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Constructions of nationhood in secession debates related to Mthwakazi Liberation Front in Bulawayo's Chronicle and Newsday newspapers in 2011

- Ndlovu, Mphathisi

  • Authors: Ndlovu, Mphathisi
  • Date: 2013
  • Subjects: Newspapers , Bulawayo , Matabeleland , Zimbabwe , Chronicle , Newsday , Secession , Devolution , Nationhood , Ndebele , Ethnic identity , Mthwakazi Liberation Front , Mthwakazi Liberation Front -- Zimbabwe , Mass media and nationalism -- Research -- Zimbabwe , Bulawayo (Zimbabwe) -- Newspapers , Matabeleland (Zimbabwe) -- History -- Autonomy and independence movements , Matabeleland (Zimbabwe) -- Social conditions , Zimbabwe -- Social conditions
  • Language: English
  • Type: text , Thesis , Masters , MA
  • Identifier: vital:3415 , http://hdl.handle.net/10962/d1001846
  • Description: This study investigates the constructions of nationhood in two Bulawayo newspapers, the Chronicle and Newsday. Against the backdrop of the emergence of a secessionist movement, Mthwakazi Liberation Front (MLF), this research examines the discourses of nationhood in the secessionist debates raging in these two newspapers. This study is premised on a view that nationhood constructions cannot be understood outside the broader context in which these newspapers are embedded. Accordingly, it traces the roots and resurgence of Matabeleland separatist politics, exploring the political-historical forces that have shaped a distinctive Ndebele identity that poses a threat to the one, indivisible Zimbabwean national identity. Further, the study situates Matabeleland separatist politics within the broader African secessionist discourse challenging the post-colonial nation-building project on the continent. Informed by Hall’s (1992, 1996) constructivist approach to identity, it considers national identities as fragmented, multiple and constantly evolving. Thus, this study is framed within Hall’s (1997) constructivist approach to representation, as it examines the constructions of nationhood in and through language. The study uses qualitative research methods, as it examines the meanings of nationhood in key media texts. Informed by Foucault’s discourse theory, this research employs critical discourse analysis (CDA) to analyse 12 articles from the two newspapers. The findings confirm that the representations of nationhood in the two newspapers are influenced by their position within the socio-political context. The state-owned Chronicle legitimates the unitary state discourse advocated by ZANU PF. On the other hand, Newsday’s representations are informed by the discourses of the opposition political parties and civil society that challenge the dominant nation-building project. Thus, within this paper, secession and devolution emerge as alternative imaginaries that contest the authoritarian discourse of nationhood
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  • Date Issued: 2013

An examination of the constitutional congruity of the current media legislation in Zimbabwe to global trends

- Chabinjwa, Trevor

  • Authors: Chabinjwa, Trevor
  • Date: 2011-12
  • Subjects: Mass Media , Zimbabwe , Freedom of speech
  • Language: English
  • Type: Master's theses , text
  • Identifier: http://hdl.handle.net/10353/24161 , vital:62438
  • Description: The focus of this dissertation was on the nature and operation of laws and regulations that were and are still being used to limit the freedom of the media in Zimbabwe. Through a legal and political analysis of the evolution and use of these laws and regulations by successive governments in Zimbabwe, the study provides an important perspective on the struggle for media freedom in Zimbabwe. The main focus of this study was to examine the impact of media laws in Zimbabwe on the freedom of expression of its citizens. Some of the key media laws under the spotlight include; Access to Information and Protection of Privacy Act (AIPPA), the Public Order and Security Act (POSA) and the Broadcasting Services Act (BSA). The underpinning theoretical framework was informed by the Authoritarian, Libertarian and the Social Responsibility schools of thought. Questionnaires and in-depth interviews with selected key informants were the chief methods for data collection. Secondary data such as court cases, newspapers and some documents from organisations such as the UN, African Charter and Southern Africa Development Community (SADC) Protocol on Culture, Information and Sport were also consulted. Qualitative data was analysed using thematic content analysis while tables, graphs and charts which were interpreted and linked with processed qualitative data to come up with emerging trends and resolutions. The research revealed that the government is aware of the shortcomings in the regulations and laws relating to the media, but is not willing to make genuine and comprehensive reforms. These laws impact negatively on freedom of expression on citizens especially journalists and their media houses. It is evident from the findings that media houses in Zimbabwe are vulnerable. These laws have forced some media houses such as Daily news, Tribune and Capital radio to close. Some of these institutions have since opened after the formation of the Government of National Unity (GNU). But little has changed even after the formation of the GNU. Some of the journalists left Zimbabwe for fear of prosecution. This goes on to confirm that the current media legislations in Zimbabwe are not congruent with global norms such as the SADC Protocol on Culture, Information and Sport, the Universal Declaration of Human Rights Article 19, the African Charter Article 9, and African Charter on Human and Peoples’ Rights (ACHPR) which advocates for freedom of the media and expression. The study concluded that there is no freedom of expression in media legislation as has been witnessed from the findings of the study. The study then recommended crafting of new laws which promote freedom of expression of the citizens of Zimbabwe. , Thesis (MA) -- Social Sciences and Humanities, 2011
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  • Date Issued: 2011-12

The impact of aid dependence on social development: the case of Zimbabwe

- Nyatoro, Tinashe

  • Authors: Nyatoro, Tinashe
  • Date: 2008
  • Subjects: Economic assistance , Zimbabwe
  • Language: English
  • Type: Master's theses , text
  • Identifier: http://hdl.handle.net/10353/26649 , vital:65735
  • Description: The purpose of this study was to look at how a foreign aid dependent economy is vulnerable to external manipulations. This study came up with the conclusion that foreign capital dependence is detrimental to long-term social, economic, and sustainable development of developing countries. The study also noted how foreign aid is used as a foreign policy instrument by western countries to influence the behaviour of the developing countries. The study noted that Zimbabwe is an aid dependent country hence its vulnerability to external manipulation. This has been demonstrated by capital flight from Zimbabwe since 1997. Multilateral Financial Institutions, the European Union, United States of America and other bilateral donors withdrew their financial support to the country due to policy disagreements with the Zimbabwean government. This incidence of donors withdrawing their financial support to Zimbabwe raises fundamental questions as to whether the African state is autonomous or is it possible for the African state to delink itself from the current global international market and at what costs? What has come out very clearly from this study is that a dependent state has no autonomy to decide on its domestic and foreign policies without considering the interests of its donors, and hence its vulnerability to external manipulations. , Thesis (MSoc) -- Faculty of Management and Commerce, 2008
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  • Date Issued: 2008

Caminingwa

- Teachers Training College, Penhalonga, Hugh Tracey

  • Authors: Teachers Training College, Penhalonga , Hugh Tracey
  • Date: 1951
  • Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Goromonze f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/180699 , vital:43603 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-12
  • Description: Long ago, there was a widow with one small daughter. Every day the mother used to go out collecting wild vegetables. One day when she came back home she found that several of her corn cobs hanging up in the hut were bare of corn and she asked the child how this had happened. She said 'Mother while you were away a little animal came here, danced and sang and as it danced the mealies fell off their cob onto the ground and he ate them all up! The animal asked her where her father was. She said "My father is dead". "And where is your mother?" "She is out collecting green food." "What kind?" "Watercress and spinach". So the mother said "Tomorrow I will stay at home and see this little animal." The animal came again and did the very same thing and she was astonished at what she saw. Story song, with 2 rattles.
  • Full Text: false
  • Date Issued: 1951

Chitima

- Muchabaiwa and two others, Hugh Tracey

  • Authors: Muchabaiwa and two others , Hugh Tracey
  • Date: 1951
  • Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Marandellas f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/180646 , vital:43596 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-07
  • Description: Onomatopoeic words or phrases describing the sounds of a train. "Chuma changu chakapera nemahuri." All my possessions (literally my beads) have been wasted on girls. The performer of the mouth bow sometimes resonates the harmonics out of the side of the mouth and sometimes whistles without taking the bow from his mouth. Self delectative song, with Chipendani musical bow, mouth resonated
  • Full Text: false
  • Date Issued: 1951

Kuwe kuwe ngoma

- Teachers Training College, Penhalonga, Hugh Tracey

Kwa ambuya asina keriya

- Muchabaiwa and two others, Hugh Tracey

  • Authors: Muchabaiwa and two others , Hugh Tracey
  • Date: 1951
  • Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Marandellas f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/180637 , vital:43595 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-06
  • Description: "You must bring your mother-in-law a present on your bicycle carrier when you go to see her, or she will be angry." Towards the end of the second tune the bow player can be heard whistling out of the side of his mouth. The performer of the mouth bow sometimes resonates the harmonics out of the side of the mouth and sometimes whistles without taking the bow from his mouth. Self delectative song, with Chipendani musical bow, mouth resonated
  • Full Text: false
  • Date Issued: 1951

Madebura

- Dudzai Sigauke, Hugh Tracey

  • Authors: Dudzai Sigauke , Hugh Tracey
  • Date: 1951
  • Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Melsetter f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/180725 , vital:43607 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-15
  • Description: "I play on my kness because I am bound. I cannot do it any more. Changamire (Chief). You come out showing the marks. Like the marks of scorching on your legs." the mouth resonated harmonics can be clearly heard in this recording. Self delectative tune with friction bow, mouth resonated, and rattle.
  • Full Text: false
  • Date Issued: 1951

Mai vandoswere piko

- Muchabaiwa and two others, Hugh Tracey

Mai wa Aruna (Mother of Aruna)

- James Gwezhe Soko, Hugh Tracey

Matye rupanga (Fear of the knife)

- Manyika Highlanders (group of singers at St. Augustine's Mission, Penhalonga), Hugh Tracey

Munandi

- Dudzai Sigauke, Hugh Tracey

  • Authors: Dudzai Sigauke , Hugh Tracey
  • Date: 1951
  • Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Melsetter f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/180749 , vital:43610 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-16
  • Description: "Dance gently so that your breasts do not drop. You, from heaven, what do they talk about there? They talk about the punishment for theft." It appears that the player had recently been in gaol for theft. The mouth resonated harmonics can be clearly heard in this recording. Self delectative tune with friction bow, mouth resonated, and rattle.
  • Full Text: false
  • Date Issued: 1951

Ndagado kufa

- Muchaenda Sigauke with Ndau men, Hugh Tracey

  • Authors: Muchaenda Sigauke with Ndau men , Hugh Tracey
  • Date: 1951
  • Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Melsetter f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/180758 , vital:43611 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-17
  • Description: 'I nearly died." A typical threshing song which will keep the team of threshers wprking for long s[ells at a time. The yodeling is also typical of the music of the eastern and central parts of Southern Rhodesia. The Garwe clan lives halfway betwenn the Manyika and the WaNdau in the Melsetter district. The Ndau call them "Manyika" and the Manyika call them "Ndau". Threshing song with clapping.
  • Full Text: false
  • Date Issued: 1951

Pi mcinanga

- Teachers Training College, Penhalonga, Hugh Tracey

  • Authors: Teachers Training College, Penhalonga , Hugh Tracey
  • Date: 1951
  • Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Goromonze f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/180672 , vital:43600 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-09
  • Description: It was a time of famine and the chief had collected a heap of flying ants which were put out to dry on a rock. He ordered the people to look after this precious food. The people told him that a small buck came and took the ants. So the chief went down to see for himself. While he was there the small buck came along and sang to the chief at the rock, eating up the ants as he sang. The people were so delighted and enchanted that they sang the chorus for the buck while he ate up the ants in front of their eyes until all the ants were finished. Story song, with 2 rattles.
  • Full Text: false
  • Date Issued: 1951

Shangara ye kwa Nyamweda

- Muchabaiwa and two others, Hugh Tracey

  • Authors: Muchabaiwa and two others , Hugh Tracey
  • Date: 1951
  • Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Marandellas f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/180659 , vital:43597 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-08
  • Description: The Shangara dance at Nyamweda. There they brewed beer at their mother-in-law's. The mother-in-law made beer for her new son-in-law and they danced the Shangara dance. The performer of the mouth bow sometimes resonates the harmonics out of the side of the mouth and sometimes whistles without taking the bow from his mouth. Self delectative song, with Chipendani musical bow, mouth resonated
  • Full Text: false
  • Date Issued: 1951

Shangara ye kwa Nyamweda

- Muchabaiwa and two others, Hugh Tracey

  • Authors: Muchabaiwa and two others , Hugh Tracey
  • Date: 1951
  • Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Marandellas f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/180661 , vital:43598 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-08
  • Description: The Shangara dance at Nyamweda. There they brewed beer at their mother-in-law's. The mother-in-law made beer for her new son-in-law and they danced the Shangara dance. The performer of the mouth bow sometimes resonates the harmonics out of the side of the mouth and sometimes whistles without taking the bow from his mouth. Self delectative song, with Chipendani musical bow, mouth resonated
  • Full Text: false
  • Date Issued: 1951

Shumba (The liar)

- James Gwezhe Soko, Hugh Tracey

Tsuro woye

- Teachers Training College, Penhalonga, Hugh Tracey

  • Authors: Teachers Training College, Penhalonga , Hugh Tracey
  • Date: 1951
  • Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Goromonze f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/180690 , vital:43602 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-11
  • Description: A woman gave her child to a rabbit to look after, but the rabbit ran away with it. She put a pumpkin in her cloth on her back in order to decieve her husband. He was not decieved. So she sang a song to the rabbit. "Rabbit, rabbit! the sun is setting fast like a river in flood." The rabbit eventually brought the child back, when it was tired of playing with the child. Story song, with 2 rattles.
  • Full Text: false
  • Date Issued: 1951

Zuwa woye

- Manyika Highlanders (group of singers at St. Augustine's Mission, Penhalonga), Hugh Tracey

Magonde

- Chabarwa Musunda Sinyoro, Hugh Tracey

  • Authors: Chabarwa Musunda Sinyoro , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Salisbury f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/180132 , vital:43317 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-02
  • Description: One of the best known tunes in all the Shona area of Southern Rhodesia. It has been associated with the older generation of forefathers and consquently played at all tribal or royal functions. The cock is above the Chief, because he wakes up still earler. Girls, let me make a magic. Grandmothers food! there is something suspicious under the plate. Which makes my heart turn over, (makes me want to be sick). My relative, my girl, dance well to delight my heart. Leave your husband and let us dance. Whatever happens we will pay for it, mu mother. What I have said is very little, and not enough to stop you cooking food. Girls just let me walk all over it. You girls, you refuse anyone until you feel you are about to die. I am also a man like other men. I am a cock, I am a ... (word not clear) and my spurs are worn out with strutting, (the ruffling of the wing feathers against the leg). The fowls have no holes in the village. Outside the village thay are afraid of cutting the trees. The older men with beards interfere. It is only their beards which make them sorry people. The Ndebele want administration all the time, and to pick and chose what they like from the cattle kraal. I am ugly but I am not a cannibal! I may be ugly but I am not a killer! I am ugly but still I do my ploughing! Song for the entertainment of chiefs, with Njari.
  • Full Text: false
  • Date Issued: 1950
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