Usambo wakasenga
- Masudi Bini Amam with Nyamwezi men and women, Hugh Tracey
- Authors: Masudi Bini Amam with Nyamwezi men and women , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Tabora f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173018 , vital:42312 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR148-11
- Description: A song congratulating the Chief Fundikira on his method of stopping thieving in the country. He made wide areas collectively responsible for finding the thief. Thieving had become so bad, both from houses and from standing crops, that it called for drastic treatment. It appears that in the end all persons who had in the past been convicted of theiving were collected together and warned by the chief that every time there was a burglary they would all have to come to his headquaters and account for themselves. The sonstant journeys to the chief which this entailed had its effect and the known thieves volunteered to end the crime wave. This they did effectively and thus Chief Fundikira proved the virtue of the saying "Set a thief to catch a thief." Topical song, with 3 conical drums, 2 played with sticks and 1 with hands.
- Full Text: false
- Date Issued: 1950
- Authors: Masudi Bini Amam with Nyamwezi men and women , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Tabora f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173018 , vital:42312 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR148-11
- Description: A song congratulating the Chief Fundikira on his method of stopping thieving in the country. He made wide areas collectively responsible for finding the thief. Thieving had become so bad, both from houses and from standing crops, that it called for drastic treatment. It appears that in the end all persons who had in the past been convicted of theiving were collected together and warned by the chief that every time there was a burglary they would all have to come to his headquaters and account for themselves. The sonstant journeys to the chief which this entailed had its effect and the known thieves volunteered to end the crime wave. This they did effectively and thus Chief Fundikira proved the virtue of the saying "Set a thief to catch a thief." Topical song, with 3 conical drums, 2 played with sticks and 1 with hands.
- Full Text: false
- Date Issued: 1950
Usingi
- Ndulu with Kamba boys and girls, Hugh Tracey
- Authors: Ndulu with Kamba boys and girls , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kamba , Kamba (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Machakos f-ke
- Language: Kamba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176022 , vital:42653 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR160-15
- Description: A song in a definite mode, with an interesting melodic line and a rhythm which defies easy analysis. Circumcision song for boys and girls.
- Full Text: false
- Date Issued: 1950
- Authors: Ndulu with Kamba boys and girls , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kamba , Kamba (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Machakos f-ke
- Language: Kamba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176022 , vital:42653 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR160-15
- Description: A song in a definite mode, with an interesting melodic line and a rhythm which defies easy analysis. Circumcision song for boys and girls.
- Full Text: false
- Date Issued: 1950
Usingolio londoye
- Nyangus Siokino with Arusha men, Hugh Tracey
- Authors: Nyangus Siokino with Arusha men , Hugh Tracey
- Date: 1950
- Subjects: Maasai (African people) , Songs, Maasai , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Arusha f-tz
- Language: Masai
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173972 , vital:42427 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR153-10
- Description: "If I am late, my love, do note be worried. When I have raided the cattle I will bring them back with all speed. I will not even wait to drink as I cross the river." The great manly sport of the Masai has always been cattle raiding shortly before this recording was made several men of this Arusha district raided over 1000 head of Sukuma cattle from the west. There is more behind the idea of selling cattle to the butcher than one would guess at first sight. The Masai are loathe to sell or trade any of their own cattle for slaughter but trading stolen cattle to satisfy the constant demands of trade is another matter. Cattle raiding song.
- Full Text: false
- Date Issued: 1950
- Authors: Nyangus Siokino with Arusha men , Hugh Tracey
- Date: 1950
- Subjects: Maasai (African people) , Songs, Maasai , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Arusha f-tz
- Language: Masai
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173972 , vital:42427 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR153-10
- Description: "If I am late, my love, do note be worried. When I have raided the cattle I will bring them back with all speed. I will not even wait to drink as I cross the river." The great manly sport of the Masai has always been cattle raiding shortly before this recording was made several men of this Arusha district raided over 1000 head of Sukuma cattle from the west. There is more behind the idea of selling cattle to the butcher than one would guess at first sight. The Masai are loathe to sell or trade any of their own cattle for slaughter but trading stolen cattle to satisfy the constant demands of trade is another matter. Cattle raiding song.
- Full Text: false
- Date Issued: 1950
Uswezi I
- Uwilula with old Nyamwezi women, Hugh Tracey
- Authors: Uwilula with old Nyamwezi women , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-SA f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172996 , vital:42307 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR148-09
- Description: Uswezi is said to be the name of a special religious group which believes in divination and power of magic. They speak a special patois or code language of their cult. Unlike the Migabo they are not considered to be useful to society but have certain influence in the land. The song was recorded in Dar-es-Salaam, but their origin is up country near Tabora in the home district of the Nyamwezi tribe. Uswezi divination song, with gourd rattles.
- Full Text: false
- Date Issued: 1950
- Authors: Uwilula with old Nyamwezi women , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-SA f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172996 , vital:42307 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR148-09
- Description: Uswezi is said to be the name of a special religious group which believes in divination and power of magic. They speak a special patois or code language of their cult. Unlike the Migabo they are not considered to be useful to society but have certain influence in the land. The song was recorded in Dar-es-Salaam, but their origin is up country near Tabora in the home district of the Nyamwezi tribe. Uswezi divination song, with gourd rattles.
- Full Text: false
- Date Issued: 1950
Uswezi II
- Uwilula with old Nyamwezi women, Hugh Tracey
- Authors: Uwilula with old Nyamwezi women , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173001 , vital:42309 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR148-10
- Description: Uswezi is said to be the name of a special religious group which believes in divination and power of magic. They speak a special patois or code language of their cult. Unlike the Migabo they are not considered to be useful to society but have certain influence in the land. The song was recorded in Dar-es-Salaam, but their origin is up country near Tabora in the home district of the Nyamwezi tribe. Uswezi divination song, with gourd rattles.
- Full Text: false
- Date Issued: 1950
- Authors: Uwilula with old Nyamwezi women , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173001 , vital:42309 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR148-10
- Description: Uswezi is said to be the name of a special religious group which believes in divination and power of magic. They speak a special patois or code language of their cult. Unlike the Migabo they are not considered to be useful to society but have certain influence in the land. The song was recorded in Dar-es-Salaam, but their origin is up country near Tabora in the home district of the Nyamwezi tribe. Uswezi divination song, with gourd rattles.
- Full Text: false
- Date Issued: 1950
Utawala mha
- Lengare Skarani with Chaga men, Hugh Tracey
- Authors: Lengare Skarani with Chaga men , Hugh Tracey
- Date: 1950
- Subjects: Chaga (African people) , Hehe (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Marangu f-tz
- Language: Hehe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/174583 , vital:42491 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR156-04
- Description: "Witori" is the name given to the new (1950) administrative organisation of the Chaga people. Certain chiefdoms have been amalgamated and a senior chief appointed under the title of "Mwitori". This new authority urge the people to work hard and has assumed the responsibility for contour ridging the land and terracing the mountain slopes. It also encourages the building of better houses. Praise song for the local Government with Shicheyere.
- Full Text: false
- Date Issued: 1950
- Authors: Lengare Skarani with Chaga men , Hugh Tracey
- Date: 1950
- Subjects: Chaga (African people) , Hehe (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Marangu f-tz
- Language: Hehe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/174583 , vital:42491 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR156-04
- Description: "Witori" is the name given to the new (1950) administrative organisation of the Chaga people. Certain chiefdoms have been amalgamated and a senior chief appointed under the title of "Mwitori". This new authority urge the people to work hard and has assumed the responsibility for contour ridging the land and terracing the mountain slopes. It also encourages the building of better houses. Praise song for the local Government with Shicheyere.
- Full Text: false
- Date Issued: 1950
Uwi, mamsaga makumbulage wagela mnyabo
- Idi Selemani with Nyamwezi men and women, Hugh Tracey
- Authors: Idi Selemani with Nyamwezi men and women , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173044 , vital:42316 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR148-14
- Description: "You are talking a lot these days my friend, I am sure you will be sad when Nyahinga dies." Nyahinga, they said, is known to be very good singer in Nyamwezi country. Idi Selemani, the leader 'lines' the verses to be sung by the chorus of his friends. The soloist, Idi is a well known and much beloved comedian in his own society of Nyamwezi people living in Dar-es-Salaam and is a joy to watch. His antics and feigned anger are masterly acting. The singer starts the third song with the familiar cry of the 2nd King's African Rifles, "Seken-Seken, K.A.R. Namba wantu. Humorous song with clapping, with clapping and 1 Goblet drum (-14.52101-).
- Full Text: false
- Date Issued: 1950
- Authors: Idi Selemani with Nyamwezi men and women , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173044 , vital:42316 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR148-14
- Description: "You are talking a lot these days my friend, I am sure you will be sad when Nyahinga dies." Nyahinga, they said, is known to be very good singer in Nyamwezi country. Idi Selemani, the leader 'lines' the verses to be sung by the chorus of his friends. The soloist, Idi is a well known and much beloved comedian in his own society of Nyamwezi people living in Dar-es-Salaam and is a joy to watch. His antics and feigned anger are masterly acting. The singer starts the third song with the familiar cry of the 2nd King's African Rifles, "Seken-Seken, K.A.R. Namba wantu. Humorous song with clapping, with clapping and 1 Goblet drum (-14.52101-).
- Full Text: false
- Date Issued: 1950
Uya muona Mbelwa (You will see my Chief Mbelwa)
- Timeyo Muandila, Hugh Tracey
- Authors: Timeyo Muandila , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Malawi , Songs, Zulu , Zulu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Mbelwa f-mw
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160862 , vital:40555 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-12
- Description: This Gubu bow seems to be related to the Zulu 'Ugubu' in name, but Natal would be called Makweyena. The bow was tuned to two fundamental notes 93 and 74 vs. with a stopped note of 98 vs. It was 5 ft. 7 inches long and the stopped note was produced by pressing the knuckle of the second finger of the right hand onto the string. "You have seen a young man waering feathers." Praise song with Gubu stressed musical bow.
- Full Text: false
- Date Issued: 1950
- Authors: Timeyo Muandila , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Malawi , Songs, Zulu , Zulu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Mbelwa f-mw
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160862 , vital:40555 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-12
- Description: This Gubu bow seems to be related to the Zulu 'Ugubu' in name, but Natal would be called Makweyena. The bow was tuned to two fundamental notes 93 and 74 vs. with a stopped note of 98 vs. It was 5 ft. 7 inches long and the stopped note was produced by pressing the knuckle of the second finger of the right hand onto the string. "You have seen a young man waering feathers." Praise song with Gubu stressed musical bow.
- Full Text: false
- Date Issued: 1950
Uyalelano (What are you crying for?)
- Timeyo Muandila and his wife, Hugh Tracey
- Authors: Timeyo Muandila and his wife , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Malawi , Songs, Zulu , Zulu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Mbelwa f-mw
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160880 , vital:40557 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-14
- Description: This musical bow was in most respects the same as the local hunting bow, the string being made of hide. The bride cries as she leaves her home to go to her husband. Wedding song with Gubu braced musical bow.
- Full Text: false
- Date Issued: 1950
- Authors: Timeyo Muandila and his wife , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Malawi , Songs, Zulu , Zulu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Mbelwa f-mw
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160880 , vital:40557 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-14
- Description: This musical bow was in most respects the same as the local hunting bow, the string being made of hide. The bride cries as she leaves her home to go to her husband. Wedding song with Gubu braced musical bow.
- Full Text: false
- Date Issued: 1950
Uyo mayo kuwa boyi
- Mukhunganilwa with Nyamwezi women, Hugh Tracey
- Authors: Mukhunganilwa with Nyamwezi women , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Tabora f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172975 , vital:42305 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR148-08
- Description: "The woman worked as a 'boy'." In this area most of the domestic work in European houses is done by men, familiarly called 'boy'. The woman mentioned in the song became a domestic servant, but, the song says, she repented her decision and preferred to get married and have a home of her own. The connection between this song and the divination of the old woman who sanf it is not clear. Migabo is said to be the name of a group of older people, mostly women, who believe in the power of divination to assist their friends and relatives. Migabo divination songs, with 3 conical laced drums, and 4 gourd rattles (-12.54-).
- Full Text: false
- Date Issued: 1950
- Authors: Mukhunganilwa with Nyamwezi women , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Tabora f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172975 , vital:42305 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR148-08
- Description: "The woman worked as a 'boy'." In this area most of the domestic work in European houses is done by men, familiarly called 'boy'. The woman mentioned in the song became a domestic servant, but, the song says, she repented her decision and preferred to get married and have a home of her own. The connection between this song and the divination of the old woman who sanf it is not clear. Migabo is said to be the name of a group of older people, mostly women, who believe in the power of divination to assist their friends and relatives. Migabo divination songs, with 3 conical laced drums, and 4 gourd rattles (-12.54-).
- Full Text: false
- Date Issued: 1950
Wa selenge nina kitabu cha mauridi (My beloved, I have a book of prayers)
- Idi Selemani with Nyamwezi men and women, Hugh Tracey
- Authors: Idi Selemani with Nyamwezi men and women , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar es Salaam f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172869 , vital:42290 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR147-19
- Description: The leader of this song, Idi Selemani is a well known homourist and great favourite in the town of Dar es Salaam (1950). Part of his act is pretending to be very angry with his singers. The 'Book of Mauridi' refers, they say, to a section of the Koran containing prayers and instructions. Love song.
- Full Text: false
- Date Issued: 1950
- Authors: Idi Selemani with Nyamwezi men and women , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar es Salaam f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172869 , vital:42290 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR147-19
- Description: The leader of this song, Idi Selemani is a well known homourist and great favourite in the town of Dar es Salaam (1950). Part of his act is pretending to be very angry with his singers. The 'Book of Mauridi' refers, they say, to a section of the Koran containing prayers and instructions. Love song.
- Full Text: false
- Date Issued: 1950
Wabomba baseza ni Mahero
- Authors: Watoya Sizangi , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169475 , vital:41754 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-08
- Description: This song refers to a man who planned to steal cattle from another called Mahero and succeeded. What transpired after the theft is not mentioned. Topical song, with Siilili two string lute and Kengele bell.
- Full Text: false
- Date Issued: 1950
- Authors: Watoya Sizangi , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169475 , vital:41754 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-08
- Description: This song refers to a man who planned to steal cattle from another called Mahero and succeeded. What transpired after the theft is not mentioned. Topical song, with Siilili two string lute and Kengele bell.
- Full Text: false
- Date Issued: 1950
Waboya
- Wamimbi Magombe and Gishu men, Hugh Tracey
- Authors: Wamimbi Magombe and Gishu men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169516 , vital:41759 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-13
- Description: Boys who are ready for initiation are warned in this song of the pain they muct experience and exhorted to be brave. Imbalu circumcision dance with Mungiri leg bells, European whistle and side blown horn, open.
- Full Text: false
- Date Issued: 1950
- Authors: Wamimbi Magombe and Gishu men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169516 , vital:41759 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-13
- Description: Boys who are ready for initiation are warned in this song of the pain they muct experience and exhorted to be brave. Imbalu circumcision dance with Mungiri leg bells, European whistle and side blown horn, open.
- Full Text: false
- Date Issued: 1950
Wachezalada wabyozakulya
- Hashima Bin Kilamata with Nyamwezi men, Hugh Tracey
- Authors: Hashima Bin Kilamata with Nyamwezi men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwadui f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173255 , vital:42350 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-02
- Description: "We should eat together, but that does not mean we should share the same woman." The leader was dressed up in his dancing kit, with feather head dress, red ochre on the face and rag dress. The singers were workers on the Mwadui diamond mines, recruited locally. The song features a character whom they call Sajeni Meja (Sergeant Major) no doubt on account of the fact that several of them served for a while in the K.A.R., the Kings' African Rifles. During the singing they call out the familiar cry used by the soilders of the King's African Rifles. The moral problems of the disintegrated family and tribal life present themselves at every turn and especially in the towns or industrial areas where large bodies of men are attracted to work. Hiyari ya moyo dance song for men and women, with metal cylindrical drum, and conical pegged drum and bells.
- Full Text: false
- Date Issued: 1950
- Authors: Hashima Bin Kilamata with Nyamwezi men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwadui f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173255 , vital:42350 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-02
- Description: "We should eat together, but that does not mean we should share the same woman." The leader was dressed up in his dancing kit, with feather head dress, red ochre on the face and rag dress. The singers were workers on the Mwadui diamond mines, recruited locally. The song features a character whom they call Sajeni Meja (Sergeant Major) no doubt on account of the fact that several of them served for a while in the K.A.R., the Kings' African Rifles. During the singing they call out the familiar cry used by the soilders of the King's African Rifles. The moral problems of the disintegrated family and tribal life present themselves at every turn and especially in the towns or industrial areas where large bodies of men are attracted to work. Hiyari ya moyo dance song for men and women, with metal cylindrical drum, and conical pegged drum and bells.
- Full Text: false
- Date Issued: 1950
Wachonge
- Maunda Waliaula with Bukusu men, Hugh Tracey
- Authors: Maunda Waliaula with Bukusu men , Hugh Tracey
- Date: 1950
- Subjects: Bukusu (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malakasi f-ke
- Language: Bukusu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176518 , vital:42709 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-03
- Description: The song recalls a notable fight between the Bukusa and the Burwa tribes at Wachonge. The Bukusa were the victors. This area of Northern Nyanza was the scene of many tribal fights between the ten or more small tribes which settled there. The song they claimed was sung in a mixture of languages, including Luo and Swahili in a addition to Bukusu. Fighting song, with 2 Litungu 7 string lyres, and 1 Luhingele long inverted bowl (-10.151-).
- Full Text: false
- Date Issued: 1950
- Authors: Maunda Waliaula with Bukusu men , Hugh Tracey
- Date: 1950
- Subjects: Bukusu (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malakasi f-ke
- Language: Bukusu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176518 , vital:42709 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-03
- Description: The song recalls a notable fight between the Bukusa and the Burwa tribes at Wachonge. The Bukusa were the victors. This area of Northern Nyanza was the scene of many tribal fights between the ten or more small tribes which settled there. The song they claimed was sung in a mixture of languages, including Luo and Swahili in a addition to Bukusu. Fighting song, with 2 Litungu 7 string lyres, and 1 Luhingele long inverted bowl (-10.151-).
- Full Text: false
- Date Issued: 1950
Waikova
- Nasuti Social Club, Hugh Tracey
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171438 , vital:42060 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR141-07
- Description: Waikova is a beautiful and highly coloured bird, they explained, but is more likely to be the common crow. A Budongo tune of this name was also recorded at Jinja, two years later. Sets of these instruments are played by a number of young men together. For over 400 years this type of music has facinated Africans and possibly for far longer. Topical song, with 8 Budongo Likembe and 1 flat Nsaasi tin rattle (12.54-)
- Full Text: false
- Date Issued: 1950
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171438 , vital:42060 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR141-07
- Description: Waikova is a beautiful and highly coloured bird, they explained, but is more likely to be the common crow. A Budongo tune of this name was also recorded at Jinja, two years later. Sets of these instruments are played by a number of young men together. For over 400 years this type of music has facinated Africans and possibly for far longer. Topical song, with 8 Budongo Likembe and 1 flat Nsaasi tin rattle (12.54-)
- Full Text: false
- Date Issued: 1950
Wainaga
- Kariuki Ndenderu and Kikuyu boys, Hugh Tracey
- Authors: Kariuki Ndenderu and Kikuyu boys , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kiambu f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175480 , vital:42584 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-03
- Description: This is an example of a song sung at the preliminary feast before circumcision. On the day before the event the people enjoy a great feast of manyu varieties of food and drink after which they sing these songs. Some of the verses are in the form of riddles and others may be both pointed and harsh. Circumcision song for boys and girls.
- Full Text: false
- Date Issued: 1950
- Authors: Kariuki Ndenderu and Kikuyu boys , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kiambu f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175480 , vital:42584 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-03
- Description: This is an example of a song sung at the preliminary feast before circumcision. On the day before the event the people enjoy a great feast of manyu varieties of food and drink after which they sing these songs. Some of the verses are in the form of riddles and others may be both pointed and harsh. Circumcision song for boys and girls.
- Full Text: false
- Date Issued: 1950
Waiswa Mugude
- Mulobo Maswa and Soga men, Hugh Tracey
- Authors: Mulobo Maswa and Soga men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bugembe f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171650 , vital:42104 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR142-17
- Description: The song refers to a man called Waiswa Mugude said to be a sorcerer. He cast a spell on his friend who died. He was very sorry and beleived he had caused his friend's death by magic. So after the funeral he went to the grave with his magical animals to dance and appease his friend's spirit lest it should come back to destroy him also. Topical song, with 8 Magwala gourd horns side blown, 2 laced conical drums (-14.22303-), 2 pinned, footed goblet drums (-14.51201-)
- Full Text: false
- Date Issued: 1950
- Authors: Mulobo Maswa and Soga men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bugembe f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171650 , vital:42104 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR142-17
- Description: The song refers to a man called Waiswa Mugude said to be a sorcerer. He cast a spell on his friend who died. He was very sorry and beleived he had caused his friend's death by magic. So after the funeral he went to the grave with his magical animals to dance and appease his friend's spirit lest it should come back to destroy him also. Topical song, with 8 Magwala gourd horns side blown, 2 laced conical drums (-14.22303-), 2 pinned, footed goblet drums (-14.51201-)
- Full Text: false
- Date Issued: 1950
Waitu-waitu
- Mwendera Kaijage with Haya women, Hugh Tracey
- Authors: Mwendera Kaijage with Haya women , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172280 , vital:42183 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR145-07
- Description: "Father, creator of our people, you were born chief and we ask you while ruling over us to settle for us our troubles and reward us with cattle when we have done well." Praise song.
- Full Text: false
- Date Issued: 1950
- Authors: Mwendera Kaijage with Haya women , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172280 , vital:42183 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR145-07
- Description: "Father, creator of our people, you were born chief and we ask you while ruling over us to settle for us our troubles and reward us with cattle when we have done well." Praise song.
- Full Text: false
- Date Issued: 1950
Wakaratha
- Kariuki Ndenderu and Kikuyu boys, Hugh Tracey
- Authors: Kariuki Ndenderu and Kikuyu boys , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kiambu f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175470 , vital:42583 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-02
- Description: "Archer, let us shoot at each other, then if I kill you, we will sacrifice a ram for you. The meat will be given to the rain-makers, rain will fall, the grass will grow to feed the cattle. The cattle will be used for a wife's dowry and she will make beer for me."
- Full Text: false
- Date Issued: 1950
- Authors: Kariuki Ndenderu and Kikuyu boys , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kiambu f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175470 , vital:42583 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-02
- Description: "Archer, let us shoot at each other, then if I kill you, we will sacrifice a ram for you. The meat will be given to the rain-makers, rain will fall, the grass will grow to feed the cattle. The cattle will be used for a wife's dowry and she will make beer for me."
- Full Text: false
- Date Issued: 1950