The evolution of African music and its function in the present day
- Authors: Tracey, Hugh
- Subjects: African Music Society , International Library of African Music , Evolution , African music , Styles , Beauty , Instruments , Perishable material , Lithophones , Nigeria , Stones , Bushman paintings , Chopi , Limpopo , Birds , Imitation , Onomatopaeia , Zimbabwe , Bird calls , Long eared owl , Temple , Nile , Egyptian civilization , Sub-Suharan Africa , Stringed instrument , Indonesian theory , Langauge , Mission , Catholic music , Arabs , Swahili , Portuguese , Brazilian , Guitar , Father Andre Fernandes , Missionary , Dove , Nile Basin Theory , Egypt , Slaves , Musicians , Harps , Lyres , Loots , North East , Sub-Saharan Africa , String , Tanganyika , Sea farers , Xylophone , Congo , Participation , Dance music , Repetitive , Rhythmic , Tradition , Relocation , Intergration , Continuity , English music , Afrikaans music , Sarie Marie , Change , Static , Classics , Popular music , Greensleeves , A Bicycle made for Two , Latin singing , Latin chant , Chant , British Empire , Negro Spiritual , Folk songs , Anti-slavery movements , David Livingstone , Musical migrtatiatioh , Hand piano , Zambezi Valley , Nyasaland , Nguni , Kampala , Bands , Chitimkhulu , Bemba , Blindness , Court band , Blinded musician , South Africa , Choral , Forests , Drums , Xylophones , Fighting song , Agriculture , Semi-nomadic , Politicians , Hastings Banda , Fooding and drinking party , European hymns , Ghana , Degree , Complexity , Simplicity , Poly-rhythms , Rural areas , Churches , Competitions , Eisteddfodd , Inferiority , Johannesburg , Drama , King Kong , Jazz importations , Voice , Skill , Instrument makers , Commercialisation , Gramophone , Radio , Creolisation , Modern Jazz , Louisiana , French , Spanish , Genius , Town songs , Country songs , Social climbers , Patriotism , Kwela , Penny-whistle , America , Politics , Pitch , Archive , BP Southern Africa , Evangelists , Indoor music , Mine , Continuation , Notation , Migration , Study of Man in Africa , Mr. Michael Lane
- Language: English
- Type: Sound , Lecture , Music
- Identifier: vital:15104 , http://hdl.handle.net/10962/d1008532 , Reel number: BC160
- Description: Lecture by Hugh Tracey given for the Institute for the Study of Man in Africa (ISMA) , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
The Sound of Africa: Southern Rhodesia - The Federation of Rhodesia Nyasaland No.3
- Authors: Tracey, Hugh
- Subjects: Marimba , Gold miners , Traders , Persia , Baboons , Sprites , Rocks , History , Shona , Identity , Culture , Indigenous music , Modern music , Musicians , Personality , Poetry , Call and response , Singing , Choir , Language , Naming , Names , Mbira , Hand piano , Dances , Jazz , Rock ‘n roll , African nationalism , Village , Food , Subsistence economy , Drums , Yodelling , Utopia , Politicians , European , Politics , Zulu , Ndebele , Colonisation , Conquer , Class system , Law and order , Organised society , Stability , Discipline , Zidukwana , Donda chawane mauyo , Processional , Chipunza , Story , Acetate , Shamuyarira , Musarurwa , Savanhu , Peter Nahlanzu
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15095 , http://hdl.handle.net/10962/d1008523 , Reel number: BC125
- Description: 3rd programme of The Federation of Rhodesia and Nyasaland of ‘The Sound of Africa‘ Series of illustrated talks by Hugh Tracey on his travels in search of African music, broadcast by the British Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false