Mamosi oa Theoloa ke mang? (Who will bring Mamosi down?
- Mapheelo Maklelebe and large group of Sotho women, Hugh Tracey
- Authors: Mapheelo Maklelebe and large group of Sotho women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161349 , vital:40619 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-08
- Description: "Who will bring Mamosi down? The 'municipality' is the wizard of the whites. He has brought the railway train into 'Naesifili'. At my home at Majara Leshoboro's place. Smoke drifts far away out in the veld. I have no Chief, I am ruled by a woman. Mother Mantsala, give me food. When horses race for prizes, yours runs for nothing. My family is disappointed with Mateseliso. It does not like people who cover their heads with cloth. I have not come here to see you, I have come to condole with you." The 'Municipality', they explained, is looked upon as a single person, a person of wealth who can do things rather like the Government. Mokibo women's kneeling dances, with clapping.
- Full Text: false
- Date Issued: 1959
- Authors: Mapheelo Maklelebe and large group of Sotho women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161349 , vital:40619 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-08
- Description: "Who will bring Mamosi down? The 'municipality' is the wizard of the whites. He has brought the railway train into 'Naesifili'. At my home at Majara Leshoboro's place. Smoke drifts far away out in the veld. I have no Chief, I am ruled by a woman. Mother Mantsala, give me food. When horses race for prizes, yours runs for nothing. My family is disappointed with Mateseliso. It does not like people who cover their heads with cloth. I have not come here to see you, I have come to condole with you." The 'Municipality', they explained, is looked upon as a single person, a person of wealth who can do things rather like the Government. Mokibo women's kneeling dances, with clapping.
- Full Text: false
- Date Issued: 1959
Mampharoane (Gecko Lizard)
- Malebaka Moroke, Hugh Tracey
- Authors: Malebaka Moroke , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161805 , vital:40678 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-03
- Description: "Lizard soften the hide (for making skin blankets). Mother come and see the thing that has been biting me. I have been bitten by fleas and bed-bugs. This person who is grinding is Malikhetla living in the village of Motemekoane," This grinding song is taken from a local initiation song. Grinding song.
- Full Text: false
- Date Issued: 1959
- Authors: Malebaka Moroke , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161805 , vital:40678 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-03
- Description: "Lizard soften the hide (for making skin blankets). Mother come and see the thing that has been biting me. I have been bitten by fleas and bed-bugs. This person who is grinding is Malikhetla living in the village of Motemekoane," This grinding song is taken from a local initiation song. Grinding song.
- Full Text: false
- Date Issued: 1959
Mampho thiba lisabole (Mampho, ward off the spears)
- Mosinoa Peter, with group of 14 dancers and large group of singers, Hugh Tracey
- Authors: Mosinoa Peter, with group of 14 dancers and large group of singers , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Folk songs, Tswana , Sotho-Tswana languages , Tswana (African people) , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
- Language: Tswana/Rolong
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162470 , vital:40935 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0107-11
- Description: "Ward off the spear thruts, Tsoana, stop him, let him remain to help you hoe. Mannini is a flying machine, she flies to Maseru. Listen to the women at Likhoele ululating. Siloe, the pointed mountain. The Mokhothu girls are cruel. I am going to look at the map at Matsieng. People at Maseru wear blankets of the same colour." Men's dance with stamping of feet and hissing.
- Full Text: false
- Date Issued: 1959
- Authors: Mosinoa Peter, with group of 14 dancers and large group of singers , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Folk songs, Tswana , Sotho-Tswana languages , Tswana (African people) , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
- Language: Tswana/Rolong
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162470 , vital:40935 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0107-11
- Description: "Ward off the spear thruts, Tsoana, stop him, let him remain to help you hoe. Mannini is a flying machine, she flies to Maseru. Listen to the women at Likhoele ululating. Siloe, the pointed mountain. The Mokhothu girls are cruel. I am going to look at the map at Matsieng. People at Maseru wear blankets of the same colour." Men's dance with stamping of feet and hissing.
- Full Text: false
- Date Issued: 1959
Mangoane phutholla kobo (Stretch out the blanket, Aunt)
- Authors: not defined , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161303 , vital:40614 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-06
- Description: "Aunt, stretch out the blanket. There are two of us. Stretch out the blanket, I will be coming, I am going out to smoke. When I leave here, going away. Montsala remain here and look after my children. Look after Mamotolo and Malerato and Toma. Toma, look after these children of mine particulary Mamotolo and Malerato. I looks as if I will be going away. I feel I am going. I really feel I will be crossing the river." 'To cross the river' in Sesotho means "I will be going to the Union of South Africa" with reference to the Calendon river which forms part of the border between the two countries. Women's party song, with clapping.
- Full Text: false
- Date Issued: 1959
- Authors: not defined , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161303 , vital:40614 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-06
- Description: "Aunt, stretch out the blanket. There are two of us. Stretch out the blanket, I will be coming, I am going out to smoke. When I leave here, going away. Montsala remain here and look after my children. Look after Mamotolo and Malerato and Toma. Toma, look after these children of mine particulary Mamotolo and Malerato. I looks as if I will be going away. I feel I am going. I really feel I will be crossing the river." 'To cross the river' in Sesotho means "I will be going to the Union of South Africa" with reference to the Calendon river which forms part of the border between the two countries. Women's party song, with clapping.
- Full Text: false
- Date Issued: 1959
Manong a kwa molapo o Tlung (The vultures at the spring called Tlung no longer need carrion, they are full.
- Authors: Abel Mabe , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Rustenburg f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166369 , vital:41356 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-18
- Description: Abel Mabe is the Uncle of Chief Mabe. Praise verse.
- Full Text: false
- Date Issued: 1959
- Authors: Abel Mabe , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Rustenburg f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166369 , vital:41356 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-18
- Description: Abel Mabe is the Uncle of Chief Mabe. Praise verse.
- Full Text: false
- Date Issued: 1959
Maolo di phepa (Now we are clean)
- Keilediwe Modise and group of middle-aged and elderly men, Hugh Tracey
- Authors: Keilediwe Modise and group of middle-aged and elderly men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Ngwaketse (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Botswana Kanye f-bs
- Language: Tswana/Ngwaketse
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162754 , vital:40979 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0109-02
- Description: "Clay, Maolo! Now we are clean, for we have eaten clay." Men's initiation song.
- Full Text: false
- Date Issued: 1959
- Authors: Keilediwe Modise and group of middle-aged and elderly men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Ngwaketse (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Botswana Kanye f-bs
- Language: Tswana/Ngwaketse
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162754 , vital:40979 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0109-02
- Description: "Clay, Maolo! Now we are clean, for we have eaten clay." Men's initiation song.
- Full Text: false
- Date Issued: 1959
Maomosa re kaeleng (You women who cannot cook)
- Motsekhumo Tiro and group of elderly men, Hugh Tracey
- Authors: Motsekhumo Tiro and group of elderly men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Ngwaketse (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Botswana Kanye f-bs
- Language: Tswana/Ngwaketse
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162524 , vital:40943 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0108-06
- Description: "You women who cannot cook, tell us where the noise is." The meaning is that where there is noise, there may be a party and where there is a party there is good cheer. Introduced by each pipe played in turn around the circle of old men. Most of the pipes were made of reed. The pipes must be immersed in water before playing or they will not sound. They were very old pipes and the tuning was clearly awry, the old players being unable to tune them accurately. Pipe dance with Dithloko end-blown reeds
- Full Text: false
- Date Issued: 1959
- Authors: Motsekhumo Tiro and group of elderly men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Ngwaketse (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Botswana Kanye f-bs
- Language: Tswana/Ngwaketse
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162524 , vital:40943 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0108-06
- Description: "You women who cannot cook, tell us where the noise is." The meaning is that where there is noise, there may be a party and where there is a party there is good cheer. Introduced by each pipe played in turn around the circle of old men. Most of the pipes were made of reed. The pipes must be immersed in water before playing or they will not sound. They were very old pipes and the tuning was clearly awry, the old players being unable to tune them accurately. Pipe dance with Dithloko end-blown reeds
- Full Text: false
- Date Issued: 1959
Marambeli waTiwafuni
- Mudzanani, Baranganani, Tracey, Hugh
- Authors: Mudzanani, Baranganani , Tracey, Hugh
- Date: 1959
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Sibasa f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187743 , vital:44692 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-05
- Description: The prefixes Vho-X, Vho-Y refer to married folk. Marambele and Thirhafuni are either two young folk, male and female respectively. I doubt if they are children of John and Vele. Vele is usually a woman's name. John! John and Vele, Marambele and Thirhafuni. And Thirhafuni in the hut. What are they doing inside? Jona and Vele have eloped, At Tsilate. John (at) Tshilate. I saw Marambele and Vele. Inside the hut. What are they doing inside? Chigombera dance for girls with Mbira - 24 notes
- Full Text: false
- Date Issued: 1959
- Authors: Mudzanani, Baranganani , Tracey, Hugh
- Date: 1959
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Sibasa f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187743 , vital:44692 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-05
- Description: The prefixes Vho-X, Vho-Y refer to married folk. Marambele and Thirhafuni are either two young folk, male and female respectively. I doubt if they are children of John and Vele. Vele is usually a woman's name. John! John and Vele, Marambele and Thirhafuni. And Thirhafuni in the hut. What are they doing inside? Jona and Vele have eloped, At Tsilate. John (at) Tshilate. I saw Marambele and Vele. Inside the hut. What are they doing inside? Chigombera dance for girls with Mbira - 24 notes
- Full Text: false
- Date Issued: 1959
Marimbo
- George Modiegnyana and group of young men, Hugh Tracey
- Authors: George Modiegnyana and group of young men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Zeerust f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165895 , vital:41293 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-14
- Description: Sung at a wedding in honour of both bride and bridegroom. The singers had just come back from initiation school and huddled together looking very shy. The solo part gives indications of foreign influence. A cicada was singing in the tree under which the singers were grouped. Wedding song.
- Full Text: false
- Date Issued: 1959
- Authors: George Modiegnyana and group of young men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Zeerust f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165895 , vital:41293 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-14
- Description: Sung at a wedding in honour of both bride and bridegroom. The singers had just come back from initiation school and huddled together looking very shy. The solo part gives indications of foreign influence. A cicada was singing in the tree under which the singers were grouped. Wedding song.
- Full Text: false
- Date Issued: 1959
Marola Bila Kile
- Authors: Richard Majafe , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Zeerust f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165868 , vital:41290 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-11
- Description: Four boys initiation song.
- Full Text: false
- Date Issued: 1959
- Authors: Richard Majafe , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Zeerust f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165868 , vital:41290 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-11
- Description: Four boys initiation song.
- Full Text: false
- Date Issued: 1959
Marumo (Spears)
- Makopo Macheli and group of about 12 men, Hugh Tracey
- Authors: Makopo Macheli and group of about 12 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161148 , vital:40596 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0102-01
- Description: In the Lithoko following the song the speaker used the phrase: "Whe spring kisses the summer" a typical poetic phrase, they say characteristic of Lithoko praises. This Mokorotlo was accompanied by a slow and stately stamping dance, raising the legs slowly upwards, then with a bend of the knee they bring the foot back under the body and stamp. Mokorotlo riding song.
- Full Text: false
- Date Issued: 1959
- Authors: Makopo Macheli and group of about 12 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161148 , vital:40596 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0102-01
- Description: In the Lithoko following the song the speaker used the phrase: "Whe spring kisses the summer" a typical poetic phrase, they say characteristic of Lithoko praises. This Mokorotlo was accompanied by a slow and stately stamping dance, raising the legs slowly upwards, then with a bend of the knee they bring the foot back under the body and stamp. Mokorotlo riding song.
- Full Text: false
- Date Issued: 1959
Masilo tswalela kgoro (Masilo close the gate)
- Jemina Pheha and 24 women, Hugh Tracey
- Authors: Jemina Pheha and 24 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166047 , vital:41311 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-14
- Description: "Masilo, close the gate. Close our father's gate. I say, 'Phoroko'" The word 'Phoroko' has a dual meaning to "close the gate" in the sense of "goodbye". Farewell song with metal bucket used as a drum.
- Full Text: false
- Date Issued: 1959
- Authors: Jemina Pheha and 24 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166047 , vital:41311 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-14
- Description: "Masilo, close the gate. Close our father's gate. I say, 'Phoroko'" The word 'Phoroko' has a dual meaning to "close the gate" in the sense of "goodbye". Farewell song with metal bucket used as a drum.
- Full Text: false
- Date Issued: 1959
Matichere le go tshwana diketlele (Teachers and the way they hold their teapots)
- Jemina Pheha and 24 women, Hugh Tracey
- Authors: Jemina Pheha and 24 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166038 , vital:41310 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-13
- Description: "I have met Maloka. They have come to the valley of Marape. Teachers and the way they hold their teapots and their ties. They have run away from us." The Chief seemed to think this song was meant to be satirical with its allusion to teachers. Party song with metal bucket used as a drum.
- Full Text: false
- Date Issued: 1959
- Authors: Jemina Pheha and 24 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166038 , vital:41310 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-13
- Description: "I have met Maloka. They have come to the valley of Marape. Teachers and the way they hold their teapots and their ties. They have run away from us." The Chief seemed to think this song was meant to be satirical with its allusion to teachers. Party song with metal bucket used as a drum.
- Full Text: false
- Date Issued: 1959
Mbiya ambwiya wo tiende (Grandmother, let us go)
- Authors: Jesi Tembo , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko District, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179081 , vital:39872 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-14
- Description: A hyena's grandmother died and so he went off to suckle from a woman in order to show people that he was in reality the son of the woman. The meaning of this story is not clear, though it is among the many African stories in which people turn themselves or are turned into animals to stress a moral point. Story song.
- Full Text: false
- Date Issued: 1959
- Authors: Jesi Tembo , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko District, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179081 , vital:39872 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-14
- Description: A hyena's grandmother died and so he went off to suckle from a woman in order to show people that he was in reality the son of the woman. The meaning of this story is not clear, though it is among the many African stories in which people turn themselves or are turned into animals to stress a moral point. Story song.
- Full Text: false
- Date Issued: 1959
Mmamathlwane (The Bat)
- Large group of Hurutshe women, Hugh Tracey
- Authors: Large group of Hurutshe women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Motswedi f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165529 , vital:41253 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0113-02
- Description: "Bat, it is not impossible for it to flutter around." This song may be sung on any party occassion, but is more particularly associated with the girls' return from initiation school. Song for girls returning from initiation, with clapping.
- Full Text: false
- Date Issued: 1959
- Authors: Large group of Hurutshe women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Motswedi f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165529 , vital:41253 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0113-02
- Description: "Bat, it is not impossible for it to flutter around." This song may be sung on any party occassion, but is more particularly associated with the girls' return from initiation school. Song for girls returning from initiation, with clapping.
- Full Text: false
- Date Issued: 1959
Mme o leleka baeng (Mother drives away the visitors for me)
- Levi Modisane and group of men and women, Hugh Tracey
- Authors: Levi Modisane and group of men and women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Rustenburg f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166313 , vital:41350 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-12
- Description: "Mother drives away the visitors for me. I am no longer visiting," Threshing song.
- Full Text: false
- Date Issued: 1959
- Authors: Levi Modisane and group of men and women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Rustenburg f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166313 , vital:41350 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-12
- Description: "Mother drives away the visitors for me. I am no longer visiting," Threshing song.
- Full Text: false
- Date Issued: 1959
Mmemogolo golo gana kobo (My grandmother has no blanket)
- Group of 12 men, Hugh Tracey
- Authors: Group of 12 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ramoutsa f-sa
- Language: Tswana/Lete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165304 , vital:41231 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0112-03
- Description: Male initiation song.
- Full Text: false
- Date Issued: 1959
- Authors: Group of 12 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ramoutsa f-sa
- Language: Tswana/Lete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165304 , vital:41231 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0112-03
- Description: Male initiation song.
- Full Text: false
- Date Issued: 1959
Mocholoko (The novice)
- Mokoto Tsoeliane and group of Koali men, Hugh Tracey
- Authors: Mokoto Tsoeliane and group of Koali men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161177 , vital:40599 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0102-03
- Description: The Mohobelo dance is most typical of all Sotho dances and is notable for its sinous striding actions which are accompanied by rhythmic hissing and by stamping. The dance songs are performed by the spectators and not the dancers. There are frequently two or three movements or routines in a Mohobelo, a slow entry and dance, follwed by a fast leaping movement and frequently by a third slow routine. Each is given a local mane, often the name of the district of origin. Mohobelo men's dance with stamping.
- Full Text: false
- Date Issued: 1959
- Authors: Mokoto Tsoeliane and group of Koali men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161177 , vital:40599 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0102-03
- Description: The Mohobelo dance is most typical of all Sotho dances and is notable for its sinous striding actions which are accompanied by rhythmic hissing and by stamping. The dance songs are performed by the spectators and not the dancers. There are frequently two or three movements or routines in a Mohobelo, a slow entry and dance, follwed by a fast leaping movement and frequently by a third slow routine. Each is given a local mane, often the name of the district of origin. Mohobelo men's dance with stamping.
- Full Text: false
- Date Issued: 1959
Modumo o u dumang kwa botshaka (The noise heard in the north)
- Authors: Sinna Ramorula , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Rustenburg f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166333 , vital:41352 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-14
- Description: Praise for Chief Mulife on his return from the second world war. Praise verse.
- Full Text: false
- Date Issued: 1959
- Authors: Sinna Ramorula , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Rustenburg f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166333 , vital:41352 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-14
- Description: Praise for Chief Mulife on his return from the second world war. Praise verse.
- Full Text: false
- Date Issued: 1959
Mogalepetla nong tsa noka e kgolo (The Mogalepetla birds live near the great river)
- Authors: Group of 8 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ramoutsa f-sa
- Language: Tswana/Lete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165296 , vital:41230 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0112-02
- Description: "The Mogalepetla birds live on the banks of a great river. They live along the banks of the river Mayinole." The praises in the middle of this song were for the present Chief, Mokgosi III. Male initiation song.
- Full Text: false
- Date Issued: 1959
- Authors: Group of 8 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ramoutsa f-sa
- Language: Tswana/Lete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165296 , vital:41230 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0112-02
- Description: "The Mogalepetla birds live on the banks of a great river. They live along the banks of the river Mayinole." The praises in the middle of this song were for the present Chief, Mokgosi III. Male initiation song.
- Full Text: false
- Date Issued: 1959