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Sideroxylon inerme - White Milkwood

- Skead, C J (Cuthbert John)

Sideroxylon inerme - White Milkwood

- Skead, C J (Cuthbert John)

Sikati wena ilya bamba lo fourpiece shiya lo two piece la lo ma piccanie (When you eat take four pieces, but leave two for the children)

- Elias Silaule and Edward Mawelele, Hugh Tracey

Sikiri

- Kadyakolo and Yao men, Hugh Tracey

  • Authors: Kadyakolo and Yao men , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Salima, Nyasaland f-mw
  • Language: Yao
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/154757 , vital:39772 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-10
  • Description: The typical grunting which accompanies these Mohammedon Chants can be heard, though in an adapted African style. The leader was blind. The words were in a mixture of Chewa and Swhaili, commonly employed by the Yao. "Ariba kurudi tukufurai." Sikiri Mahammedon Chants.
  • Full Text: false
  • Date Issued: 1958

Sikusinja

- J. W. Gwengwe and Chewa boys, Hugh Tracey

  • Authors: J. W. Gwengwe and Chewa boys , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160197 , vital:40418 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-04
  • Description: Sikusinja was a rich man who was killed by his brother Gwenembe. A bird saw him do it and flew to the village to tell everyone what had happened. Through his singing the people understood what had happened. Gwenembe was a poor man who coveted his brothers belongings, and that is why he killed him. The bird when singing said, "Don't wonder, I saw Gwenembe killing Sikusinja and all the things he took." Eventually Gwenembe was taken to Kachere for Judgment and he was put to death. It is a story with a moral. 'Be sure your sins will find you out!' The bird witness is a constant African Image. "Sikusinja was a rich man. He was killed by his brother Gwenembe. The bird saw himdo it." The accompaniment of a guitar in this kind od story is unsual and a recent innovation only. Nthano story with guitar.
  • Full Text: false
  • Date Issued: 1958

Sishimela Sishela Bafazi Lebantu (A bachelor makes love to other men's wives)

- Mkakwa Mugomezungu, Hugh Tracey

Siti, musikana adadeka (Siti, the beautiful girl)

- Saini Murira, Chingaipa Madzikuminga, Zhogi Muzengedza and Saini Madera, Hugh Tracey

Siyakulwa nesive sonke (We will fight with everybody)

- Indombene Dhlamini and group of 8 Swazi men, Hugh Tracey

Siyakulwanesive (We are going to fight with another tribe)

- Group of 8 young Swazi men, Hugh Tracey

Songa mbiriwiri (Cover yourself)

- Elizabeth Banda and Chewa women, Hugh Tracey

Sukumuphendula. Part I (Stand up and reply)

- Large group of Swazi men, Hugh Tracey

  • Authors: Large group of Swazi men , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Entonjeni, Pigg's Peak f-sq
  • Language: Swati
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/152938 , vital:39364 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-01
  • Description: It is customary to perform this in a wheeling movement before dismisal. It used to be an old regimental custom but is now done when a piece of work is finished as an indication they are now dispersing. "Sukumuphendule we mntaka mahlokohla kudumi nganeno kuking u sebuza abephumanga phesheya. Uligabazi lenjobo kabephumesi godlwe ni vuma kushwi nkhuyanje nkondho tindhwuna taka gwa ne tiphacumu tsethoo." "Stand up and reply (Sebuza) you, son of Mahlokohla. Cannons are firing for King Sebuza, when coming from overseas. You (Sebuza) know how to dance when you come from the palace. We say, Agree! The indunas of Swaziland disagree with these laws." This chant refers to Subuza's visit to England for the coronation of Queen Elizabeth II and was composed to greet him on his return. Ukuhlehla walking and running song.
  • Full Text: false
  • Date Issued: 1958

Sukumuphendula. Part II (Stand up and reply)

- Large group of Swazi men, Hugh Tracey

  • Authors: Large group of Swazi men , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Entonjeni, Pigg's Peak f-sq
  • Language: Swati
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/152943 , vital:39365 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-02
  • Description: It is customary to perform this in a wheeling movement before dismisal. It used to be an old regimental custom but is now done when a piece of work is finished as an indication they are now dispersing. "Sukumuphendule we mntaka mahlokohla kudumi nganeno kuking u sebuza abephumanga phesheya. Uligabazi lenjobo kabephumesi godlwe ni vuma kushwi nkhuyanje nkondho tindhwuna taka gwa ne tiphacumu tsethoo." "Stand up and reply (Sebuza) you, son of Mahlokohla. Cannons are firing for King Sebuza, when coming from overseas. You (Sebuza) know how to dance when you come from the palace. We say, Agree! The indunas of Swaziland disagree with these laws." This chant refers to Subuza's visit to England for the coronation of Queen Elizabeth II and was composed to greet him on his return. Ukuhlehla walking and running song.
  • Full Text: false
  • Date Issued: 1958

Swahele (Winnowing)

- Gagaza Mavimbela and group of Swazi men and women, Hugh Tracey

Synthetic ion exchange resins, incorporating asymmetric groups, as resolving agents

- O'Sullivan, Diarmid John

  • Authors: O'Sullivan, Diarmid John
  • Date: 1958
  • Subjects: Ion exchange resins -- Synthesis
  • Language: English
  • Type: Thesis , Masters , MSc
  • Identifier: vital:4485 , http://hdl.handle.net/10962/d1012991
  • Description: The object of this research is to further investigate the possiblitiy of resolving racemic bases on an optically active cation exchange resin. Any success in this direction would help to explain the reason for Bunnett and Mark's failure, since the general assumption that selective adsorption of one enantimorph of a racemic compound on an active exchanger should occur has been verified by Grubhofer and Schleith. The work can be conveniently divided into two sections. a) The preparation of optically active cation exchange resins and, b) the use of these as resolving agents. P. 8
  • Full Text:
  • Date Issued: 1958

Tabiya (A woman's name)

- 'Limited' Mfundo Phiri, Hugh Tracey

  • Authors: 'Limited' Mfundo Phiri , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Namira, Chikwawa f-rh
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/155939 , vital:39933 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-14
  • Description: "Tibiya wanted to give me syphilis. Moses, you, I am sure a swallow has passed by." The singer blames the woman Tabiya for his misfortune and warns his friend Moses of following his example. "A bird has passed this way" being a euphemism clearly understood by the men of the district. Self delectative song with board zither.
  • Full Text: false
  • Date Issued: 1958

Tamanga simbi

- Boys of Chief Mwasi's village, Hugh Tracey

  • Authors: Boys of Chief Mwasi's village , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/159585 , vital:40314 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-04
  • Description: "We have handcuffed them, we of Linga Boma. Although you are proud today, you will see!" The dancers go in groupd called Boma and challenge each other in the dance and in singing with with the Malipenga horns and boast about their performances. The Malipenga were all made out of gourds with mirlton membranes over the small end. The sound quality of the bass singers was good owing to their use of the gourds of adequate size and shape. Their song is a familiar type of boasting to be found among dance teams in most parts of Africa familiar to us. Muganda dance (part 3) with tweleve Malipenga singing horns and drum.
  • Full Text: false
  • Date Issued: 1958

Tambalalu (Stretch your legs)

- M. Masowo and 3 Chewa lads, Hugh Tracey

Tenga, Tenga (Take, take)

- Mujodi Havuliwa, Hugh Tracey

Tengulisha (We care for the cattle of others)

- R. Mzandu, Hugh Tracey

  • Authors: R. Mzandu , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kongwa Mission, Dowa, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153542 , vital:39475 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-02
  • Description: Herd boys are one of Africa's sources of original songs. The life of thee youngsters is full of the intimate knowledge of creatures and their ways. The discomforts of nature and the constant search for food or sweet things. A herd boy's education is second to none at that tender age and the pleasures are never forgotten. They use a well known proverb concerning their food, referring to their work for other people's cattle. "The one who cooks does not eat the food." "We just take care of the cattle, but they belong to other people. The one who cooks does not eat the food. Snakes glide through the meadows, and go into the forests." Herd boy song.
  • Full Text: false
  • Date Issued: 1958

Thana ya Solomoni (The judgement of Solomon)

- Pfumo Tengani, Hugh Tracey

  • Authors: Pfumo Tengani , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald District f-rh
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/156090 , vital:39950 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-10
  • Description: The Chief Tengani tells the story of the judgement of Solomon with a true story of his own of 1936, the year he was made chief. There was once a lorry which carried cotton. Now a certain man jumped onto the lorry without the knowledge of the driver. On going through the river the lorry stopped and the man fell off. The lorry backed and the man was run over and killed. But still the driver did not know he was there and it was only afterwards that the people found the body and brought it to the chief Tengani. Thay all say the driver was not to blame as he did not know the man was on his lorry or gave him permission. The case came before the District Commissioner who agreed with the chief. The people did not agree at the time but now they know the chief was right. "A Solomon come to judgement." Story (Ntana).
  • Full Text: false
  • Date Issued: 1958
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