description: The story behind this tune is about a certain 'Saza' chief named Kangawo who wore as a charm a headband. He would wear it all day and at night hang it up on the wall of his hut. One night the headband was stolen and he soon died without his protective charm. Six drummers play these 15 drums. Four the main set of 12 drums, and two others the three bass drums. The melody of the tune is well brought out both at the beginning and the end of the performance. Drum tunes. Set of 15 Entenga tuned conical drums, laced, closed, single.
  • Full Text: false
  • Date Issued: 1950

Ntajemerwa

- Kihuka and Ntajemerwa (Royal drummers), Hugh Tracey

  • Authors: Kihuka and Ntajemerwa (Royal drummers) , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
  • Language: Nyoro
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169760 , vital:41820 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-01
  • Description: This set of drums is played when there is a special ceremonial gathering such as the opening of the Bunyoro Council, or on the first day of the new moon. It may also be played at other times. The royal Hima houses of Uganda are all drum minded, with special drums exclusively associated with royalty and royal occasions. Drum rhythm, with four conical drums, laced, closed, played with sticks, and two long stemmed Goblet drums, open, pinned, footed.
  • Full Text: false
  • Date Issued: 1950

Nthambi wa Mutwana

- Muili wa Kwinga with Kamba women, Hugh Tracey

Nthambi wa Mwene

- Muili wa Kwinga with Kamba women, Hugh Tracey

Ntimbo, Kwebembera Omukama

- Yohana Nyakayonga with Ntimbo Royal drummers, Hugh Tracey

  • Authors: Yohana Nyakayonga with Ntimbo Royal drummers , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
  • Language: Nyoro
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169793 , vital:41824 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-04
  • Description: Tunes, like the bosun's piping in the navy, which drum and pipe the Mukama as he leaves his Kikale (house) to go his rounds or visit the Council Chamber or court. The Nsegu pipes are made in two sections and joined together by binding with hide, or iguana skin which is shrunk or bound onto the two halves. Way of 'piping' the Mukama with four Ntimbo drums, footed, pinned, open, and Nsegu end blown vertical flutes.
  • Full Text: false
  • Date Issued: 1950

Nyadundo hawi mani wanuango

- Muruka Ndar Fula, Hugh Tracey

Nyakawo miya Kataiga (Give me Kataiga cloth)

- Samuiri Oduonga and Chopi men and women, Hugh Tracey

  • Authors: Samuiri Oduonga and Chopi men and women , Hugh Tracey
  • Date: 1950
  • Subjects: Folk songs, Chopi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kigumba f-ug
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169201 , vital:41696 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0130-01
  • Description: A certain boy loved a girl and gave her a present of Kataiga print cloth. He changed his mind but his girl asked him not to take his cloth back. He agreed and left her the cloth as a souvenir. Kyopere dance song for men and women. With two long stem goblet drums, open and pinned, with python skin membrane.
  • Full Text: false
  • Date Issued: 1950

Nyalubungo nibarutenga

- Tegalyoma Tilwesobwa with Zinza women, Hugh Tracey

Nyamwanga obuyaza Buganda

- Samuiri Rwakifunzi and Nkole men, Hugh Tracey

  • Authors: Samuiri Rwakifunzi and Nkole men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bushenyi f-ug
  • Language: Nyoro , Nyankole
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/170092 , vital:41857 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-14
  • Description: Nyamwanga was a Hima king of Ankole who used to raid the Ganda people of the lake districts before 1890 when the English took over the Protectorate. The rattles are flat containers made of stout grasses inside which wild canna seeds are thrown to and fro. They are held flat between the palms while the fingers may tap the lower side to enhance the main pulses or to syncopate the rhythm. Ekitagururo dance song, with conical drums, laced, single, played with sticks, and three earthenware pots and raft rattles.
  • Full Text: false
  • Date Issued: 1950

Nyamwiza omurongo

- Laurenti Kamwabwa with Haya boys and girls, Hugh Tracey

Nyankabila, mama we

- Peter Manyanga, Hugh Tracey

  • Authors: Peter Manyanga , Hugh Tracey
  • Date: 1950
  • Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Shanga f-tz
  • Language: Rundi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/172793 , vital:42283 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR147-12
  • Description: "Nyankabila lost himself in a far off land. His father longs for his return." This shape of the instrument, they say has been introduced from Ruanda-Urundi (Rwanda) to the west. The shape of its resonating box is distinctive, the lower end being arched and concave, in place of the more usual plan rectangle. The scale was:- 600, 528, 464, 396, 368, 300. Self delectative song, with Ikembe Likembe, 10 notes.
  • Full Text: false
  • Date Issued: 1950

Nyegera

- Nyakato Mwaga with Haya women / Chief Lutinwa, Gera, Hugh Tracey

Nyilamba wa tala yakwe (If a Nyilimba comes)

- Mwanaluchiwa Makanyela with Sukuma men, Hugh Tracey

Nyumba ya mwari witu

- Kariuki Ndenderu and kikuyu boys, Hugh Tracey

Nzaa ndume ta Gomba

- Munyithya wa Kyenze, Hugh Tracey

  • Authors: Munyithya wa Kyenze , Hugh Tracey
  • Date: 1950
  • Subjects: Folk songs, Kamba , Kamba (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Machakos f-ke
  • Language: Kamba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/175842 , vital:42629 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR160-03
  • Description: "I truly love you. You have pale hands like a European." The singer uses his lute as a rhythmic rather than a melodic instrument. His voice appears to be pitched well above the instrument. His voice appears to be pitched well above the two basic notes of his lute, but the interval may bear some constant relationship which is not discernable to a foreign ear at first hearing. On the other hand the lute may be considered as a two note 'drone' to the melody. It will be noticed that the pitch of his lute slightly lower in this and the next song "Musenga." Love song, with Mbebe, one string, bowed lute.
  • Full Text: false
  • Date Issued: 1950

Nzaireki akatera empihi

- Samuiri Bitadwa and Nyoro men, Hugh Tracey

  • Authors: Samuiri Bitadwa and Nyoro men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
  • Language: Nyoro
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169934 , vital:41840 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-18
  • Description: Nzaireki is held up to ridicule for being a glutton. He ate far too much and was sick all night. Enough, in Bunyoro, as elsewhere, is as good as a feast. The drum and rattles perform in a rhythm typical of much of Bantu Africa. Orunyege dance song for men and women with Ebinyege leg rattles and Goblet drum long stem pegged open.
  • Full Text: false
  • Date Issued: 1950

Nzaireki akatera empihi

- Samuiri Bitadwa and Nyoro men, Hugh Tracey

  • Authors: Samuiri Bitadwa and Nyoro men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
  • Language: Nyoro
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169925 , vital:41839 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-18
  • Description: Nzaireki is held up to ridicule for being a glutton. He ate far too much and was sick all night. Enough, in Bunyoro, as elsewhere, is as good as a feast. The drum and rattles perform in a rhythm typical of much of Bantu Africa. Orunyege dance song for men and women with Ebinyege leg rattles and Goblet drum long stem pegged open.
  • Full Text: false
  • Date Issued: 1950

O cheye

- Lengare Skarani with Chaga men, Hugh Tracey

O Horombo

- Mireiye Sanganga with Chaga men, Hugh Tracey

  • Authors: Mireiye Sanganga with Chaga men , Hugh Tracey
  • Date: 1950
  • Subjects: Chaga (African people) , Songs, Gogo , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Marangu f-tz
  • Language: Gogo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/174345 , vital:42469 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR155-12
  • Description: Chief Horombo was the head chief of this section of the Chaga people. The Chaga living on the Southern slopes of Kilimanjaro were so divided amongst themselves that they developed five or six district dialects through isolation. The various streams cascading down the mountain from the snow caps acted as boundaries between the warring clans, each occupying a separate ridgr from top to bottom. Loyality song with sticks.
  • Full Text: false
  • Date Issued: 1950

Obalemege

- Yosamu Kanagwa and Toro men, Hugh Tracey

  • Authors: Yosamu Kanagwa and Toro men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamukuzi f-ug
  • Language: Nyoro , Nyankole
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/170263 , vital:41875 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-06
  • Description: This praise, which both begins and ends with song, are frequently recited by men at parties. The subject of their adulation may be their host, their cattle or any subject gratifying their senses. Adulation of elders is part of the sycophantic social system common to many tribes and especially cattle owners. The practise of interspersing spoken praises between song is also found among the Sotho of Basutoland. The word Engabo means literally a brave man and these praises were originally intended to praise fighting men. Nowadays woth no fighting to be done the praises have been extended to any gratification and particularly of the 'Pombe' banana beer. Engabo praise, with conical drum. laced, single, played with hands and clapping.
  • Full Text: false
  • Date Issued: 1950
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