The African Heritage in music and art
- Authors: Tracey, Hugh
- Subjects: Churches , Nyasaland , Sikoshe , Datshi , The Church of Sinners , Sinners , Archive , Library , Identity , Group identity , Funds , Heritage , Tradition , Western material , Basutholand , Lesotho , Pentatonic , Hexatonic , Heptatonic , Sotho , Zulu , Carol , Distortion , Stress , Tone , Poetry , Trochaic , Iambic , Ciskei , Country , Wedding song , Preacher , Ntsikana , Ntsikana‘s Bell , Ntsikana‘s Prayer , Ntsikana‘s Song , Arab grunt , Dar es Salaam , Dr Bokwe , Zwelitsha , Southern Congo , Kamina , Country dance , Latin mass , Missa Luba , Gloria , Rattles , Drums , Xylophone , Bell , Drum , Hand piano , Clicking , Mouth smacking , The Talkative Woman , Folk music , Self-reflectation , Morality songs , Lilongwe , Snatching season , Tobacco , Courts , Mouth of the Limpopo , Subjects , Complex tune , Mbira , Likembe , Sansi , Kalimba , Nyongonyongo , Zimbabwe , Karinungu , Attitude (Psychology) , Kwela music , Tsostis , Penny whistle , Four-note harmonies , Thumbs , Congo River , Wagenya , Alexander Corder , Canoe song , Hollywood , Negro music , Sound of the South , Roots of the Blues , Negro Church Music , What do you think about Jesus? He‘s alright
- Language: English
- Type: Sound , Music
- Identifier: vital:15108 , http://hdl.handle.net/10962/d1008536 , Reel number: BC171
- Description: Second half of the lecture "The African heritage in music and art" , A lecture presented by Hugh Tracey at the General Education Conference Technical College Pretoria South Africa , For further details refer to the ILAM document collection: Hugh Tracey Broadcast Collection
- Full Text: false
The African heritage in music and in art
- Authors: Tracey, Hugh
- Subjects: Technical College, Pretoria, Transvaal (Gauteng), South Africa , BP Southern Africa , African Heritage , Music , Art , America , Facing the Music , Problem , Population , Political crisis , Values , Tradition , Speech , Changes , Damage , Symbols , Phsychology , Education , Missionaries , Prejudice , Interdepence , Understanding , Intangibles , Material objects , Huts , Hoe , Spears , Legend , History , Sculpture , Trees , Carving , Wood carving , West Africa , Moralising , Basutholand , Medical murder , Lumumba , Congo , Kanyoka , Salisbury , Drinking , Fooding , Dancing , Churches , General Education Conference , Heritage , New York , American negro , London , Evaluation of arts , Father Andre Fernandez , Dark , Chosen people , Ideal , Year of change , Inter-dependence , Demands for independence , Statue , Politics
- Language: English
- Type: Sound , Lecture , Music
- Identifier: vital:15099 , http://hdl.handle.net/10962/d1008527 , Reel number: BC130, BC171, BC172
- Description: Lecture presented by Hugh Tracey at the General Education Conference, Technical College, Pretoria, South Africa , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
The evolution of African music and its function in the present day
- Authors: Tracey, Hugh
- Subjects: African Music Society , International Library of African Music , Evolution , African music , Styles , Beauty , Instruments , Perishable material , Lithophones , Nigeria , Stones , Bushman paintings , Chopi , Limpopo , Birds , Imitation , Onomatopaeia , Zimbabwe , Bird calls , Long eared owl , Temple , Nile , Egyptian civilization , Sub-Suharan Africa , Stringed instrument , Indonesian theory , Langauge , Mission , Catholic music , Arabs , Swahili , Portuguese , Brazilian , Guitar , Father Andre Fernandes , Missionary , Dove , Nile Basin Theory , Egypt , Slaves , Musicians , Harps , Lyres , Loots , North East , Sub-Saharan Africa , String , Tanganyika , Sea farers , Xylophone , Congo , Participation , Dance music , Repetitive , Rhythmic , Tradition , Relocation , Intergration , Continuity , English music , Afrikaans music , Sarie Marie , Change , Static , Classics , Popular music , Greensleeves , A Bicycle made for Two , Latin singing , Latin chant , Chant , British Empire , Negro Spiritual , Folk songs , Anti-slavery movements , David Livingstone , Musical migrtatiatioh , Hand piano , Zambezi Valley , Nyasaland , Nguni , Kampala , Bands , Chitimkhulu , Bemba , Blindness , Court band , Blinded musician , South Africa , Choral , Forests , Drums , Xylophones , Fighting song , Agriculture , Semi-nomadic , Politicians , Hastings Banda , Fooding and drinking party , European hymns , Ghana , Degree , Complexity , Simplicity , Poly-rhythms , Rural areas , Churches , Competitions , Eisteddfodd , Inferiority , Johannesburg , Drama , King Kong , Jazz importations , Voice , Skill , Instrument makers , Commercialisation , Gramophone , Radio , Creolisation , Modern Jazz , Louisiana , French , Spanish , Genius , Town songs , Country songs , Social climbers , Patriotism , Kwela , Penny-whistle , America , Politics , Pitch , Archive , BP Southern Africa , Evangelists , Indoor music , Mine , Continuation , Notation , Migration , Study of Man in Africa , Mr. Michael Lane
- Language: English
- Type: Sound , Lecture , Music
- Identifier: vital:15104 , http://hdl.handle.net/10962/d1008532 , Reel number: BC160
- Description: Lecture by Hugh Tracey given for the Institute for the Study of Man in Africa (ISMA) , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false