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Abasungu balisa-we tata

- Philemon Kalela, Group of Bemba men, Hugh Tracey

  • Authors: Philemon Kalela , Group of Bemba men , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
  • Language: Lozi , Bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183808 , vital:44071 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-17
  • Description: "The White people have come, father, they are flying in the sky. They have made the smelter. They have made the shaft. They brought money. They have come here for good, they will never turn back from our country. They have settled in our (Lamba) country, these settlers of the Copper Belt." This refers to great industrial intrusion into this part of Africa where large deposits of copper are now being mined in what used to be a remote and densely wooded part of the country. Topical song
  • Full Text: false
  • Date Issued: 1952

Kalima maundu-wo

- Sons of Barotseland Patriotic Society Choir, Davison Sililo, Hugh Tracey

Mupukumo

- Sirifino Mutare, Two Bemba men, Hugh Tracey

  • Authors: Sirifino Mutare , Two Bemba men , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Kasama f-za
  • Language: Lozi , Bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183789 , vital:44069 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-15
  • Description: The scale of this instrumet was:- 592, 544, 504, 456, 424, 376, 340, 308, 280, 252, 228 vs. With the exception of the new top intervals of the scale all the remainder are approximately 1 3/4 semitone each. The intervals measured in cents are:- 126, 208, 174, 172, 165, 182, 173 cents. This tune follows closely upon a well established and unmistakeably Bemba style of melody. When singing in parallel thirds the size of the consecutive thirds, taken from the measured scale would be:- 334, 382, 346, 337, 355 cents. Parallel fourths would be:- 508, 554, 511, 519, 520 cents. Drinking song with Mbira, Chilimba ya waBemba
  • Full Text: false
  • Date Issued: 1952

Muzamaelo wa mahule

- Sons of Barotseland Patriotic Society Choir, Hugh Tracey

Ngombe ya manengenenge

- Sons of Barotseland Patriotic Society Choir, Hugh Tracey

  • Authors: Sons of Barotseland Patriotic Society Choir , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Barotseland f-za
  • Language: Lozi , Bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183725 , vital:44056 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-08
  • Description: The song is about a man who very much wanted to marry a certain girl; but had not enough cows to pay the bride price for her. So he made up his mind to go and work in order to earn enough money to buy the cows. He did so, bought the cows and married the girl. "Alleluya" is simply a cheerful refrain copied from the Christians. This song gives the impression of having been influenced by the Nguni of the eastern districts of Northern Rhodesia (Zambia) rather than a song of true Lozi origin. Topical song
  • Full Text: false
  • Date Issued: 1952

Ni sa ikela ku mwanalushi

- Sons of Barotseland Patriotic Society Choir, Hugh Tracey

  • Authors: Sons of Barotseland Patriotic Society Choir , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Barotseland f-za
  • Language: Lozi , Bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183716 , vital:44055 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-07
  • Description: The song is about a man who went home to his villag and fell ill. He wanted to go to hospital but his people tried to dissuade him. He replied, "I want to go to hospital and lie on a proper hospital bed" (mbeda). In the villages they lie on the ground. This song recounts the actual experience of the composer who was a boy working on the Northern Rhodesia Railways. Before these people were conquered by the Kololo they are said to have spoken the Siluyiana language. Topical song
  • Full Text: false
  • Date Issued: 1952

Owachitawala

- Philemon Kalela, Group of Bemba men, Hugh Tracey

  • Authors: Philemon Kalela , Group of Bemba men , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
  • Language: Lozi , Bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183798 , vital:44070 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-16
  • Description: A song making fun of the Watchtower sect which holds its meetings every Monday and Wednesday in different private houses. The singers were alleged to be Catholics but that did not stop their singing the songs of the rival church. The word Chitawala is made up of the syllables of the English word heard by African Wachi-ta-wa-la. The local Bemba being unable to say an'R', preferring the 'L'. Topical song
  • Full Text: false
  • Date Issued: 1952

Sicembe

- Sirifino Mutare, Hugh Tracey

  • Authors: Sirifino Mutare , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Kasama f-za
  • Language: Lozi , Bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183780 , vital:44068 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-14
  • Description: This type of Mbira has a single manual clearly divided into left and right sections, the left having five notes, and the right six. The scale is carried by both sides in a customary though not regular alternation, thus from high to low the eleven notes are found:- L. R. L. R. R. L. R. R. L. R. L. Topical song, with Mbira, Chilimba ya waBemba
  • Full Text: false
  • Date Issued: 1952

Siya ni sike

- Sons of Barotseland Patriotic Society Choir, Davison Sililo, Hugh Tracey

  • Authors: Sons of Barotseland Patriotic Society Choir , Davison Sililo , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Barotseland f-za
  • Language: Lozi , Bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183706 , vital:44053 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-06
  • Description: This is the song from a story about a woman and her child who ere lost in the forest. Suddenly the child saw a coconut palm and asked its mother what the tree was. She answered: "Don't be afraid, my child, that is a sign we shall find our way home. It is significant that David Livingstone in one of his journals describes the impression that the palm tree was for him "A hieroglyph that spells 'far from home'." A possible explanation of this remark by the mother is that the palm trees grow mostly along the rivers, and once at the river she would be able to regain her sense of direction. This was recorded with heavy rain pouring down outside the Musaliili Hall, hence the background noise. Story song
  • Full Text: false
  • Date Issued: 1952

Teya-teya

- Sons of Barotseland Patriotic Society Choir, Davison Sililo, Hugh Tracey

  • Authors: Sons of Barotseland Patriotic Society Choir , Davison Sililo , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Barotseland f-za
  • Language: Lozi , Bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183695 , vital:44051 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-05
  • Description: This is the song taken from the story about a father who went out hunting, could find no buck and killed his child instead in the forest. But a bird that had seen what he did, sang that it was going to tell the people. So he killed the bird too, but hardly had he gone a few steps when there it was again. Again he killed it and again there it was, and so in the end the bird told the people. It is the parable of a guilty conscience. The reason why he killed his child, they said, was because he had gone out hunting and was unsuccessful and was so ashamed that he killed his child in the place of a buck. A very gruesome story! Story song
  • Full Text: false
  • Date Issued: 1952

Visimu vyangu vyotola

- Kitwe School Bemba Choir, Hugh Tracey

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