Water requirements and distribution of Ammophila arenaria and Scaevola plumieri on South African coastal dunes
- Authors: Peter, Craig Ingram
- Date: 2000
- Subjects: Scaevola plumieri , Sand dune plants , Sand dune planting , Plants -- Transpiration , Sandworts , Plant-water relationships , Evapotranspiration , Plants, Effect of heat on
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:4219 , http://hdl.handle.net/10962/d1003788 , Scaevola plumieri , Sand dune plants , Sand dune planting , Plants -- Transpiration , Sandworts , Plant-water relationships , Evapotranspiration , Plants, Effect of heat on
- Description: Phenomenological models are presented which predicts transpiration rates (E) of individual leaves of Scaevola plumieri, an indigenous dune pioneer, and Ammophila arenaria, an exotic grass species introduced to stabilise mobile sand. In both cases E is predictably related to atmospheric vapour pressure deficit (VPD). VPD is calculated from measurements of ambient temperature and humidity, hence, where these two environmental variables are known, E can be calculated. Possible physiological reasons for the relationships of E to VPD in both species are discussed. Scaling from measurements of E at the leaf level to the canopy level is achieved by summing the leaf area of the canopy in question. E is predicted for the entire canopy leaf area by extrapolation to this larger leaf area. Predicted transpiration rates of individual shoot within the canopy were tested gravimetrically and shown to be accurate in the case of S. plumieri, but less so in the case of A. arenaria. Using this model, the amount of water used by a known area of sand dune is shown to be less than the rainfall input in the case of S. plumieri in wet and dry years. The water use of A. arenaria exceeds rainfall in the low-rainfall year of 1995, while in 1998 rainfall input is slightly higher than water extraction by the plants. Using a geographic information system (GIS), regional maps (surfaces) of transpiration were calculated from surfaces of mean monthly temperature and mean monthly relative humidity. Monthly surfaces of transpiration were subtracted from the monthly median rainfall to produce a surface of mean monthly water deficit. Areas of water surpluses along the coast correspond with the recorded distribution of both species in the seasons that the plants are most actively growing and reproducing. This suggests that unfavourable water availability during these two species growth periods limit their distributions along the coast. In addition to unfavourable water deficits, additional climatic variables that may be important in limiting the distribution of these two species were investigated using a discriminant function analysis.
- Full Text:
- Date Issued: 2000
- Authors: Peter, Craig Ingram
- Date: 2000
- Subjects: Scaevola plumieri , Sand dune plants , Sand dune planting , Plants -- Transpiration , Sandworts , Plant-water relationships , Evapotranspiration , Plants, Effect of heat on
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:4219 , http://hdl.handle.net/10962/d1003788 , Scaevola plumieri , Sand dune plants , Sand dune planting , Plants -- Transpiration , Sandworts , Plant-water relationships , Evapotranspiration , Plants, Effect of heat on
- Description: Phenomenological models are presented which predicts transpiration rates (E) of individual leaves of Scaevola plumieri, an indigenous dune pioneer, and Ammophila arenaria, an exotic grass species introduced to stabilise mobile sand. In both cases E is predictably related to atmospheric vapour pressure deficit (VPD). VPD is calculated from measurements of ambient temperature and humidity, hence, where these two environmental variables are known, E can be calculated. Possible physiological reasons for the relationships of E to VPD in both species are discussed. Scaling from measurements of E at the leaf level to the canopy level is achieved by summing the leaf area of the canopy in question. E is predicted for the entire canopy leaf area by extrapolation to this larger leaf area. Predicted transpiration rates of individual shoot within the canopy were tested gravimetrically and shown to be accurate in the case of S. plumieri, but less so in the case of A. arenaria. Using this model, the amount of water used by a known area of sand dune is shown to be less than the rainfall input in the case of S. plumieri in wet and dry years. The water use of A. arenaria exceeds rainfall in the low-rainfall year of 1995, while in 1998 rainfall input is slightly higher than water extraction by the plants. Using a geographic information system (GIS), regional maps (surfaces) of transpiration were calculated from surfaces of mean monthly temperature and mean monthly relative humidity. Monthly surfaces of transpiration were subtracted from the monthly median rainfall to produce a surface of mean monthly water deficit. Areas of water surpluses along the coast correspond with the recorded distribution of both species in the seasons that the plants are most actively growing and reproducing. This suggests that unfavourable water availability during these two species growth periods limit their distributions along the coast. In addition to unfavourable water deficits, additional climatic variables that may be important in limiting the distribution of these two species were investigated using a discriminant function analysis.
- Full Text:
- Date Issued: 2000
What is the StreetNet Association?
- Authors: StreetNet Association
- Date: 2000
- Subjects: StreetNet Association
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/162148 , vital:40765
- Description: StreetNet was conceived by a network of individual vendors, activists, researchers and other people and institutions, who came together to look at how to increase the visibility, voice and bargaining power of street vendors throughout the world. StreetNet aims to promote the exchange of information and ideas on critical issues facing street vendors and on practical organizing and advocacy strategies. Through StreetNet, members should gain an understanding of the common problems of street vendors, develop new ideas for strengthening their organizing and advocacy efforts and join in international campaigns to promote policies and actions that can contribute to improving the lives of millions of street vendors.
- Full Text:
- Date Issued: 2000
- Authors: StreetNet Association
- Date: 2000
- Subjects: StreetNet Association
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/162148 , vital:40765
- Description: StreetNet was conceived by a network of individual vendors, activists, researchers and other people and institutions, who came together to look at how to increase the visibility, voice and bargaining power of street vendors throughout the world. StreetNet aims to promote the exchange of information and ideas on critical issues facing street vendors and on practical organizing and advocacy strategies. Through StreetNet, members should gain an understanding of the common problems of street vendors, develop new ideas for strengthening their organizing and advocacy efforts and join in international campaigns to promote policies and actions that can contribute to improving the lives of millions of street vendors.
- Full Text:
- Date Issued: 2000
Win We Mbodre
- Mbaye Ndiaye (lead vocal, riiti), Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus), Alioune Gueye (guitar), Elou Fall (keyboard, programming, drums), Pape Ndiaye (percussion), Jololi
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/${Handle} , vital:36426 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-05
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/${Handle} , vital:36426 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-05
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
Woodlands in South Africa and the national forests act
- Authors: Shackleton, Charlie M
- Date: 2000
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/182065 , vital:43796 , xlink:href="https://doi.org/10.1080/10295925.2000.9631252"
- Description: The development of the National Forestry Action Programme (NFAP) and promulgation of the National Forests Act (NFA) have established a new vision for the care, management and distribution of benefits from South Africa's woodlands. The Department of water Affairs and Forestry is mandated with ensuring this vision is put into practice. However, historically the Department has had little to do with woodlands, and suffers from a lack of capacity and expertise, a situation which it readily acknowledges. Additionally, the legal definition of a woodland within the NFA is problematic. Within this context, this paper examines oft cited definitions of woodlands and seeks to find an appropriate one for the South African context. It then briefly reviews the major classifications of woodland types at a national scale, as the minimum basis for homogenous reporting units for which monitoring of the success of the NFAP and the NFA should be pursued. Finally, a brief description of moist/dystrophic and arid/eutrophic woodlands is presented.
- Full Text:
- Date Issued: 2000
- Authors: Shackleton, Charlie M
- Date: 2000
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/182065 , vital:43796 , xlink:href="https://doi.org/10.1080/10295925.2000.9631252"
- Description: The development of the National Forestry Action Programme (NFAP) and promulgation of the National Forests Act (NFA) have established a new vision for the care, management and distribution of benefits from South Africa's woodlands. The Department of water Affairs and Forestry is mandated with ensuring this vision is put into practice. However, historically the Department has had little to do with woodlands, and suffers from a lack of capacity and expertise, a situation which it readily acknowledges. Additionally, the legal definition of a woodland within the NFA is problematic. Within this context, this paper examines oft cited definitions of woodlands and seeks to find an appropriate one for the South African context. It then briefly reviews the major classifications of woodland types at a national scale, as the minimum basis for homogenous reporting units for which monitoring of the success of the NFAP and the NFA should be pursued. Finally, a brief description of moist/dystrophic and arid/eutrophic woodlands is presented.
- Full Text:
- Date Issued: 2000
Workers are parents too
- SACCAWU
- Authors: SACCAWU
- Date: 2000
- Subjects: SACCAWU
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/113858 , vital:33838
- Description: This booklet is a follow-up to the Parental Rights' Manual for negotiators produced by SACCAWU in 1999. These publications have been the product of painful soul- searching. They are attempts to highlight the plight of women in the workplace and represent the uncompromising resolve of the union to challenge the inequalities and discrimination that workers, especially women, suffer as parents. This booklet is intended to assist negotiators, shop stewards and ordinary workers in knowing and exercising their parental rights. In order to win the struggle for parental rights, the understanding of worker rights must reach all the way to the shop floor. This booklet will help to make that understanding a reality. We wish to thank the commitment and dedication by all workers and union officials who have worked tirelessly for the realisation of the noble goal of parental rights and have forced the bosses to reason beyond dogmatic greed to maximise profits. Achievements won thus far have not been easy victories, nor can they be attributed to kindness or a change of heart by the employers. This booklet builds on our manual and further inspires us to translate our dreams into reality.
- Full Text:
- Date Issued: 2000
- Authors: SACCAWU
- Date: 2000
- Subjects: SACCAWU
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/113858 , vital:33838
- Description: This booklet is a follow-up to the Parental Rights' Manual for negotiators produced by SACCAWU in 1999. These publications have been the product of painful soul- searching. They are attempts to highlight the plight of women in the workplace and represent the uncompromising resolve of the union to challenge the inequalities and discrimination that workers, especially women, suffer as parents. This booklet is intended to assist negotiators, shop stewards and ordinary workers in knowing and exercising their parental rights. In order to win the struggle for parental rights, the understanding of worker rights must reach all the way to the shop floor. This booklet will help to make that understanding a reality. We wish to thank the commitment and dedication by all workers and union officials who have worked tirelessly for the realisation of the noble goal of parental rights and have forced the bosses to reason beyond dogmatic greed to maximise profits. Achievements won thus far have not been easy victories, nor can they be attributed to kindness or a change of heart by the employers. This booklet builds on our manual and further inspires us to translate our dreams into reality.
- Full Text:
- Date Issued: 2000
Workers are parents too
- SACCAWU
- Authors: SACCAWU
- Date: 2000
- Subjects: SACCAWU
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/137642 , vital:37545
- Description: This booklet is a follow-up to the Parental Rights' Manual for negotiators produced by SACCAWU in 1 999. These publications have been the product of painful soul- searching. They are attempts to highlight the plight of women in the workplace and represent the uncompromising resolve of the union to challenge the inequalities and discrimination that workers, especially women, suffer as parents. This booklet is intended to assist negotiators, shop stewards and ordinary workers in knowing and exercising their parental rights. In order to win the struggle for parental rights, the understanding of worker rights must reach all the way to the shop floor. This booklet will help to make that understanding a reality. We wish to thank the commitment and dedication by all workers and union officials who have worked tirelessly for the realisation of the noble goal of parental rights and have forced the bosses to reason beyond dogmatic greed to maximise profits. Achievements won thus far have not been easy victories, nor can they be attributed to kindness or a change of heart by the employers. This booklet builds on our manual and further inspires us to translate our dreams into reality. We would like to thank everyone who contributed to the writing of this booklet, especially the SACCAWU Reference Group of Fihliwe Lusu, Brenita Cloete, Bella Maneli, Judy Piti, Abduragmann Jacobs, the SACCAWU National Gender Co-ordinator, Patricia Appolis, and those involved directly in production: John Pape of ILRIG, Meg Jordi, William Matlala, Rosie Campbell, Jon Berndt and Logo Print.
- Full Text:
- Date Issued: 2000
- Authors: SACCAWU
- Date: 2000
- Subjects: SACCAWU
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/137642 , vital:37545
- Description: This booklet is a follow-up to the Parental Rights' Manual for negotiators produced by SACCAWU in 1 999. These publications have been the product of painful soul- searching. They are attempts to highlight the plight of women in the workplace and represent the uncompromising resolve of the union to challenge the inequalities and discrimination that workers, especially women, suffer as parents. This booklet is intended to assist negotiators, shop stewards and ordinary workers in knowing and exercising their parental rights. In order to win the struggle for parental rights, the understanding of worker rights must reach all the way to the shop floor. This booklet will help to make that understanding a reality. We wish to thank the commitment and dedication by all workers and union officials who have worked tirelessly for the realisation of the noble goal of parental rights and have forced the bosses to reason beyond dogmatic greed to maximise profits. Achievements won thus far have not been easy victories, nor can they be attributed to kindness or a change of heart by the employers. This booklet builds on our manual and further inspires us to translate our dreams into reality. We would like to thank everyone who contributed to the writing of this booklet, especially the SACCAWU Reference Group of Fihliwe Lusu, Brenita Cloete, Bella Maneli, Judy Piti, Abduragmann Jacobs, the SACCAWU National Gender Co-ordinator, Patricia Appolis, and those involved directly in production: John Pape of ILRIG, Meg Jordi, William Matlala, Rosie Campbell, Jon Berndt and Logo Print.
- Full Text:
- Date Issued: 2000
Wow wow
- Didier Sourou Awadi aka DJ Awadi (performer, author), Amadou Barry aka Doug E. Tee, Duggy Tee (performer, author), Palm Tree Enter/Africa with P.B.S. Production
- Authors: Didier Sourou Awadi aka DJ Awadi (performer, author) , Amadou Barry aka Doug E. Tee, Duggy Tee (performer, author) , Palm Tree Enter/Africa with P.B.S. Production
- Date: 2000
- Subjects: Rap (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof , English , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131489 , vital:36586 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC53-05
- Description: Hip hop song sung in English, French and Wolof, accompanied by traditional Senegalese kora and tama musical instruments, as well as Western instruments
- Full Text: false
- Date Issued: 2000
- Authors: Didier Sourou Awadi aka DJ Awadi (performer, author) , Amadou Barry aka Doug E. Tee, Duggy Tee (performer, author) , Palm Tree Enter/Africa with P.B.S. Production
- Date: 2000
- Subjects: Rap (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof , English , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131489 , vital:36586 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC53-05
- Description: Hip hop song sung in English, French and Wolof, accompanied by traditional Senegalese kora and tama musical instruments, as well as Western instruments
- Full Text: false
- Date Issued: 2000
Woyou Talibe
- Fallilou Niang (drums), Straun Douglas
- Authors: Fallilou Niang (drums) , Straun Douglas
- Date: 2000
- Subjects: Popular music , Popular music--Senegal--2001-2010 , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127247 , vital:35992 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO2-01
- Description: Senegalese polular music
- Full Text: false
- Date Issued: 2000
- Authors: Fallilou Niang (drums) , Straun Douglas
- Date: 2000
- Subjects: Popular music , Popular music--Senegal--2001-2010 , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127247 , vital:35992 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO2-01
- Description: Senegalese polular music
- Full Text: false
- Date Issued: 2000
Wuyuma
- Pap Jibi Ba (lead vocal), Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals), Cheikh Tidiane Tall (guitar), Pape Ndiaye (sabar, talmba tamb), Dame Mbaye (xalam), Studio 2000
- Authors: Pap Jibi Ba (lead vocal) , Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals) , Cheikh Tidiane Tall (guitar) , Pape Ndiaye (sabar, talmba tamb) , Dame Mbaye (xalam) , Studio 2000
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130255 , vital:36392 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC40-02
- Description: Modern Senegalese song accompanied by traditional instruments including the sabar, xalam and talmba tamb, that create a combination of mbalax, yaba, ndaga, wolof and yela peul rhythms, fused with Afro-Cuban and soul music
- Full Text: false
- Date Issued: 2000
- Authors: Pap Jibi Ba (lead vocal) , Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals) , Cheikh Tidiane Tall (guitar) , Pape Ndiaye (sabar, talmba tamb) , Dame Mbaye (xalam) , Studio 2000
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130255 , vital:36392 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC40-02
- Description: Modern Senegalese song accompanied by traditional instruments including the sabar, xalam and talmba tamb, that create a combination of mbalax, yaba, ndaga, wolof and yela peul rhythms, fused with Afro-Cuban and soul music
- Full Text: false
- Date Issued: 2000
Xaar ma
- Youssu Ndour, Viviane (performed by), Youssou N'Dour, Papa Omar Ngom, Habib Faye (written by), Jololi
- Authors: Youssu Ndour, Viviane (performed by) , Youssou N'Dour, Papa Omar Ngom, Habib Faye (written by) , Jololi
- Date: 2000
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof , English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130501 , vital:36429 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC44-01
- Description: Senegalese version of international release of the album of the same name, featuring Vivian in a duet with Youssou N'Dour, energetic tama playing,Sengalese percussion, balafon,n'goni, and including western style guitar, drum and keyboard
- Full Text: false
- Date Issued: 2000
- Authors: Youssu Ndour, Viviane (performed by) , Youssou N'Dour, Papa Omar Ngom, Habib Faye (written by) , Jololi
- Date: 2000
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof , English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130501 , vital:36429 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC44-01
- Description: Senegalese version of international release of the album of the same name, featuring Vivian in a duet with Youssou N'Dour, energetic tama playing,Sengalese percussion, balafon,n'goni, and including western style guitar, drum and keyboard
- Full Text: false
- Date Issued: 2000
Xey Baax
- Mbaye Ndiaye (lead vocal, riiti), Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus), Alioune Gueye (guitar), Elou Fall (keyboard, programming, drums), Pape Ndiaye (percussion), Jololi
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130468 , vital:36425 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-04
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130468 , vital:36425 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-04
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
Xoyma
- Didier Sourou Awadi aka DJ Awadi (performer), Amadou Barry aka Doug E Tee or Duggy-Tee (performer), Positive Black Soul (band name aka PBS), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Didier Sourou Awadi aka DJ Awadi (performer) , Amadou Barry aka Doug E Tee or Duggy-Tee (performer) , Positive Black Soul (band name aka PBS) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 2000
- Subjects: Rap (Music) , Folk music , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129767 , vital:36329 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC33-01
- Description: Senegalese hip hop song accompanied by traditional Senegalese instruments
- Full Text: false
- Date Issued: 2000
- Authors: Didier Sourou Awadi aka DJ Awadi (performer) , Amadou Barry aka Doug E Tee or Duggy-Tee (performer) , Positive Black Soul (band name aka PBS) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 2000
- Subjects: Rap (Music) , Folk music , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129767 , vital:36329 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC33-01
- Description: Senegalese hip hop song accompanied by traditional Senegalese instruments
- Full Text: false
- Date Issued: 2000
Yaafa N'ma
- Rokia Traore (author, composer, arranger, interpreter, lead singer, guitar), Coco Mbassi, Rokia Traore (chorus), Adama Diarra (balafon), Mamah Diabate (N'Goni), Sidiki Camara (percussion), Label Bleu
- Authors: Rokia Traore (author, composer, arranger, interpreter, lead singer, guitar) , Coco Mbassi, Rokia Traore (chorus) , Adama Diarra (balafon) , Mamah Diabate (N'Goni) , Sidiki Camara (percussion) , Label Bleu
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131123 , vital:36526 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC49-09
- Description: Non-Malian vocal style and multilayered singing accompanied by traditional Malian instuments played with a modern edge
- Full Text: false
- Date Issued: 2000
- Authors: Rokia Traore (author, composer, arranger, interpreter, lead singer, guitar) , Coco Mbassi, Rokia Traore (chorus) , Adama Diarra (balafon) , Mamah Diabate (N'Goni) , Sidiki Camara (percussion) , Label Bleu
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131123 , vital:36526 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC49-09
- Description: Non-Malian vocal style and multilayered singing accompanied by traditional Malian instuments played with a modern edge
- Full Text: false
- Date Issued: 2000
Yal Nafi Yag
- Ndaye Marie Ndiaye (lead vocal), Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus), Tapha Faye (keyboard, arrangements), Papis Diouf (solo guitar), Badou Dieme (bass guitar), Jules Diop (drums), Papu Ndiaye (percussion), Dara Guisse (xalam), Habib Mbengue, Ousmane Ndiaye (additional percussion), Ndiago Ndour, Samassa Records
- Authors: Ndaye Marie Ndiaye (lead vocal) , Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus) , Tapha Faye (keyboard, arrangements) , Papis Diouf (solo guitar) , Badou Dieme (bass guitar) , Jules Diop (drums) , Papu Ndiaye (percussion) , Dara Guisse (xalam) , Habib Mbengue, Ousmane Ndiaye (additional percussion) , Ndiago Ndour , Samassa Records
- Date: 2000
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130228 , vital:36389 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC39-05
- Description: A Senegalese griot singer grounded in tradition. Her music demonstrates the richness of the inflections of the voice and the multiple intonations of the art of the griot. Her unique voice timbre and intonation is accompanied by traditional xalam and tama, as well as western instruments
- Full Text: false
- Date Issued: 2000
- Authors: Ndaye Marie Ndiaye (lead vocal) , Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus) , Tapha Faye (keyboard, arrangements) , Papis Diouf (solo guitar) , Badou Dieme (bass guitar) , Jules Diop (drums) , Papu Ndiaye (percussion) , Dara Guisse (xalam) , Habib Mbengue, Ousmane Ndiaye (additional percussion) , Ndiago Ndour , Samassa Records
- Date: 2000
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130228 , vital:36389 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC39-05
- Description: A Senegalese griot singer grounded in tradition. Her music demonstrates the richness of the inflections of the voice and the multiple intonations of the art of the griot. Her unique voice timbre and intonation is accompanied by traditional xalam and tama, as well as western instruments
- Full Text: false
- Date Issued: 2000
Yalla Bahna
- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128865 , vital:36175 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-06
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128865 , vital:36175 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-06
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
Yama
- Youssou N'Dour, John Sharp, Simon Richmond, Steve Hopwood (written by), Habib Faye (bass), Vinia Mojica (backing vocals), Kevin Armstrong (guitar), Babacar Faye (Senegalese percussion), Assane Thiam (Tama Senegalese talking drum), Kevin Armstrong, Pape Oumar Ngom (guitar), Youssoupha Camara (drums), YoussouN'Dour (vocals), Johnny $, Youssou N'Dour
- Authors: Youssou N'Dour, John Sharp, Simon Richmond, Steve Hopwood (written by) , Habib Faye (bass) , Vinia Mojica (backing vocals) , Kevin Armstrong (guitar) , Babacar Faye (Senegalese percussion) , Assane Thiam (Tama Senegalese talking drum) , Kevin Armstrong, Pape Oumar Ngom (guitar) , Youssoupha Camara (drums) , YoussouN'Dour (vocals) , Johnny $, Youssou N'Dour
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130585 , vital:36440 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC44-08
- Description: Senegalese desert music
- Full Text: false
- Date Issued: 2000
- Authors: Youssou N'Dour, John Sharp, Simon Richmond, Steve Hopwood (written by) , Habib Faye (bass) , Vinia Mojica (backing vocals) , Kevin Armstrong (guitar) , Babacar Faye (Senegalese percussion) , Assane Thiam (Tama Senegalese talking drum) , Kevin Armstrong, Pape Oumar Ngom (guitar) , Youssoupha Camara (drums) , YoussouN'Dour (vocals) , Johnny $, Youssou N'Dour
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130585 , vital:36440 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC44-08
- Description: Senegalese desert music
- Full Text: false
- Date Issued: 2000
Yama Daboon Ci Yoon
- Badou Boy and Pape Armand (composers), Badou Boy (lead vocal, accoustic guitar, harmonica, Pape Armand Boye (accousitc guitar, guitar solo, electric guitar, vocals), Mbaye Dieye Feye (Sabar and Percussions), Pathe Diassy (bass guitar), Straun Douglas
- Authors: Badou Boy and Pape Armand (composers) , Badou Boy (lead vocal, accoustic guitar, harmonica , Pape Armand Boye (accousitc guitar, guitar solo, electric guitar, vocals) , Mbaye Dieye Feye (Sabar and Percussions) , Pathe Diassy (bass guitar) , Straun Douglas
- Date: 2000
- Subjects: Popular music , Popular music--Senegal--2001-2010 , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127295 , vital:35997 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO2-06
- Description: Singing accompanied by guitar and harmonica
- Full Text: false
- Date Issued: 2000
- Authors: Badou Boy and Pape Armand (composers) , Badou Boy (lead vocal, accoustic guitar, harmonica , Pape Armand Boye (accousitc guitar, guitar solo, electric guitar, vocals) , Mbaye Dieye Feye (Sabar and Percussions) , Pathe Diassy (bass guitar) , Straun Douglas
- Date: 2000
- Subjects: Popular music , Popular music--Senegal--2001-2010 , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127295 , vital:35997 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO2-06
- Description: Singing accompanied by guitar and harmonica
- Full Text: false
- Date Issued: 2000
Yaq Faaxee
- Mbaye Ndiaye (lead vocal, riiti), Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus), Alioune Gueye (guitar), Elou Fall (keyboard, programming, drums), Pape Ndiaye (percussion), Jololi
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130459 , vital:36423 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-03
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130459 , vital:36423 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-03
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
Yere Oulo
- Rokia Traore (author, composer, arranger, interpreter, lead singer, guitar), Coco Mbassi, Rokia Traore (chorus), Adama Diarra (balafon), Mamah Diabate (N'Goni), Andra Kouyate (N'Goni Ba), Sidiki Camara (percussion), Label Bleu
- Authors: Rokia Traore (author, composer, arranger, interpreter, lead singer, guitar) , Coco Mbassi, Rokia Traore (chorus) , Adama Diarra (balafon) , Mamah Diabate (N'Goni) , Andra Kouyate (N'Goni Ba) , Sidiki Camara (percussion) , Label Bleu
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cameroon Yaounde f-cm
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131042 , vital:36518 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC49-04
- Description: Non-Malian vocal style and multilayered singing accompanied by traditional Malian instuments played with a modern edge
- Full Text: false
- Date Issued: 2000
- Authors: Rokia Traore (author, composer, arranger, interpreter, lead singer, guitar) , Coco Mbassi, Rokia Traore (chorus) , Adama Diarra (balafon) , Mamah Diabate (N'Goni) , Andra Kouyate (N'Goni Ba) , Sidiki Camara (percussion) , Label Bleu
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cameroon Yaounde f-cm
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131042 , vital:36518 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC49-04
- Description: Non-Malian vocal style and multilayered singing accompanied by traditional Malian instuments played with a modern edge
- Full Text: false
- Date Issued: 2000
Yoni Ropalane
- Pap Jibi Ba (lead vocal), Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals), Cheikh Tidiane Tall (guitar), Pape Ndiaye (sabar, talmba tamb), Dame Mbaye (xalam), Studio 2000
- Authors: Pap Jibi Ba (lead vocal) , Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals) , Cheikh Tidiane Tall (guitar) , Pape Ndiaye (sabar, talmba tamb) , Dame Mbaye (xalam) , Studio 2000
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130264 , vital:36393 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC40-03
- Description: Modern Senegalese song accompanied by traditional instruments including the sabar, xalam and talmba tamb, that create a combination of mbalax, yaba, ndaga, wolof and yela peul rhythms, fused with Afro-Cuban and soul music
- Full Text: false
- Date Issued: 2000
- Authors: Pap Jibi Ba (lead vocal) , Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals) , Cheikh Tidiane Tall (guitar) , Pape Ndiaye (sabar, talmba tamb) , Dame Mbaye (xalam) , Studio 2000
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130264 , vital:36393 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC40-03
- Description: Modern Senegalese song accompanied by traditional instruments including the sabar, xalam and talmba tamb, that create a combination of mbalax, yaba, ndaga, wolof and yela peul rhythms, fused with Afro-Cuban and soul music
- Full Text: false
- Date Issued: 2000