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Bankulu ne yumba

- Group of 7 Luba men and 1 woman, Hugh Tracey

Bondo

- Mamba Desire, Hugh Tracey

  • Authors: Mamba Desire , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people)--Music , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kabinda f-cg
  • Language: Luba/Lulua
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136966 , vital:37473 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR035-06
  • Description: The song is sung on the occassion of the visit of an important man. "In other places they have greeted me with songs and rejoicing, here you must do the same or even better." The scale of the instrument as follows:- 472, 448, 356. 320, 264, 236, 224, 178, 160, 132. Greeting song for a Chief or notable, with 2 box chisanzhi, 1 chisanzhi-chinene, and 1 basket rattle.
  • Full Text: false
  • Date Issued: 1957

Chiwawa mbuyu

- Lukwenya Simon and Lulua men, Hugh Tracey

Chombela

- Large group of 9 Bena Shimba women, Hugh Tracey

Dundu we, dundu makevata bina tauni (Football, football is played in the town)

- Large group of Kasai women and 5 men, Hugh Tracey

Jirigaya dya kabongo (This is my home)

- Group of Lulua men and women, Hugh Tracey

Kalele kiwetu yamba mwana ambaya

- Large group of Kasai women, Hugh Tracey

Kantende maninga

- 8 Luba men with Nyundu Gabriel (flute), Hugh Tracey

Kapinga yamba (If this man wants something to sit on, he must sit on the knees of somebody else)

- Marcel Mwiyaya and large group of Lulua men and women, Hugh Tracey

Kolombo musambo wakalwa kuba shanyi (This man must grow up to be very rich)

- Group of Lulua men, Hugh Tracey

  • Authors: Group of Lulua men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people)--Music , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
  • Language: Luba/Lulua
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136957 , vital:37472 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR035-05
  • Description: The chisanzhi were resonated on gourds (painted and decorated) which are called chilo-o. The chisanzhi-chinene was made out of the central ribs of palm-fronds. The 2 dancers wore tribal dress with colobus monkey-skin belted round their waists, multiple, girdles of black and red twisted thongs and bells slung at the back of the waist. One wore a colobus monkey skin headdress. Panpipes- Shiba. These were end-blown flutes, in small rafts of 2 or 3. Kalombo dance with 1 chisanzhi-chinene mbira (in a raft with bamboo notes), 2 chisanzhi mbira, 4 sets of panpipes, 1 basket rattle and a stick tapped on the side of gourd resonator.
  • Full Text: false
  • Date Issued: 1957

Kwabwalala

- Mamba Desire, Hugh Tracey

  • Authors: Mamba Desire , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people)--Music , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kabinda f-cg
  • Language: Luba/Lulua
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136993 , vital:37476 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR035-09
  • Description: The bambo slatted instrument made of a raft of palm fronds is called the female instrument- in spite of the fact that it is the bass instrument. The players only played the two lowest notes as if, he said "they were drums." This is one of the many Lulua funeral songs and is sung by those friends and relatives who go to condole with a bereaved parent. Mourning song with 2 box chisanzhi, 1 chisanzhi-chinene, 2 goblet drums, pinned, weighted, closed, with mirlitons and 1 basket rattle (ligazi).
  • Full Text: false
  • Date Issued: 1957

Kwabwalala Ngonga yaye yaye

- Lulua Freres and group of Lulua men and women, Hugh Tracey

  • Authors: Lulua Freres and group of Lulua men and women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people)--Music , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
  • Language: Luba/Lulua
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136930 , vital:37469 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR035-02
  • Description: The scale of these two instruments is not clear from these examples. It would appear to be heptatonic in one case and hexatonic or even pentatonic in the order. The fact that an adequate number on intervals exist in the lower octave and are not complete in either, argues an ablity to think heptatonically. The scale was as follows;- 404, 344, 308, 296, 252, 236, 202, 180, 160, 118, 101, 90. Bitanda kakunda dance with two Chizanshi box mbira, 2 basket rattles, whistle and hand clapping.
  • Full Text: false
  • Date Issued: 1957

Luwendo

- Group of 6 Luba men, Hugh Tracey

Masengu

- Kasongo Adalbert, Hugh Tracey

Mazha

- Group of 6 Luba men, Hugh Tracey

  • Authors: Group of 6 Luba men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137680 , vital:37549 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-03
  • Description: "Masha" , the player of the female xylophone turned his left hand rubber-headed beater around, and hit the tonic (194 vs) continously while playing normally with the right hand, after the fashion of the Kanyoka players. The male range is 194 vs through two octaves and 1 note to 880. The female has two notes below 194 i.e. 160 and 144. 194 appears to be the tone centre. The scale of the instrument as follows: 880 776, 640, 576, 520, 480, 440, 388, 320, 288, 260, 240, 220, 194, 160. Ceremonial pieces for a Chief with 2 Siimba xylophones, 3 goblet drums, pinned, weighted, closed, with mitlitons and hand beaten.
  • Full Text: false
  • Date Issued: 1957

Moyo wena Luluwe

- Lulua Freres and group of Lulua men and women, Hugh Tracey

  • Authors: Lulua Freres and group of Lulua men and women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people)--Music , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
  • Language: Luba/Lulua
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136921 , vital:37468 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR035-01
  • Description: The scale of these two instruments is not clear from these examples. It would appear to be heptatonic in one case and hexatonic or even pentatonic in the order. The fact that an adequate number on intervals exist in the lower octave and are not complete in either, argues an ablity to think heptatonically. The scale was as follows;- 404, 344, 308, 296, 252, 236, 202, 180, 160, 118, 101, 90. Bitanda kakunda dance with two Chizanshi box mbira, 2 basket rattles, whistle and hand clapping.
  • Full Text: false
  • Date Issued: 1957

Mukwa mbumba

- Lukwenya Simon and Lulua men, Hugh Tracey

Mukwabumba sechilanba (This cloth is very strong)

- Marcel Mwiyaya and large group of Lulua men and women, Hugh Tracey

Musambo

- Large group of of Luba men and women, Hugh Tracey

Mutombo ko saye

- Group of 7 Luba men and 1 woman, Hugh Tracey

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